Palm Desert: an Architectural Tour Into Modernism

Total Page:16

File Type:pdf, Size:1020Kb

Palm Desert: an Architectural Tour Into Modernism PALM DESERT: AN ARCHITECTURAL TOUR INTO MODERNISM Written and compiled by Jim West -2016 Typical example of the architectural work of John F. Outcault West-Prinzmetal Architectural Archives, Palm Desert, CA Top to bottom left then right: Toole House by Rudolph Schindler 1 Odell Ranch House by Carl Hansen 2 E. W. Stewart House by Walter S. White 3 Adrian Pellieter House by Clark, Frey & Chambers 4 Hal Kapp – Ted Smith Office Building by John F. Outcault 5 Palm Desert Sandpiper by William Krisel 6 Credits: 1. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara. Photographer: Shirley C. Burden; 2. Photographer: Linda Holden Clode; 3. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara. Photographer: Walter S. White; 4. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara and the Getty Research Institute, Los Angeles. Photographer: Julius Shulman; 5. West-Prinzmetal Architectural Archives, Palm Desert, Ca; 6. Photographer: James Schnepf Special thanks to the following: Jocelyn Gibbs; Karen Prinzmetal; Linda Holden Clode; Merilee Colton; James Schnepf; Volker M. Welter; Historical Society of Palm Desert; City of Palm Desert: Cultural Resources Preservation Committee; Modernism Week. PALM DESERT: AN ARCHITECTURAL TOUR INTO MODERNISM Welcome to Palm Desert … ‘the smartest address in the American desert’. Not always considered so special this area was once called ‘Sand Hole’ by the US Government back in the days of horses and stagecoaches traveling on the nearby Bradshaw Road. Here former agricultural spaces eventually developed into the small community of ‘Palm Village’. Soon after that the nearby resort community of ‘Palm Desert’ was intentionally created around the famous Shadow Mountain Club. The architecture that is represented in this region ranges from ranching/utilitarian to desert modern/relaxation. Design creativity and the introduction of new materials and building systems resulted in structures that celebrated living in the beauty of a desert environment. Many of these homes were originally designed for care free ‘seasonal’ use. First however, it was all about WORK. In 1903 Charles McDonald became the first rancher here. He created a 480 acre ranch where he installed wells and reservoir and made an attempt to grow hops. By 1929 King Gillette of razor blade fame bought the ranch and converted it to growing grapefruit. In 1932 Highway 74 opened after being built on the Palms to Pines trail. This new road provided access to the San Jacinto and Santa Rosa mountains. This opening elevated the importance of this MID VALLEY location which is ‘halfway’ between Palm Springs and Indio. This same road would much later serve a ‘staring’ role in the 1963 filming of the comedy blockbuster It’s A Mad, Mad, Mad, Mad World. Near this intersection of Highway 74 and Highway 111 a small homestead existed. This 1920s home had its own well and electric power and had a fireplace made of adobe. In 1934 and 1935 it was occupied by an important architect. It is here that the young Swiss architect, Albert Frey lived while he worked on his first important Coachella Valley project. He drove his 1932 Ford convertible from Palm Desert to Palm Springs for the making of the Kocher-Samson Building. In the 1930’s William Johnson, president of American Pipe and Construction Company purchased 320 acres from King Gillette and built 6 homes. He later hired the landscape architect, Charles Gibbs Adams to make a residential area on his land with curved streets where each small house would have mountain views. Adams was famous for designing the Hearst Castle gardens, USC and the streets of Beverly Hills. The basic infrastructure for the area was completed but unfortunately this desert project failed due to the Great Depression. Eventually it was purchased in the 1940’s by the Mollin Investment Company and renamed ‘PALM VILLAGE’. Time to make some houses! From 1942 thru 1944 General Patton maintained a GIGANTIC vehicle pool in an area south of HWY 111 for troops that were in training for desert warfare. It was called the ‘Palm Village Vehicle Pool’ and over 6000 tanks and field artillery passed thru this area. Here officers and soldiers received training on vehicle use and quick repair methods in a desert environment. The weapons, vehicles, and many of the soldiers eventually were disbursed overseas. After this military area was closed and cleared out, this empty desert space was noticed by a group of influential and moneyed ‘players’. Cliff Henderson is the visionary who is credited with creating Palm Desert. Henderson was a nationally known individual who among many other things had been the first manager of the Los Angeles Airport and managed the National Air Races. Encouragement and financial backing for creating the city came from Edgar Bergen, Harold Lloyd, Leonard Firestone, Bill and Anthony Stewart (Union Oil), and the brothers Carl, Randall and Phil Henderson among others. This same group owned the famous Welton Beckett designed, streamline moderne, Pan Pacific Auditorium in Los Angeles and had regular contacts with the rich and famous. By 1946 the Palm Desert Corporation was formed and 1,620 acres of pure desert land was purchased south of HWY 111. It is said that they paid $26 per acre. Edith Eddy Ward set herself up as the ‘First Lady’ of real estate for Palm Desert. Tommy Tomson the husband of the Henderson sister Dorris was chosen as the city landscape architect. He created a city plan that continued the concept of curving neighborhood streets that had started in nearby Palm Village. Soon streets and water distribution systems were placed. The main street, El Paseo was planned and developed as an opulent shopping destination with trees optimistically planted a full 10 years before the first store opened. Tomson was famous for his landscapes of Union Station in Los Angeles, the Santa Anita racecourse, Pan Pacific Auditorium and the Los Angeles Park La Brea apartments near LACMA. In 1945 just west of HWY 74 Homesteads were started in the Cahuilla Hills. There were 128, five acre parcels that were offered at $5 a year. A self built ‘cabin’, worth at least $300, added to the site resulted in receiving a deed to the property. One early homesteader was none other than Tommy Tomson. His unusual house was constructed from railroad ties and had modern spider leg structure supports attached. Today Cahuilla Hills are an amazing mix of giant estates and tiny, tiny homes. Meanwhile the famous Shadow Mountain Club was beginning to take shape. Kaufmann, Lippincott, and Eggers were the original architects for this mammoth project. Kaufmann was famous for designing the La Quinta Inn and the Hoover Dam. Shadow Mountain work started in 1946 with the construction of a large 600 foot long lake. Then in 1947 an enormous 350,000 gallon, figure eight shaped, 130 foot long pool was created. This pool still exists today! This pool was photographed by Julius Shulman and was referred to as ‘the good life’ although as is true in much of early Palm Desert architectural history it is incorrectly labeled as ‘Palm Springs’. In 1948 an International Style clubhouse, dining room and pro shop was designed by the architect Tom Douglas. From the beginning the club was filled with celebrities and sports personalities. Shadow Mountain Club had everything: Stables, race track, model train house, high diving, rainbow trout fishing, movies, theater, parties and more. It truly served as the social center for the young community. In 1958 a Gene Sarazen designed golf course was built and in 1961 tennis courts were completed. Eventually cottages and condominiums were also added. This club probably played the largest role in the early development of Palm Desert. Images of Shadow Mountain Club and Club Logo courtesy of Historical Society of Palm Desert Above:Toole House Site Plan and Vintage Image by owner. Below: Interior images by Shirley C. Burden. Architecture and Design Collection. Art, Design & Architecture Museum, UC Santa Barbara. One architect, the internationally famous Rudolph Schindler, was commissioned to design the Maryon Toole House (1946-1948) in Palm Village. Today this is one of the most important preserved modernist structures in the Coachella Valley. It is also the only known remaining Schindler structure in our valley. The reddish-brown local stone masonry house has a soaring and open beam ceiling punctured by a fireplace. Schindler said “the whole is shaded by an ample but lightly poised roof reminiscent of a giant oak leaf”. Schindler called his form of modern architecture “Space architecture” which focused on the design of the interior space. The views from inside this structure reveal spectacular mountains in all directions. Schindler is given credit for the first modernist structure in our valley – The Popenoe Cabin (1922) which once was located in Coachella. The first major commercial structure to be built south of HWY 111 was near the Toole House. It was the 17,000 square foot Desert Magazine building for Randall Henderson. Here the publication, Desert Magazine was produced. This large structure was primarily used for publishing but also included an art gallery, gift shop, and gem shop. The Pueblo Revival building was designed by Harry Williams and was built in 1948. In addition he designed apartments located behind the commercial structure for the employees. Harry Williams is the same architect that designed the 1936 La Plaza in downtown Palm Springs which also incorporated a mixed use approach. He would later form the firm of Williams, Williams, and Williams (with sons Roger and Stewart). Arial photograph is by Walter S. White. Image is bounded by Shadow Mountain Drive on the left and El Paseo Blvd. on the right. The Sun Lodges are clustered at the top and the Firecliff Lodge is aligned along the bottom.
Recommended publications
  • Mid-Century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida
    ISSN: 2683-0668 ____________________________________________________ Rufus Nims: Mid-century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida Faculty mentor: Vandana Baweja, School of Architecture Abstract Mid-century modern architecture developed after the Second World War as numerous technological advancements allowed for open house plans with the increased use of glass and a reconfiguration of indoor-outdoor relationships. Rufus Nims, a Miami architect (1913–2005), hybridized emerging ideas of mid-century modernism with climatic design that emerged in the field of tropical architecture after the Second World War. Nims experimented with homes that had disappearing walls; and that could be comfortable in the hot and humid climate of Florida. This paper will analyze Rufus Nims’ role in the development of Florida Tropical Architecture, through his seamless integration of indoor and outdoor spaces. Further, this study will assess how Rufus Nims used tropical architecture strategies in South Florida, such as screened-in porches, disappearing walls, and landscape integration. The paper argues that Rufus Nims’ architectural ideas were based on an emerging redefinition of the indoor-outdoor spatial relationships as was evident in the broader mid-century modern movement and Florida Tropical Architecture. Introduction Mid-century Modern In Europe, the modernism movement began after the First World War with a need to industrialize the building production process, minimize the cost of construction, and provide a livable home designed for human habitation.1 Architects from Germany including Walter Gropius, Marcel Breuer, and Mies van der Rohe came to America during the 1930s at Harvard and changed Harvard’s emphasis from Beaux-Arts Architecture to Bauhaus modernism.
    [Show full text]
  • DC Inventory L
    DC INVENTORY OF HISTORIC SITES L L’Enfant Plan: see the Plan of the City of Washington Labor Department: see Federal Triangle La Corona Apartments (Frederic B. Pyle, 1907) at 425 M Street NW: see Mount Vernon Square Historic District The Lafayette 1605-07 7th Street, NW Among the city's earliest extant apartment buildings; simplified Queen Anne facade shows effort to incorporate accepted stylistic values into affordable middle-class housing; work of architect influential in the adoption of apartment living; built 1898, George S. Cooper, architect; DC designation January 17, 1990, NR listing September 7, 1994 Lafayette Building (Export-Import Bank) [National Register only] 811 Vermont Avenue, NW Highly developed example of the last phase of the Stripped Classical style, illustrating the continued preference for classically derived modernism in the national capital; notable work of nationally recognized Chicago architects; privately developed for leasing to the Reconstruction Finance Corporation and other finance-related Federal government agencies; strong massing, limestone veneer, black granite portal, almost complete absence of ornament, with design emphasis on color contrast and richness of material; prominently situated on major public squares; marks abandonment of plans for monumental classical frame for Lafayette Square; built 1939-40, (Holabird & Root, architects, in association with A.R. Clas); within Fifteenth Street HD, NHL designation and NR listing September 1, 2005; US ownership Marquis de Lafayette Monument Pennsylvania Avenue
    [Show full text]
  • Modern Architecture in California
    Modern architecture in California Arranged by the Department of Architecture of the Museum of Modern Art, arranged for circulation by the Department of Circulating Exhibitions Date 1935 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2081 The Museum of Modern Art's exhibition history—from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art MODERN ARCHITECTUREIN CALIFORNIA The Museum of Modern Art,New York HORARY J&jf'.asi cJ 'foaOrfl Art ARCHIVE PLEASERETURN TO OFFICE'>'e 1 0N HOE WHEELcH i PYI^Si DEPT. MODERN ARCHITECTUREIN CALIFORNIAARRANGED BY THE DEPARTMENTOF ARCHITECTUREOF THE MUSEUM OF MODERN ART Committee Philip L. Goodwin,Chairman ProfessorHenry-Russell Hitchcock, Jr. GeorgeHowe Dr. JosephHudnut Philip Johnson i AlfredH. Parr, Jr., Directorof the Museum ErnestineM. Fantl,Staff Member in Chaige Arrangedfor circulationby the Departmentof CirculatingExhibitions. For informationregarding other travellingeHubicions please write to Miss Elodie Courter,Secretary, ment of CirculatingExhibitions, Museum ot Modern Ait, 11 West 53 Street,New York, N.Y. oma * H 5- MODERN ARCHITECTURE IN CALIFORNIA FOREWORD Modern architecture in California is conspicuous for two reasons: the number and variety of the influences which have shaped its expression,and the opportunities for actual constructionwhich it has enjoyed. xne peculiar ebullience of the state which has produced the EPIC movement, the Vigilantes, Hollywood, the Four Square Gospel, the Red Menace and the Yellow Peril, has resulted in the encouragementof experimentalana reactionary ideas in architecture,as well as in poli tics, religion and entertainment.
    [Show full text]
  • Modernism in Bartholomew County, Indiana, from 1942
    NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction.
    [Show full text]
  • Landscape Architecture … Is a Social Art
    Landscape architecture … is a social art. – Lawrence Halprin, 2003 The Landscape Architecture of Lawrence Halprin The Cultural Landscape Foundation connecting people to places™ ® tclf.org What’s Out There [cover] Roger Foley Franklin Delano Roosevelt Memorial 2016 C-print 36 x 24 inches [opposite] Roger Foley Fountain Detail, Franklin Delano Roosevelt Memorial 2016 Acknowledgements This gallery guide was created to accompany the traveling photographic exhibition The Landscape Architecture of Lawrence Halprin, which debuted at the National Building Museum on November 5, 2016. The exhibition was organized by The Cultural Landscape Foundation (TCLF), and co-curated by Charles A. Birnbaum, President & CEO, FASLA, FAAR, Nord Wennerstrom, Director of Communications, and Eleanor Cox, Project Manager, in collaboration with G. Martin Moeller, Jr., Senior Curator at the National Building Museum. The production of this guide would not have been possible without the help and support of the Halprin family, and the archivists at the Architectural Archives of the University of Pennsylvania, where Lawrence Halprin’s archive is kept. We wish to thank the site owners and administrators who graciously allowed us to document their properties, particularly Richard Grey, Diana Bonyhadi, Emma Chapman, and Anna Halprin, who allowed us access to their private residences. We also wish to thank the photographers who generously donated their time and energy to documenting these sites, and Russell Hart for proofing the photography. Finally, we are grateful to the National Building Museum’s Chase W. Rynd, Hon. ASLA, President and Executive Director of THE LANDSCAPE ARCHITECTURE OF the National Building Museum, Nancy Bateman, Registrar, Cathy Frankel, Vice President for Exhibitions and Collections, and G.
    [Show full text]
  • THE WORLD of LAFAYETTE SQUARE Sites Around the Square
    THE WORLD OF LAFAYETTE SQUARE Lafayette Square is a seven-acre public park located directly north of the White House on H Street between 15th and 17th Streets, NW. The Square and the surrounding structures were designated a National Historic Landmark District in 1970. Originally planned as part of the pleasure grounds surrounding the Executive Mansion, the area was called "President's Park". The Square was separated from the White House grounds in 1804 when President Jefferson had Pennsylvania cut through. In 1824, the Square was officially named in honor of General Lafayette of France. A barren common, it was neglected for many years. A race course was laid out along its west side in 1797, and workmen's quarters were thrown up on it during the construction of the White House in the 1790s. A market occupied the site later and, during the War of 1812, soldiers were encamped there. Lafayette Park has been used as a zoo, a slave market, and for many political protests and celebrations. The surrounding neighborhood became the city's most fashionable 19th century residential address. Andrew Jackson Downing landscaped Lafayette Square in 1851 in the picturesque style. (www.nps.gov) Historian and novelist Henry Adams on Washington, D.C. 1868: “La Fayette Square was society . one found all one’s acquaintances as well as hotels, banks, markets, and national government. Beyond the Square the country began. No rich or fashionable stranger had yet discovered the town. No literary of scientific man, no artist, no gentleman without office or employment has ever lived there.
    [Show full text]
  • Beverly Willis: a Life in Architecture
    Regional Oral History Office University of California The Bancroft Library Berkeley, California Beverly Willis BEVERLY WILLIS: A LIFE IN ARCHITECTURE Interviews conducted by Victor Geraci, PhD in 2008 Copyright © 2008 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Beverly Willis dated October 15, 2008. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Architecture You LOVE Monday, May 15, 2017
    From: North Carolina Modernist Houses <[email protected]> on behalf of North Carolina Modernist Houses <[email protected]> Sent: Monday, May 15, 2017 9:53 AM To: [email protected] Subject: Thursday T4A Leo Gaev / New: Fallingwater Tour / USMR: Capurro-Hodge-Davis Connect with Mr.Modernism's Instagram feed and get daily doses of incredible Modernist houses from NCMH's Executive Director George Smart. Architecture You LOVE Is this email not displaying correctly? View it in your browser. Monday, May 15, 2017 "Like" Us Tweet Us Share Us Modernist Houses For Sale or Rent. Keeping Modernist houses occupied is the best way to preserve NCMH travelled to London, Brussels, Antwerp, Rotterdam, The them! Check this Hague, and Amsterdam last week with 25 architectural exclusive statewide adventurers just like you! Here we are outside Zaha Hadid's new list. port building addition in Antwerp, Belgium. To get first dibs on next year's trip to Shanghai and Hong Kong, plus discounts on most local tours, plus free admission to this year's Modern Homes Architecture Movie Series, and more, join the Mod Squad! Thirst4Architecture, this Thursday, May 18, 6-8pm, Leo Gaev Metalworks, 102 Lloyd Street, Carrboro, celebrating ten years in the Triangle! This exciting, informal happy hour is free and open to the public. We welcome Modernist homeowners, architects, artists, designers, realtors, engineers, contractors, property investors, building managers, materials and furniture dealers – or anyone with a huge crush on great architecture. 2017 T4A's are sponsored by realtor Lesley McAdams. Free! Details! New: The Frank Lloyd Wright/Fallingwater Tour, Thursday- Friday, September 14-15.
    [Show full text]
  • THE AMERICAN INSTITUTE of ARCHITECTS and the AMERICAN LIBRARY ASSOCIATION Library Administration and Management Association Reci
    THE AMERICAN INSTITUTE OF ARCHITECTS and THE AMERICAN LIBRARY ASSOCIATION Library Administration and Management Association Recipients, Library Buildings Award Program 1963~1993 THE AMERICA."'! INSTITUTE OF ARCHITECTS and THE AMERICAN UBRARY ASSOCIATION Library Adminis!Tation and Management Association Recipients, Library Buildings Award Program 1963 FIRST HONOR AWARD Ben.'lington College Library Bennington, Vermont Pietro Belluschi & Carl Koch & Associates, Architects Skokie Public Library Skokie, lllinois Skidmore, Owings & Merrill, Architects Undergraduate Library University of South Carolina Columbia, South Carolina Lyles, Bissett, Carlisle & Wolff, Architects Walnut Hill Branch Dallas Public Library Dallas, Texas J. Hershel Fisher & Donald E. Jarvis, Architects AWARD OF MERIT Burling Library Grinnell College Grinnell,. lotva Skidmore, Owings & Merrill, Architects Douglass College Library Rutgers State University New Brunswick, New Jersey \Varner, Burns1 Toan, Lunde, Architects Flossmoor Public Library Flossmoor, Illinois McPherson-Swing & Associates, Architects Foothill College Library Los Altos Hills, California Ernest J. Kump & Masten & Hurd, Architects Louisiana State Library Baton Rouge, Louisiana William L. Pereira & Associates, Architects 1 Lourdes Library Gwynedd Mercy Junior College Gwynedd Valley, Pennsylvania Nolen-Swinburne & Associates, Architects New Orleans Public Library Main Library New Orleans, Louisiana Curtis & Davis, Goldstein, Parham & Labouisse, Favrot, Reed, Mat.'les & Bergman Associates, Architects Schulz
    [Show full text]
  • Mario Salvadori Champion of Structural Design in Architecture by Richard G
    ggreatreat aachievementschievements Mario Salvadori Champion of Structural Design in Architecture By Richard G. Weingardt Named by Engineering News-Record (ENR) methods. (The Salvadori Center’s current than a dozen books and nearly 200 papers in 1999 as one of the top 20 structural director is Dr. Lorraine Whitman — on mathematics, structural and architectural engineers of the last 125 years, Mario George [email protected].) engineering, many of them crafted so the av- Salvadori impacted the design/building in- One of the main elements of his teaching erage non-engineering-trained person could dustry far beyond engineering. A charis- methods – to get youngsters to fully appreci- easily understand complex technical issues. matic professor of structural engineering ate science and mathematics – included the Two of the most popular were Why Buildings at Columbia University for more than 50 use of hands-on study of bridges and other Stand Up and Why Buildings Fall Down. years, he was known internationally not structures. His demonstrations of the appli- In the latter, Salvadori offered the opinion only for his teachings skills but also for his cations of engineering principles often in- that, more than anything else, “all structural extensive writings and innovative engine- cluded using everyday household products failures may be due to a lack of redundancy,”© ering designs. In the United States, especial-Copyrightlike cardboard, string, marshmallows, straws, and that, “the ‘infallible’ computer is run ly New York City, he was also well respect- toothpicks and balsa wood. His use of folded by fallible human beings and cannot be ed in his later years for his dedicated efforts paper models to create various kinds of struc- trusted to give right answers all the time.
    [Show full text]
  • 3 Term—Day—Time: Spring 2021—Tuesdays—10:00Am-12:50
    TOPICS IN MODERN ARCHITECTURE IN SOUTHERN CALIFORNIA ARCH 404 Units: 3 Term—Day—Time: Spring 2021—Tuesdays—10:00am-12:50pm Location: ZOOM Instructor: Kenneth Breisch Office Hours: Tuesdays—2-3pm or by appointment Contact Info: [email protected] (I will respond to emails/voicemails within 24 hours Monday-Friday, and on the Monday following a weekend or holiday break) Class Assistant: Ani Mnatsakanyan Contact Info: [email protected] COURSE DESCRIPTION There are few regions in the world where it is more exciting to explore the scope of twentieth-century architecture than in Southern California. It is here that European and Asian influences combined with the local environment, culture, politics and vernacular traditions to create an entirely new vocabulary of regional architecture and urban form. Lecture topics range from the stylistic influences of the Arts and Crafts Movement and European Modernism to the impact on architecture and planning of the automobile, World War II, or the USC School of Architecture during the 1950s. LEARNING OBJECTIVES By the end of this course, students will be able to: 1. read and interpret architectural plans, sections and elevations 2. Identify major periods of development and architects in the history of Southern California architecture, planning and landscape design from prehistory to the present day 3. Critically analyze the relationship between architectural or landscape forms (sometimes identified with the idea of style) and the cultural, political and economic forces that shaped them PREREQUISITE(S): Students in this class come from a broad range of disciplines, some of whom will have a background in architecture, but this is not necessary to take this class.
    [Show full text]
  • City of Palm Springs
    City of Palm Springs Department of Planning Services Memorandum Date: August 24, 2020 To: HSPB From: Ken Lyon, RA, Associate Planner Subject: Case HSPB #83 – The Palm Springs Racquet Club 2743 N. Indian Canyon Historic Resources Report dated July 14, 2020 Dear Board Members, In 2017, the HSPB voted unanimously to recommend that the City Council designate the Palm Springs Racquet Club as a Class 1 historic site. The recommendation was based upon a historic resources report written by the John Ash Group in 2004. The property owner had the property listed for sale and requested the City Council Public Hearing be postponed. The property is still for sale, however at its September 2019 meeting, the HSPB again requested staff to prepare the HSPB’s recommendation for City Council consideration. Given the length of time since the Ash Group’s report was completed in 2004, Staff commissioned a professional services firm to provide an updated analysis and report about the site to determine whether, in its current condition, the site is still eligible for consideration as a historic resource. That report is attached here for your consideration. Recommendation: Direct staff to schedule a public hearing of the HSPB to consider the updated report and determine whether to re-state its previous recommendation or to establish a new recommendation to the City Council for possible designation of the Palm Springs Racquet Club as a historic resource. Attachment (via e-mail): July 14, 2020 Historic Resources Report on the Palm Springs Racquet Club. Vicinity Map. 3200 E. Tahquitz Canyon Way, Palm Springs, CA 92262 Tel: (760) 323-8245 Fax: (760) 322-8360 E-mail: [email protected] Department of Planning Services Vicinity Map CITY OF PALM SPRINGS 2743 N INDIAN CANYON DRIVE HISTORIC RESOURCES ASSESSMENT REPORT Palm Springs Racquet Club July 14, 2020 HISTORIC RESOURCES GROUP 12 S.
    [Show full text]