DOCSLIB.ORG

Soaring2020 TOUR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Soaring2020 TOUR B W U C of M BALDWIN WALLACE SYMPHONY ORCHESTRA soaring2020 TOUR This tour is made possible through the generous support of the BW Instrumental Ensemble Traveling Fund Endowment and Ms. Carole L. Maatz. BWSO TOUR DATES February 19 | 7 pm | Baldwin Wallace University Gamble Auditorium, Berea, Ohio February 20 | 7 pm | Hilbert Circle Theater Hilbert Circle Theatre, Indianapolis, IN with special guests Carmel High School Camerata Orchestra, Fishers High School Symphony Orchestra, Avon High School Symphony Orchestra soaring February 21 | Mason High School Mason, OH February 22 | 5 pm | Hilliard Davidson High School Hilliard Davidson High School Auditorium, Hilliard, OH with special guests Hilliard Davidson Orchestra PROGRAM: CLINT NEEDHAM - Flourishes CHEN YI - Chinese Folk Dance Suite for Violin and Orchestra OTTORINO RESPIGHI - Pines of Rome Welcome to this concert presented by the students of Baldwin Wallace University Conservatory of Music conducted by Dr. Soo Han, Professor of Conducting and Director of Orchestral Studies. The Symphony Orchestra is one of nine major ensembles at Baldwin Wallace Conservatory where 300 undergraduate music majors prepare for careers as performers, music educators, music therapists, composers, arts managers and scholars. The Conservatory is one of Baldwin Wallace University’s flagship programs; Conservatory students comprise over 10% of the undergraduate student body. It is our distinct pleasure to perform for you. The Soaring Tour features the music of BW’s Composer-in-Residence Dr. Clint Needham. Head of the Composition program at BW, Dr. Needham provides oversight for the biennial FOCUS Festival of Contemporary Music. Featured in Chen Yi’s Chinese Folk Dance Suite is Dr. Julian Ross, chair of the String Studies department and member of the Elysian Trio and Lyceum2 faculty chamber groups at BW. Also joining the tour is Dr. David Pope, chair of the Professional Studies department and head of the robust and highly celebrated Music Education program at BW. I encourage you to take the time to engage these faculty members in conversation and learn about their many artistic and academic initiatives with students at BW. We invite your discovery of Baldwin Wallace University in Berea, Ohio, just 20 minutes from Cleveland. Our location is one of our greatest assets. Partnerships with The Cleveland Orchestra, Cleveland Chamber Symphony, Playhouse Square, Great Lakes Theatre and the greater Cleveland medical and business communities exalt the connections between professional training and liberal arts studies at Baldwin Wallace. Just eight years ago, a $20 million construction and renovation effort transformed the BW Conservatory, rendering it an The Symphony Orchestra outstanding building complex with notable performance, rehearsal, classroom, library and practice spaces. In 2014, BW became the 14th conservatory worldwide on the roster of All- is composed of all the Steinway Schools. College Degree Search named the BW Conservatory one of the 50 most Conservatory string players beautiful music schools in the United States. Music School Central ranked BW No. 4 among the Top 10 liberal arts colleges for music. Onstage ranked the BW Music Theatre program as well as a select number No. 1 in the country among Bachelor of Music, Music Theatre programs. And the National of woodwind, brass and Opera Association recognized BW as No. 1 in Division IV of its Opera Production Competition. percussion students. The The BW spirit is one of bold energy and great joy—and it is thriving on our campus! We are orchestra averages about 75 a community of learners committed to intentional excellence, extraordinary engagement and holistic support. Together these values lead to intriguing innovation, noteworthy members and selection for this partnerships and a steadfast commitment to artistic distinction. We are in the business of ensemble is by audition. The transforming lives, and the Symphony Orchestra is pleased to act as an ambassador for the remarkable place that is Baldwin Wallace. orchestra performs at least six concerts per year, including the annual Bach Festival and Susan D. Van Vorst Dean, Conservatory of Music the biennial FOCUS Festival. Baldwin Wallace University Soo Han is the Director of Orchestral Studies at the Baldwin Wallace Conservatory of Music, a member of the Board of Directors of the Midwest International Band and Orchestra Clinic, a contributing editor for Hal Leonard’s Essential Elements for Strings, a D’Addario Orchestral Strings Artist, a Conn-Selmer Educational Clinician, program coordinator and faculty member with Los Angeles Philharmonic’s summer YOLA program, and the former Director of Orchestras & Department Chair of the William H. Duke Center for the Performing Arts at Carmel High in Carmel, IN. As an active conductor, he has appeared with Carmel Symphony Orchestra, Cave Run Symphony Orchestra, Michigan State Opera Theatre, Michigan State Symphony Orchestra, Valparaiso University, and Butler University Symphony Orchestra. He is an active conductor for All-State, regional, and honor orchestras appearing in over 30 states and has conducted internationally in Austria, China, Thailand, and Australia. He has collaborated with numerous artists, groups, and conductors such as Lynn Harrell, David Kim, and the Indianapolis Symphony Orchestra. He has produced multiple recordings of complete symphonies and has premiered several commissioned works for strings and full orchestras. He has presented workshops and clinics internationally and SOO HAN for nearly every major national and state music conference Director of Orchestral Studies including, Australian String Teacher Conference, Maryborough Baldwin Wallace University National Australia Conference, Midwest Clinic, ASTA National Conference, NAfME National Conference, and Ohio University Summer String Teacher Workshop. Orchestras under his leadership experienced a great deal of success including 9 Indiana State School Music Association (ISSMA) State Championship and being named Grand Champions at the National Orchestra Cup at Lincoln Center’s Alice Tully Hall. As a passionate supporter of public school music programs, he continues to remain active in instrumental classrooms throughout the country. He is the past-president of the Indiana American String Teachers Association and the chapter was awarded the ‘Most Improved Chapter’ during his time as president and recently served as the National American String Teachers Association’s K-12 Committee Chair. He received his Bachelor of Instrumental Music Education degree from Indiana University Jacobs School of Music, Master of Science in Education from Indiana University School of Education, and received his Doctorate in Orchestral Conducting from the Michigan State University College of Music. BALDWIN WALLACE UNIVERSITY SYMPHONY ORCHESTRA The music of CLINT NEEDHAM has been described as “wildly Clint Needham, Flourishes entertaining” and “stunning... brilliantly orchestrated” by the New York Times, as well as “well-crafted and arresting… riveting” by the Violin I Bass Tuba Herald Times. Needham recently served as the Knight Foundation Cayleigh Stewart - Jacob Kaminski - Principal Kyle Burr Composer in Residence with the Akron Symphony where he Concertmistress Noah Steele - collaborated with the City of Akron on a 30-miniute multimedia Nathan Thomeer - Assistant principal Percussion work. He has also served as the Mellon Composer/Educator in Assistant concertmaster Nijah Holliday Nicholas Urbanic, Timpani Residence and the Music Alive: New Partnerships Composer in Cecilia Cooper Nate Burgess Nancy Guzman Residence with the Albany Symphony for two seasons. Needham’s Hannah Reinschmidt Grace Cooper Emily Kulinowski orchestral music has been commissioned and performed by the Minnesota Orchestra, Ryan Detwiler Ryan Smith Orpheus Chamber Orchestra, Pittsburgh Symphony, Omaha Symphony, American Avery Seiger Composers Orchestra, Spokane Symphony, Aspen Concert Orchestra, Cabrillo Festival Michael Heid Flute Orchestra, and Symphony in C, among others. Various chamber groups including Alarm Emily Forster Will Sound, the American Brass Quintet, Aspen Contemporary Ensemble, Chicago Pro Violin II Evan Fraser Musica, Da Capo Chamber Players, Fifth House Ensemble, Hawthorne String Quartet, Kerry Broker - Principal Brandon Landry, Piccolo President’s Own Marine Band Brass Quintet, and the Stanford Wind Quintet have given Dante Freund - performances of his chamber music across the country as well as in Europe, Brazil, Japan, Assistant principal Oboe Hong Kong, South Korea, and Australia. Alivia Gaskins Zoe Sarganis Claire Smith Katie Winkler Upcoming performances of his work include those given by the New York Classical Matthew Chidsey Players with soloist Jasmine Choi, Factory Seconds Brass Trio with the Interlochen Arts Alexis Facaros Clarinet Academy Wind Ensemble at Carnegie Hall, Hub New Music, Flagstaff Symphony Orchestra, Elizabeth Jorgenson Peter Varga Cincinnati Conservatory Chamber Players, and the Cleveland Winds, among others. Hunter Duseau Viola Abigail Bilson, Bass Clarinet Needham’s music has been recognized with numerous awards including the International Colin Henley - Principal Barlow Prize, Orpheus Chamber Orchestra’s Project 440 Commission, Charles Ives Julia Morreale - Bassoon Scholarship from the American Academy of Arts and Letters, two ASCAP Morton Gould Assistant principal Katherine Kovacs Awards, the William Schuman Prize/BMI Student Composer Award, the Aspen Music Avedis Escandon Tom English
Load more

Recommended publications
  • San Diego Symphony Frequently Asked Questions
    SAN DIEGO SYMPHONY FREQUENTLY ASKED QUESTIONS San Diego Symphony performed its first concert on December 6, 1910 in the Grand Ballroom of the then-new U.S. Grant Hotel. Now, the San Diego Symphony has grown into one of the top orchestras in the country both artistically and financially. With a current budget of $20 million, the San Diego Sym- phony is now placed in the Tier 1 category as ranked by the League of American Orchestras. The San Diego Symphony owes a deep debt of gratitude to Joan and Irwin Jacobs for their extraordinary generosity, kindness and friendship. Their support and vision has overwhelmingly contributed to making the San Diego Symphony a leading force in San Diego’s arts and cultural community and a source of continuing civic pride for all San Diegans. Artistic Q. How many musicians are there in the San Diego Symphony? A. There are 82 full-time, contracted San Diego Symphony musicians. However, depending on the particular piece of music being performed, you may see more musicians on stage. These musicians are also auditioned and hired on a case-by-case basis. You may also see fewer musicians if the particular piece of music calls for less than the full complement. Q. How are the musicians selected? A. Musicians are selected through a rigorous audition process which is comprised of an orchestra committee and the music director. Open positions are rare. When an audition is held, it is common to have 100 to 150 musicians competing for the open position. Q. Where have the musicians received their training? A.
    [Show full text]
  • Lynn Harrell 59 Olivier Latry
    Table of Contents | Week 19 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 completing the circle: wagner’s brave new world in the concert hall by thomas may 25 this week’s program Notes on the Program 26 The Program in Brief… 27 Wolfgang Amadè Mozart 35 Augusta Read Thomas 43 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 55 Christoph Eschenbach 57 Lynn Harrell 59 Olivier Latry 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Alexandre Lecarme by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W.
    [Show full text]
  • Apr-May 1980
    MODERN DRUMMER VOL. 4 NO. 2 FEATURES: NEIL PEART As one of rock's most popular drummers, Neil Peart of Rush seriously reflects on his art in this exclusive interview. With a refreshing, no-nonsense attitude. Peart speaks of the experi- ences that led him to Rush and how a respect formed between the band members that is rarely achieved. Peart also affirms his belief that music must not be compromised for financial gain, and has followed that path throughout his career. 12 PAUL MOTIAN Jazz modernist Paul Motian has had a varied career, from his days with the Bill Evans Trio to Arlo Guthrie. Motian asserts that to fully appreciate the art of drumming, one must study the great masters of the past and learn from them. 16 FRED BEGUN Another facet of drumming is explored in this interview with Fred Begun, timpanist with the National Symphony Orchestra of Washington, D.C. Begun discusses his approach to classical music and the influences of his mentor, Saul Goodman. 20 INSIDE REMO 24 RESULTS OF SLINGERLAND/LOUIE BELLSON CONTEST 28 COLUMNS: EDITOR'S OVERVIEW 3 TEACHERS FORUM READERS PLATFORM 4 Teaching Jazz Drumming by Charley Perry 42 ASK A PRO 6 IT'S QUESTIONABLE 8 THE CLUB SCENE The Art of Entertainment ROCK PERSPECTIVES by Rick Van Horn 48 Odd Rock by David Garibaldi 32 STRICTLY TECHNIQUE The Technically Proficient Player JAZZ DRUMMERS WORKSHOP Double Time Coordination by Paul Meyer 50 by Ed Soph 34 CONCEPTS ELECTRONIC INSIGHTS Drums and Drummers: An Impression Simple Percussion Modifications by Rich Baccaro 52 by David Ernst 38 DRUM MARKET 54 SHOW AND STUDIO INDUSTRY HAPPENINGS 70 A New Approach Towards Improving Your Reading by Danny Pucillo 40 JUST DRUMS 71 STAFF: EDITOR-IN-CHIEF: Ronald Spagnardi FEATURES EDITOR: Karen Larcombe ASSOCIATE EDITORS: Mark Hurley Paul Uldrich MANAGING EDITOR: Michael Cramer ART DIRECTOR: Tom Mandrake The feature section of this issue represents a wide spectrum of modern percussion with our three lead interview subjects: Rush's Neil Peart; PRODUCTION MANAGER: Roger Elliston jazz drummer Paul Motian and timpanist Fred Begun.
    [Show full text]
  • 2021 Band Handbook
    Lincoln East Band Program 2021-2022 Policies & Procedures Handbook Mr. Tom Thorpe, Director [email protected] Ms. Nicole Shively, Assistant Director [email protected] Mr. Danny Layher, Assistant Director [email protected] Mrs. Jessica Riley, Color Guard Coordinator [email protected] 1 The Band Program Students at Lincoln East are very fortunate to have a wide variety of quality music ensemble opportunities. Below is a brief summary of each group and its role in the East Band Program. These ensembles can be subdivided into two major groups: Co-Curricular and Extra-Curricular. Co-curricular ensembles are classes that meet during the school day and you must be enrolled through Lincoln East to participate. You receive a grade for these ensembles and therefore must adhere to the grading requirements set forth by each class. Co-curricular classes often have outside-of-school time requirements at which students may be counted tardy, absent, or truant just as with any other class. Extra-Curricular ensembles are not classes. They typically meet outside the school day and in no way are required to be in Band at East. They are meant to be extra opportunities that are open to East Band students. Extra-curricular ensembles do not receive grades but may have an attendance policy, depending on the ensemble. You must be enrolled in Band class to participate in extra-curricular ensembles. CO-CURRICULAR ENSEMBLES 10th-12th Grade Marching Band This is the first quarter portion of Band at East for sophomores, juniors, and seniors. Students will be expected to attend a camp in the summer.
    [Show full text]
  • 2017-2018 Senior Recital-Elizabeth Lee (Cello)
    Welcome to the 2017-2018 season. The talented students and Elizabeth Lee, Cello extraordinary faculty of the Lynn Conservatory of Music take this Bachelor of Music Recital Program opportunity to share with you the Sheng-Yuan Kuan beautiful world of music. Your ongoing support ensures our place Tuesday, April 24, 2018 at 5:30 p.m. among the premier conservatories of the world and a staple of our Amarnick-Goldstein Concert Hall community. Boca Raton, Florida - Jon Robertson, dean There are a number of ways by which you can help us fulfill our mission: Chant du Ménestrel Op. 71 Alexander Glazunov Friends of the Conservatory of Music (1865-1936) Lynn University’s Friends of the Conservatory of Music is a volunteer organization that supports high-quality music education through fundraising and community outreach. Raising more than $2 million since 2003, the Friends support Lynn’s effort to provide free tuition scholarships and room and board to all Conservatory of Music students. The group also raises money for the Dean’s Discretionary Fund, which supports the immediate needs of the Suite Italienne for Cello and Piano Igor Stravinsky university’s music performance students. This is accomplished (arr. Gregor Piatigorsky) (1882-1971) through annual gifts and special events, such as outreach concerts and the annual Gingerbread Holiday Concert. I. Introduzione To learn more about joining the Friends and its many benefits, II. Serenata such as complimentary concert admission, visit III. Aria Give.lynn.edu/support-music. IV.Tarantella The Leadership Society of Lynn University V. Minuetto e Finale The Leadership Society is the premier annual giving society for donors who are committed to ensuring a standard of excellence at Lynn for all students.
    [Show full text]
  • CAST, CREW, and PIT ORCHESTRA Cast Young Amélie Poulain
    CAST, CREW, AND PIT ORCHESTRA SONGS Cast Act I Young Amélie Poulain..............................................................................................................Gianna Petrou Prologue........................................................................................................................................Young Amélie Raphael Poulain/Collignon/Mysterious Man..............................................................Peter Stonebraker World’s Best Dad...........................................................Raphael, Young Amélie, Amandine, Ensemble Amandine Poulain/Ensemble.................................................................................................Reagan Bates World’s Best Friend......................................................................................................Young Amélie, Fluffy Fluffy/Joseph Cottard/Garden Gnome...................................................................Chancellor Reisinger World’s Best Mom.............................................Young Amélie, Amandine, Ensemble, Belgian Tourist Belgian Tourist/Ensemble.........................................................................................................Emily Nelson Post Mortem.........................................................................................................................................Orchestra Amélie Poulain.........................................................................................................................Briana Gingrich Times Are Hard
    [Show full text]
  • Academy for Visual and Performing Arts Music Concentration
    Academy for Visual and Performing Arts Music Concentration Michael Lemma: Director of Music Lou Spinelli: Choir Director Ben Isecke: Concert Band Director www.bergen.org/music What is AVPA-Music? • One of the 7 programs at Bergen County Academies • AVPA has three focus areas: music, visual or theater. This presentation is only for music. • Honors academic program with a focus in music • 36 students • For students considering a future in music in college and beyond Core Music Courses- 9th grade • Musicianship Students learn to play woodwind, brass, string and percussion instruments. Special unit in music technology • Digital Keyboarding Piano skills and keyboard harmony. Core Music Courses- 10th grade • AP Music Theory Intensive Advanced Placement (AP) course for college credit. Core Music Courses-11th grade •Advanced Music Theory Beyond the AP Theory course: fugal composition and 20th century analysis •Digital Recording Lab Hands-on recording techniques and equipment •Music & Society Evolution of musical style from Medieval through modern. Core Music Courses- 12th grade •Electronic Music Synthesis Composition using Finale software •Conducting Conducting techniques and ear training •Senior Music Seminar Capstone project: student build and take home a guitar. Planning for Senior Recital (juried graduation requirement) AVPA-Music Senior Recital Additional Considerations • Audition- final step in application process to AVPA • Required music electives- will limit sports participation and some of the non-music courses/activities. • Senior Recital- graduation requirement juried by music professionals • Senior Experience (internship)- all day Wednesday, off campus • AVPA is not a conservatory or traditional HS music program- the school does not offer private lessons or marching band. • BCA graduates have studied music at Juilliard, Eastman, Yale, Peabody, Curtis, Boston Conservatory, Westminster Choir College.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • CCMA Coleman Competition (1947-2015)
    THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007
    BOSTON SYMPHONY ORCHESTRA James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 &^- CHAMBER TEA III Friday, January 26, at 2:30 COMMUNITY CONCERT III Sunday, January 28, at 3, at Cambridge Vineyard, Cambridge This free concert is generously supported by the State Street Foundation. HAWTHORNE STRING QUARTET RONAN LEFKOWITZ and SI-JING HUANG, violins MARK LUDWIG, viola SATO KNUDSEN, cello MARTINU String Quartet No. 6 Allegro moderato Andante Allegro KRASA String Quartet, Opus 2 (1921) Moderato Prestissimo—Molto calmo—Volgare Molto lento e tranquillo Week 14 Notes on the Program Both of the composers on this program were Czech by birth, although Hans Krasa (1899-1944) was German-Jewish by heritage. Krasa remained primarily in his hometown of Prague, where he was very active in the artistic life of that city. He was deported to the Terezin concentration camp in 1942 and was killed in Auschwitz in October 1944. Bohuslav Martinu (1890-1959) moved from Policka, the small town of his birth, first to Prague for study and to perform in the Czech Philharmonic, then in 1923 to France. He would never return to live in his homeland. He left France for the United States to wait out the war, having been blacklisted by the Nazis for trying to help his Czech compatriots, and later moved between the United States and Europe, but was unwilling to return to Czechoslovakia because of the Soviet occupation. He lived his last years in Switzerland. Krasa conceived of a performance of his work to be "accompanied" by the real- time creation of a work of visual art.
    [Show full text]
  • Catalogo Per Autori Ed Esecutori
    Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom
    [Show full text]
  • Ofmusic I PROGRAM
    FACULTY RECITAL CHO-LIANG LIN, violin LYNN HARRELL, cello WILLIAM VERMEULEN, horn JON KIMURA PARKER, piano Wednesday, February 25, 2009 8:00 p.m. Lillian H. Duncan Recital Hall the RICE UNIVERSITY ~ ofMusic I PROGRAM Sonata for Violin and Cello Maurice Ravel Allegro (1875-1937) Tres vif Lent Vif, avec entrain Cho-Liang Lin, violin Lynn Harrell, cello Horn Trio in E-jlat Major, Op. 40 Johannes Brahms Andante (1833-1897) Scherzo. Allegro Adagio mesto Finale. Allegro con brio William VerMeulen, horn Cho-Liang Lin, violin Jon Kimura Parker, piano INTERMISSION Piano Trio in A Minor, Op. 50 Piotr Ilyich Tchaikovsky Pezzo Elegiaco (1840-1893) Terna con Variazioni - Variazioni, Finale e coda Cho-Liang Lin, violin Lynn Harrell, cello Jon Kimura Parker, piano The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHIES CHO-LIANG LIN is a violinist whose career has spanned the globe for twenty-five years. Since his debut at Lincoln Center's Mostly Mozart Fes­ tival with David Zinman at the age ofnineteen, he has appeared with vir­ tually every major orchestra in the world including the Boston Symphony, Cleveland Orchestra, Royal Concertgebouw Orchestra, London Symphony, Philadelphia Orchestra, and New York Philharmonic. He has over twenty recordings to his credit ranging from the concertos ofMozart, Mendels­ sohn, Bruch, and Sibelius to Prokofiev and Stravinsky, as well as chamber music works ofSchubert, Brahms, Tchaikovsky, and Ravel on Sony Clas­ sical. His recording partners include Yo-Yo Ma, Wynton Marsalis, Esa­ Pekka Salonen, Leonard Slatkin, Michael Tilson Thom(ls, and Isaac Stern.
    [Show full text]