I1* Bernhia PARKING—

Total Page:16

File Type:pdf, Size:1020Kb

I1* Bernhia PARKING— **THE EVENING STAR, Washington, D. C. AMUSEMENTS. AMUSEMENTS. B-16 MONDAY, AMUSEMENTS. ArOIJST 20. 10M 4th GREAT WEEK! The Passing Show Hollywood Diary The Greatest, Most Subtle, | There has never been such a love | Mel Asks Hughes Most Beautiful Screen Play! f story Ferrer Highest Honor* at Venice, Cannet ik There has never been such emotion I a 'Gloria's Future Lapsed/ For Loan of Jean Simmons and Brussels Film Festivals! ‘ |I There hot never been such color I u H By Sheilah Graham Tlmip k*t luntr On Laps of the Film Gods ¦ |: f teas» HOLLYWOOD. her Beverly Hills home, hangs her £a Ronde —Mta By Jay Carmody terday” role in the film version On the same day Errol Flynn straw bonnet at the Bel Air Hotel the play by Arthur Schnitxler ¦ sictie Re... i she gets from Lapse of the gods department: might teach them. She just snort- took off by plane for Jamaica with when back here this music by Oscar Strauee ed recently it was suggested week. ANTON WALLHOOK At the time of her spectacular when his handsome son, Sean, Mrs. Darr Smith, handsome new SIMON* SIGNOR ET SERGE 1 EGG!AM Boulevard," she take Channing’s “Gen- SIMONE SIMON DANIILGIUN comeback in “Sunset Carol Flynn returned to Hollywood from movie actor, snags his fourth role DANIELLE DAREIEUX EEENAND GRAVEY this reporter asked Gloria Swanson tlemen Prefer Blonds” part on the New York to *start her Warner this year in “Win, Place and ODETTE JOYEUX JIANLOU* lARRAULT screen. When Judy snorts, even Show.” BA MIRANDA jCERARD PHILITR over a cup of the Carlton's Vichy But picture. The title: “I’llSee You in "EXQUISITE"—Cot, Pom studios should listen. .they Jane Russell is shopping for a “BRILLIANT”—DonneIIy, Doily Ntwt soisse: My won’t. Dreams.” boy to match her adopted daugh- “WICKEDLYWITTY"— Mail llarr|, 9 ANTON WAIItOOK ** * I “Now what? A dozen quick pic- * Mel Ferrer is asking Howard ter. At the Paramount lunch to Adults Only! ml U Mj MARIUS GORING 'MOIRA SHEARER ture offers maybe?” New trends department: Hughes the Jean Sim- launch “Son of Paleface.” Jane WSS*," The for loan of Roth’a PLAZA ®WIKw AT / _ AIH-CONWTIONCO “That,” said Miss Swanson in a Associated Press’ Hollywood man. mons to Hathaway described the picture thisaway: B DeUjktfiJly Air-Conditioned play Ann to Hope in love with me. e Thomas, up “Bob is I’m nL, - philosophic voice that might have Bob comes with a kind his Shakespeare, in the F Mwa of peace-laving item which may movie Mel In love with Roy Rogers and Roy j stirred the admiration of Plato have a meaningful shadow of the is now writing. is in love with Trigger.” I k«w himself, “is entirely in the laps of future in it. Central figure in the Jean Simmons is greatly dis- who Trigger loves, but wild horses the gods. But I wouldn’t be a bit report is Actor Anthony Quinn turbed over the rumor of marriage couldn’t drag her name out of me. pww)HTF surprised if nothing all hap- who, private life Cecil with Stewart Granger. “It Released by the North American at in is B. H w trouble Newspaper Alliance. pened in Hollywood.” DeMille’s son-in-law. HI/ W makes me so angry,” said the Now, two summers later, ¦gL |v sweet-tempered beauty. “There Miss Quinn is turning producer, with AMUSEMENTS. Swanson is in Hollywood making Actor Akim Tamiroff as isn’t a word of truth to it. The movie, one of her first Technicolor “Three his associates. They set upon only reason we want to sell our KEITH? are in Bedroom C," but it is all sort of doing three short films for tele- house is because of possible serv- DON’T MISS a passing fancy. Miss Swanson re- vision, all with a connecting story IN A HURRY—John Garfield ant trouble.” Paul her future Grtm’s ONLY 13 gards as almost entirely line, and designed to be assem- and Shelly Winters play the More trouble for Mrs. Sylvia Nights concentrated on Broadway where bled later into a sort of “Trio” leading roles in "He Ran All Gable. Hqr dog, Minnie, was run Left! the offers for her services come for release to the Nation’s movie over and killed last week. Sylvia thick and fast, the major one of It is Quinn’s logic that the Way,” next film attraction carried the tiny pooch with her! starring houses. B|AU||AftA||Lid which is the role in while millions of people see TV, on the Palace Theater’s sched- everywhere she went. And she is “Nina.” This is an Andre Roussin there are also millions who do ule. heartbroken. play which ran for three and one- not. He would like to movies ** * * years make half in Paris and one for for both. Paul Douglas has been replaced which many a much longer es- *** * by tablished Broadway actress would Where and When Charlton Heston in the La Harmony department: August Jolla Playhouse version of “The have traded her plastic surgeon. Current Theater Attractions This Jan ** * * Theatre Arts issue is devoted to Petrified Forest.” makes Tonight at li4B and Time of Showing Sterling a Higher education department: Hollywood and generally speaking two-time loser—she lost ORCHESTRA - CHORUS -RALLIT husband Paul in “Clash By Night.” Summer’s wistful the editorial tone is one of friend- Stage. CAST - 150 twilight, which Gregory Peck, is more wistful for students on va- liness and understanding. Amphitheater, tanned and Carter Barron Amphithaatre mSSoX’i. Carter Barron sljghtly heavier, is lunching with Sfint'bf'ftCHNlCOlOa cation than anybody else, is no Are editors beginning to prac-i | Rock Creek Park—“Faith of Our 16th Rt. A Colorado Ate. N.W. agent George Chasen, 75e, Rea. Seat! $1.50 time to mention study methods. tice what they preach? his popular Ticket!:CaU ST. 0700 or TA. 1875 ; Fathers” 8:40 p.m. Lucey’s. your Nevertheless, the lust to be a *** * at “What is next FREE PARKING MARION’S DANCE STUDIO Screen. “ constructive t picture?” Iask Greg. ‘The World reporter can do odd Fantasy department: RKO.i Week Da nee things to a man. Ambassador—“ That’s My Boy"; in His Arms’,” is his answer. “Who $4 A which is now in the box- ; inspire bathed 1:15, 3:20, 5:20. 7:25 and 9:35 will be the girl in your arms?” I 6 Course (Complete) AT It can him to mention, office balm of “Alice In Wonder- for instance, p.m. want to know. “That we will know Jane Wyman’s meth- land,” is going in heavily fori Pay as You Learn study might Capitol—" Rings today." replies Greg. Checking ods of which be use- whimsy and fantasy during the Mr. Belvedere HOTEL CHABTLETON f||| ful September, any the Bell”; 1:45, 4:30, later, I learn the winner is Ann CCQA come if one next 12 months. On tap are Walt ll:<Jo a.m„ 16th and R Sta. N.W. llUlVWiU dared to give them trial. 10:00 p.m. Stage shows; Blyth. nicest girl any man a Miss Disney’s version of Sir James M. 7:15 and the ..-m. ... Wyman is of Hollywood's 6:30 9:15 p.m. hope to hold in his arms. UfROB one Barrie’s "Peter Pan” and 1:00, 3:45. and could ‘flip*JP [oEfceW.aea, oaawo quickest “studies” as they the Columbia—“ Prince Who Was a Jerry Lewis’ heart trouble is “TMI TIAR'S MOST IXCITINO MOVIE." say - of Samuel Goldwyn production of JWWE.TS tMT OMN 10 A. 88. girls who can learn and remember Thief”; 11:35 a.m., 1:35. 3:40, 5:40, complicated by a lung condition. ITy\Cy \\ \ § \K\T Hans Christian Andersen’s own I won’t work at dialogue. 7:45 9:50 p.m. „ hope he anything story starring Danny Kaye and and Her trick: “I only 1:05, until he feels never m HMF read when Moira for Dupont “Kon-Tiki”; lots better. He mm mm mm WM Bj my is Shearer. Also scheduled 2:55, 4:45, 6:30, 10:10 the mind fresh and clear. Most year 8:20 and should have been dragged on people re-release during the is p.m. floor to perform at the Mocambo TODAY'S NEIGHBtORHOOD MOVIES read in the evening when “Snow the Seven they are tired. I never do. White and Keith’s—“Alice in Wonderland”; the other night. He’s the best When Dwarfs.” Disney’s most profitable w w, - a script to 12:05, 2:05, 4:00, 6:00, young we Let’s have memorize, I production ,10:10 a.m., comedian have. duponth^z GEORGETOWN lD b£- awaken at 5 to date. keep him. "The Community Art Cinema” WARMER bios, theatdu a.m. and read for 8:00 and 9:55 p.m. *<«» ?* * * *** * Air Conditioned For Information Call Alsxblic two hours while my mind isn’t Little—“Red Shoes”: 11:45 a.m.. ALL WARNER BROS. THEATERS Waifs Raymond off Lon- LAST DAY! COMFORTABLY AIR-CONDITIONED cluttered up with outside and strays department 2:10, 4:35, 7:00 and 9:25 p.m. Massey is to A Smart Film for Sophisticates! thoughts.” (Monday special): “Mirror, Mir- Metropolitan—“Captain Horatio don to stage his play, "The Hang- ‘‘ALetter to Three Wives” Kay ;ing AMBASSADOR There you are—for ror” the play opening Hornblower”; 11:00 a.m., 1:05, Judge,” with Godfrey Tearle Starring PAUL DOUGLAS.
Recommended publications
  • Black Soldiers in Liberal Hollywood
    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
    [Show full text]
  • Film Screenings at the Old Fire Station, 84 Mayton Street, N7 6QT
    iU3A Classic Film Group 2017-18 Winter Programme: January-March 2018: "Classic Curios" All film screenings at The Old Fire Station, 84 Mayton Street, N7 6QT Plot Summaries and Reviews courtesy of The Internet Movie Database Date/Time: Tuesday, 9th January 10.30 and 14.00; Wednesday, 10th January 13.30 Title: The Night of The Hunter (USA, 1955, 89 minutes, English HOH Subtitles) Director and Cast: Charles Laughton; Robert Mitcham, Shelley Winters, Lillian Gish Plot Summary: A religious fanatic marries a gullible widow whose young children are reluctant to tell him where their real father hid $10,000 that he'd stolen in a robbery. Reviews: "Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry."(San Francisco Chronicle) "It’s the most haunted and dreamlike of all American films, a gothic backwoods ramble with the Devil at its heels." (Time out London) "An enduring masterpiece - dark, deep, beautiful, aglow."(Chicago Reader) Date: Tuesday, 23rd January 10.30 and 14.00; No Wednesday, 24th Jan screening Title: La Muerte de Un Burócrata /Death of A Bureaucrat (Cuba, 1966, 85 minutes, Spanish with English Subtitles) Director and Cast: Tomás Gutiérrez Alea; Salvador Wood, Silvia Planas, Manuel Estanillo Plot Summary: A young man attempts to fight the system in an entertaining account of the tyranny of red tape and of bureaucracy run amok. Reviews: "A mucho funny black comedy about the horrors of institutionalized red tape. It plays as an homage to silent screen comics such as Buster Keaton and Harold Lloyd, the more recent ones such as Laurel and Hardy, and all those who, in one way or another, have taken part in the film industry since the days of Lumiére." (Ozu's World Moview Reviews) "Gutiérrez Alea's pitch-black satire is witty, sarcastic and eternally relevant." (filmreporter.de) Date: Tuesday, 6th February 10.30 and 14.00; Wednesday, 7th February 13.30 Title: Leave Her To Heaven (USA, 1945, 105 minutes, English HOH subtitles) Director and Cast: John M.
    [Show full text]
  • Reagan's Victory
    Reagan’s ictory How HeV Built His Winning Coalition By Robert G. Morrison Foreword by William J. Bennett Reagan’s Victory: How He Built His Winning Coalition By Robert G. Morrison 1 FOREWORD By William J. Bennett Ronald Reagan always called me on my birthday. Even after he had left the White House, he continued to call me on my birthday. He called all his Cabinet members and close asso- ciates on their birthdays. I’ve never known another man in public life who did that. I could tell that Alzheimer’s had laid its firm grip on his mind when those calls stopped coming. The President would have agreed with the sign borne by hundreds of pro-life marchers each January 22nd: “Doesn’t Everyone Deserve a Birth Day?” Reagan’s pro-life convic- tions were an integral part of who he was. All of us who served him knew that. Many of my colleagues in the Reagan administration were pro-choice. Reagan never treat- ed any of his team with less than full respect and full loyalty for that. But as for the Reagan administration, it was a pro-life administration. I was the second choice of Reagan’s to head the National Endowment for the Humanities (NEH). It was my first appointment in a Republican administration. I was a Democrat. Reagan had chosen me after a well-known Southern historian and literary critic hurt his candidacy by criticizing Abraham Lincoln. My appointment became controversial within the Reagan ranks because the Gipper was highly popular in the South, where residual animosities toward Lincoln could still be found.
    [Show full text]
  • The Walking Dead,” Which Starts Its Final We Are Covid-19 Safe-Practice Compliant Season Sunday on AMC
    Las Cruces Transportation August 20 - 26, 2021 YOUR RIDE. YOUR WAY. Las Cruces Shuttle – Taxi Charter – Courier Veteran Owned and Operated Since 1985. Jeffrey Dean Morgan Call us to make is among the stars of a reservation today! “The Walking Dead,” which starts its final We are Covid-19 Safe-Practice Compliant season Sunday on AMC. Call us at 800-288-1784 or for more details 2 x 5.5” ad visit www.lascrucesshuttle.com PHARMACY Providing local, full-service pharmacy needs for all types of facilities. • Assisted Living • Hospice • Long-term care • DD Waiver • Skilled Nursing and more Life for ‘The Walking Dead’ is Call us today! 575-288-1412 Ask your provider if they utilize the many benefits of XR Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. almost up as Season 11 starts Learn more about what we do at www.rxinnovationslc.net2 x 4” ad 2 Your Bulletin TV & Entertainment pullout section August 20 - 26, 2021 What’s Available NOW On “Movie: We Broke Up” “Movie: The Virtuoso” “Movie: Vacation Friends” “Movie: Four Good Days” From director Jeff Rosenberg (“Hacks,” Anson Mount (“Hell on Wheels”) heads a From director Clay Tarver (“Silicon Glenn Close reunited with her “Albert “Relative Obscurity”) comes this 2021 talented cast in this 2021 actioner that casts Valley”) comes this comedy movie about Nobbs” director Rodrigo Garcia for this comedy about Lori and Doug (Aya Cash, him as a professional assassin who grapples a straight-laced couple who let loose on a 2020 drama that casts her as Deb, a mother “You’re the Worst,” and William Jackson with his conscience and an assortment of week of uninhibited fun and debauchery who must help her addict daughter Molly Harper, “The Good Place”), who break up enemies as he tries to complete his latest after befriending a thrill-seeking couple (Mila Kunis, “Black Swan”) through four days before her sister’s wedding but decide job.
    [Show full text]
  • June Movies at 6 Pm
    JUNE MOVIES AT 6 PM Thurs Jun 3 – I Confess A priest, who comes under suspicion for murder, cannot clear his name without breaking the seal of the confessional. Montgomery Clift, Anne Baxter, Karl Malden, 95min, 1953, NR Fri Jun 4 – Men Of Honor The story of Carl Brashear, the first African-American U.S. Navy Diver, and the man who trained him. Cuba Gooding Jr., Robert De Niro, Charlize Theron, 129min, 2000, R Sat Jun 5 – To Kill A Mocking Bird Atticus Finch, a lawyer in the Depression-era South, defends a black man against an undeserved rape charge, and his children against prejudice. Gregory Peck, John Megna, Frank Overton, 129min, 1962, NR Sun Jun 6 – The Longest Day The events of D-Day, told on a grand scale from both the Allied and German points of view. John Wayne, Robert Ryan, Richard Burton, 172min, 1962, G Thurs Jun 10 – The Irishman An old man recalls his time painting houses for his friend, Jimmy Hoffa, through the 1950-70s. Robert De Niro, Al Pacino, Joe Pesci, 209min, 2019, R Fri Jun 11 – Die Hard An NYPD officer tries to save his wife and several others taken hostage by German terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles. Bruce Willis, Alan Rickman, Bonnie Bedelia, 132min, 1988, R Sat Jun 12 – Buck Privates Two sidewalk salesman enlist in the army in order to avoid jail, only to find that their drill instructor is the police officer who tried having them imprisoned. Bud Abbott, Lou Costello, Lee Bowman, 84min, 1941, NR Sun Jun 13 – In A Lonely Place A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him.
    [Show full text]
  • The Wooster Voice (Wooster, OH), 1951-10-19
    The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 10-19-1951 The oW oster Voice (Wooster, OH), 1951-10-19 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1951-10-19" (1951). The Voice: 1951-1960. 15. https://openworks.wooster.edu/voice1951-1960/15 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. Hoot Mon! Fish Fry Saturday Published By the Students of the College of Woosler LXVI Volume WOOSTER, OHIO, FRIDAY, OCTOBER 19. 1951 Number 5 Compton Pinch Hits flj a 2 For Oppenheimer booster m a u w u u M In Symposium National attention will be fo- 1 Gala Weekend Features cused on Wooster next week end when a five-ma- n symposium on Royalty, "Twentieth Century Concepts of Varied Program Homecoming festivities on Man" will be held in Memorial the Wooster campus will gather momentum tonight and tomorrow as Chapel. hundreds of alumni and visitors return for a weekend packed with special events in their honor. Many departments and organizations, including Robert Oppenheimer has been the sections and local clubs, Dr. J. have planned a variety of entertainment features to welcome the forced to cancel his engagement to crowd.
    [Show full text]
  • Hollywood Greats Flocked to Racquet Club West
    Hollywood Greats Flocked To Racquet Club West By Don Soja An “official” neighborhood since 2007, the famed Racquet Club West (RCW) was once in the thick of all things “Hollywood” in Palm Springs. Sitting behind the notorious Racquet Club founded by two tennis-addicted actors, Ralph Bellamy and Charles Farrell (who had been politely asked to vacate the courts at the El Mirador Hotel, or so it’s said) the location made adjacent homes attractive to the hottest celebrities of the period. Dinner and dancing, drinks at poolside or sets of tennis were but a short walk or bike ride to the club. (Aside: Bicycles hadn’t been “adult toys” since the 1890’s but were re-popularized in Palm Springs. True.) At any given time, if you could bypass vigilant guards, you’d see Clark Gable, heartthrob Tyrone Power, Doris Day, Kirk Douglas, dancer Ann Miller, honeymooners Lucille Ball and Desi Arnaz, Spencer Tracy or Bob Hope. This neighborhood was also rife with major producers, directors and screenwriters. Tucked between the two major north/south corridors of the town (Palm Canyon and Indian Canyon drives), Racquet Club West is bordered by West San Rafael Road on the north and San Marco Way and Alvarado Road on the south. This mix of 175 one- or two-bedroom villas, unprepossessing weekend cottages, charming Spanish casas, and homes by famed architect Don Wexler and the Alexanders is said to have inspired Raymond Chandler’s book Poodle Springs. The number of Top 100 American Movies, created here poolside and “over a highball” is astonishing.
    [Show full text]
  • Arlington 1:40
    vice versa. We do not intend to re- Welles Goes All Out 'something to the effect that evil of "The Lady From Shanghai," al- AMUSEMENTS sign from her fan club Just because people destroy each other. This is though it is possibly challenged by she cannot act. For not a new truth, to be sure, but cer- the comedy effect of a picnic which The newest vehicle in which Miss Excitement in tainly it has never been stated so is one of the highlights of the deb- Love to De Carlo is to the Turns Violence permitted display A Smallish thunderously. auchees social calendar. It is a particular cinematic talent that is i Story “THE LADY PROM SHANGHAI.'’ a Co- Miss Hayworth is one of the many stunning picnic, about the size of a hers is a Technicolor affair called In lumbia Picture produced and directed by evil humans in the script in which, Balkan coronation in the old days. Met’s Melodrama “Black Bart,” at the Capitol, in Orson Welles, screenplay by Welles, based on a novel by Sherwood Kin*, song by come to think of Orson is the It is not enough to save the War- On Werld’« it. Screes which she plays Lola Montez to Allan Robots and Doris Fisher. At the ners Largest representative of and picture from its exaggerated H. and Liz. By Jay Carmody Dan Duryea's Black Bart. Warner. only goodness Bogart The Cast. virtue. triviality. J. c. Scott "Dead Reckon- Some of the cinema's most Sherman directed i gifted humans pool their talents in "A George “Black Elsa Bannister _Rita Hayworth ing" at 7:20, 10:38 Womans Michael O’Hara _ Orson Welles Vengeance,” but the result is a Bart,” with his His role is that of a poetic, black Ken Curtis In "Lone only moderately interesting obviously tongue Arthur Bannister_Everett 81oane melodrama.
    [Show full text]
  • Centennial Summer N 1944, Meet Me in St
    Centennial Summer n 1944, Meet Me in St. Louis and E.Y. Harburg. In the end, ev- favorably compared to Meet Me in captivated moviegoers the world eryone ends up where they want St. Louis by critics of the day, but Iover. The unbridled nostalgia for to be and happy endings abound. Centennial Summer is not that film a simpler time was very appealing and can stand proudly on its own in the turbulent war years. Two Centennial Summer was Jerome all these years later. It did receive years later, Twentieth Century-Fox Kern’s final score – he died in No- two Academy Award nominations, made its own film to appeal to that vember of 1945 at sixty years of both in the music category – for same audience – Centennial Sum- age, a great loss to the world of Best Music, Scoring of a Motion mer. With an excellent screenplay musical theatre and film. At the Picture for Alfred Newman, and by Michael Kanin and elegant and time of his death, Metro-Gold- Best Music, Original Song for “All stylish direction by Otto Preminger, wyn-Mayer was making a film Through the Day” by Kern and Centennial Summer takes a color- loosely based on his life (Till the Hammerstein – it lost both, but it ful, fun and even touching look at Clouds Roll By) and he’d just was a very competitive year. the 1876 Philadelphia Exposition begun work on a new musical, and one family’s trials and tribula- Annie Get Your Gun (Irving Berlin None of the stars of Centennial tions and follies and foibles.
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • Danny Kaye Is Supported in Part by a Grant from the Mcelwaine-Stroock Fund of the Jewish Communal Fund, Made in Memory of Robert M
    Audience Guide Written and compiled by Jack Marshall Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. This program is supported in part by Arlington County through the Arlington Commission for the Arts and Arlington Cultural Affairs, a division of Arlington Economic Development; the Virginia Commission for the Arts; the National Endowment for the Arts; the Arlington Community Foundation; and many generous donors. An Evening with Danny Kaye is supported in part by a grant from The McElwaine-Stroock Fund of the Jewish Communal Fund, made in memory of Robert M.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]