Charvel® R&D Guitar Specification Sheet

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Charvel® R&D Guitar Specification Summary Model: So-Cal Style 1 - 2H Series: U.S.A. Production Model Neck-thru or Bolt-on Bolt-on Description San Dimas™ Style 1 Body Wood Alder (no veneer) Body Binding No BODY Scallop Heel No Scallop Horn No Other Charvel USA San Neck Description Dimas™ Reg./Reverse Headstock Regular 1 pc Maple - Neck/Centerblock Wood quartersawn Fingerboard Wood n/a Inlay Dots 42.86 mm [1 11/16 Nut Width inch] Butt Width 57.15 mm [2 ¼ inch] NECK Scale Length 25.5" # of Frets 22 Fret Wire Jumbo Fret Scallop No Neck Binding No Head Binding No Charvel USA San 12”-16” Compound Neck Backshape Dimas™ Other Radius Bridge Floyd Rose® Recessed/Pullback No Nut Floyd Rose R3 Strap Button Dunlop® StrapLok™ Jack Location Front Jack Type Dish Grover® Mini Tuners Rotomatic Parts Color Black PARTS Yes – 1 ply flat Knobs Black (knurled) Pickguard black plastic Rear Control Battery Cavity No Other Pickup Route H-S-H (for body only) Active Electronics No Bezels No Covered Pickup No DiMarzio® DP155 Tone Bridge Pickup Zone Middle Pickup No DiMarzio Evolution Neck Pickup Neck Volume One Tone No Other Knobs Pickup Selector 3 Way Toggle Position 1 Bridge CONTROLS Position 2 Bridge & Neck Position 3 Neck Position 4 Position 5 Other Switches Placement Instructions Recessed back plates –(black) Standard Colors Black Rotation Colors Candy Tangerine (next TBD) Neck Finish Gunstock oil Painted Pickups No Artwork or Color Sample FINISH Natural - stain matte Headstock Color on front Logo Type Charvel Logo Color Black Other Case Charvel padded gig bag ©2008 JCMI, Inc. All rights reserved. Specifications subject to change without notice. The unique Stratocaster® headstock and body designs are trademarks of FMIC under license to JCMI, Inc. .

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California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
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