Antiques & Interiors October 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Antiques & Collectors, Tue, 11 May 2021 10:00
Antiques & Collectors, Tue, 11 May 2021 10:00 1 Danbury Mint 'Maidens of the Imperial Gardens 11 A Thomas 'Medallion Platinum Band' part dinner Collection' figurines, comprising The service, comprising plates, soup bowls, lidded Chrysanthemum Princess, 24cm; The Iris tureens etc. (Qty: 2 boxes) £60-80 Princess, 25cm; The Plum Blossom Princess, 12 A Royal Copenhagen model of a Chow Chow 24cm; and The Rose Princess, 25cm. (Qty: 4) 4762, 17cm; plus other Chow Chow related £50-80 items, to include ceramic and resin models, 2 A pair of Royal Nymphenburg white porcelain mugs, costume jewellery etc. (Qty: 2 boxes) £50 equestrian figures, impressed model numbers -80 555 and 531, 21cm; and a Viennese model of a 12A A Royal Albert 'Athena' pattern part dinner rearing horse, entitled 'Levade - Spanische service, comprising plates, bowls, meat platter Reitschule', impressed model number 1550, etc., second quality. (Qty: 2 boxes) £50-80 21.5cm; all with damaged reins. (Qty: 3) £50-80 13 A large teal studio glass vase, 40cm; a royal 3 A French blue porcelain scent bottle, of square blue bottle vase, 32cm; a Murano style pulled section, blue ground, four floral panels, gilded top red vase, 24cm; and other vases. (Qty: 7) borders and decoration, 12.5cm diameter, 9cm £40-60 high. £50-80 14 A pair of pressed glass vases, dark apricot 4 A Staffordshire arbour group depicting a orange with purple swirl effect, 20.5cm; similar Scottish couple, 25.5cm; a candlestick figure of pattern large bowls, 28cm and 24cm; Murano a man in a turban with a guitar, 30cm; a pair of style multi-faceted ashtrays, 9cm and 8cm; and late Staffordshire models of cattle; a other glasswares. -
Modern British and Irish Art I Montpelier Street, London I 3 July 2019 25378
Montpelier Street, London I 3 July 2019 Montpelier Street, Modern British and Irish Art British and Irish Modern Modern British and Irish Art I Montpelier Street, London I 3 July 2019 25378 Modern British and Irish Art Montpelier Street, London | Wednesday 3 July 2019, at 1pm BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax Specialist has banned the import of ivory London SW7 1HH [email protected] +44 (0) 20 7393 3949 into the USA. Lots containing www.bonhams.com [email protected] ivory are indicated by the symbol To bid via the internet please Ф printed beside the lot number VIEWING visit www.bonhams.com Catherine White in this catalogue. Junior Cataloguer Sunday 30 June Please note that bids should be +44 (0) 20 7393 3884 11am to 3pm REGISTRATION submitted no later than 4pm [email protected] Monday 1 July IMPORTANT NOTICE on the day prior to the auction. Please note that all customers, 9am to 4.30pm New bidders must also provide irrespective of any previous activity Tuesday 2 July PRESS ENQUIRIES proof of identity when submitting with Bonhams, are required to 9am to 4.30pm [email protected] bids. Failure to do this may result complete the Bidder Registration Wednesday 3 July Form in advance of the sale. The in your bids not being processed. CUSTOMER SERVICES 9am to 11am form can be found at the back of Bidding by telephone will only be Monday to Friday every catalogue and on our ILLUSTRATIONS accepted on a lot with the lower 8.30am – 6pm website at www.bonhams.com Front Cover: Lot 173 estimate in excess of £500. -
Antiques & Collectors, 30/04/2019 10:00 AM
Antiques & Collectors, 30/04/2019 10:00 AM 1 A limited edition Country Artists sculpture, 14 Holland Studio Croft model of a dragon, 'Forever Wild' by David Ivey, on wooden plinth, Enchantica series, 'Snarlgard - Autumn Dragon', with certificate numbered 468/ 850, 43cm high. 3563/7500, boxed with certificate, 18cm high. £40-60 £20-30 2 Seven assorted Wedgwood Jasperware teapots, 15 Moulded clear glass 8-piece dressing table set, each with different coloured grounds and including tray, pair of candlesticks, ring tree, and shapes, the largest 10cm. (Qty: 7) £50-80 four bottles and stoppers, tray 30 x 20cm. (Qty: 3 An unusual salt-glazed whimsical figure of a 8) £10-20 knight, unmarked, 20cm high. £20-30 16 A quantity of Chinese earthenware and pottery 4 Pair of Wedgwood Jasperware limited edition items, including a celadon dish, 33cm diam; two covered chocolate cups and saucers/ tremble vases with applied dragons coiled to the uses, one of 500, navy ground, 11cm high. (Qty: shoulders, double gourd shaped vase, 10cm 2) £20-30 high; pottery censor, etc. (Qty: 9) £80-120 5 Six Royal Doulton figurines, Soiree, Penny, 17 Three boxes of decorative and vintage Child of Williamsburg; a Worcester figure in ceramics, including Shelley, Poole, Wedgwood celebration of the Queens 80th birthday, two and others. £40-60 Leonardo Collection figures of Balloon sellers, 18 A quantity of blue and white table ware, and another continental group, (10) (Qty: 10) including Spode Copeland Italian ware side £60-80 plates (one box) £40-60 6 A quantity of Chinese blue and white porcelain, 19 A quantity of limited edition Wedgwood Clarice including bottle vase, pair of ginger jars and Cliff wares, comprising six plates from the covers, five saucers, and a flared bowl, all as 'Appliqué' range and eight cups and saucers found. -
Catalogue Antique, Fine Art & Collectables Vickers & Hoad Auctioneers
Vickers & Hoad Auctioneers Phone 02 96997887 http://www.vickhoad.com 224 Young St Waterloo NSW 2017 Catalogue Antique, Fine Art & Collectables Saturday 3 February 2018 Starting at:10:00 AM Sunday 4 February 2018 Starting at:10:00 AM To be held at our Auction Rooms: 224 Young St , Waterloo NSW 2017 Terms: Eftpos & Credit cards accepted & pre approved cheque - Credit Cards incur a 1.5 % surcharge Lot Estimate Lot Estimate 1 Antique French figural mantle 300-500 15 Herend twin handled plate and 60-80 clock of a hunter, under original basket, approx 31cm W and hand-blown glass dome, has key smaller (2) (in office SC C100.20) and 16 Vintage French hand painted 120-160 pendulum, approx 44cm H x signed musical tile on wooden 43cm W including dome and base, DE BYON, approx 28cm stand square 2 Antique French jardiniere and 60-80 17 French Art Nouveau Majolica 60-80 mirrored plateau, approx 19cm H jardiniere, approx 16cm H x 30cm x 40cm W x 20cm D W 3 Pair of antique French spelter 200-300 18 Antique French marriage dome, 200-300 Oriental figural candlesticks, each approx 50cm H approx 26cm H (2) 19 Antique French cold painted 800-1200 4 Vintage French pink soda siphon, 80-120 spelter mantle clock and approx 31cm H garnitures, has pendulum and 5 Antique French copper kettle, 40-60 key (in office SC C100.12), clock approx 32cm H approx 57cm H x 40cm W x 6 A cast bronze figure of a 100-200 22cm D Japanese Koi, approx 15cm H x 20 Antique French Gutta Percha 120-180 40cm L double inkstand, approx 32cm W 7 Antique French porcelain footed 200-300 21 -
Venice £1,100 REF: Artist: John Stanton Ward
Venice £1,100 REF: Artist: John Stanton Ward Height: 53.34 cm (21") Width: 77.47 cm (30 1/2") Framed Height: 95.25 cm - 37 1/2" Framed Width: 115.57 cm - 45 1/2" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/venice 25/09/2021 Short Description Ward was born in Hereford, where his father, Russell Stanton Ward, ran an antiques shop and restored paintings. He studied at the Hereford School of Arts and Crafts before winning a place to the Royal College of Art in 1936, where he studied under Gilbert Spencer, Charles Mahoney and Alan Sorrell and won the prize for drawing. During World War II he served in the Royal Engineers, using his drawing skills to design pillboxes, and later taking part in the D-Day landings. He was posted to Belgium after the war before returning to the Royal College to graduate in 1946. Ward worked as a painter, illustrator and teacher, happy to work in oils, watercolour, pastel and pen and ink. He painted portraits, landscapes, interiors and architectural subjects, undertaking portraits of members of the royal family, businessmen and celebrities including the Princess of Wales, the Princess Royal and the christenings of Prince William and Prince Harry. Fifteen of his portraits are in the collection of the National Portrait Gallery and he held one man shows at Agnew’s and the Maas Gallery. As a prolific illustrator he worked on guides to Herefordshire and North Yorkshire and produced illustrations for Vogue magazine from 1948 to 1952 and illustrated many books including Laurie Lee’s Cider with Rosie (1959) and H E Bates’s The Darling Buds of May (1958). -
Luxury Yacht Interiors, 1870-1920 As a Reflection of Gilded Age Social Status
Luxury Yacht Interiors, 1870-1920 as a Reflection of Gilded Age Social Status Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By M. Lynn Barnes, M.A. Graduate Program in Textiles and Clothing The Ohio State University 2010 Dissertation Committee: Professor Patricia A. Cunningham, Adviser Professor David Steigerwald Professor Susie Zavotka Copyright by M. Lynn Barnes, M.A. 2010 Abstract This dissertation is based on six leading families in the United States, their mansions and their yachts. They experienced status through consumption of luxury goods, especially in decorating their homes. The thesis of this study is that it appears that yacht owners borrowed interior design ideas of their homes to decorate the interiors of their yachts. Their purpose was to enhance and maintain a presentation of status while at sea. It is assumed that yacht interiors from 1870 to 1920 were an extension of house interiors, reflecting the owner’s status, specifically in the use of textiles. The luxury yachts were extravagant symbols of the wealth, taste, and social power of their owners and were paraded as a statement of social status. The consumption of luxury products and an overt demonstration of leisure were part of the lifestyle that Gilded Age industrials and financiers strove to obtain. Luxury yachts were used as a tool, either through sport, cruising or extravagant entertaining, to promote the apparent well-being of the family. The three eras of yachting during the Gilded Age were: schooner-yachts, auxiliary-yachts and steamer yachts. -
The Striped Cat SOLD REF: 1262 Artist: John Stanton Ward
The Striped Cat SOLD REF: 1262 Artist: John Stanton Ward Height: 44.45 cm (17 1/2") Width: 83.82 cm (33") 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/the-striped-cat 28/09/2021 Short Description Ward was born in Hereford, where his father, Russell Stanton Ward, ran an antiques shop and restored paintings. He studied at the Hereford School of Arts and Crafts before winning a place to the Royal College of Art in 1936, where he studied under Gilbert Spencer, Charles Mahoney and Alan Sorrell and won the prize for drawing. During World War II he served in the Royal Engineers, using his drawing skills to design pillboxes, and later taking part in the D-Day landings. He was posted to Belgium after the war before returning to the Royal College to graduate in 1946. Ward worked as a painter, illustrator and teacher, happy to work in oils, watercolour, pastel and pen and ink. He painted portraits, landscapes, interiors and architectural subjects, undertaking portraits of members of the royal family, businessmen and celebrities including the Princess of Wales, the Princess Royal and the christenings of Prince William and Prince Harry. Fifteen of his portraits are in the collection of the National Portrait Gallery and he held one man shows at Agnew’s and the Maas Gallery. As a prolific illustrator he worked on guides to Herefordshire and North Yorkshire and produced illustrations for Vogue magazine from 1948 to 1952 and illustrated many books including Laurie Lee’s Cider with Rosie (1959) and H E Bates’s The Darling Buds of May (1958). -
French Furniture Under Louis Xvi and the Empire French Furniture
jKSAffvt^sKStrtmi 'i'MiMliJMMMli^M^Mk^^AMU [Mmi ROBCRTXOlMeS fOU MAMY YEA»^ATEACKER. IN THIS COLLEOE:Xr5^N.£K THIS B(2)>ClSONE9FANUMBg? FJ^PM THE WBKAj?y 9^JvLR MOIMES PRESEHTED TOTHEQMTARIO OOliEOE QFAKT DY HIS RELATIVES LITTLE ILLUSTRATED BOOKS ON OLD FRENCH FURNITURE IV. FRENCH FURNITURE UNDER LOUIS XVI AND THE EMPIRE FRENCH FURNITURE I. French Furniture in the Middle Ages and under Louis XIII II. French Furniture under Louis XIV III. French Furniture under Louis XV IV. French Furniture underLouis XVI and the Empire ENGLISH FURNITURE {^Previously published) I. English Furniture under the TuDORs AND Stuarts II. English Furniture of the Queen Anne Period III. English Furniture of the Chippen- dale Period IV. English Furniture of the Sheraton Period Each volume profusely illustrated with full-page reproductions and coloured frontispieces Crown Svo, Cloth, price 45. 6d. net LONDON : WILLIAM HEINEMANN Four-poster Bed, Mahogany and Brass, with Satin Hangings LITTLE ILLUSTRATED BOOKS ON OLD FRENCH FURNITURE IV FRENCH FURNITURE UNDER LOUIS XVI AND THE EMPIRE BY ROGER DE FELICE Translated by F. M. ATKINSON LONDON MCMXX WILLIAM HEINEMANN im S3 Printed by WOODS & SONS, LTD., London, N. INTRODUCTION In this volume Empire furniture will occupy much less space than Louis Seize. It may perhaps be enough to say that, in our opinion, this inequality is amply justified by the differ- ences in merit, comfort, and adaptableness to the needs of ordinary life that exist between the two styles ; but there is one more solid and positive reason. The aim of this handbook, like its predecessors, is to impart a better know- ledge of the furniture of past times, but most of all the furniture that was simple and practical, the good, honest pieces with no pretentions to sham luxuriousness, belonging to the modest middle classes or even the country folk of old France.