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The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
The Public Speaking of John Taylor: Champion of Liberty
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1986 The Public Speaking of John Taylor: Champion of Liberty Larry D. Anderson Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Mormon Studies Commons, and the Social Influence and oliticalP Communication Commons BYU ScholarsArchive Citation Anderson, Larry D., "The Public Speaking of John Taylor: Champion of Liberty" (1986). Theses and Dissertations. 4478. https://scholarsarchive.byu.edu/etd/4478 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. 4k70aoh 10 a53 THE PUBTPUBLICAAIC SPEARINGSPEAKING OF JOHN TAYLOR CHAMPION OF LIBERTY e tr A thesisthes as1s presented to the communications department brigham young university 4 1 in partial fulfillmentfulsfuisA menzment of the requirements for the degree master of arts by larry D anderson july 1986 this thesis by larry D anderson is accepted in its present form by the department of communications of brigham young university as satisfying the thesis requirement for the degree of master of arts L nancy 4tatrichardsg rdsads committee airmanlhairmanmairmanshairmanLh rr d tnj 1 tajmilton V backman committee mambermemberI adermder july 1986 date jralphmralphal-ph barney depdepartfflentarff&nt chairman acknowledgments 0 the author -
Berryville From: Utah Place Names
Berryville from: Utah Place Names BERRYVILLE* (Kane County). See Glendale* below. GLENDALE* (Kane County) is on US-89 in Long Valley along the upper Virgin River. Four miles south is Orderville*. After being settled in 1862 by a party of settlers led by John and William Berry from Kanarraville*, Glendale was named Berryville* as the first settlement in the valley. At that time, Long Valley was called Berry Valley. Of those first settlers, Robert Berry and his wife Isabella were murdered by the Indians, and in 1866 Berryville was abandoned. In 1871, members of the Muddy Mission in Nevada resettled Long Valley. Led by James Leithead, the group settled on the old Berryville townsite and renamed it Glendale because of the beautiful surroundings. Another version of the naming of Glendale states that the name came from their leader and first bishop, who was reminded of his home in Scotland. Today it is a beautiful and stable community known for its scenic surroundings. >S23,T40S,R7W,SLM; 5,824' (1,775m). Bibliography: Jenson, Andrew. Encyclopedic History of the Church of Jesus Christ of Latter-day Saints. Salt Lake City: Deseret News Publishing Co., 1941. I Was Called to Dixie. Salt Lake City: Deseret News Press, 1961. Personal place name manuscript records. Robinson, Adonis Findlay. History of Kane County. Salt Lake City: Kane County Daughters of Utah Pioneers, 1970. Writers' Program. Origins of Utah Place Names. 3d ed. Comp. and written by Utah Writers Project, Work Projects Administration. Sponsored and published by Utah State Department of Public Instruction. Salt Lake City, 1940. -
Harriet Berg Dance Collection
Harriet Berg Dance Collection Papers, 1948-2002 (Predominately 1960-1980) 30 linear feet Accession #1608 Provenance The Harriet Berg Dance Collection was first given to Wayne State University in 1984 by Harriet Berg, and has been added to over the years since that time (up to 2002). Bio/Historical Info For over 40 years Mrs. Berg has been a choreographer, teacher, performer, and arts avocate. She received her B.A. in Art Education and her M.A. in Humanities from Wayne State University. She has taught at Wayne State, the Jewish Community Center (and Camp Tamarack), Burton School, and Bloomfield Hills Academy locally and the Connecticut College Summer School of Dance and the Perry-Mansfield Dance-Drama School nationally. She was the director of the Festival Dancers and Young Dancers Guild at the Jewish Community Center and directed the Renaissance Dance Company and the Madame Cadillac Dancers, both companies specializing in historical dance. In addition to her professional work Mrs. Berg has served as member and Dance committee chairman for the Michigan Council of the Arts, the Detroit Council for the Arts, the Detroit Adventure Planning Project, Michigan Foundation for the Arts and the Detroit Metropolitan Dance Project. Mrs. Berg’s collection reflect her interest in all aspects of dance, and other performing and fine arts. Some of the papers also reflect some aspects of her personal life as well as that of her family members. Subjects American Dance Festival Harriet Berg Choreographers Choreography Connecticut College Dance Books Dance Companies Dance Education Dance in Detroit Detroit Metropolitan Dance Project Historical Dance Isadora Duncan Jewish Community Center Madame Cadillac Dance Theater Michigan Dance Association Modern Dance Renaissance Dance Company Resources for Dance Wayne State University Correspondents Kay Bardsley Harriet Berg Irving Berg Leslie Berg Martin Berg Merce Cunningham Raymond Duncan Louis Falco Martha Graham Lucas Hoving Jose Limon Paul Taylor J.J. -
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608
Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 This finding aid was produced using ArchivesSpace on June 11, 2018. English Describing Archives: A Content Standard Walter P. Reuther Library 5401 Cass Avenue Detroit, MI 48202 URL: https://reuther.wayne.edu Guide to the Michigan Dance Archives: Harriet Berg Papers UP001608 Table of Contents Summary Information .................................................................................................................................... 3 History ............................................................................................................................................................ 4 Scope and Content ......................................................................................................................................... 4 Arrangement ................................................................................................................................................... 6 Administrative Information ............................................................................................................................ 6 Related Materials ........................................................................................................................................... 7 Controlled Access Headings .......................................................................................................................... 7 Collection Inventory ...................................................................................................................................... -
Backgrounder: Deseret News, Salt Lake City, Utah
Backgrounder Deseret News: Interviewed 5/16/11 Newspaper Deseret News Owner Deseret News Publishing Company, a subsidiary of Deseret Management Corporation, a for-profit business holdings company owned by the Mormon Church (The Church of Jesus Christ of Latter-day Saints) Address 55 North 300 West, Salt Lake City, UT 84101 Phone number 801-236-6000 URL Deseretnews.com Circulation Daily 73,075; Sunday 79,433 President & CEO Name Clark Gilbert Start Date 2009 as CEO Deseret Digital; 2010 as CEO Deseret News Phone number 801-333-7497 E-mail [email protected] Newspaper Staff Total FTEs Publication cycle 7-days, a.m. Current Circulation Weekdays 73,075 Sundays 79,435 E-edition 20,261 Price Weekday newsstand $0.75 Sunday newsstand $2.00 Subscription annual $208.00 E-edition $43.80 Ancillary Businesses of Deseret News & Deseret DeseretNews.com, KSL.com, DeseretBook.com, Digital MormonTimes.com and LDSChurchNews.com Digital Pay wall? No Considering a pay wall? No Advertising Is your advertising staff able to provide competitive Yes digital services to merchants? Do you use "real time" ads? Yes Does your advertising department sell "digital services" Yes such as helping merchants with website production? Does your ad department sell electronic coupons or other Yes modern digital products? Other? Do you generate revenue in partnership with outside Yes, remnant providers digital vendors such as Yahoo? If so, who are they? Managing Editor Name Richard Hall Valid Sources, “Who Needs Newspapers?” project; 1916 Pike Pl., Ste 12 #60, Seattle, WA.98101 www.whoneedsnewspapers.org Backgrounder Deseret News: Interviewed 5/16/11 Start date Phone number 801- 237-2110 E-mail [email protected] V.P. -
FEDERAL ELECTION COMMISSION J. David Pearce, Esq. Associate
FEDERAL ELECTION COMMISSION WASHINGTON, D.C. 20463 J. David Pearce, Esq. Associate General Counsel , Deseret Mahagenrient Corporation SEP 2 7 2017 55 N. 300 W., Suite 800 Salt Lake City, Utah 84180 RE: MUR7206 I Deseret Management Corporation I Deseret News Publishing Company Dear Mr. Pearce; On December 16,2016, the Federal Election Commission notified your clients, Deseret Management Corporation and Deseret News Publishing Company, of a complaint alleging violations of the Federal Election Campaign Act of 1971, as amended. On September 18,2017, the Commission found, on the basis of the information in the complaint and your response, that there is no reason to believe that Deseret Management Corporation or Deseret News Publishing Company violated 52 U.S.C. §§ 30104(c) or 30118(a). Accordingly, the Commission closed its file in this matter. Documents related to the case will be placed on the public record within 30 days. See Disclosure of Certain Documents in Enforcement and Other Matters, 81 Fed. Reg. 50,702 (Aug. 2,2016), effective September 1,2016. The Factual and Legal Analysis, which explains the Commission's findings, is enclosed for your information. If you have any questions, please contact Nicholas Mueller, the attorney assigned to this matter at (202) 694-1577. Sincerely, in Lee Acting Assistant General Counsel Enclosure Factual and Legal Analysis 1 FEDERAL ELECTION COMMISSION 2 FACTUAL AND LEGAL ANALYSIS 3 4 RESPONDENT: Bonneville International Corporation, d/b/a MUR 7206 5 KSL-TV and KSL 1160 6 Deseret Management Corporation 7 Deseret News Publishing Company 8 McMullin for President Committee, Inc. 9 and Jeffrey Carson in his official 10 capacity as treasurer i 11 12 I. -
Dance with Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy
Dance With Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy By: Ann Dils Dils, A. (2001) Dance with Us: Virginia Tanner, Mormonism, and Humphrey's Utah Legacy. Dance Research Journal. 32 (2), 7-31. Made available courtesy of University of Illinois Press: http://www.press.uillinois.edu/journals/drj.html ***Note: Figures may be missing from this format of the document Dance critic Walter Terry was in the audience the evening of Rosalind Pierson's last, glorious performance with Virginia Tanner's Children's Dance Theatre (CDT). In his review for the New York Herald Tribune of that July 1953 Jacob's Pillow performance, Terry discussed the girls' connections to the Church of Jesus Christ of Latter- day Saints, described the outdoor performance setting, the program, and the children as "wonderfully disciplined yet gloriously free in movement." He concluded his performance description with this paragraph: Other children have danced such themes and there are other children ... who have performed with ... far more precociousness of a technical nature but none, I think, have conveyed so perfectly the bright (not pallid) purity of child-dance. It is difficult to describe even the most potent intangibles and the best I can do is to say that the children danced as if they had faith in themselves, had love for those of us who were seeing them, actively believed in their God and rejoiced in all of these. (Terry 1953)1 The "potent intangibles" that Walter Terry wanted to describe—those feelings of faith, love, belief, and joy— pervaded the work of Virginia Tanner and her Children's Dance Theatre, especially in the years prior to 1960. -
Changes in Seniority to the Quorum of the Twelve Apostles of the Church of Jesus Christ of Latter-Day Saints
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2009 Changes in Seniority to the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints Travis Q. Mecham Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Mecham, Travis Q., "Changes in Seniority to the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints" (2009). All Graduate Theses and Dissertations. 376. https://digitalcommons.usu.edu/etd/376 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. CHANGES IN SENIORITY TO THE QUORUM OF THE TWELVE APOSTLES OF THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS by Travis Q. Mecham A thesis submitted in partial fulfillment of requirements for the degree of MASTER OF ARTS in History Approved: _______________________ _______________________ Philip Barlow Robert Parson Major Professor Committee Member _______________________ _______________________ David Lewis Byron Burnham Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2009 ii © 2009 Travis Mecham. All rights reserved. iii ABSTRACT Changes in Seniority to the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints by Travis Mecham, Master of Arts Utah State University, 2009 Major Professor: Dr. Philip Barlow Department: History A charismatically created organization works to tear down the routine and the norm of everyday society, replacing them with new institutions. -
State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios
Utah Dance Education Organization State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios Kay Andersen received his Master of Arts degree at New York University. He resided in NYC for 15 years. From 1985-1997 he was a soloist with the Nikolais Dance Theatre and the Murray Louis Dance Company. He performed worldwide, participated in the creation of important roles, taught at the Nikolais/Louis Dance Lab in NYC and presented workshops throughout the world. At Southern Utah University he choreographs, teaches improvisation, composition, modern dance technique, tap dance technique, is the advisor of the Orchesis Modern Dance Club, and serves as Chair of the Department of Theatre Arts and Dance. He has choreographed for the Utah Shakespearean Festival and recently taught and choreographed in China, the Netherlands, Mexico, North Carolina School of the Arts, and others. Kay Andersen (SUU) Ashley Anderson is a choreographer based in Salt Lake City. Her recent work has been presented locally at the Rose Wagner Performing Arts Center, the Rio Gallery, the BYU Museum of Art, Finch Lane Gallery, the City Library, the Utah Heritage Foundation’s Ladies’ Literary Club, the Masonic Temple and Urban Lounge as well as national venues including DraftWork at Danspace Project, BodyBlend at Dixon Place, Performance Mix at Joyce SOHO (NY); Mascher Space Cooperative, Crane Arts Gallery, the Arts Bank (PA); and the Taubman Museum of Art (VA), among others. Her work was also presented by the HU/ADF MFA program at the American Dance Festival (NC) and the Kitchen (NY). She has recently performed in dances by Ishmael Houston-Jones, Regina Rocke & Dawn Springer. -
1 2 3 ~Gnificant
Utah State Historical Society Property Type: Site No. ________ Historic Preservation Research Office Structure/Site Information Form 1 Street Address: 390 Quince St UTM: 11373 ll374 z 0 j:: Name of Structure: T. 01.0 N R. 01.0 w S. 36 <t (.) u: Present Owner: Kathryn & Tracy Walker et al j:: z 390 Quince St UJ 0 Owner Address: SLC, UT 84103 Year Built (Tax Record): 1901 Effective Age: 1925 Tax#: 04 2535 Legal Description 01 Kind of Building: residence N 5 rds of lot 4, blk 16, plat E, SLC sur 2 Original Owner: William Morrow Demo I ition Date: enUJ :::> Original Use: dwelling Pres~t Use: dwelling en :::> 1- c:s: Building Condition: Integrity: Preliminary Evaluation: Final Register Status: ent 0 Excellent 0 Site 0 Unaltered ~gnificant o Not of the D National Landmark D District ~Good 0 Ruins iii' Minor Alterations 0 Contributory Historic Period 0 National Register 0 Multi-Resource 0 Deteriorated 0 Major Alterations 0 Not Contributory ri('State Register 0 Thematic Photography: Date of Slides: 1978 Slide No.: Date of Photographs: 19 7 9 Photo No.: 3 z Views: ~ront 0 Side D Rear 0 Other Views: ~ront 0 Side 0 Rear 0 Other 0 j:: Research Sources: <t 1- 0 Abstract of Title tef Sanborn Maps u;t' Newspapers rJZ' U of U Library z UJ ~Plat Records / Map f( City Directories ~tah State Historical Society 0 BYU Library ~ :::> 0 Tax Card & Photo 0 ~iographical Encyclopedias 0 Personal Interviews 0 USU Library (.) 0 0 Building Permit il1' Obiturary Index D LOS Church Archives D SLC Library 0 D Sewer Permit 0 County & City Histories 0 LDS Genealogical -
Zvidance DABKE
presents ZviDance Sunday, July 12-Tuesday, July 14 at 8:00pm Reynolds Industries Theater Performance: 50 minutes, no intermission DABKE (2012) Choreography: Zvi Gotheiner in collaboration with the dancers Original Score by: Scott Killian with Dabke music by Ali El Deek Lighting Design: Mark London Costume Design: Reid Bartelme Assistant Costume Design: Guy Dempster Dancers: Chelsea Ainsworth, Todd Allen, Alex Biegelson, Kuan Hui Chew, Tyner Dumortier, Samantha Harvey, Ying-Ying Shiau, Robert M. Valdez, Jr. Company Manager: Jacob Goodhart Executive Director: Nikki Chalas A few words from Zvi about the creation of DABKE: The idea of creating a contemporary dance piece based on a Middle Eastern folk dance revealed itself in a Lebanese restaurant in Stockholm, Sweden. My Israeli partner and a Lebanese waiter became friendly and were soon dancing the Dabke between tables. While patrons cheered, I remained still, transfixed, all the while envisioning this as material for a new piece. Dabke (translated from Arabic as "stomping of the feet") is a traditional folk dance and is now the national dance of Lebanon, Jordan, Syria, and Palestine. Israelis have their own version. It is a line dance often performed at weddings, holidays, and community celebrations. The dance strongly references solidarity, and traditionally only men participated. The dancers, linked by hands or shoulders, stomp the ground with complex rhythms, emphasizing their connection to the land. While the group keeps rhythm, the leader, called Raas (meaning "head"), improvises on pre-choreographed movement phrases. He also twirls a handkerchief or string of beads known as a Masbha. When I was a child and teenager growing up in a Kibbutz in northern Israel, Friday nights were folk dance nights.