The Year That Was
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Reflections on Some Recent Australian Novels ELIZABETH WEBBY
Books and Covers: Reflections on Some Recent Australian Novels ELIZABETH WEBBY For the 2002 Miles Franklin Award, given to the best Australian novel of the year, my fellow judges and I ended up with a short list of five novels. Three happened to come from the same publishing house – Pan Macmillan Australia – and we could not help remarking that much more time and money had been spent on the production of two of the titles than on the third. These two, by leading writers Tim Winton and Richard Flanagan, were hardbacks with full colour dust jackets and superior paper stock. Flanagan’s Gould’s Book of Fish (2001) also featured colour illustrations of the fish painted by Tasmanian convict artist W. B. Gould, the initial inspiration for the novel, at the beginning of each chapter, as well as changes in type colour to reflect the notion that Gould was writing his manuscript in whatever he could find to use as ink. The third book, Joan London’s Gilgamesh (2001), was a first novel, though by an author who had already published two prize- winning collections of short stories. It, however, was published in paperback, with a monochrome and far from eye-catching photographic cover that revealed little about the work’s content. One of the other judges – the former leading Australian publisher Hilary McPhee – was later quoted in a newspaper article on the Award, reflecting on what she described as the “under publishing” of many recent Australian novels. This in turn drew a response from the publisher of another of the short- listed novels, horrified that our reading of the novels submitted for the Miles Franklin Award might have been influenced in any way by a book’s production values. -
Remembering Nehru and Non-Alig
Remembering Nehru and Non-Alignment in some Postcolonial Indian and French Texts Geetha Ganapathy-Doré To cite this version: Geetha Ganapathy-Doré. Remembering Nehru and Non-Alignment in some Postcolonial Indian and French Texts. International Journal of South Asian Studies, Pondicherry University, 2017, 10 (1), pp.5-11. hal-02119321 HAL Id: hal-02119321 https://hal.archives-ouvertes.fr/hal-02119321 Submitted on 3 May 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Public Domain REMEMBERING NEHRU AND NON-ALIGNEMENT 1 Remembering Nehru and Non-Alignment in some Postcolonial Indian and French Texts Geetha Ganapathy-Doré Université Paris 13, Sorbonne Paris Cité Published in International Journal of South Asian Studies, Pondicherry University Vol 10, No1, January-June 2007, pp: 5-11. http://www.pondiuni.edu.in/sites/default/files/Journal_final_mode.pdf REMEMBERING NEHRU AND NON-ALIGNEMENT 2 Abstract For readers of Indian history, Nehru was the champion of anticolonialism, the architect of modern India, the ideologue of a mixed economy at the service of social justice, the Pandit from Kashmir, the purveyor of Panch Sheel, the disillusioned Prime Minister who had unwittingly initiated a dynastic democracy by relying on his daughter Indira after the death of his wife Kamala. -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Undergraduate Syllabus
Department of English : 3 Year BA Syllabus Credits Sem 1: ENGL0101: Module 1: Classical & Biblical background 4 ENGL0102: Module 2: Shakespeare 4 Sem 2: ENGL0201: Module 3: Old & Middle English literature 4 ENGL0202: Module 4: Early Modern literature 4 Sem 3: ENGL0301: Module 5: Restoration literature 4 ENGL0302: Module 6: Romantic literature 4 ENGL0303: Module 7: Victorian literature 4 Sem 4: ENGL0401: Module 8: 20 th c literature (till 1945) 4 ENGL0402: Module 9: 20 th c literature (1945 onwards) 4 ENGL0403: Module 10: Introduction to literary theory 4 Sem 5: ENGL0501: Module 11: European literature in translation (until 1900) 4 ENGL0502: Module 12: American literature 4 ENGL0503: Module 13: Indian literature in English 4 ENGL0591: Sessional 1 4 ENGL0592: Sessional 2 4 Sem 6: ENGL0601: Module 14: Practical Criticism 4 ENGL0602: Module 15: Postcolonial literature 4 ENGL0603 (A,B,C, . .): Module 16: Optional 4 ENGL0691: Sessional 3 4 ENGL0692: Sessional 4 4 Detailed Syllabus Sem 1: Module 1- Classical and Biblical Background Selections from Greek and Roman literature Selections from King James Bible Sem 1: Module 2- Shakespeare A detailed study of 3 Shakespeare plays (preferably 1 tragedy, 1 comedy and 1 history play) and selections from the sonnets Sem 2: Module 3- Old English & Middle English Literature (Translated works) Selections from Beowulf , Old English elegies Selections from the Canterbury Tales , Piers Plowman Selections from Middle English prose / romance Sem 2: Module 4- Early Modern Literature One play- Kyd / Marlowe One -
History of Novel
History of Novel BRAINSTORMING [PAGE 177] Brainstorming | Q 1 | Page 177 Match the columns: Column A Column B (a) Murasaki Shikibu (1) Cervantes (b) Novella (2) Bankimchandra Chattopadhyaya (c) Don Quixote (3) Tale of Genji (d) Rajmohan’s Wife (4) New Solution: Column A Column B (a) Murasaki Shikibu (3) Tale of Genji (b) Novella (4) New (c) Don Quixote (1) Cervantes (d) Rajmohan’s Wife (2) Bankimchandra Chattopadhyaya Brainstorming | Q 2.1 | Page 177 Pick out the odd element from the group. Arun Joshi, Vikram Seth, Graham Greene, Kiran Nagarkar Solution: Graham Greene. All the others are authors of Indian origin. Brainstorming | Q 2.2 | Page 177 Pick out the odd element from the group. Place, Period, Theme, Climate, Lifestyle Solution: Theme All the others are details related to the setting of the novel. Brainstorming | Q 2.3 | Page 177 Pick out the odd element from the group. Theme, Plot, Character, Novella Solution: Novella All the others are elements of the novel/novella. Brainstorming | Q 3.1 | Page 177 Complete the following statement: The two types of conflicts that the plot may have are _______. Solution: The two types of conflicts that the plot may have are internal (inside the mind of the character) and external (with other characters or entities). Brainstorming | Q 3.2 | Page 177 Complete the following statement: The word ‘picaresque’ originated from _______. Solution: The word ‘picaresque’ originated from the Spanish word, ‘picaro’ which means ‘rogue’. Brainstorming | Q 3.3 | Page 177 Complete the following statement: The epistolary novel presents the narrative through _______. Solution: The epistolary novel presents the narrative through series of correspondence or other documents. -
Download Program
Festival Guests Festival Information Sponsors Amanda Anastasi is an award-winning poet writer of the The Treehouse series and the in Residence at Melbourne University, Janet How to Book Festival Venues Major Partners Williamstown Literary whose work ranges from the introspective to BUM trilogy. Clarke Hall. willy All events held on Saturday 13 June the socio-political. Gideon Haigh has been an independent Susan Pyke teaches with the University of For detailed descriptions of sessions, David Astle is the Dictionary Guy on Letters journalist for almost 30 years. Melbourne, and her poetry, short stories and presenters and to book tickets, visit and Sunday 14 June are located at either the Williamstown Town Hall www.willylitfest.org.au or phone the ( and Numbers (SBS) and well-known crossword John Harms is a writer, publisher, broadcaster associative essays have appeared in various Festival lit compiler. and historian who appears on Offsiders (ABC) journals. Box Office on 9932 4074. or the Williamstown Library. ‘’ Kate Atkinson is an actor and one of the and runs footyalmanac.com.au Jane Rawson was formerly the Environment Book before midnight, Sunday 24 May Both are located at 104 Ferguson original founders of Actors for Refugees. & Energy Editor for news website, The Catherine Harris is an award-winning writer 2015 for special early bird pricing. Street, Williamstown. Please check 13 and 14 June 2015 fest Matt Blackwood has won multiple awards for and author of The Family Men. Conversation. She is the author of the novel, A Wrong Turn at the Office of Unmade Lists. your ticket for room details. -
The Search for Love and Truth in Shirley Hazzard's Writings
a-,¡ *-f.-t¡.,| I €.? Ë " ^tf ..) -lo- 'THE GOLDEN THREADI THE SEARCH FOR LOVE AND TRUTH IN SHIRLEY HAZZARDIS WRITTNGS Kathleen M. Twidale, B.À. (Hons. ) A thesis submitted for the degree of Master of Arts in the Department of English, University of Adelaíde February, 1988 TABLE OF CONTENTS Page No. SUMMARY 1tt. SlATE14ENTS v1. ACKNOW LEDG E MENTS vttl. CHAPTER I In troduc t ion I CHAPTER II 'Candle of Understandíng' Some Light on Shirley Hazzard's Use of Language 24 CHAPTER ÏII The Short Stories 59 CHAPTER IV The Evening of the Hol iday 91 CHAPTER V The Bay of Noon 117 CHAPTER VI The Transit of Venus r52 CONCLUSION 19s a Page No. LIST OF ABBREVIATIONS 199 NOTES 200 BIBLIOGRAPHY 2r6 l_t_ ITHE GOLDEN THREAD' THE SEARCH FOR LOVE AND TRUTH IN SHTRLEY HAZZARD'S WRIT]NGS SUMMARY This thesis, as its title suggests, wil_1 examine the themes of l-ove and truth in shirley Hazzard's h¡ritings. rt will be argued that aJ-though she views her characters with ironic detachment, presenting love and its effects with a clear-eyed l-ack of sentimentaJ-ity, nevertheless, shirley Hazzardts theme throughout her novels and short stories is that the ability to l-ove is of immense importance in the life of her characters. Though l-ove itsel-f may be transient, through the powers of memory its effects are permanent. Those that have loved 'must always be different'and in, that senser'1ove is eternal'for shirley Hazzard's heroines. The different attitudes of Shirley Hazzard's male and female characters to rove is also investigated and it will be argued that, with few exceptions, l-ove to the men is'but a thing apartr; to the vüomen 'who1e existencef . -
An Open Book David Malouf POETRY
LONDON BOOK FAIR 2019 UNIVERSITY OF QUEENSLAND PRESS PUBLICATION DETAILS ARE CORRECT AS OF MARCH 2019 BUT ARE SUBJECT TO CHANGE Kate McCormack Telephone +617 3365 2998 PO Box 6042 Fax +617 3365 7579 St Lucia Email [email protected] QLD 4067 Website www.uqp.com.au 1 The White Girl FICTION Tony Birch A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love. Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families. PRAISE FOR TONY BIRCH 'Birch evokes place and time with small details dropped in unceremoniously, and the stories are rife with social commentary. ''Well, who are we to judge?” Perhaps that is the point — Birch shows empathy so that we might find it.' Weekend Australian Tony Birch is the author of Ghost River, which won the Victorian Premier’s Literary Award for Indigenous Writing and Blood, which was shortlisted for the Miles Franklin Award. -
21 – 23 February University of Western Australia Welcome to Literature & Ideas
PERTH FESTIVAL LITERATURE & IDEAS 21 – 23 FEBRUARY UNIVERSITY OF WESTERN AUSTRALIA WELCOME TO LITERATURE & IDEAS Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Welcome to Perth Festival’s Literature & Ideas Weekend, nestled on the campus of the University of Western Australia, our Founding Partner. Within a broader Festival 2020 program that celebrates this city and its stories, this weekend acknowledges the importance of histories both oral and written, as we share figurative campfires of understanding here on Whadjuk Boodja. This festival-in-a-festival has been curated by extraordinary local writer, Sisonke Msimang. Her broad knowledge is matched only by the size of her heart – traits that shine through in this program of big ideas and intimate revelation. I do trust you’ll enjoy it. IAIN GRANDAGE Image: Jess Wyld ARTISTIC DIRECTOR Image: Nick White The Stevie Wonder song ‘Love’s in Need of Love Today’ was an a more overt role in our public discussions. This is no excuse to integral part of my childhood. At every family party it would be avoid truth telling: we have asked our guests to bring their most played at full blast and everyone would join in, singing along at the loving, direct and clear selves to the table. top of our voices until we were drowning out Stevie, belting out We are excited to introduce you to an international roster of the lyrics which managed to be simultaneously saccharine and writers from Indonesia, Bangladesh, Thailand, Nigeria and Pakistan poignant: whose books we love. -
Nothing Will Silence It
LeadingWriters-FinalText.x 5/2/07 9:45 AM Page 3 Nothing Will Silence It By Alex Miller I don’t know that it’s making any difference, is it? And if it is making a difference, how do we begin to quantify the differ- ence it’s making? It’s rather like prayer. How can we know? Without poetry and drama and novels and music and art we know ourselves to be poorer. We know such things as these enrich our existence. But really that’s about all we can say. We can’t really say what it all means, or how it changes anything, at least not for other people, and perhaps not even for ourselves — unless we are book reviewers, of course, and no mysteries of the human soul are hidden from us. It is a rather elusive thing really, what creative writing or music mean. And this is one of their greatest charms. They elude our reason and give us respite from its tyrannies. What is this feeling of wonder that holds us in thrall as we read W.G. Sebald’s description of the decay of the Ashbury household in Ireland? Why are we so mesmerised? We don’t know these people. They are not our neighbours or our old friends. We are not learning anything useful. And Sebald is telling someone else’s story — the greatest source for all story- tellers, of course, other people’s stories. We are listening to Sebald’s own astonishment, to his sense of the melancholy and the inexplicable meaninglessness of the lives of this stricken family of forlorn exiles. -
Ÿþm I C R O S O F T W O R
- 1 - INTRODUCTION A Sense of Place in Twentieth-Century Australian Life Writing In recent years, at both popular and academic levels, there has been increased talk about an Australian national identity. Events at home and abroad have sparked discussion about what it means to be “Australian”, and Australia’s role in world affairs. Such debates inevitably turn to a reassessment of traditional attributes of the “Australian character”, highlighted a few years ago by the controversy over the proposed insertion of the value of “mateship” into the preamble to the Australian constitution. For all this talk about national character and values, it is often forgotten that, on a more personal level, any identification with a nation or homeland must also involve a sense of place. What makes any of us Australian? Surely at bottom this has to begin with our dwelling in, having origins in, and retaining a continuing connection to this land mass we now call Australia. But what are the hallmarks of an Australian’s sense of place? How is it formed, nurtured and sustained? Does one’s sense of place change or alter depending on what part of Australia one lives in? As Simon Schama says in the introduction to his extensive study, Landscape and Memory, “it is our shaping perception that makes the difference between raw matter and landscape”.1 So, too, our sense of place comes not merely from the physical landforms we inhabit but also from within us, our mode of viewing, which is informed by culture and history. This thesis explores the sense of place formed during childhood, as remembered by adult Australians who reconstruct their youth through various forms of life writing. -
September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President James Norcliffe With the Assistance of Creative NZ Arts Council of New Zealand Toi Aotearoa Email [email protected] and Lion Foundation Website ISSN 1176-6409 www.poetrysociety.org.nz NZPS Competition – an insider view at them over Queen’s Birthday Weekend. Then I went to the Post Office. I should have been suspicious when the Our International Poetry Competition has recently door opened too easily. The box was empty, except for concluded for another year. How did you do? Were you a small yellow card. The yellow card is what appears in amongst The Chosen Ones? I wasn’t and, as usual, I your box when there is too much mail. There was a flood. consoled myself with the thought that maybe I’d be in the I received from the Post Shop counter a sack containing 81 anthology again this year. envelopes, about half of them from schools and containing I’ve been entering the NZPS competition for a long multiple entries. For the rest of the week I worked until time, and this year I got to see how it works, after agreeing midnight every night, processing envelopes. Several took to take on the role of competition secretary. The first thing more than 1½ hours each. A few were requests for entry I discovered was that the work starts in November, when forms – too late.The slowest part was twinking out names the anthology is launched and the new competition opens.