Bassnectar Timeline Accordian
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Bassnectar.Net
BASSNECTAR Bassnectar is one of the longest standing and most respected artists in American electronic dance music. He is the original long hair behind the tables, having been in the game well before most of his contemporaries and amassing an epic fan base and having sold over 160,000 tickets to his solo shows alone in 2013. His art brazenly oversteps the bounds of contemporary EDM, pulling from a dynamic array of source material and attracting lovers of all genres, from dubstep to metal, punk rock, hip hop, and all forms of EDM (drum & bass, trip hop, etc) and beyond. His art is more than just an auditory experience; it serves to evoke all human senses with live shows that feature unparalleled light shows and awe- inspiring visual queues. Bassnectar intends to not only foster its own community of loyal Bass Heads, but also contribute to the global community at large through charity and social change by giving one dollar from every ticket sold to a non- profit, as part of his “Dollar Per Bass Head” Program Bassnectar is the brainchild of Lorin Ashton, a San Francisco-based DJ, producer and artist. Lorin, who released his first album in 2001, began the project as an open-sourced musical experiment exploring the interplay between music and community. His music fuses everything into an electro-synthesis of intense basslines and hypnotic soundscapes. Coming from a background in death metal, Ashton was not intent on approaching EDM from a traditional standpoint and it was a very natural and unique progression. It is this openness to exploring new ways of creating dance music that has attracted droves of loyal fans to Bassnectar’s recordings and live performances. -
Hampton Coliseum from Wikipedia, the Free Encyclopedia
Coordinates: 37°2′5.01″N 76°22′52.82″W Hampton Coliseum From Wikipedia, the free encyclopedia Hampton Coliseum is a multipurpose arena located in Hampton, Virginia. Construction on the arena began on May Hampton Coliseum 24, 1968, and the venue opened in 1970 as the first large multipurpose arena in the Hampton Roads region and the state of Virginia, opening a year prior to the Norfolk Scope in Norfolk, Virginia. With a final estimated cost between $8.5 million to $9 million, the arena was designed by Odell Associates and constructed Former names Hampton Roads Coliseum by McDevitt and Starett, both of Charlotte, North Location 1000 Coliseum Drive, [1] Carolina. The venue capacity is configurable from 9,800 to Hampton, Virginia, 23666 13,800 seats. Owner City of Hampton Hostings Operator City of Hampton Capacity 13,800 (concerts) Hampton Coliseum was one of several former homes of the 9,777 (basketball) American Basketball Association Virginia Squires Construction professional basketball franchise . The Coliseum was also home to the Virginia Wingsin the American Hockey League Broke ground May 24, 1968 and Hampton Gulls in the Southern Hockey League and the Built 1968–1970 Hampton Aces of the North Eastern Hockey League and Opened 1970 Eastern Hockey League. Construction cost $8.5 to $9.0 million USD The Coliseum hosted the Division I men's college basketball General contractor McDevitt and Street Co. ECAC South Region Tournament, organized by the Eastern College Athletic Conference (ECAC), in 1980 and Tenants 1981.[2][3][4][5] The 1985 Sun Belt Conference Men's Virginia Squires (ABA) (1970–76) Basketball Tournament and the 1987, 1988, and 1989 Virginia Wings (AHL) (1971–75) Colonial Athletic Association Men's Basketball Tournaments Hampton Gulls (SHL, AHL) (1974–78) also were held in the Coliseum. -
Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-18-2013 12:00 AM Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep Kyle Fowle The University of Western Ontario Supervisor Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kyle Fowle 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Fowle, Kyle, "Scary Monsters and Pervasive Slights: Genre Construction, Mainstreaming, and Processes of Authentication and Gendered Discourse in Dubstep" (2013). Electronic Thesis and Dissertation Repository. 1203. https://ir.lib.uwo.ca/etd/1203 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. SCARY MONSTERS AND PERVASIVE SLIGHTS: GENRE CONSTRUCTION, MAINSTREAMING, AND PROCESSES OF AUTHENTICATION AND GENDERED DISCOURSE IN DUBSTEP (Monograph) by Kyle Fowle Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Popular Music and Culture The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Kyle Fowle 2013 ii Abstract This thesis examines discourses on dubstep, a currently popular form of electronic dance music (EDM). The thesis identifies discursive patterns in the received historical narrative of EDM and explores how those patterns may or may not manifest themselves in the current discourses on dubstep. -
Bassnectar Bio. Fall 2010
By combining sound and force with weight, the Bassnectar experience engulfs the senses. It is as physical as it is auditory; the adventure has no rules, no limitations, and no hesitation in fusing the familiar with the strange or the classic with the cutting edge. Bassnectar is the brainchild of Lorin Ashton, and it exists as an open-sourced musical project that is as diverse as it is heavy, as raw as it is meticulous, and as fierce as it is imaginary. Spanning the spectrum of sonic style, the music covers every genre imaginable and smashes it all into a synthesis of intense, wobbling basslines and hypnotic soundscapes. Whether remixing, collaborating, writing, DJing, performing live, or working on constant social networking, Bassnectar’s music is the lure and social impact is the sincere intention. According to Ashton, “We are so blessed, and so deeply fortunate to be alive and awake right now…it’s a basic truth, but it’s very powerful. I think privilege confers responsibility, and Bassnectar is a reflection of that opportunity to give back; the motion of my cells bouncing back at the world.” The official Bassnectar discography can be found at HYPERLINK "http://www.bassnectar.net/listen/releases/" www.bassnectar.net/listen/releases/ . Bassnectar’s most recent releases are Art of Revolution (2009), Cozza Frenzy (2009), and Timestretch (2010). Through his self-run Amorphous Music label and Bassnectar Labs studio, he has remixed/collaborated with the likes of KRS-One, Perry Farrel, Fever Ray, Spearhead, STS9, Buckethead, Tappa Zuki, and Zumbi of Zion I; as well as various remix projects with producers such as Z-trip, Diplo, BT, 6Blocc, DJ Vadim, and RJD2. -
Islanq's Generated Playlist File:///C:/Users/Islanq/Desktop/Islanq Dubstep Playlist.Html
Islanq's Generated PlayList file:///C:/Users/islanq/Desktop/islanq_dubstep_playlist.html 339 tracks in playlist, average track length: 5:03 Playlist length: 28 hours 36 minutes 24 seconds Right-click here to save this HTML file. Playlist files: 1. 001 Bare Noize - Fortunez (Ollie! Rmx) (3:39) 2. 002 Blue Foundation - Eyes On Fire (Zeds Dead Rmx) (5:19) 3. 003 Burial - Archangel (Mt Eden Dubstep Rmx) (3:15) 4. 004 Felix Da Housecat - Kick Drum (Propatingz' Nasty Gal Rmx) (5:59) 5. 005 Ginuwine - Pony (Boson Dubstep Rmx) (4:03) 6. 006 Guns 'N' Bombs - Riddle of Steel (12th Planet and Tealong Rmx) (4:42) 7. 007 High Rankin - Sitting In the Wet (Original) (4:38) 8. 008 L - Mexter Dorgan (Original) (4:56) 9. 009 Man Like Me - London Town (Doorly'S Cockney Wideboy Rmx) (5:32) 10. 010 Ollie! - You Stupid Cunt (Bare Noize Rmx) (4:37) 11. 011 Skream - What Did He Say (Original) (5:08) 12. 012 Zeds Dead - Dark Side Dub (Original) (3:58) 13. 013 Ld - Primal Instinct (5:08) 14. 014 Mr Lager - Tell Me (Feat. Alys Be) (4:23) 15. 015 James Blake - Air and Lack Thereof (4:09) 16. 016 Octa Push - Quebu Sabe (4:09) 17. 017 Crazy Cousinz - Inflation (5:02) 18. 018 Jakes - Calypso (5:35) 19. 019 Gemmy - Supligen (4:40) 20. 020 Dusk - Focus (6:12) 21. 021 Mr Gasparov - 1975 (6:40) 22. 022 Joker and Ginz - Purple City (4:25) 23. 023 Gemmy - Grime Baby (5:05) 24. 024 Von D - Show Me (Feat. -
Bass in Your Face: a Case-Study Exploration of Networked Culture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Bass in Your Face: A Case-Study Exploration of Networked Culture Samantha Phyllis Kretmar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/237 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BASS IN YOUR FACE: A CASE-STUDY EXPLORATION OF NETWORKED CULTURE by SAMANTHA P. KRETMAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2014 © 2014 SAMANTHA P. KRETMAR All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Matthew K. Gold Date Thesis Advisor Matthew K. Gold Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract BASS IN YOUR FACE: A CASE STUDY EXPLORATION OF NETWORKED CULTURE by Samantha P. Kretmar Adviser: Professor Matthew K. Gold Using dubstep DJ Bassnectar as a case-study example, this thesis explores the impact of social networks and mobile connectivity. As evidenced by Bassnectar’s digitally based approach to experiencing, distributing, and consuming music, these developments have contributed to the shift to a new model I describe as Networked Culture. -
Rose City Mobile Music
Current as of 1/5/2018 For quick search, hold Rose City Mobile Music the ctrl key and hit F Song Library - Alpha by Artist first name Artist - Alpha by First name Song Title ~ Black rows are new additions # 112 Dangerous Games 222 One Night Stand 311 Too Much To Think (Radio Edit) 311 Til The City's On Fire 0:00 Critical Mistakes 888 Critical Mistakes 888 Creepers 1975 Love Me (Radio Edit) 0:00 The Sound (Clean Edit) 0:00 The Sound (Radio Edit) 1975 Somebody Else (Clean Edit) 1975 Somebody Else (Radio Edit) (Hed) P.E. Closer (Clean Radio Edit) 1 Girl Nation Count Your Rainbows 1 Girl Nation Turn Around 10 Speed Tour De France 10 Years Actions and Motives 10 Years Backlash 10 Years Dancing With the Dead 10 Years Fix Me 10 Years Miscellanea 10 Years Shoot It Out 10 Years Through The Iris 10 Years Novacaine 12 Stones Broken Road 12 Stones Bulletproof 12 Stones Psycho 12 Stones We Are One 16 Frames Back Again 16 Second Stare Ballad of Billy Rose 16 Second Stare Bonnie and Clyde 16 Second Stare Gasoline 16 Second Stare The Grinch (Radio Edit ) 1975.. Chocolate 1975.. Girls (Warning Content) 1Love f Corey Hart Truth Will Set U Free 2 Chainz Crack (Warning Content) 2 Chainz I'm Different (Warning Content) 2 Chainz Riot (Clean Edit) 2 Chainz Spend It (Warning Content) 2 Chainz Used 2 (Warning Content) 2 Chainz Watch Out (Clean Edit) (Warning Extreme Content) 2 Chainz f Cap 1 Where U Been (Clean Edit) (Warning Extreme Content) 2 Chainz f Drake No Lie (Clean Edit) (Warning Content) 2 Chainz f Drake Big Amount (Clean Edit) (Warning Content) 2 Chainz -
Bassnectar.Net
AM RPHOUS BASSNECTAR Bassnectar is one of the longest standing and most respected artists in American electronic dance music, commonly referred to simply as the EDM scene. He is the original long hair behind the tables, having been in the game well before most of his contemporaries and amassing an epic fan base and having sold over 220k tickets to his solo shows alone in 2012. His art brazenly oversteps the bounds of contemporary EDM, pulling from a dynamic array of source material and attracting lovers of all genres, from dubstep to metal, punk rock,hip hop, and all forms of EDM (drum & bass, trip hop, etc) and beyond. His art is more than just an auditory experience; it serves to evoke all human senses with live shows that feature unparalleled light shows and awe-inspiring visual queues. Bassnectar intends to not only foster its own community of loyal Bass Heads, but also contribute to the global community at large through charity and social change by giving one dollar from every ticket sold to a non-profit, as part of his “Dollar Per Bass Head” Program Bassnectar is the brainchild of Lorin Ashton, a San Francisco-based DJ, producer and artist. Lorin, who released his first album in 2001, began the project as an open-sourced musical experiment exploring the interplay between music and community. His music covers any genre imaginable and fuses everything into an electro-synthesis of intense basslines and hypnotic soundscapes. Coming from a background in death metal, Ashton was not intent on approaching EDM from a traditional standpoint and it was a very natural and unique progression. -
Drop the Bass Reid Speed Download
Drop the bass reid speed download Stream Electric Soulside - Drop The Bass (Reid Speed, Dark Elixir Remix) - LOFI Teaser Clip by potty mouth music DOWNLOAD MP3. Download MP3 Songs Free Online drum bass reid 3 MP3 youtube downloader Electric Soulside Drop The Bass Reid Speed Dark Elixir 3. Bass Monster (Calvertron Remix)FS and Reid 3. Play Download Electric Soulside 'Drop The Bass' (Reid Speed Dark Elixir Mix).mp3. DOWNLOAD MP3: Belgium production duo. Здесь Ты можешь слушать онлайн и скачать бесплатно песню Drop The Bass (Reid Speed, Dark Elixir Remix) | от Electric Soulside в формате mp3. [Premiere] Reid Speed “Animal” (not sorry Remix) The full EP drops today on Reid's Play Me Records imprint so snag your copy here as. Reid Speed, the Play Me Records label boss and one of the most badass chicks in the bass scene, teams up with bass master FS for the monster half-time [Free Download] Chee “Pressure” · [Q&A] Conrank Drops the Heat. Drop The Bass EP. Electric Soulside, Reid Speed, Dark Elixir; Release Date ; Label Potty Mouth Music; Catalog PMM $ Title. Artists. Free Download: Reid Speed & Annalyze "Lez Twerk Vol. From start to finish, Lez Twerk sweeps any kind of Diplo-ish "drops" off the table in combination with Reid Speed's bass goddess inner-workings put this hour mix at. Bass tester. By Ole Christian Carlsen. 17 songs. Play on Spotify. 1. Drop The Bass - Reid Speed, Dark Elixir RemixDark Elixir, Electric Soulside, Reid Speed. Reid Speed Summer Mix by Black Marble Collective, released 08 September Includes high-quality download in MP3, FLAC and more. -
I'll Fly Higher (Scootaloo's Theme) 6:04 Long Way from Equestria 4:57 1 Loyalty 6:14 27 Breaking Bonds (Ft
I'll Fly Higher (Scootaloo's Theme) 6:04 Long Way From Equestria 4:57 1 Loyalty 6:14 27 Breaking Bonds (Ft. Mando, Lulz, MHM and George) 4:51 12 Teenage Crime (Axwell & Henrik B Remode) 5:00 1 of 11 Because I Got High 3:19 2 of 11 Crazy Rap 5:30 3 of 11 She Won't Let Me Fuck 6:03 4 of 11 Hush 4:41 5 of 11 Tumbleweed 5:13 6 of 11 Let's All Get Drunk 5:44 7 of 11 Tall Cans 7:10 8 of 11 Palmdale 6:42 9 of 11 Mississippi 6:07 10 of 11 The American Dream 2:54 11 of 11 Because I Got High (extended version) 5:10 14 My Drunk Foot 3:52 16 of 22 Smack That (Remix) 5:12 14 I'm In Love 5:28 Party With Pinkie [VIP] 5:37 Cutie Mark Crusaders Theme Song (Dubstep remix) 3:29 Friendship Is Magic Intro (Glitch Remix) 4:29 What A World 3:31 Party With Pinkie (The Living Tombstone's Remix) 3:04 Party With Pinkie 4:31 41 Disco Lights 3:34 The Wind Blows (Skrillex Remix) 4:57 Fluttershy's Lament 3:56 Rainbow Dash (Electric Feel Cover) 4:02 Fluttershy's Ballad 4:56 Rainbow Dash's Theme (Original) 3:46 1 of 10 War of the Gods 4:33 2 of 10 Töcks's Taunt-Loke's Treachery [Pt. Ii] 5:59 3 of 10 Destroyer of the Universe 3:41 4 of 10 Slaves of Fear 4:25 5 of 10 Live Without Regrets 5:03 6 of 10 The Last Stand of Frej 5:38 7 of 10 For Victory or Death 4:30 8 of 10 Wrath of the Norsemen 3:44 9 of 10 A Beast Am I 5:14 10 of 10 Doom Over Dead Man 5:56 1 It's Time To Party 1:30 2 Party Hard 3:05 3 Girls Own Love 3:13 4 Ready To Die 2:55 5 Take It Off 3:10 6 I Love NYC 3:11 7 She Is Beautiful 3:34 8 Party Til You Puke 2:34 9 Fun Night 3:23 10 Got To Do It 3:55 11 I Get