Friday Flash

Total Page:16

File Type:pdf, Size:1020Kb

Friday Flash Friday Flash Flash Types • On Camera • Off Camera How Long Is A Flash? Shutter Open Flash ~1/1000 s So, any exposure time below 1/1000s will work? Focal Plane Shutter Flash Synchronization • The physical arrangement of the focal plane shutter limits the exposure times that will work with electronic flashes. • Cameras usually allow flash synchronization times of up to 1/60, 1/125 or 1/250 of a second. Nikon’s D40 can use up to 1/500 s • Anything faster than that will lead to a partially lighted image. Control the Light • We cannot control how much flash falls on the sensor with the shutter speed. • What are our options? Aperture Control Flash by Aperture Guide Number • Every flash comes with a “Guide Number” • GN = distance × f-number at given ISO • Example: GN 100 - Object is 20ft from the camera - We need an aperture of 100/20 = 5 • 4 Times the ISO (e.g. from 100 to 400) doubles the guide number On Camera Flash • GN for EOS 60D is 43 at ISO 100 • GN for Nikon D40 is 55 at ISO 200 What’s the Problem with the Pop-up Flash? • Too small - does not have enough power for larger distances or large rooms • It sits right on top of the lens, which leads to flat pictures, harsh shadows and red eye problems. When to use the Pop-up Flash? • During the day for fill flash • In emergencies • To trigger a bigger, off-camera flash Flash Exposure Compensation • Just like with our regular exposure compensation, most DSLRs allow for flash exposure compensation • Control flash output up to +/- 2 stops Play Time Which images look better? The ones with or without flash? Rear-Curtain Sync Why Is That? • Pre-flash - Shutter opens - Flash - Shutter remains open (object moves) - Shutter closes • Pre-flash - Shutter opens - Shutter remains open (object moves) - Flash - Shutter closes Remember Two Things • Use a shutter speed not faster than the flash synchronization speed your camera supports • Only aperture will allow you to control the amount of light provided by the flash Composition Take a Class! • The “Learn to See” class at the Community Darkroom is a great way to improve your composition skills • I’ll only list a few tips Check the Edges • Before you push the shutter, check the edges of your view finder for “stuff” that’s getting into the shot • The view finder is only showing you about 95% of the final shot, but you can usually crop out what creeps in. Frame the Shot • Look for elements that can frame your shot (tree branches, …) Horizon is Horizontal • Keep the horizon horizontal • Otherwise everything in your shot will look like it’s tilted Lines • Use lines to guide the viewer’s eyes Rule of Thirds • Place important elements on the 1/3 lines crossing the frame, or on the intersections of two of those lines Foreground Interest • If you have a stunning background and mid level (e.g. landscape), add something interesting in the foreground to balance the composition to add a sense of depth Negative Space Patterns Contrast Pay Attention to the Background Break the Rules!.
Recommended publications
  • INSTRUCTION MANUAL Type C / N Design and Specifications Are Subject to Change Without Prior Notice
    DIGITAL TTL MACRO FLASH Nissin Japan Ltd., Tokyo http://www.nissin-japan.com Nissin Marketing Ltd., Hong Kong INSTRUCTION MANUAL http://www.nissindigital.com Type C / N Design and Specifications are subject to change without prior notice. MF0611 REV. 1.1 Thank you for purchasing a Nissin product SIMPLE OPERATION When attaching MF18 to the camera, the basic flash exposure operation is fully Before using this flash unit, please read this instruction manual and refer controlled by the camera. It is the same idea as when you use the built-in your camera owner’s manual carefully to get a better understanding of camera flash, but it is placed on the hotshoe of the camera instead of using the proper operation to enjoy flash photography. built-in flash. Nissin Macro Flash MF18 is a flash system for taking close-up photos of small ADVANCED FUNCTIONS subjects using a flash to eliminate shadows, allowing you to enjoy photography. MF18 provides advanced flash functions including 1st curtain synchronization, This instruction manual is intended mainly for Canon or Nikon digital SLR, with Rear curtain synchronization and High speed shutter synchronization are the latest TTL flash control system, and features Nissin’s original rotating color supported. display, easily guiding its operations. It works automatically with Canon ETTL / ETTL II or Nikon i-TTL auto-flash systems. The provided adapter rings make it available for use with different lens. Please note that MF18 is not usable with other branded cameras for TTL Compatible cameras operation. Please refer Nissin’s compatibility chart shown in its home page for details.
    [Show full text]
  • Advanced User Guide
    Advanced User Guide E CT2-D068-A © CANON INC. 2020 Contents Introduction. 4 Instruction Manual. 5 About This Guide. 6 Safety Instructions. 8 Nomenclature. 10 Getting Started and Basic Operations. 26 Charging the Battery. 27 Insert the Battery. 31 Attaching and Detaching the Speedlite to and from the Camera. 33 Turning on the Power. 35 Fully Automatic Flash Photography. 40 E-TTL II / E-TTL Autoflash by Shooting Mode. 42 Checking the Battery Information. 47 Advanced Flash Photography. 49 Flash Exposure Compensation. 50 FEB. 52 FE Lock. 54 High-Speed Sync. 56 Second-Curtain Sync. 58 Bounce. 60 Set the Flash Coverage. 67 Manual Flash. 71 Stroboscopic Flash. 78 Flash External Metering. 82 Continuous Shooting Priority Mode. 87 About the Modeling Lamp. 88 Modeling Flash. 89 Color Filter. 90 Clearing Speedlite Settings. 92 Flash Function Settings with Camera Controls. 94 Flash Control from the Camera's Menu Screen. 95 Radio Transmission Wireless Flash Shooting. 102 Radio Transmission Wireless Flash Shooting. 103 Radio Transmission Wireless Settings. 110 Automatic Flash Photography with 1 Flash Receiver. 124 Automatic Flash Photography with Receivers divided into 2 Groups. 133 Automatic Flash Photography with Receivers divided into 3 Groups. 136 Wireless Multiple Flash Shooting with a set Flash Ratio. 141 Shooting in a Different Flash Mode for Each Group. 145 Test Flash / Modeling Flash from a Receiver Unit. 150 Remote Release from a Receiver Unit. 152 Linked Shooting with Radio Transmission. 154 Optical Transmission Wireless Flash Shooting. 159 Optical Transmission Wireless Flash Shooting. 160 Optical Transmission Wireless Settings. 164 Automatic Flash Photography with 1 Flash Receiver.
    [Show full text]
  • Colour Relationships Using Traditional, Analogue and Digital Technology
    Colour Relationships Using Traditional, Analogue and Digital Technology Peter Burke Skills Victoria (TAFE)/Italy (Veneto) ISS Institute Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc MAY 2011 © ISS Institute T 03 9347 4583 Level 1 F 03 9348 1474 189 Faraday Street [email protected] Carlton Vic E AUSTRALIA 3053 W www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne Extract published on www.issinstitute.org.au © Copyright ISS Institute May 2011 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report or any links therein, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary This Fellowship study explored the use of analogue and digital technologies to create colour surfaces and sound experiences. The research focused on art and design activities that combine traditional analogue techniques (such as drawing or painting) with print and electronic media (from simple LED lighting to large-scale video projections on buildings). The Fellow’s rich and varied self-directed research was centred in Venice, Italy, with visits to France, Sweden, Scotland and the Netherlands to attend large public events such as the Biennale de Venezia and the Edinburgh Festival, and more intimate moments where one-on-one interviews were conducted with renown artists in their studios.
    [Show full text]
  • Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
    Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered­ than 1/1000 second. These cameras allow photographic technology with Minolta's tra­ manual operation at the turn of a lever. The full manual control for employing sophisti­ ditional fine handling and human engineer­ photographer can select shutter-priority cated photo techniques. The silent elec­ ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra­ amount of blur for creative effect. Aperture­ signal which pulsates with increasing fre­ phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu­ bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X­ but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter.
    [Show full text]
  • Flash in Stereo
    FLASH IN STEREO “Golf Legend Bobby Jones Taking a Swing", photo taken by Dr. Harold Edgerton , the inventor of electronic flash in 1938, using stroboscopic flash photography. A Presentation by George Themelis NSA / July 2010 Outline • Why Flash? • Flash Advantages in Stereo • Short History of Flash Photography • Flash Bulbs vs. Electronic Flash • Flash Synchronization • Flash Exposure • Issues when using flash • Special Flash Techniques • Flash in Slide Bar (Single camera) Stereo • Flash with Vintage Stereo Cameras • Flash with compact digital stereo cameras • Flash with twin cameras Why Flash? When the existing light is dim, there is a need for artificial light in order to get good expo- sures . Example: In a well-lit interior space a typical exposure using 100 ISO is f8 at 1 second. Compare this to a “sunny day” f16 1/100, 2+7 = 9 f-stops less light. Hand hold- ing the camera or taking pictures of people at these long exposures is impossible. Hence flash is a necessity for taking pictures indoors. Without extra light, the photographer has three options: 1) Open up the aperture (f-stop), 2) Increase the time of the exposure . 3) Increase sensitivity (ISO) . These methods have disadvantages & limitations: • Opening up the lens aperture reduces the depth of field (can be a problem in stereo) in- creases lens aberrations, plus there is a limit (lens maximum aperture) • Theoretically, there is no limit in increasing exposure time, but in practice 1) film recip- rocity, 2) digital noise, 3) blurry pictures without solid support, 4) subject movement. • Increased sensitivity leads to film grain or digital noise.
    [Show full text]
  • Pro-B3 1200 Airs User´S Guide
    Pro-B3 1200 AirS User´s Guide Pro-B3 1200 AirS 2 www.profoto.com Pro-B3 1200 AirS Thank you for choosing Profoto Thanks for showing us your confidence by investing in a Pro- B3 generator. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Some photographers can tell just from seeing a picture, if Profoto equipment has been used. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PrecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make Pro-B3 1200 AirS sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic use.
    [Show full text]
  • KEY BENEFITS for PHOTOGRAPHERS
    ™ MAKE IT POSSIBLE © Dana Reed Today’s photographers need an edge, and there’s no other product that can give you the creative freedom of a PocketWizard radio. We’ve torn down technical barriers, enabling you to position flashes and cameras in the right places to get the right shots at the right time. PocketWizard radio systems enable wireless triggering ® between all components of your photographic system, no matter how simple or complex your remote triggering needs. With a PocketWizard radio, remote triggering of cameras TRANSCEIVER and flashes is as easy as pushing a button. If your needs go beyond simple triggering, you need the PocketWizard MultiMAX II Transceiver, the most advanced wireless triggering system available. With thirty-two Standard Channels and four separately controllable zones, as well as 20 ControlTL Channels with three zones, the MultiMAX II Transceiver is the ideal solution for working in crowded venues or with multiple lighting set-ups. Featuring sophisticated trigger time control functions and transceiver communication capabilities, the MultiMAX II Transceiver unleashes unlimited creative possibilities for the professional or serious amateur photographer. KEY BENEFITS for PHOTOGRAPHERS • Extreme versatility Thirty-two channels with Selective Quad-Triggering allows you to work in crowded venues or with multiple lighting set-ups. • Reliability The most reliable triggering system available. • Infinite Intervalometer Capture as many exposures as you want for as long as you want. • Ultimate Creativity Add depth of field or stroboscopic effects with Multi-Pop or create uniquely timed images using precision flash delays. • Sequential Triggering Trigger 16 cameras or 16 flashes with SpeedCycler. • PocketWizard Compatible Compatible with ALL PocketWizard radios.
    [Show full text]
  • Olympus OM-10
    To an OM-10 Owner We appreciate very much that you have acquired other accessories are added to make it a complete an OM-10, a camera designed to allow you to take system of photography. With the OM-10 you can good pictures automatically and with the greatest gradually widen your enjoyment of the photo- ease. graphic art. The Olympus OM-10 is a single lens reflex camera We sincerely wish that it will become for you a of the finest quality in which the automation of source of unending satisfaction. To this effect, photographic functions has been made possible please read this instruction manual carefully be- by employing the most advanced electronics. To fore using the camera, so that you may be sure its acceptability of Olympus interchangeable lens- of taking correct, beautiful pictures every time es, a special film winder, a flash, and a host of you use your OM-10. 1 TABLE OF CONTENTS Description of Controls ... 3 matically ......... 19 Long Exposures ...... 30 Preparations before The OM-10: Designed to Save Flash Photography . 31 Taking Pictures . 6 to 15 Battery Consumption . 22 Using the Winder 2 ..... 33 Mounting and Detaching Switching the Camera Off . 23 From General Photography the Lens .......... 7 Rewinding the Film .... 23 to the Use of Interchange- Inserting the Batteries . 9 Unloading the Film . 24 able Lenses ........ 35 Checking the Batteries ... 10 The Use of the Self-Timer . 25 Making Use of the Depth of Loading the Film ...... 11 Photographic Techniques Field ............ 37 Setting the ASA Film Speed . 15 ............. 26 to 42 Manual Exposure Control .
    [Show full text]
  • Nikon D80 Manual
    %N 4HE.IKON'UIDETO$IGITAL0HOTOGRAPHY WITHTHE $)')4!,#!-%2! Where to Find It Find what you’re looking for from: The Table of Contents See pages v–vi Find items by function or menu name. The Q&A Index See pages vii–ix Know what you want to do but don’t know the function name? Find it from the “question and answer” index. The Index See pages 147–149 Search by key word. Error Messages See pages 132–133 If a warning is displayed in the control panel, viewfi nder, or monitor, fi nd the solution here. Troubleshooting See pages 129–131 Camera behaving unexpectedly? Find the solution here. Digitutor “Digitutor,” a series of “watch and learn” manuals in movie form, is available at the following website: http://www.nikondigitutor.com/index_eng.html Help Use the camera‘s on-board help feature for help on menu items and other topics. See page 9 for details. Introduction Tutorial Photography and Playback More on Photography (All Modes) P, S, A, and M Modes Reference More on Playback Connecting to a Television, Computer, or Printer Playback Options: The Playback Menu Shooting Options: The Shooting Menu Menu Guide Custom Settings Basic Camera Settings: The Setup Menu Creating Retouched Copies: The Retouch Menu Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the fol- lowing safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this sec- tion are indicated by the following symbol: This icon marks warnings.
    [Show full text]
  • Air Sync Air Remote User´S Guide
    Air Sync Air Remote User´s Guide Air Remote – Sync 2 www.profoto.com Thank you for choosing Profoto Air Remote – Sync Thanks for showing us your confidence by investing in a Profoto Air device. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PRecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic Air Remote – Sync use. Do not place or use the equipment where it can be exposed to moisture, extreme electromagnetic fields or in areas with flammable gases or dust! Do not expose the equipment to dripping or splashing.
    [Show full text]
  • Contax Real Time Flash System YASHICA •
    Contax Real Time Flash System YASHICA • Flash System CS-201 CS-14 CS-l0 PRO-50DX Auto Electronic Electronic Electronic Electronic Flash ~ RTF Color Panel Set Flash Flash Flash JRTF Wide Panel Contax RTS II Quartz ~---""V1G:l Cable Switch S E1) RTF Slave Unit ~\"\\\\\~ Contax 137 MA RTF External Sensor Quartz Real T ime Flash 540 Holder 100 j-------------+-~-+-­ RTF External Sensor Holder 500 RTF Bracket ~ RTF Sync-Release Cord S Yashica FX-D o <'l Quartz RTF Synchro Cord Yashica FX-70 Quartz o o N i-Cd Battery RTW Charging RTW Ni-Cd Pack RTF Power Pack RTF Battery Pack RTF AC Power Unit Charger Adapter TLA Auto Flash System TLA30 6=>-/IIIIIIII"'IlIH1'HIII/~ ~ TLA Extension Auto Electronic TLA Extension Cord Flash 100 Connector S _ Wide Panel 1lIII![t:>-1I/lIII"'H/lI""IlI"'~ _ forTLA30 TLA Extension Cord e 100S TLA Attachment IlIII![t:>-IIIIHIIlIHIII,,,,,,,IH-c:IlD Adapter TLA Extension Cord 100 SS L:J Wide Panel ~ TLA Multi tIIml:J-===~c:: QlIIII for TLA20 TLA Extension Cord Connector S ~ 300SS TLA20 Contax 137 MA Quartz ~n"""":"""''''~) _______A_u_to_E_le_c_t_ro_n_icFlash ____ _ RTF540 TLA Adapter Real T ime Flash 540 Contax 139 Quartz - YASHICA CONTAX REAL TIME FLASH 540 Set Price The Contax Real Time Flash 540, or RTF540, is a highly sophisticated and unique system electronic flash unit offering unsurpassed versatility in flash photography. A grip-type unit, it features not only the advanced Contax TLA capability for through-the-Iens direct metering of flash and 'Fail-Safe' flash /shutter synchronization, but also ener­ gy-saving thyristorized circuitry for standard Auto-Flash use and high-ouput Manual capacity.
    [Show full text]
  • 35Mm SLR (Single-Lens-Reflex) Camera with Electronically Controlled AE (Automatic Exposure) and Focal Plane Shutter
    Modern Classic SLR Series The Canon AE-1 - Specifications Type: 35mm SLR (Single-Lens-Reflex) camera with electronically controlled AE (Automatic Exposure) and focal plane shutter. Picture Size: 24 x 36mm Interchangeable Lenses: Canon FD series with full aperture metering and AE coupling. Canon FL series with stopped-down metering. Standard Lenses: Canon FD 55mm f/1.2 S.S.C; Canon FD 50mm f/1.4; S.S.C. Canon FD 50mm f/1.8 S.C. Lens Mount: Canon Breech-Lock mount.Canon FD, FL and R lenses can be used. Viewfinder: Fixed eye-level pentaprism Field of View: 93.5% vertical and 96% horizontal coverage of the actual picture area. Magnification: 1:0.86 at infinity with a standard 50mm lens. Viewfinder Attachments: Angle Finder A2 and B, Magnifier S, Dioptric Adjustment Lens (10 kinds), and Eyecup S. Mirror: Instant-return, large reflector mirror with shock absorbing mechanism. Viewfinder Information: Split- image/microprism rangefinder, aperture scale with meter needle and stopped-down metering index mark which also serves as battery charge level check mark. Besides, there are two red zones at the top of the aperture scale to warn of overexposure. Below the aperture scale, a red warning LED lamp blinks to indicate underexposure.This lamp also indicates that the selected shutter speed is outside the AE coupling range with respect to the ASA of the film being used. Above the aperture scale, a manual aperture control "M" signal (red LED) blinks as a warning that the aperture ring is not set at the "A" mark for AE photography.
    [Show full text]