Konzertprogramm // Programmation Musique
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Prefab Compilation Album It's a Prefab World!
Contact: PreFab International Productions email: [email protected] web: prefabgroup.com PreFab compilation album It’s a PreFab World! released May 2012 American record label PreFab International Records is pleased to announce the release of it’s first compilation album It’s a PreFab World! The label, primarily known as a home for the recording projects of musician Phil Gammage, has assembled a stellar collection that highlights some of the best songs of the past few years from it’s catalog. What sets this compilation apart from the competition though, is the wealth of rare and previously unreleased tracks that make the bulk of the content. Featured songs from previous PreFab albums include “In Love Again” from The Scarlet Dukes (used in a 2008 Walmart commercial), Claudia’s version of Lou Reed’s “I’ll Be Your Mirror” from her debut CD single, downtown legends Certain General with their classic “Maximum G” from the essential Live at the Public Theatre, and Phil’s “Nueva York” from his jazz instrumental collection Tracks of Sound The rare and previously unreleased music from these artists that appear on It’s a PreFab World! are as strong or exceed the featured songs from their other PreFab albums. Certain General scores with the moody “I’ll Behave”. Songstress Claudia showcases her talents with her unique versions of Nirvana’s “About a Girl” and label-mates Certain General’s composition “Heathcliff Skies”. Gammage stretches out on guitar in the instrumental workouts “Third Avenue Wind Tunnel” and “Stacey Says”. And Phil’s neo-lounge project Voodoo Martini re-emerges with a new lineup and their first new recordings in over a decade (!?) with “Naked in the Rain”, “I Kissed My Girl”, and others. -
How to Share Music in Many Complicated Steps
HOW TO SHARE MUSIC IN MANY COMPLICATED STEPS Songwriter Gives permission to Music Publisher Gives permission to use song in film or tv use song in Accepts transferred copyright in dramatic work SYNCHRONIZATION exchange for paying royalties RIGHTS GRAND RIGHTS Contracts with: Mechanical Rights Company Performing Rights Society (ie: Harry Fox Agency) (ie: ASCAP, BMI) Control permission to make and License use of the recording for radio, distribute the recording of a song store background, ringtones, etc PERFORMANCE RIGHTS MECHANICAL RIGHTS OR the song itself to sing in public SMALL RIGHTS Recording Company (ie: Arista Records) Gives permission to Create original “professional” use recording in film recording or single or album or tv Gets permission to make album MASTER USE RIGHTS –pays royalty for album sales -makes available to performing rights society HOW TO SHARE MUSIC IN MANY COMPLICATED STEPS Definitions Synchronization Rights: The right to use the music in timed relations with other visual elements in a film, video, television show/commercial, or other audio/visual production. In other words, the right to use the music as a soundtrack with visual images. Synchronization licenses are obtained from the publisher (or composer if no publisher) or the music library. Master Use Rights: When you hear music in a film or on TV, this recording is known in the music industry as the "master recording". This is what is produced after all the musicians have played their parts and these parts have been "mixed" together for release. The recording of the master is also protected by copyright. A record label or music library owns this copyright, and can grant the right to use the recording in a compilation album, film soundtrack or other Audio/Visual medium. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
PRESS RELEASE Go 1St Records Announces Artist Roster For
PRESS RELEASE Mon Hills Music Group Go 1st Records Jon Flood (740) 359-1607 [email protected] TO BE RELEASED: Oct. 26, 2020 Go 1st Records announces artist roster for compilation album Morgantown, W.Va.- Go 1st Records, the new record label under West Virginia University’s Mon Hills Music Group, has announced the artist roster for its first annual compilation album, set to release in the spring of 2021. The artists on the album will be Aristotle Jones, Ben McChesney, Cj Rhen, Cowboy Chris, Grace Campbell, Kirsten Edwards, Tristan Miller and Sheepsquatch. Each artist will have one original song on the album. Aristotle Jones, Appalachian soul man, brings a unique regional flare to the album, which will be a follow up to his first solo single released in Nov. 2019. “I make music that reflects the courage, strength and fortitude that are common threads connecting the people of our region,” said Jones. Ben McChesney represents one of many student artists on the compilation album. He is a WVU student and self-described bedroom pop artist. Cj Rhen is a composer and WVU student who plays the saxophone and trumpet. “My focus is jazz writing and arranging, film and video game scoring, music technology, as well as my trumpet playing,” said Rhen. Cowboy Chris (Chris O’Hearn) is a singer-songwriter whose music draws influence from alt- rock, hip-hop, and country. The WVU alumnus has been active in the Morgantown music scene for two years and runs an open mic to support local artists. Grace Campbell, a WVU freshman, is a singer-songwriter from Princeton, W.Va. -
Warner Music Canada to Release the Juno Awards 2013 Nominee Compilation March 19, 2013
For immediate release WARNER MUSIC CANADA TO RELEASE THE JUNO AWARDS 2013 NOMINEE COMPILATION MARCH 19, 2013 ~Proceeds From Sale Go To MusiCounts, Canada’s Music Education Charity~ (TORONTO, ON – Tuesday, 19 February 2013) – Warner Music Canada will be releasing The JUNO Awards 2013 Nominee Compilation album on March 19, 2013. As in previous years, the project is a joint venture between Sony Music Entertainment, Universal Music Canada and Warner Music Canada in conjunction with The Canadian Academy of Recording Arts and Sciences (CARAS). The JUNO Awards 2013 Nominee Compilation album is a not-for-profit project with proceeds going directly to MusiCounts, Canada’s music education charity associated with CARAS, helping to keep music alive in schools across Canada. MusiCounts’ mission is to ensure that children in Canada, regardless of socio-economic circumstances or cultural background, have access to a music program through their school. MusiCounts includes Band Aid musical instrument grants, the MusiCounts Teacher of the Year Award, scholarships, and other music education initiatives. “This album captures some of Canada’s brightest musical stars at the height of their creativity. It is an honour to work with the other labels in presenting such a rich musical compilation and help support the ongoing efforts of MusiCounts,” commented Steve Kane, President, Warner Music Canada. Track Listing: 1. Carly Rae Jepsen Call Me Maybe 2. Justin Bieber Boyfriend 3. Hedley Kiss You Inside Out 4. Marianas Trench Desperate Measures 5. Metric Breathing Underwater 6. Billy Talent Surprise Surprise 7. The Sheepdogs Feeling Good 8. Victoria Duffield Shut Up and Dance 9. -
MM Discography -- Others Updated 2016
MONDAY MICHIRU DISCOGRAPHY -- OTHERS 1976 Toshiko Akiyoshi & Lew Tabackin Big Band "Insights" album (RCA) -- vocals 1980 Toshiko Akiyoshi Trio & Flute Quartet "Tuttie Flutie" album (Discomate Records) -- flute 1991 System 7 "Freedom Fights" single (Ten Records) -- vocals 1992 "Jazz Hip Jap" compilation CD (NEC Avenue) -- co-writer, arranger & vocals 1993 United Future Organization "United Future Organization" album and single "My Foolish Dream" (Brownswood Records) -- co-writer and vocals BBF & Zum Zum Allstars "Zum Zum Paradise" album (Ki/oon Sony Records) -- co-writer and vocals "Jazz Hip Jap 2" compilation CD (NEC Avenue) -- co-writer, arranger and vocals 1994 Remix Trax Vol. 6 "Japanese New Vibes" compilation album (Meldac) -- co-writer and vocals DJ Krush "Krush" album (Chance Records) -- co-writer and vocals "Yeah!" compilation CD (Kitty) -- song licensed from "Maiden Japan" album Audio Sports "Strange Fruits" album (All Access) -- co-writer and vocals Kyoto Jazz Massive "Kyoto Jazz Massive" album (For Life) -- vocals "Cool Struttin' Volume 3" compilation album (Amber/Polydor) -- song licensed from "Maiden Japan" album Picasso "Breakfast Newspaper" album (Kitty) -- lyrics and vocals 1995 Eiki Nonaka "a-key" album (Mercury Records) -- writer and vocals "Cutie Collection" compilation album (Media Remoras) -- co-writer and vocal production "Jazz Moments by Heineken Volume 1" album (Polydor) -- compiled by myself "Denz da Denz Vol. 2" compilation CD (Basic Beats) -- song licensed from "Adoption Agency" album Mondo Grosso "Born Free" -
Agreement for Compilation Album This Agreement Is Between Werwe A&R and Any Participant
Agreement for Compilation Album This agreement is between weRwe A&R and any participant. The submitting of this agreement constitutes acceptance of the agreement. Participant agrees to the following conditions. 1. Participant warrants that the participant is authorized to enter into agreements connected with the music that participant will be submitting for approval of the Album project and that weRwe A&R will be held harmless for any claims by other parties for unauthorized use. 2. In the event that a claim is made concerning the unauthorized use of the music to be submitted, participant will be responsible for all damage claims and attorney’s fees arising out of such claim. 3. Participant will submit only mast quality songs. However, participant understands that songs may be digitally re-mastered for consistent level between songs on the same album. 4. Upon notification of acceptance of participant’s song(s), weRwe A&R will email a invoice to participant. Participant agrees to make payment within 3 days of the date of the email. 5. If participant’s fee is not paid within 3 days of the email invoice, weRwe A&R reserves the right to move participant’s song to the next album project or remove it entirely from the roster. Whichever is in the best interest of the project. The participation fee is non-refundable. 6. Participant will permit weRwe A&R to give away albums containing the participant’s song, to other participants and non-participants. Participant will not be required to purchase any minimum quantity of the completed album. -
The Fantastic Butterfly Collectors
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under All Rights Reserved license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181 Official URL: http://www.tandfonline.com/doi/full/10.1080/15405702.2016.1193181 DOI: http://dx.doi.org/10.1080/15405702.2016.1193181 EPrint URI: http://eprints.glos.ac.uk/id/eprint/3540 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. Raiders of the Lost Archives Abstract Fantastic Man (2014) and Searching for Sugar Man (2012) mobilize tropes of discovery occurring in the filmed process of collecting and curating the work and identities of two reluctant, elusive and resistive figures. They are part of a discourse of collectability which is marked by the urge to discover and to narrate a “quest” that has its precedents in record collecting as obsessive cultural practice (Straw, 1997; Shuker, 2012), and in the fetishizing of obscurity (Thornton, 1995; Hesmondhalgh, 1997). -
How Playlists Broke the Internet: an Analysis of Copyright in Playlist Ownership
Misrok.40.3.13 (Do Not Delete) 3/5/2019 12:24 PM HOW PLAYLISTS BROKE THE INTERNET: AN ANALYSIS OF COPYRIGHT IN PLAYLIST OWNERSHIP Tori Misrok† TABLE OF CONTENTS INTRODUCTION .............................................................................................................. 1412 I. BACKGROUND ......................................................................................................... 1415 A. The History of Copyright in American Jurisprudence .......................... 1415 B. Modern Judicial Applications ................................................................... 1418 II. THE “NEW MUSIC ECONOMY”—THE RISE OF DIGITAL MUSIC AND STREAMING SERVICES ............................................................................................. 1423 A. Interactive Versus Non-Interactive Services ........................................... 1424 B. Terms and Conditions for Digital Music Streaming Services ............... 1425 C. Playlists as User-Generated Content ........................................................ 1426 D. International Applications ........................................................................ 1429 III. ANALYSIS: THE COPYRIGHTABILITY OF PLAYLISTS .............................................. 1430 A. Playlists as Compilations ........................................................................... 1432 B. Originality and Creativity in Playlist Creation ...................................... 1439 C. Terms and Conditions as a Potential Bar to Copyrightability .............. 1441 IV. -
Tom Ze MRBCDLP075
Cat no: MRBCD/LP075 Barcode: LP 711969117516 / CD 711969118520 Release date: 3rd October His first, and arguably best album from the great Rozenblit catalogue Side A lovingly restored in its original format on limited LP and CD, re-mastered 1- São São Paulo from the original Rozenblit master tapes. 2- Curso Intensivo de Boas Maneiras In 1968 Tom Zé moved from Salvador, Bahia to Sao Paulo where he hung 3- Glória out and wrote with his friends Gilberto Gil and Caetano Veloso. Although 4- Namorinho de Portão initially part of the Tropicalia movement, Zé was extremely independent 5- Catecismo, Creme Dental e Eu and determined to forge his own musical path. He started by recording 6- Camelô Grande Liquidacao, a hyperactive pop album backed up by two incredible psychedelic rock bands: Os Brazoes and Os Versateis. Tom Zé's material Side B on this album includes traditional Brazilian Tropicalia laced with crazy vocal melodies and samples a multitude of genres from funk to 1- Não Buzine Que Eu Estou psychedelic rock and bossa nova creating, in the process, a sort of Paquerando unheard pop exotica. This is especially apparent on the track “Gloria” with 2- Profissão de Ladrão its changing tempos, bubbling instrumentation and off-the-wall harmonies. 3- Sem Entrada e Sem Mais Nada The pace of the album, considering it was the 60’s, is brutal, so Zé takes 4- Parque Industrial a break between songs to address the listener before resuming his zigzag 5- Quero Sambar Meu Bem trajectory. The album also includes the fantastic “Parque Industrial” which 6- Sabor de Burrice was later recorded by Gal Costa, Gilberto Gil and Caetano Veloso on the Tropicalia: Panis et Circenses album. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Zola Jesus, Lucius, Money Mark + Ad-Rock, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs, and ten color guard teams from North America all perform LIVE Art Direction & Design by Doyle Partners; photo by Julieta Cervantes Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/updated May 14, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Artist and team parings can be found below. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form.