SCHOOL of DANCE THINK of IT You, with So Much AS a PERFECT Passion and Talent HIGH SCHOOL UNDERGRADUATE PARTNERING

Total Page:16

File Type:pdf, Size:1020Kb

SCHOOL of DANCE THINK of IT You, with So Much AS a PERFECT Passion and Talent HIGH SCHOOL UNDERGRADUATE PARTNERING It’s will. Not a wish. SCHOOL OF DANCE THINK OF IT You, with so much AS A PERFECT passion and talent HIGH SCHOOL UNDERGRADUATE PARTNERING. and UNCSA’s School of Dance, ready to guide you to your full potential. CONCENTRATIONS As one of the world’s premier dance Classical Ballet schools, we prepare talented young Contemporary Dance dancers for careers in top companies and productions around the world. SPECIFIC TRAINING With unique training in ballet Ballet Technique and contemporary dance, a world-class teaching faculty, and Pointe myriad opportunities for performance, this Partnering is a perfect partnering that will transform your aspirations Variations into a successful professional career. Contemporary Technique Repertory Classes Men’s Class Composition and Improvisation Theatrical Concepts Music Perspectives Pedagogy Business Perspectives Costuming For Dancers UNCSA is the exclusive educational affiliate of American Ballet Theatre. “Academics and art work together here. My liberal arts classes have taught me how to work better, smarter, and apply myself in dance.” – Eamon Mitchell, Student, Ballet A CONSERVATORY COMPREHENSIVE EDUCATING THE EXPERIENCE TRAINING WHOLE ARTIST Ours is a rigorous Here, you’ll focus in Our comprehensive conservatory approach, the fundamentals liberal arts college where you will immerse of classical ballet or curriculum and high daily in the discipline contemporary dance, school academic of dance. Your training but you’ll cross-train. program provide a will include classroom Both concentrations broad education, instruction, studio emphasize the producing well- classes, specialized strong fundamentals rounded artists workshops with particular to each, who think critically, visiting artists and while looking to the creatively and countless performance other for versatility and collaboratively. opportunities. Your inspiration. Unlike other training will be programs, your classes professional-level. will be enhanced by live musical accompaniment. A CAMPUS A COMMUNITY ARTISTIC CULTURE UNLIKE OF ARTISTS COLLABORATION ANY IN THE COUNTRY The University of As a dancer, working North Carolina in an interdisciplinary School of the Arts environment of actors, is composed of five filmmakers, musicians conservatories – Dance, and designers, you’ll Design & Production, learn to effectively Drama, Filmmaking, collaborate as a and Music. As a result, professional – a unique you’ll find artistic and valuable skill you’ll passion and inspiration carry into your all around you. You will dance career. AMERICAN BALLET learn by doing. And THEATRE PARTNER every day, your fellow artists will help bring out your very best. UNCSA’s School of Dance is the exclusive educational affiliate of American Ballet Theatre (ABT). UNCSA ballet faculty are trained in the ABT curriculum, and ABT faculty visit campus to conduct classes for UNCSA students. ABT’s Studio Company is periodically in-residence. MODELING A YOU WILL WORLD-CLASS UNCSA DANCE PROFESSIONAL PERFORM. OFTEN. FACILITIES COSTUME SHOP COMPANY No other dance Our exceptional The School of Dance school can match the facilities include maintains a skilled, mainstage performance ten air-conditioned full-time staff to opportunities you’ll find dance studios with construct exquisite at UNCSA. With five sprung floors and costumes for our major productions each several outstanding productions, ensuring year, you’ll perform a performance spaces, a professional caliber. diverse, world-class including the 1,380-seat Our shop has earned repertory – from Stevens Center and the a national reputation standards of classical more intimate 188-seat and our costumes are ballet to the cutting- Agnes de Mille Theatre. often requested by and edge in contemporary rented to professional dance. dance companies. FLAWLESS IS OUR DEAN TOP FACULTY TRUE MENTORSHIP EARNED Our conservatory’s Our faculty is Classes at the Dean is Susan Jaffe, comprised of conservatory are a principal dancer with accomplished small and individualized. American Ballet Theatre artists who have Each day, you’ll work for 22 years. Declared led distinguished one-on-one with expert by The New York professional careers instructors, who are Times as “America’s with companies not only highly skilled, Quintessential American including American but accessible and Ballerina,” Jaffe has Ballet Theatre, Bolshoi genuinely committed danced on the world’s Ballet, and Trisha to your professional greatest stages – from Brown Company, success. the Mariinsky Theatre among many others. in St. Petersburg to Bringing a range of London’s Royal Opera styles and experience, House – and with these professionals some of the most provide the highest– important dancers of level training, as well our time, from Mikhail as rich perspective Baryshnikov to former on the ballet and Dean of Dance contemporary Ethan Stiefel. dance worlds. “At an early age I was very aware of UNCSA’s reputation. It seemed that every instructor and connection I made in the dance world, especially those whose talent I admired and respected, were alums!” – Tareake Ramos, Student, Contemporary Dance GRAND SUCCESS “This past year we had Misty Copeland, Gillian Murphy, School of Dance graduates and James Whiteside come to campus and actually can be found in companies and on stages across the perform in class alongside of us. I was right next to nation and around the world. James Whiteside…crazy!” Skilled and passionate, versatile and confi dent, our graduates leave UNCSA ready to succeed in the – Sarah Bukowski, Student, Ballet professional world of dance. They also frequently come back to campus to teach and mentor current students. Alumni include: CAMILLE A. BROWN VISITING ARTISTS Camille A. Brown and Dancers, Princess Grace Awardee Notable guest artists from the world of dance often KYLE DAVIS visit our campus to teach Soloist, Pacifi c Northwest Ballet and perform with our 2008 Prix de Lausanne winner students. A sampling of recent guest artists includes: MARK DENDY Mark Dendy Dance ALEX BRADY Twyla Tharp stager assistant BLAINE HOVEN Soloist, ABT MISTY COPELAND Principal Dancer, ABT KATE JEWITT Stager of Shen Wei works TRISH LENT CLAIRE KRETZSCHMAR Cunningham Trust Corps de ballet, New York City Ballet KATE LYDON Director of ABT Studio Company JUEL LANE Choreographer NATALIA MAKAROVA Legendary ballerina EMERY LECRONE Choreographer MAURIZIO NARDI Martha Graham MEGAN LECRONE Soloist, New York City Ballet HELEN PICKETT Resident Choreographer, Atlanta Ballet TREY MCINTYRE Choreographer ETHAN STIEFEL GILLIAN MURPHY Former principal dancer, ABT Principal dancer, ABT DOUG VARONE JOSEPH PHILLIPS New York-based choreographer Corps de ballet, ABT JAMES WHITESIDE MATT DEL ROSARIO Principal Dancer, ABT Dancer, Pilobolus DWANA SMALLWOOD Principal dancer, Alvin Ailey American Dance Theater ABOUT UNCSA STUDENTS 263 High school 907 Undergraduate 133 Graduate WINSTON-SALEM: AFFORDABLE GREAT RETURNS FACULTY A FOCUS ON QUALITY 141 Full-time THE ARTS Money Magazine 76 Visiting/adjunct UNCSA offers a wealth reported that recent + Numerous guest artists Known as the City of of opportunities at an UNCSA graduates Arts and Innovation, unmatched value. As earn approximately RATIO Winston-Salem is one of the 17 campuses 22 percent more than 9 to 1 Student to faculty a flourishing arts of the University of their counterparts at community – and the North Carolina, our other schools with FACILITIES ideal conservatory tuition is a fraction a similar focus on 11 Performance and location. Free from of that of private the arts. screening venues the high cost of living arts schools. and stresses of a large metropolitan center, PERFORMANCES our artists are able to 300+ Public performances focus and immerse in and screenings annually their art. In a city like New York, you may see a lot of work. At UNCSA, we’re creating it. VISIT UNCSA APPLY & AUDITION To appreciate the UNCSA School of Audition Locations: UNCSA conservatory Dance provides On campus, experience and high school and Winston-Salem, N.C. our unique artist undergraduate and in cities community, you need programs in both throughout the U.S. to see them firsthand. Classical Ballet and Get started by visiting Contemporary Dance. Learn more about our website: uncsa.edu. In addition to your audition schedules Then schedule your online application, you and the application visit to campus. will need to audition. process at: uncsa.edu/apply or call: (336) 770-3290. Apply | Audition | Visit uncsa.edu.
Recommended publications
  • The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’S Split Sides
    Spring 2012 Ball et Review The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’s Split Sides . © 2012 Dance Research Foundation, Inc. All rights reserved. 4 Moscow – Clement Crisp 5 Chicago – Joseph Houseal 6 Oslo – Peter Sparling 9 Washington, D. C. – George Jackson 10 Boston – Jeffrey Gantz 12 Toronto – Gary Smith 13 Ann Arbor – Peter Sparling 16 Toronto – Gary Smith 17 New York – George Jackson Ian Spencer Bell 31 18 The Caramel Variations Darrell Wilkins 31 Malakhov’s La Péri Francis Mason 38 Armgard von Bardeleben on Graham Don Daniels 41 The Iron Shoe Joel Lobenthal 64 46 A Conversation with Nicolai Hansen Ballet Review 40.1 Leigh Witchel Spring 2012 51 A Parisian Spring Editor and Designer: Marvin Hoshino Francis Mason Managing Editor: 55 Erick Hawkins on Graham Roberta Hellman Joseph Houseal Senior Editor: 59 The Ecstatic Flight of Lin Hwa-min Don Daniels Associate Editor: Emily Hite Joel Lobenthal 64 Yvonne Mounsey: Encounters with Mr B 46 Associate Editor: Nicole Dekle Collins Larry Kaplan 71 Psyché and Phèdre Copy Editor: Barbara Palfy Sandra Genter Photographers: 74 Next Wave Tom Brazil Costas 82 London Reporter – Clement Crisp 89 More Balanchine Variations – Jay Rogoff Associates: Peter Anastos 90 Pina – Jeffrey Gantz Robert Gres kovic 92 Body of a Dancer – Jay Rogoff George Jackson 93 Music on Disc – George Dorris Elizabeth Kendall 71 100 Check It Out Paul Parish Nancy Reynolds James Sutton David Vaughan Edward Willinger Cover Photograph by Stephanie Berger, BAM : Silas Riener Sarah C.
    [Show full text]
  • 1 Chun Wai Chan Was Promoted to Principal Dancer on December 23
    FOR IMMEDIATE RELEASE Ashleigh Aiken 713.535.3224 [email protected] Images: http://bit.ly/2DhnOuR HOUSTON BALLET ANNOUNCES AN EXCITING PROMOTION DURING THE COMPANY’S HOMETOWN TOUR Chun Wai Chan was promoted to Principal dancer on December 23, 2017 HOUSTON, TEXAS [January 15, 2018] — Houston Ballet has announced that Artistic Director Stanton Welch AM has promoted Chun Wai Chan to Principal dancer. Formally a First Soloist, Chan was promoted on the evening of December 23, 2017 after starring in Stanton Welch’s The Nutcracker as the Nutcracker Prince. This well-deserved promotion concluded Houston Ballet’s performances at the Smart Financial Centre during the company’s Hometown Tour. “Dreams do come true,” said Chan. “I have wanted to be a Principal dancer for a long time, but never expected it to happen this soon. Everyone’s thoughts and words are the warmest gift for this Christmas.” Chan was born in Guang-Dong, China and received his professional dance training under Guang-Zhou Art School from 2004 to 2010. His honorary awards include 1st place in the 2006 CSTD International Ballet Competition in Australia, Finalist in the 2007 Beijing International Competition, 2nd place in the 2009 National Ballet Competition “Tao Li Cup” in China, Finalist in the 2010 Prix de Lausanne and received a full scholarship to study with Houston Ballet’s second company (HBII). While attending HBII in 2011, he was awarded the “Houston Ballet Academy Award.” Chan has performed all over the world and in many major cities throughout the United States. He has appeared in the Ninjinsky-Gala XLI in Hamburg, Germany, the 2015 Fall to Dance Festival in New York City Center, and was as a guest artist with Victoria Ballet in 2015 for the role of the Prince in The Nutcracker.
    [Show full text]
  • The Nutcracker
    American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth.
    [Show full text]
  • Getting to “The Pointe”
    Running head: GETTING TO “THE POINTE” GETTING TO “THE POINTE”: ASSESSING THE LIGHT AND DARK DIMENSIONS OF LEADERSHIP ATTRIBUTES IN BALLET CULTURE Ashley Lauren Whitely B.A., Western Kentucky University, 2003 M.A., Western Kentucky University, 2006 Submitted to the Graduate Faculty under the supervision of Gail F. Latta, Ph.D. in partial fulfillment of the requirements for the degree of Doctor of Education in Leadership Studies Xavier University Cincinnati, OH May 2017 Running head: GETTING TO “THE POINTE” Running head: GETTING TO “THE POINTE” GETTING TO “THE POINTE”: ASSESSING THE LIGHT AND DARK DIMENSIONS OF LEADESHIP ATTRIBUTES IN BALLET CULTURE Ashley Lauren Whitely Dissertation Advisor: Gail F. Latta, Ph.D. Abstract The focus of this ethnographic study is to examine the industry-wide culture of the American ballet. Two additional research questions guided the investigation: what attributes, and their light and dark dimensions, are valued among individuals selected for leadership roles within the culture, and how does the ballet industry nurture these attributes? An understanding of the culture was garnered through observations and interviews conducted in three classically-based professional ballet companies in the United States: one located in the Rocky Mountain region, one in the Midwestern region, and one in the Pacific Northwest region. Data analysis brought forth cultural and leadership themes revealing an industry consumed by “the ideal” to the point that members are willing to make sacrifices, both at the individual and organizational levels, for the pursuit of beauty. The ballet culture was found to expect its leaders to manifest the light dimensions of attributes valued by the culture, because these individuals are elevated to the extent that they “become the culture,” but they also allow these individuals to simultaneously exemplify the dark dimensions of these attributes.
    [Show full text]
  • Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
    Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first
    [Show full text]
  • May 28, 2000 Hometownnewspapers.Net 75¢ Votume 35 Numeer 103 Westland
    lomeTbwn COMMUNICATIONS NETWORK lUestlanu (Dbseruer * ' » W Your hometown newspaper serving Westland for 35 years Sunday, May 28, 2000 hometownnewspapers.net 75¢ Votume 35 Numeer 103 Westland. Michigan OC000 HomeTown Communications Network™ DEAR READERS: On Thursday, June 1, a new At Home section will debut in your Chi Id's death nets 13-25 years Weatlahd Observer. The new sec­ tion ii a broadsheet like the Assistant Wayne County Prosecutor viction. With 18 months served, his other section* in your Home- A local man has been imprisoned for the beat­ Jerry Dorsey IV said. sentence means that he could be Town Observer. This means ing death of a 3-year-oid child. The boy died A defense attorney had argued after released from prison before he is 40 more local news about garden­ from injuries supposedly inflicted because the the boy's death that Cobb didn't mean years old. •••••*•' ing, home decorating, home child urinated on a living room floor. to hurt the toddler when he hit him for Cobb was accused of beating Darius improvement and landscaping. urinating on a living room floor. Police while the boy's mother was at wofjt. Many features that our readers described Cobb as a 6-foot-1, 275-pound Somerset compared the toddler's look forward to each week such BYDABKELLCLEM ond-degree murder, man. injuries to those he would have suf­ as "The Appliance Doctor" and STAFF WROTE Cobb admitted killing toddler Darius dcIein00c.hoDiecomm.net fered by falling from a two- or three- "Marketplace" continue. Deshawn Conaway by beating him The force of the blow was enough to story building.
    [Show full text]
  • Swan Lake Audience Guide
    February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov ​ ​ Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, ​ Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake ​ 6 The Origins of the Swan Lake Story ​ ​ 6 Swan Lake Timeline ​ 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago.
    [Show full text]
  • Summer Ballet Workshop
    Racheal Nye is a Principal of Kansas City Ballet School, where she oversees the Pre-Professional Division’s Daytime Program and is a Children’s Coach for company productions. She is a graduate of the Kirov Academy in Washington D.C., where she attended on full scholarship and studied with Nikolai Morozov, Alla Sizova, and Elena Vinogradova. She then joined Ballet Internationale in Indianap- Summer olis and continued training with Irina Kolpakova and Vladien Semenov. In 2000, Racheal joined Nevada Ballet Theatre and was promoted Ballet to principal in 2006. Racheal has danced leading roles in Giselle, Swan Lake, Don Quixote, and Cinderella, Balanchine’s Serenade Workshop and Who Cares? and has performed internationally including Lux- embourg, Korea, and Portugal. Her students have been awarded scholarships to international ballet schools as well as received recognition in both Regionals and Finals of the Youth America Grand Prix competition. She is Pilates and PBT certified. Ryan Nye Originally from central Maine, Ryan received his training from renowned Kirov Ballet Dancer, Andrei Bossov as well as The Royal Winnipeg Ballet School Pro- fessional Division. Upon graduating from Royal Winnipeg Ballet, Ryan attended the Banff Summer Arts Festival where he performed the principal role in Fernand Nault’s Carmina Burana. Ryan went on to dance for Festival Ballet of Providence, Eugene Ballet, and Ballet Idaho where he was promoted to Principal Dancer in 2011. In 2012, Ryan joined Kansas City Ballet where he danced many principal roles, including Jerome Robbins’ Fancy Free, Septime Webre’s ALICE (in wonderland), Michael Pink’s Dracula as well as Devon Carney’s Swan Lake, Giselle, and The Nutcracker.
    [Show full text]
  • How Cuba Produces Some of the Best Ballet Dancers in the World by Noël Duan December 14, 2015 9:01 PM
    http://news.yahoo.com/how-cuba-produces-some-of-the-best-ballet-dancers-020100947.html How Cuba Produces Some of the Best Ballet Dancers in the World By Noël Duan December 14, 2015 9:01 PM Recent graduates of the Ballet Nacional de Cuba School performing at the National Theater of Cuba in Havana in February 2015. (Photo: Getty Images) This story is part of a weeklong Yahoo series marking one year since the opening of relations between the United States and Cuba. Cuba is well known for many forms of dance, from the mambo and the tango to salsa, the cha- cha and the rumba. But only ballet enthusiasts know that the dance form is one of the country’s biggest cultural exports. In Cuba, ballet is just as popular as baseball, a sport where players from the Cuban national team regularly defect to the major leagues in the United States. Unlike in the United States, where ballet is generally considered highbrow art and Misty Copeland is the only ballerina with a household name, the Cuban government funds ballet training and subsidizes tickets to ballet performances. “Taxi drivers know who the principal dancers are,” Lester Tomé, a dance professor at Smith College and former dance critic in Cuba and Chile, tells Yahoo Beauty. Like Cuban baseball players, Cuban ballet dancers have made international marks around the world, from Xiomara Reyes, the recently retired principal dancer at New York City’s American Ballet Theatre to London’s English National Ballet ballet master Loipa Araújo, regarded as one of the “four jewels of Cuban ballet.” In September 2005, Erika Kinetz wrote in the New York Times that “training, especially Cuban training, has been a key driver of the Latinization of ballet,” an important note, considering that European ballet companies dominated the dance world for decades.
    [Show full text]
  • PRODUCTION NOTES “Flesh and Bone” Follows Claire, a Young Ballet
    PRODUCTION NOTES “Flesh and Bone” follows Claire, a young ballet dancer with a distinctly troubled past, as she joins the ranks of a prestigious ballet company in New York. The gritty, complex series unflinchingly explores the dysfunction and glamour of the ballet world. Claire is a transcendent ballerina with vaulting ambitions, held back by her own self-destructive tendencies; coping mechanisms for the sexual and emotional damage she’s endured. When confronted with the machinations of the company’s mercurial Artistic Director and also an unwelcome visitor from her past, Claire’s inner torments and aspirations drive her on a compelling, unforeseeable journey. It is Moira Walley-Beckett’s first project following her Emmy-award winning tenure as a writer and Executive Producer on “Breaking Bad.” Walley-Beckett partnered with a team of Executive Producers whose backgrounds include premium programming and insider dance connections – former ballet dancer Lawrence Bender (Pulp Fiction, Inglourious Basterds, Reservoir Dogs), Kevin Brown (“Roswell”), whose family of former ballet dancers was the basis for the 1977 feature The Turning Point, and Emmy-award winning producer John Melfi, whose extensive credits include “House of Cards,” “The Comeback,” “Nurse Jackie” and the film and TV versions of “Sex and the City.” “Flesh and Bone” is a character-driven drama that “rips the Band‑Aid off the glossy, optical illusion that is ballet. Ballet appears to be ethereal and perfect - and the dancers make it look easy - but the underbelly is pain,” said Walley- Beckett. “It’s dedication. It’s obsession. It’s an addiction. And it is perfect fodder for drama.” “Ballet is the backdrop for the story and many of the characters are involved in that world, but I’m not telling a story about ballet,” Walley-Beckett explains.
    [Show full text]
  • 2018-Abtkids-Guide.Pdf
    ABTKids Guide Welcome to American Ballet Theatre! ABT is America’s National Ballet Company. Our mission is to create, to present, to preserve, and to extend the great repertoire of classical dancing, through exciting performances and educational programming of the highest quality, presented to the widest possible audience. Thank you for joining us for today’s performance. Attending the ballet can be a magical experience for children of all ages. Princesses turn into Swans, Romeo falls in love with Juliet, and even cupcakes come to life before our very eyes. Watching the beautiful artistry of ABT’s dancers, listening to the harmonious sounds of the orchestra and marveling at the magnificent scenery and costumes can create memories that last a lifetime. It can also leave you with a lot of questions. This guide is designed to offer a window into the world of American Ballet Theatre and answer some of those questions you may have about ballet, the dancers, and the hundreds of people who bring a ballet to the stage. We hope you have a wonderful day at the ballet and enjoy the ABT Kids Guide! Please visit www.abt.org to learn more about ABT’s educational offerings, workshops and training programs. Cover: Scene from Whipped Cream. Opposite page: Daniil Simkin in Whipped Cream. Photos: Gene Schiavone. Over 75 Years of American Ballet Theatre In 1940, American Ballet Theatre emerged onto the American cultural landscape with a unique and exciting vision of a ballet company that functioned like an art museum. Just as a museum presents paintings by different artists to showcase a wide range of beauty and art, the company would present ballets by diverse choreographers to showcase all the variety the ballet world had to offer.
    [Show full text]
  • Giselle SATURDAY, MAY 22
    SPRING2021 NEWSLETTER The Studio & Santa Cruz Ballet Theatre | partners in excellence serving Santa Cruz County for over 30 years Diane Cypher, Artistic Director | Pamela Martin, Music Director | Sandy Nelson, Administrative Director Giselle SATURDAY, MAY 22 SPRING PERFORMANCE AND FUND-RAISING EVENT AT BARGETTO WINERY Enjoy this time-honored story, performed outdoors, socially- distanced for the safety of our dancers and audience alike. CONGRATULATIONS JUNIOR COMPANY dancers! These dedicated young dancers (pictured This event will include food and above) will perform in “Giselle” excerpts alongside our liquid refreshment. Senior Company. Come support and enjoy their efforts! Performance times, ticket purchase, TBA. When we have plans solidified, Sandy will email all of our EMILY MORAN ACCEPTS TRAINEE POSITION families. Share the word! Senior Company dancer Emily Moran has accepted The thrill and inspiration of an offer to join the Studio Company of Ballet Chicago next season. She will travel to Moscow Russia this live performance returns summer, to attend the to Santa Cruz! prestigious Bolshoi Ballet Academy. Then she will Enjoy our talented dancers, return to study in Chicago who have been training hard and get acclimated to the School of Ballet Chicago. all year long. Their Studio Company is a rigorous training opportunity, Help keep SCBT which includes plenty of thriving into the future! performing experience. Good luck Emily — We wish you the best in your endeavors and for your future! Our Senior Company dancers will have the thrill of taking master classes with these instructors this spring. Apprentice classes and instructors are listed on the right side of the SCBT Rehearsal Information Page.
    [Show full text]