Abraham Curry, Dr. Anton Tjader, and American Jazz
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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy -
Download Our Media Kit Read More
VISIT CARSON CITY MEDIA KIT WHERE HISTORY LIVES AND ADVENTURE AWAITS CARSON CITY The state capital and the centerpoint of a true Nevada experience. Wholesome and wide open, both in our ideals and space to wander. Maybe it’s the pioneering spirit you can feel in the wind or the impressive landscape surrounding us, but there’s something here that allows you to breathe deep and take it all in. Recharging you as you prep for your next adventure. There’s a sense of pride here. It’s shared in friendly nods and in the stories of our history and extends an open invitation to find your Nevada experience in Carson City. ...find your Nevada experience “in Carson City.” visitcarsoncity.biz 2 THE CENTERPOINT OF YOUR TRUE NEVADA EXPERIENCE BUCKLE UP FOR THE RIDE OF YOUR LIFE As the hub of Northern Nevada, Carson City is your launching pad for adventure. After you’ve explored the capital city, use us as your home base to explore the surrounding areas. Whether it’s looking to visit the old-west town of Virginia City, hitting the casinos in Reno, seeing the majestic Sierra Nevada views in Carson Valley, or taking a dip in the crystal-clear waters of Lake Tahoe, Carson City is just 30 minutes away in any direction from big time adventure, history and fun. visitcarsoncity.biz 3 CLOSE TO IT ALL GETTING TO CARSON CITY, NV Carson City is close to it all, less than a 30-minute drive from a Reno-Tahoe International Airport or a beautiful drive from multiple major cities. -
Brief History of Carson City, Heart of Nevada
Brief History of Carson City, Heart of Nevada For nearly 4,000 years before the coming of white settlers, the Washoe Indians occupied the land along the Sierra Nevada Mountain Range that borders Nevada and California. In 1851 a group of prospectors decided to look for gold in the area that is now Carson City. Unsuccessful in that attempt, they opened up a trading post called Eagle Station on the Overland Stagecoach route. It was used by wagon trains of people moving westward. The surrounding area came to be called Eagle Ranch, and the surrounding meadows as Eagle Valley. In time, a number of scattered settlements grew up in the area and the Eagle Ranch became its social center. As a growing number of white settlers came to the area and began to develop the valleys and mountains of the Sierra Nevada, the Washoe people who for so long had occupied the area were overwhelmed. Although lands were allotted to individual Indians by the federal government starting in the 1880s, they did not offer sufficient water. As a result, the Washoe tended to set up camp at the edges of white settlements and ranches in order to work for food. It would not be until the twentieth century that parcels of reservation land were established for them. Many of the earliest settlers in the Carson City area were Mormons led to Eagle Valley by Colonel John Reese. When the Mormons were summoned to Salt Lake City, Utah, by their leader, Brigham Young, many sold their land for a small amount to area resident John Mankin, who later laid claim to the entire Eagle Valley. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
California Design, 1930-1965: “Living in a Modern Way” CHECKLIST
^ California design, 1930-1965: “living in a modern way” CHECKLIST 1. Evelyn Ackerman (b. 1924, active Culver City) Jerome Ackerman (b. 1920, active Culver City) ERA Industries (Culver City, 1956–present) Ellipses mosaic, c. 1958 Glass mosaic 12 3 ⁄4 x 60 1 ⁄2 x 1 in. (32.4 x 153.7 x 2.5 cm) Collection of Hilary and James McQuaide 2. Acme Boots (Clarksville, Tennessee, founded 1929) Woman’s cowboy boots, 1930s Leather Each: 11 1 ⁄4 x 10 1⁄4 x 3 7⁄8 in. (28.6 x 26 x 9.8 cm) Courtesy of Museum of the American West, Autry National Center 3. Allan Adler (1916–2002, active Los Angeles) Teardrop coffeepot, teapot, creamer and sugar, c. 1957 Silver, ebony Coffeepot, height: 10 in. (25.4 cm); diameter: 9 in. (22.7 cm) Collection of Rebecca Adler (Mrs. Allan Adler) 4. Gilbert Adrian (1903–1959, active Los Angeles) Adrian Ltd. (Beverly Hills, 1942–52) Two-piece dress from The Atomic 50s collection, 1950 Rayon crepe, rayon faille Dress, center-back length: 37 in. (94 cm); bolero, center-back length: 14 in. (35.6 cm) LACMA, Gift of Mrs. Houston Rehrig 5. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (exterior perspective), 1937 Graphite on paper 9 3 ⁄4 x 19 1⁄4 in. (24.8 x 48.9 cm) Gregory Ain Collection, Architecture and Design Collection, Museum of Art, Design + Architecture, UC Santa Barbara 6. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (plan), 1937 Ink on paper 9 1 ⁄4 x 24 3⁄8 in. -
El Mustang, November 4, 1958
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@CalPoly QUEEN MARY JO . 6 /ii.irgM iA STATS POLYTECHNIC COLLI Vol. XX, NO, B EL MUSTANG Tuesday, Novsmbsr 4, 1656 Afro-Cuben Originator Tw o Bulletins From Cal Tjader, Drum Artist, Doan Of Studmti Two-bulletins concern IWTj<|HMTt b ttll Appears In Gym Tonight the office of Everett dean of students. Cal Tjader. accomplished vibraphone and drum artiat, will The first concerns the flying of powered planes, on a string or appear with hla quintet in Crandall Gym tonight. Donations wire, near the baseball-track fields. are|1.25 with an ASB card and $1,78 without One. For the ' "Home .students may remember session being apomored by Laeien Dorm. Throughout hie whenwhan oneon* aof our students was elec •tudiei at Sun Joae State and San Franciico State Colleges, trocutadtrocuted sa few years ago flying TJadar doublad nlghta __ _ a model airplane in that area, muilrlan in varioua San Franelaoo original Afro-cuban and progres says Chandler. Jam groups. In 104B ha tumml siva jass stylings on tha vlbas and "The high tension lines are de from nil eduoatlon major to music bongos. ceptive," continues Chandler, "and full time, Joining tha Dava Bru- whilelie with Hhearlng, TJaiTJadar It Is possible that a student could back Trio for radio und nightclub waa heard on a number of MOM become Injured again. A^out the appoarancea. ’ , records and several of his own only place we have open Is the air With limbeck, (ieorga Hhearlng tunas ware recorded by Hhearlng.' strip area near tha hangar." During this period ha was tha The other notice concerns "an flret musician to win tha Down age old problem—that of students Heat New Star Award on vibes, E ntering the high school grounds being tha overwhelming selection luringurlng the school day without ex- of tne critics In 1052. -
Jack Kerouac
JACK KEROUAC THE DHARMA BUMS 2 Version 2.0 Proofed by FRENCHIE March 2002 3 Dedicated to Han Shan 4 1 Hopping a freight out of Los Angeles at high noon one day in late September 1955 I got on a gondola and lay down with my duffel bag under my head and my knees crossed and contemplated the clouds as we rolled north to Santa Barbara. It was a local and I intended to sleep on the beach at Santa Barbara that night and catch either another local to San Luis Obispo the next morning or the first class freight all the way to San Francisco at seven p.m. Somewhere near Camarillo where Charlie Parker'd been mad and relaxed back to normal health, a thin old little bum climbed into my gondola as we headed into a siding to give a train right of way and looked surprised to see me there. He established himself at the other end of the gondola and lay down, facing me, with his head on his own miserably small pack and said nothing. By and by they blew the highball whistle after the eastbound freight had smashed through on the main line and we pulled out as the air got colder and fog began to blow from the sea over the warm valleys of the coast. Both the little bum and I, after unsuccessful attempts to huddle on the cold steel in wraparounds, got up and paced back and forth and jumped and flapped arms at each our end of the gon. -
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
"7- If-II.. I Signature 01 Certifying Offici"! ,/ Dllte I 5 !:!L:Je;
NPS Fom1 11).900 OMB No. 1Q24-OO1B United States Department of the Interior National Park Service National Register of Historic Places Registration Form ThilJ form is for use in nominating or re<lue&llng detennlnalfons for 'fldividual properties and disbielS. See InstnJctions in National Regisler Buletin, How to Complme the Nationsl R&I}isler of His/orre Places RegistratIOn FomI. 1f any item does oolappty 10 !he propcrty being documented, .enter "N/A" for ·oot appliC8bfe." For functions, afct'liteetural classification, malerials, and areas of SignifICance, enler orty ~legorie$ and 6ubcategories from the tnstnJctlon3. Place additional certification comments, entries, and nan-ative items on continuation sheets it needed (NPS Fonn10·900aj. 1. Name of Property historic name West Side Historic District other names/site number 2. location street & number Roughly bounded by Curry, Mountain, Fifth, and John streets D not for publication city or town ~C"a"r"-so",n-,-"C,,it,-y______________________ _ o vicinity state Nevada code NV county Carson City code 510 3 State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby eMify thai this ....!... nomination _ requesl for delermination of eligibility meets the documentation standards for registering properties in the National Register of Hisloric Places and meets the procedural and professional requirements set fonh in 36 CFR Part 60_ In my opinion, the propeny _ meels __ does not meet the National Regisler Criteria. I recommend that Ihis property be considered significant at the following levet(s) of significance: _na§. J state~l _local ~ ,c: ______ "7- If-II. -
Suggested Listening - Jazz Artists 1
SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,