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THE COLLECTION OF DAME JUDITH TE TOMAIRANGI O TE AROHA BINNEY AND AND SEBASTIAN BLACK The Collection of Dame Judith te Tomairangi o Te Aroha Binney and Art+Object 4 June 2015 A+O 93 Sebastian Black The Collection of Dame Judith Te Tomairangi o Te Aroha Binney and Sebastian Black Thursday 4 June 6.30pm Art+Object 3 Abbey Street Newton, Auckland PO Box 68 345 Newton, Auckland 1145 Telephone: +64 9 354 4646 Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 [email protected] www.artandobject.co.nz EXHIBITING FJ6A>INA6C9H86E:H WILTON LODGE, FJ::CHIDLC Privately positioned on 3,450 square metres, this substantial 6gXa^cZV`^iX]Zcl^i]i]gZZaVg\Zldg`heVXZh!ZmiZch^kZhidgV\Z north-facing waterfront property overlooks Lake Hayes with GZ[jgW^h]ZYl^i]XdcXgZiZ!hX]^hihidcZ!XZYVgVcYXdeeZg magnificent views to the mountains beyond. Award winning BVhiZgHj^iZl^i]ildheVX^djhlVa`"^cYgZhh^c\gddbh architect John Blair designed this home to achieve maximum :miZgcVa]ZViZYhl^bb^c\edda^hXdbeaZbZciZYWnVÒgZeaVXZ sunshine and lake views from almost every room. Italian marble BZY^Vgddb!\nbcVh^jb!i]gZZhijY^ZhVcY[djgXVg\VgV\^c\ features throughout the spacious and elegant four bedroom home. :miZch^kZbVijgZaVcYhXVe^c\VcYigZZ"a^cZYVXXZhhidaV`Z[gdci luxuryrealestate.co.nz/QT94 434 LOWER SHOTOVER ROAD, FJ::CHIDLC Situated on one of the most sought after land positions in ;djgWZYgddbhZcXdbeVhh^c\hZa["XdciV^cZYbVhiZghj^iZ Queenstown, this 547 square metre Kerry Mason designed 9Zh^\cZg`^iX]Zc!hijYn!ilda^k^c\VgZVh!Y^c^c\gddb!XZaaVg home was built in 2012. -
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artart & objectobject Important Paintings & Contemporary Art Thursday 26th April 2012 Welcome to ART+OBJECT’s first Important Paintings and Contemporary Art ART+OBJECT catalogue of 2012. In recent months ART+OBJECT clients have enjoyed a 3 Abbey Street run of significant single vendor catalogues from the ground breaking A. T. Newton Pycroft rare book catalogue in November 2011, the Leo Tattersfield collection Auckland of Chinese Jade which was the centrepiece of A+O’s Asian Art catalogue of PO Box 68 345 February, The English Collection of Modern Design on March 1 and latterly Newton the Russell and Shirley Hodgson Collection of Contemporary Art which was Auckland 1145 offered on March 22 of this year. Turn to page 10 to review some of the auction Telephone: +64 9 354 4646 highlights of this cutting edge collection. Freephone: 0 800 80 60 01 Facsimile: +64 9 354 4645 In each case these collections revealed an acute eye and a passion for [email protected] assembling definitive and insightful holdings – in some cases assembled over www.artandobject.co.nz many decades. Collectors have responded to these with great enthusiasm resulting in some of the most successful auction catalogues A+O has ever offered. Another trend has been the emergence of the collecting group. A significant Cover: section of this current catalogue is devoted to the Times Group, a collective John Ward Knox founded in 2002 with a defined lifespan of a decade. On page 8 Ben Plumbly Untitled (4) (detail) examines the Times Group Collection and the group’s approach to building a oil on calico large and diverse collection. -
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Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market. -
Canterbury Painting in the 1990S, 2 June - 8 August, 2000
759. 9938 CAN CANTERBURY PAINTING in the 19905 Published on the occasion ofthe exhibition Canterbury Painting in the 1990s, 2 June - 8 August, 2000. The Robert McDougall Art Gallery and Annex acknowledge the generous support and assistance ofthe artists, public and private collectors and galleries who have made works available for this exhibition • Intended as a celebration ofthe depth and diversity ofpainting in With materials ranging from oil paint and bitumen to excrementand Canterbury over the last decade, this exhibition has been drawn gold and stylistic approaches including realism, figuration, minimal largely from the collections of the Robert McDougall Art Gallery, abstraction and abstract expressionism, this brief selection of with several works also bon-owed from public and private collections paintings demonstrates a formidable diversity, revealing just how locally. Consisting ofthirty four works by emerging and established wide-ranging painting in Canterbury has become. The connections artists, it is, necessarily, an abbreviation of the full story and does each ofthe thirty four artists have to the province also vary between not pretend to represent every aspect of, or artist involved in, those of long-term residents to brief visitors on fellowships. Many contemporary painting practice in the region. Howevel~ the quality have taught here, within both the secondary and tertialy systems; and range presented here bear encouraging testimony to' the still more have been educated at one or more of Canterbury'S art continued health of painting in Canterbury over a decade full of institutions. Whatever their association, all of the artists selected for change and challenge. this exhibition have made an impact on, and contribution to, the fabric ofart within this region. -
Russell Clark 1905-1966 Strong Reaction to Sir
THE JOURNAL OF THE CANTERBURY SOCIETY OF ARTS CNR DURHAM AND ARMAGH STREETS P.O. BOX 772 news CHRISTCHURCH NUMBER NINE, SEPTEMBER, 1966 TELEPHONE 67-261 RUSSELL CLARK 1905-1966 TOLERANCE AND INTOLERANCE Whoever was "sure members would enjoy reading the very fine speech" of Sir Charles Wheeler did not, I hope, think he was referring to all members. I did not enjoy it. Was its prominent publication in the "News", and the drooling introduction in the little rectangle at the top, a sort of student-like joke to raise a laugh? Or was it a social-climbing activity designed to seduce thoss members not critically expert enough to defend themselves mentally against this sort of manipulation by their organisers? To the first point, I did not laugh, the joke was too likely to be taken seriously by too many. To the second, my answer is that I am angry to think that my good intentions in joining the Society in the first place have landed me in the position of belonging to an organisation apparently willing to erode my standards by threatening me with the charge of intolerance if I don't tolerate this intolerable down- sucking quicksand. People who throw about spent phrases and words like "delightful", "very much pleasure", "very fine" in print can have very little to say surely, but wish to impress us rather by the dinner-jackets (jaded uniform!) their heroes wear, and the social prominence of the positions they hold. This particular piece of pomposity has latched on to the word tolerance, and used it as a weapon, In his life he displayed a never-ending capacity for hoping to disarm the opposition so plainly expected— creative endeavour. -
13 1 a R T + O B Je C T 20 18
NEW A RT + O B J E C T COLLECTORS ART + OBJECT 131 ART 2018 TWENTIETH CENTURY DESIGN & STUDIO CERAMICS 24 –25 JULY AO1281FA Cat 131 cover.indd 1 10/07/18 3:01 PM 1 THE LES AND AUCTION MILLY PARIS HIGHLIGHTS COLLECTION 28 JUNE PART 2 Part II of the Paris Collection realised a sale The record price for a Tony Fomison was total of $2 000 000 and witnessed high also bettered by nearly $200 000 when clearance rates and close to 100% sales by Ah South Island, Your Music Remembers value, with strength displayed throughout Me made $321 000 hammer ($385 585) the lower, mid and top end of the market. against an estimate of $180 000 – The previous record price for a Philip $250 000. Illustrated above left: Clairmont was more than quadrupled Tony Fomison Ah South Island, Your Music when his magnificent Scarred Couch II Remembers Me was hammered down for $276 000 oil on hessian laid onto board ($331 530) against an estimate of 760 x 1200mm $160 000 – $240 000. A new record price realised for the artist at auction: $385 585 2 Colin McCahon Philip Clairmont A new record price Scarred Couch II realised for the artist North Shore Landscape at auction: oil on canvas, 1954 mixed media 563 x 462mm and collage on $331 530 unstretched jute Milan Mrkusich Price realised: $156 155 1755 x 2270mm Painting No. II (Trees) oil on board, 1959 857 x 596mm Price realised: $90 090 John Tole Gordon Walters Timber Mill near Rotorua Blue Centre oil on board PVA and acrylic on 445 x 535mm Ralph Hotere canvas, 1970 A new record price realised Black Window: Towards Aramoana 458 x 458mm for the artist at auction: acrylic on board in colonial sash Price realised: $73 270 $37 235 window frame 1130 x 915mm Price realised: $168 165 Peter Peryer A new record price realised Jam Rolls, Neenish Tarts, Doughnuts for the artist at auction: gelatin silver print, three parts, 1983 $21 620 255 x 380mm: each print 3 RARE BOOKS, 22 AUG MANUSCRIPTS, George O’Brien Otago Harbour from Waverley DOCUMENTS A large watercolour of Otago Harbour from Waverley. -
2016 Annual Report
ANNUAL REPORT 2016 INTRODUCTION Andre Brönnimann with two of the subjects of his winning portrait - Ria Wihapi Waikerepuru and Te Rawanake Robinson-Coles at the opening of the Adam Portraiture Award 2016. Treasurers, first John Sladden and then Richard 2016 was a year of Tuckey, to improve the quality of our budgets and endeavour, rewarded financial control. We are all very grateful for the commitment, the good humour and fellowship that over almost all of the full David brought to our affairs. Our fellow Trustee, Mike Curtis – a Partner with Deloitte – continued as range of our activities. It Chairman of the Finance and Planning Committee. presented us with a number In December we were pleased to be able to elect two new Trustees. Dr. David Galler, a well-known of challenges, ones of intensive care specialist in Auckland, and the personnel; of gallery space; author of a recent bestselling book about his life and work, Things That Matter. David brings his of governance; and, as wide knowledge of Auckland to our deliberations, along with a strong management background and always, of funding. a life-long interest in art. Helen Kedgley, who was Director of the Pātaka Art and Museum in Porirua But I would like to start by stating my own personal pleasure and satisfaction at the excellence of last year’s exhibition programme, a view that is shared, I know, by many of you. Quite apart from their intrinsic interest, and the pleasure as well as insight that they bring, these presentations are enhancing our reputation nationally and leading to increased cooperation with galleries and collectors both in this country and overseas. -
Words That Make Worlds. Arguments That Change Minds. Ideas That Illuminate. We Publish Books That Make a Difference
AUCKLAND UNIVERSITY PRESS — 2012 CATALOGUE Words that make worlds. Arguments that change minds. Ideas that illuminate. We publish books that make a difference. Summer 2012 BA: AN INSIDER’S GUIDE Rebecca Jury BA: An Insider’s Guide is the essential book for all those considering study or about to embark on their arts degree. In 10 steps, Jury introduces readers to everything from choosing courses (just like putting together a personalised gourmet sandwich), setting up a study space and doing part-time work to turning up at lectures and tutorials and actually reading readings. In particular, she focuses on planning, work–life balance, study habits, succeeding at essays and exams and sorting out a life afterwards. Recently emerged from the maelstrom of university, Jury offers the inside word on doing well there. Rebecca Jury graduated with a BA (English and Mass Communication) from Canterbury University in 2008. Her grade average was excellent! Since completing her degree she has worked as a university tutor, a youth counsellor and a high-school teacher. February 2012, 190 x 140 mm, 200 pages Paperback, 978 1 86940 577 9, $29.99 2/3 Summer 2012 BEAUTIES OF THE OCTAGONAL POOL Gregory O’Brien In an eight-armed embrace, Beauties of the Octagonal Pool collects poems written from and out of a variety of times, locations and experiences. O’Brien’s poems have a thoughtful musicality, a shambling romance, a sense of humour, an eye on the horizon. On Raoul Island we meet a mechanical rat; on Waiheke, the horses of memory thunder down the course; and in Doubtful Sound, the first guitar music heard in New Zealand spills over the waves . -
Intervention Intervention Post Object and Performance Art in New Zealand in 1970 and Beyond
Intervention Intervention Post Object and Performance Art in New Zealand in 1970 and beyond Robert McDougalI Art Gallery & Annex November 9 — December 10, 2000 Contents © 2000 Robert McDougall Art Gallery & Annex Text and images copyright © 2000 the authors and artists. ISBN 0-908874-61-8 ' Trans-Marginal: New Zealand Performance Art 1970—1985 by Jennifer Hay 5 The Art This catalogue was published to accompany Intervention, an exhibition considering Post-object of the Heist by Nicholas Spill 27 Jim Allen: From Elam to the Experimental Art and Performance Art 1970—1985, at the McDougall Contemporary Art Annex, Foundation by Blair French 33 The Gift in Littoral 9 November—10 December 2000. Intervention was part of Colloquium, a multi-media arts Art Practice by Bruce Barber 49 New New Zealand event comprising exhibitions and public programmes and jointly presented by the ‘New Art’ by Prof. Tony Green 59 Robert McDougall Art Gallery & Annex and the University of Canterbury. About the Writers 95 All rights reserved under international copyright convention. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of the publisher. Research Assistance: EH. McCormick Library, Auckland Art Gallery, Toi o Tamaki Te Papa Tongarewa, Elam School of Art ’Open Drawer’ File, New Zealand Film Archive, Hocken Library Design and typography by circledesign Scanning by Digital Pre-Press Ltd. Printing by Rainbow Print, Christchurch Paper supplied by Spicers Paper Ltd. Printed on Lumi Silk 150/250gsm and Freelife Vellum lZOgsm Cover: Body Articulation 1974, Jim Allen Courtesy of the artist and the E.H. -
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ART + OBJECT 2017 has undoubtedly been a dynamic year at Art+Object, as well as for the wider New Zealand art world. We are fortunate to be part of a healthy, thriving arts community that really does offer something for everyone, across a variety of art forms. This year, along with our usual catalogues of Important Paintings and Contemporary Art, New Collectors, Decorative Arts and Rare Books, we have been favoured with the sale of some fabulous private collections. Visionary collectors like Anne Coney and Glenn Schaeffer, in taking the brave decision to sell their collections at auction, provide viewers with a wonderful opportunity to admire and acquire. Thank you to everyone who has taken part in our auction program this year, we put real effort into making our auction videos, organising talks and events and we love it when you watch on-line, or come along to viewings and auctions. Our talk with collector Glenn Schaeffer in October was given to a packed house, with a large number of interested collectors attending to hear from Mr Schaeffer, a significant international art collector. The year cannot pass without making mention of the wonderful success of the Estate of Michael Illingworth auction. The enthusiasm shown by the market for work by this legendary artist was unprecedented, resulting in one of the most successful auctions in our ten year history. We have enjoyed working with a number of brand partners this year. We’ve been serving freshly brewed Allpress coffee at our weekend viewings, which was particularly well-received on cold wintry viewing days, and it certainly feels like we’ve had plenty of those this year. -
Artwork Pack Storytelling Term 4 2016
CREDIT: PAGE 6 PAGE CREDIT: Artwork Pack Storytelling SUPPORTED BY Term 4 2016 Copyright Copyright of this document is held by Auckland Art Gallery Toi o Tāmaki, a part of Regional Facilities Auckland. No content from this document may be reproduced, transmitted or copied without our permission except for the purposes of private study and research, criticism and review, or education consistent with the provisions of Sections 40 to 44 of the New Zealand Copyright Act 1994. Failure to comply may be an infringement of the Act and could contravene obligations which the Gallery has to donors, lenders, artists and descendants with respect to the copying of works of art. Māori Images Auckland Art Gallery Toi o Tāmaki is grateful to all the descendants who have given permission for images of their ancestors to be included in our database, some of which are reproduced in this document. These images have a special significance for Māori and we ask you to treat these images with respect. Please view and store these images in study areas only. The presence of food and drink or their display in inappropriate ways will denigrate their spiritual significance. Years 1–2 Grand Designs In many parts of Europe there was a proliferation of grand country estates in the late 17th and 18th centuries, reflecting the increasing wealth brought about through the introduction of industry and agricultural reforms. While architects scurried to outdo each other with their grand designs, aristocratic and newly emergent middle class owners sought out artworks of all kinds to decorate their rural mansions as well as their elegant town houses. -
The Tim & Sherrah Francis Collection
The Tim & Sherrah FrancisTimSherrah & Collection The The Tim & Sherrah Francis Collection A+O 106 a life, and love, in New Zealand art… The Tim & Sherrah Francis Collection Art + Object 7–8 September 2016 Tim and Sherrah Francis, Washington D.C., 1990. Contents 4 Our Friends, Tim and Sherrah Jim Barr & Mary Barr 10 The Tim and Sherrah Francis Collection: A Love Story… Ben Plumbly 14 Public Programme 15 Auction Venue, Viewing and Sale details Evening One 34 Yvonne Todd: Ben Plumbly 38 Michael Illingworth: Ben Plumbly 44 Shane Cotton: Kriselle Baker 47 Tim Francis on Shane Cotton 53 Gordon Walters: Michael Dunn 64 Tim Francis on Rita Angus 67 Rita Angus: Vicki Robson 72 Colin McCahon: Michael Dunn 75 Colin McCahon: Laurence Simmons 79 Tim Francis on The Canoe Tainui 80 Colin McCahon, The Canoe Tainui: Peter Simpson 98 Bill Hammond: Peter James Smith 105 Toss Woollaston: Peter Simpson 108 Richard Killeen: Laurence Simmons 113 Milan Mrkusich: Laurence Simmons 121 Sherrah Francis on The Naïve Collection 124 Charles Tole: Gregory O’Brien 135 Tim Francis on Toss Woollaston Evening Two 140 Art 162 Sherrah Francis on The Ceramics Collection 163 New Zealand Pottery 168 International Ceramics 170 Asian Ceramics 174 Books 188 Conditions of Sale 189 Absentee Bid Form 190 Artist Index All quotes, essays and photographs are from the Francis family archive. This includes interviews and notes generously prepared by Jim Barr and Mary Barr. Our Friends, Jim Barr and Mary Barr Tim and Sherrah Tim and Sherrah in their Wellington home with Kate Newby’s Loads of Difficult.