Auckland Art Gallery Toi o Tāmaki

1 Main gallery Cnr Wellesley and Kitchener Sts PO Box 5449, Wellesley St On Show Open daily 10am to 5pm except Christmas Day and Easter EXHIBITIONS & EVENTS Friday. Free guided tours 2pm daily. Free entry to the gallery. Admission AT AUCKLAND ART GALLERY TOI O TĀMAKI FEBRUARY / MARCH / APRIL 2007 // FREE // www.aucklandartgallery.govt.nz charges apply for special exhibitions

Ph 09 307 7700 Infoline 09 379 1349

www.aucklandartgallery.govt.nz

3rd Auckland Triennial Venues: 2 New Gallery Cnr Wellesley and Lorne Sts 3 ARTSPACE Level 1, 300 Karangahape Rd 4 The Gus Fisher Gallery 74 Shortland St 5 ST PAUL ST Level 1, WM Building, 34 St Paul St 6 Academy Cinemas Central Library building, 44 Lorne St

Getting there: By foot – all venues are within walking distance of each other By bus – Link buses pass near each venue every 10-15 minutes. Bus, ferry and train info: www.maxx.co.nz or ph 09 366 6400 By car – $4 all day parking on weekends and public holidays at Victoria St carpark, cnr Victoria & Kitchener Sts. Park then collect a discount voucher from Auckland Art Gallery or Academy Cinemas.

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The Auckland Art Gallery Toi o Ta¯maki is provided by On Show Edited by Jennifer Dann Designed by Inhouse Printed by Spectrum Print ISSN 1177-4614 From the Welcome to Auckland Art Gallery Toi o Tāmaki relies on the good will and generosity of corporate partners. We are delighted to acknowledge their ongoing support. Director Auckland Art Gallery

It’s your gallery. It’s free and it’s in the heart of Auckland City

EXPLORE Our collection is the largest in the ENJOY Pop into our gallery shop for unique country with 14,000 art works spanning seven gift ideas and gallery publications. centuries. You don’t need to be an art expert Chris Saines, Director, to enjoy some of New Zealand’s most AMUSE Children are welcome and there’s Auckland Art Gallery Toi o Tāmaki well-loved works. Friendly gallery guides are plenty to keep small hands busy in our Sunday on hand to answer your questions and free Kids Club and holiday art programmes. Welcome to the first On future our new building will guided tours are held daily at 2pm. Show of 2007, a year that will create, from the complex and DISCOVER Like to know more about art? see us finally reach our much sprawling collection-based RELAX Catch up with friends over lunch or We hold a mix of interesting events heralded goal to undertake a Passion and Politics, though a coffee at our leafy balcony cafés overlooking throughout the year. Come along and learn major development of the to the largest ever Triennial Albert Park and Khartoum Place. something new. gallery. I say ‘finally’ all too of contemporary art from knowingly, because that goal New Zealand and the world. has continued to elude us Admission charges apply for special exhibitions. over the last twelve months. The 3rd Auckland Triennial As most readers will know, reaches across five city venues our main building closing – including the New Gallery, date has been put back on The Gus Fisher Gallery, several occasions – first in Artspace, St Paul St and Cover image: July, then in December – and Academy Cinemas – and Lida Abdul War Games (What I Saw) (still) 2006, 16mm fi lm transferred we have had to develop new features nearly 40 artists from to DVD, courtesy of the artist and programmes at relatively some 20 countries. They are Giorgio Persano Gallery, Turin short notice each time. drawn from across the globe, from places such as Afghani- As we go to print, that date stan, Uzbekistan, Lebanon, remains unconfirmed due to Cuba and Palestine and resource consent appeals, include many major artists which I am hopeful we can who are all but unknown to resolve in the next few New Zealand audiences. months. Meanwhile, this Curated by Victoria Lynn issue celebrates a great end around the theme of ‘turbu- of summer and early New lence’, it will be the must see Year programme that points show of 2007. the way ahead to the expanded and exciting — Chris Saines

1 Far left: Aotearoa – Cloud 2002 acrylic and oil on canvas, Auckland Art Gallery, gift of the gallery patrons.

Centre: Alexandros Georgiou, from the series Without my own vehicle 2006, courtesy of the artist and News Eleni Koroneou Gallery, Athens Below: The Story of a New Zealand River 2001, paua, capiz, laquer and wood on a concert grand piano. Auckland Art Gallery. On loan from the Thanksgiving Foundation

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ARCHIVE GIFTED FILM FOR SALE ART FOR KIDS MAJOR PARTNER ARTIST TRAVELS LOAN TO OZ Audio recordings of talks Artist Gretchen Albrecht School students create AUT University has signed Greek artist Alexandros A grand piano by artist given in the 1980s by artists is helping the gallery raise art inspired by work in the a major partnership deal Georgiou was the first artist Michael Parekowhai had an including Tony Fomison, money for its planned gallery. Up to 400 children to support the next three to leave for turbulence: epic journey to Queensland Don Binney, Sylvia Siddell development. a week attend the gallery’s Auckland Triennials to 2013. the 3rd Auckland Triennial, where it is one of four works and Greer Twiss have been Proceeds from the DVD education programme, Mayor Dick Hubbard says travelling from India’s holy from Auckland Art Gallery on gifted to the gallery’s Aotearoa – Cloud, on sale involving a tour of the gallery the commitment will help city of Varanasi entirely by show in the fifth Asia-Pacific E H McCormick Research in the gallery shop, will go followed by a one hour grow the event, enhancing public transport. He left in Triennial. Piano movers Library. The talks and towards the $90 million practical lesson. Subsidised Auckland’s international November and hopes to helped pack The Story of accompanying slides were project. The $20 DVD buses can be arranged. profile. Vice-chancellor arrive in Auckland for the a New Zealand River into a donated by Claudia Pond features an interview with For bookings phone our Derek McCormack (top) 9 March opening! Along the special crate flown by freight Eyley and Murray Gilbert Albrecht on the making of education team. says AUT is committed way, he’s creating works to Melbourne then taken (above) on behalf of the NZ her huge painting Aotearoa – Ph 307 6345. to supporting Auckland’s which respond to his on a 22-hour truck trip Society of Sculptors, Painters Cloud, currently on show in creative sector. AUT’s St environment and posting to Brisbane. and Associates. The library the exhibition Hei Konei Mai. Paul St gallery is a partner them to Artspace. is open Tues and Wed venue for the exhibition. 10.30am to 4pm.

2 3 TURBULENCE: the 3rd Auckland Triennial 9 MARCH TO 4 JUNE 2007 NEW GALLERY Adult $7. Concession $5. Friends of the Festival $5. Friends of the Gallery $4. Family pass $18

Auckland Triennial Partner

Principal sponsor

Major Supporters

PATRONS OF THE TRIENNIAL

Exhibition Partners

Significant works by major Curated by renowned window onto the world of artists like Turner Prize Australian curator Victoria contemporary art, creating finalists Mona Hatoum Lynn, the exhibition features a dialogue between the local (Palestine/UK), Isaac Julien painting, sculpture, photogra- and the global. turbulence Support Sponsors (UK), Phil Collins (UK) and phy, video, installation, film, the 3rd Auckland Triennial Willie Doherty (Northern performance and international Ireland) as well as Michal collaborative actions. exhibition + This multi-venue exhibition fears in our midst. They have Rovner (Israel/USA), Fiona presents contemporary art created aesthetic interven- Hall (Australia), the Long Proud to be part of the films + from around the world that tions – active, vital and March Project (People’s Auckland Festival, AK07, symposium + addresses the condition of alternative ways of looking Republic of China) and turbulence is presented turbulence – the complex at the world around us. Carlos Capelán (Uruguay/ across five inner city catalogue + and unpredictable times in Sweden) will be seen for the venues: the New Gallery, performances + which we live. Their works include stories of first time in this country. Artspace, The Gus Fisher ancestry and exile; journeys Gallery, St Paul St and events Over 35 artists from more through literal and imagined New works have been Academy Cinemas. than 20 countries engage spaces; reflections upon the created by nine New Zealand www.aucklandtriennial.com with the emotional flux of fragility of existence; and artists, including Shane New Zealand’s premier their daily reality, responding humanity’s capacity for Cotton, and Yuk international contemporary to the ambient hopes and resistance and resilience. King Tan. art exhibition provides a

4 5 Passion & Politics Two Centuries of British Art

Drama, folly and satire from people became a legitimate language, blocked garden the era known as “the golden subject for art while satirists entrance and tortoise age of British painting” lampooned kings, courtiers lumbering off to hibernate all feature in this free show of and country folk in equal suggest first love has waned. more than 140 works by stars measure. Views of the English Pope makes love to Lady like Thomas Gainsborough, landscape and rural pursuits Mary Wortley Montagu William Hogarth, Sir Joshua were just as popular as (inside cover) depicts the Reynolds and John Water- portraits of public figures. moment poet Alexander house. The new British Children could be seen at play, Pope declared ardent love School of Art which emerged rather than the ‘miniature for his fellow writer. She in the Age of Enlightenment adults’ of previous centuries. burst into a fit of laughter turned an often witty lens on Even horses could be stars – from which his pride never everyday life. For the first Phar Lap being among the recovered. These works from time, artists created works direct descendants of Eclipse the gallery’s collection that spoke of the rich variety (below). In Walter Sadler’s remain a rich and satisfying of their own time. Ordinary Married (right), the body record of the age.

PASSION AND POLITICS: Two Centuries of British Art NOW SHOWING MAIN GALLERY, LEVEL ONE Free Admission

Above: John Sartorius Captain Above: Walter Sadler Married oil on O’Kelly’s Eclipse 1780, oil on canvas, Mackelvie Trust Collection, canvas, Auckland Art Gallery, Auckland Art Gallery gift of Moss Davis

6 7 Towards Auckland: Hei Konei Mai: Colin McCahon the Gallery Years We’ll Meet Again

This exhibition considers reflects McCahon’s new Our stories, people and Many visitors feel a strong HEI KONEI MAI: McCahon’s artistic contribu- urban landscape. He spoke places are the focus of this emotional response to these We’ll meet again tions during the decade he of a problem he shared with final collection exhibition. treasured works from past NOW SHOWING worked at the gallery from Mondrian: “How to make The gallery’s much antici- to present. The gallery is MAIN GALLERY, 1953. His trip to the United painting beat like, and with, pated restoration provides keen to hear your thoughts GROUND FLOOR 1 2 States in 1958 triggered a a human heart”, concluding the occasion to say hei konei on your favourites. radical shift in style. The the answer was to be found mai – goodbye for now – Free Admission significance of his encounter by engaging with the human TOWARDS AUCKLAND: to some of New Zealand’s Come and write your own there with Piet Mondrian’s condition. The exhibition’s Colin McCahon the Gallery Years most famous and cherished label for a work of your geometric paintings is visible centrepiece, The Second ON SHOW UNTIL 25 MARCH art works until we meet choice. Or go to our website in this homage (right) to the Gate Series 1962, considers again in 2010. www.aucklandartgallery. MAIN GALLERY, Dutch artist. McCahon wrote the threat of nuclear GROUND FLOOR 3 co.nz. Your label may be that Mondrian’s paintings holocaust and “a way The gallery’s unrivalled chosen for display alongside “had an openness and scale through” for humanity. Free Admission collection of Goldie and the work. that extended beyond the Lindauer portraits feature edges of the paintings”. The Colin McCahon Here I give thanks alongside colonial New This show is free. Don’t to Mondrian 1961, enamel on board, work, created soon after the Auckland Art Gallery, gift of the Zealand landscapes, miss your chance to say family’s shift from leafy gallery Friends, courtesy of the photography and prints “hei konei mai”. Colin McCahon Research and Titirangi to central Auckland, Publication Trust while recent icons and visual touchstones expand on and create new art histories. Love Chief Love Chief explores the behaviour and personality idea of personality in or character. contemporary art Love Chief integrates the Personality is the mechanism persuasive language of Ed by which we understand Ruscha’s painting (right), somebody’s character, their which conveys a powerful make-up and behaviour. persona – sexy, star-struck, When it comes to art, Hollywood. The work has all LOVE CHIEF personality can also be the character of Ruscha’s FROM 31 MARCH described as an object’s hometown LA and all the behaviour. punch of a superstar. MAIN GALLERY, GROUND FLOOR 3 This exhibition explores Free Admission how personas are used to Ed Ruscha Love Chief 1986 acrylic Filipe Tohi Veimaka – Water Stone exaggerate a sense of on canvas, Auckland Art Gallery 2003, andesite, Auckland Art Gallery

8 9 Framing the past: Five centuries of European painting

We have our own Da Vinci The child’s gesture to his code on display at the mother’s breast indicates gallery! Marco d’Oggiono both literal nurturing as well was staying in Leonardo’s as the spiritual sustenance house in Milan when he given by Mother Church to painted this Madonna and the faithful. Child (right) in 1490, and copied details from one of Framing the past celebrates Da Vinci’s portraits. While European art from the 13th FRAMING THE PAST: this artist never demonstrated to 17th Century, in a series Five centuries of European painting the same genius as his friend, of conversations between he was in many ways a periods, styles and genres that NOW SHOWING better technician. include religious paintings, MAIN GALLERY, landscape, portraits and GROUND FLOOR 6 Right: Marco d’Oggiono scenes of everyday life. Shane Cotton Free Fall 2006 Madonna and Child c1490 Free Admission Acquisitions

Shane Cotton is a significant horizontal panels above flat shapes as counterpoints A Lighter Touch presence in . doors and windows) where to three-dimensional images His works are held in every tiki (people) are flanked by (plane vs bird), images in Hailed as the greatest British insight into the artist’s major public collection in manaia (birds), alluding to motion painted as static, sky sculptor of the 20th century, creative process and also Australasia. The Nga Puhi the connection between beneath land. By playing with Henry Moore’s human bears his direct mark, which artist says the central theme the terrestrial and celestial traditional ideas in new ways figures were inspired by the could be lost in larger works of Free Fall, recently (physical/spiritual). In and using contemporary organic shapes of the British produced with the help of purchased by the Chartwell Free Fall, the central head is forms like the DVD play/pause landscape. Moore was torn assistants. A Lighter Touch Collection, is dis/connection. flanked by a falling bird and symbols, Cotton addresses between traditional art and explores the fresh approach The painting takes its bull’s eye (or bird’s eye). ideas of loss, melancholy, more ancient, elemental to everyday subject matter structural lead from traditional The painting then becomes separation, uncertainty, images. This family trio first introduced by the Maori carvings on pare (the a juxtaposition of opposites: paradox and shift. (right) derives from both Impressionists. Don’t miss the Renaissance trinity of this free show of 19th and St Anne, Virgin and Child 20th century works by Above: Shane Cotton Free Fall and the ancient Greek trinity 2006 Chartwell Collection, European greats, including Auckland Art Gallery of Demeter, Persephone and Edgar Degas, Pablo Picasso, Right: Detail Triptolemus. As a prelimi- Paul Nash and Henri Matisse. nary model, it provides an A LIGHTER TOUCH Now showing in HEI KONEI MAI: NOW SHOWING WE’LL MEET AGAIN MAIN GALLERY, MAIN GALLERY, Right: Henry Moore Study for a family 4 5 2 group 1945, bronze, Auckland Art GROUND FLOOR GROUND FLOOR Gallery. Reproduced courtesy of the Henry Moore Foundation. Free Admission Free Admission

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turbulence Performance/actions the 3rd Auckland Triennial Here’s a sample of the wide array of events in the 3rd Auckland Triennial. For up-to-date listings visit our website www.aucklandtriennial.com Talks Public talks will be held throughout this exhibition Don’t miss The Atlas Group/Walid Raad (above) who combine live by many of the artists performance with video, blurring the line between truth and fiction including (clockwise) to expose the absurdity of terror and information networks in Lebanon. Alexandros Georgiou, Free. Bookings essential. Ph 307 4540. Mon 12 March John Pule, Lynette Wallworth,

PUBLIC EVENTS Isaac Julien and Julie Rrap. For details go to www.aucklandtriennial.com Lantern Festival Check out the No Chinatown stall, part of a collaborative action between Chinese artists the Long March Project with Auckland artists Daniel Malone and Kah Bee Chow. Albert Park and Kitchener St The main gallery is open late each night until 10pm Fri 2 to Sun 4 March

Auckland artist Eve Armstrong sets up her Trading Table (left) turbulence curator on the street and encourages Victoria Lynn (left) people to trade an object, idea discusses the exhibition’s or service for something on concept. the table. New Gallery Downtown Auckland. exhibition entry applies Fri 9 March, 30 March, 20 April Mon 12 March 2pm and 11 May, 11.30am – 3pm

Costa Rican artist Lucia Madriz discusses her work Red Alert (above) made of beans, rice and corn. “There are still pirates, they Symposium just come in a different guise these days,” she says. The highlight of the opening The rest of the opening department. Nikos Papaster- Main gallery auditorium weekend symposium is weekend symposium is free. giadis, deputy director of Thurs 22 Feb 6pm a keynote lecture from In a series of panel discussions, Melbourne University’s Cuban curator and writer academics and artists from Australian Centre, will chair Gerardo Mosquera (below New Zealand and overseas a session. Main gallery right). The co-curator of last will consider the impacts of auditorium Bookings not Political refugee Ahmed Zaoui (left) year’s Liverpool Biennial and diaspora, migration and exile required. Sat 10 to Sun 11 March and his lawyer Deborah Manning adjunct curator at New York’s and their expression in 1pm–3.30pm discuss the exhibition’s theme. New Museum of Contemporary contem porary art and culture. New Gallery Art will discuss international Speakers include Professor Ien exhibition entry applies viewpoints on art and culture. Ang, director of the University Sun 18 March 1pm Main Gallery. Tickets $10 of Western Sydney’s Institute adult, $8 concession. Bookings for Cultural Research and Sign up for our e-newsletter. For fortnightly emails on exhibitions and events essential Ph 307 4540. Dr David Craig from Auckland go to www.aucklandartgallery.co.nz, click on e-newsletter and fill out the form. Fri 9 March 6pm University’s sociology

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There are a wide array of events at the gallery each week. FRIENDS EVENTS For up-to-date listings visit our website www.aucklandartgallery.co.nz FEB – APRIL 2007 Friends For more details and booking information contact the Friends’ secretary on 09 307 7705 or email [email protected] Thursday 8 February Tuesday 27 March Film 1pm 6.15 – 8.30pm of the A lunchtime talk by Summer Assistant curator Jane Davidson A screening of Andrew McAlpine’s classic 1970 Kiwi surf Daze curator Ngahiraka Mason. discusses turbulence: the 3rd documentary Children of the Sun (right) featuring breaks at Auckland Triennial. Drinks and Piha, Marsden Pt, Gisbourne and Kaikoura. Tuesday 20 February savouries. Members $20. Main gallery auditorium – free 6.15 – 8.30pm Student members $10. Sat 3 Feb 1pm – 50 minutes Gallery An evening in Passion and Non-members $25. Politics – Two Centuries of President’s Letter British Art with curator Mary Saturday 31 March Kisler. Drinks and savouries. 3pm The New Zealand Film Archive Members $20. Student members Passion & Politics curator Mary presents Sculptors at Work $10. Non-members $25 Kisler and conservator Sarah (left). Alexander Fraser, Fred Hillary provide a special Graham, Len Lye, Para Machitt, Tuesday 6 March presentation on their Up for Greer Twiss and Arnold Wilson 6.30 – 8pm Adoption project. RSVP. talk about their practice. The Friends invite you to Looks Members only. Numbers limited. PUBLIC EVENTS Main gallery auditorium – free Dear Friends, so Fine at Whitespace Gallery, Sun 4 Feb 3pm – 50 minutes Ponsonby. Wine and cheese. Wednesday 11 April We were very pleased with the Sculptor’s talk. Members $10. 10.30am Student members $5. Non- Coffee morning. Senior curator large attendance at our members $12 Ron Brownson discusses some Talks Christmas Party – such a warm highlights of Hei Konei Mai. friendly atmosphere. It was a Wednesday 21 March Australian-born public A walk through the Colin pleasure to welcome and chat 9am Thursday 19 April programmes curator McCahon exhibition with to guests, new members and Coach trip north to the newly 1pm Kim O’Loughlin discusses curator Hamish Keith (left) opened Brick Bay Sculpture Curator Natasha Conland talks the aboriginal art on show who worked at the gallery with old Friends. Plans are well in Trail. The $50 cost includes in the exhibition Love Chief. in Hei Konei Mai. McCahon in the early 1960s. hand for 2007. I’m sure many of lunch and wine tasting in Main gallery – free Main gallery – free our members will be pleased to the vineyard as well as the Saturday 28 April Sun 4 Feb 1pm Sun 4 March 3pm see the number of evening and sculpture trail. 11am Art walkabout in Karangahape Art historian Edward Hanfling Art history lecturer weekend dates on the calendar. Road. Members only. discusses the Modernist Dr Don Bassett presents two The committee has ambitious movement and its radical illustrated talks on 18th and plans for the future. We intend effect on British art in the 19th century British architec- to continue implementing 1920s and 30s. ture in Passion & Politics. Main gallery – free Main gallery – free organisational changes and Sun 18 Feb 1pm Part 1 Sun 25 Feb 3pm will be seeking more volunteer Part 2 Sun 4 March 1pm support for individual projects. Curator Mary Kisler discusses Many thanks to members the work of William Hogarth, Professor Wystan Curnow Senior curator Ron Brownson which heralded an era known (above) discusses the sacred talks about the diverse range who’ve encouraged friends as “the golden age of British and the secular aspects of Colin of art on show from Australia, and family to join our society. painting”. Sign language McCahon’s paintings. New Zealand and the Pacific. interpreter available. Main gallery – free Main gallery – free Deanna Briant Main gallery – free Sun 25 Feb 1pm Sun 1 April 3pm Sun 18 Feb 3pm President

The internationally acclaimed The Friends of the Gallery is a voluntary Music Goldenberg Duo, Susan and organisation dedicated to encouraging William, perform works for interest in the visual arts. Members receive piano and violin by a wide a range of benefits and special privileges. range of composers from They are involved in the life of the gallery and Brahms to Gershwin. contribute to its success through the purchase Main gallery – free of artworks for the permanent collection. Above: Friends members at the Art Comes Alive event in November Mon 9 April 3pm 14 15 Below: William Powell Frith Pope makes love to Lady Mary Wortley Montagu 1852, Sunday Kids Club oil on canvas, Auckland Art Gallery, gift of Sir Frank Mappin Art for Children Summer holiday Kids get creative in the programme gallery every Sunday at Relax in our café or bookshop 11am. Our friendly guides while your child takes part in help kids aged 5 to 12 years a two hour workshop from to make their own art 10am. Kids aged 5 to 12 years inspired by works in our create art inspired by works collection. Look out for in the gallery. $6 includes our Artist Highlights when materials, a biscuit and juice. Sunday Kids take part in Week One: 11, 12 and 13 activities with an artist April. Week Two: 18, 19 and currently exhibiting at the 20 April. Each daily session gallery. Runs for one hour. is the same. Programme $4 per child. Booking is changes weekly. Booking advised. Ph 307-4540. is advised. Ph 307-4540. Image Credits Page 4 & 5 Carlos Garaicoa Postcapital Page 10 & 11 Donna Conlon Coexistence (still) 2006 installation, wood, metal, Marco d’Oggiono Madonna and Child 2003, DVD, courtesy of the artist polychromed plaster, PVC, cardboard. c1490, tempera on panel, Mackelvie Produced with the assistance of Trust Collection, Auckland Art Regina José Galindo Limpieza Social Institut de Cultura de Barcelona. Gallery Toi o Tāmaki, purchased (still) 2006 DVD, courtesy of the Courtesy of the artist, Galleria with the assistance of the National artist and PrometeoGallery, Milan Continua, San Gimignano-Beijing, Art Collection Fund 1966 and Galería Elba Benítez, Madrid Lucia Madriz Alerta Roja (Red Alert) Page 12, 13 & 14 (detail) 2006 Installation with Christina Dimitriadis Promenade Julie Rrap 2000 Portrait courtesy beans, corn, rice Courtesy of the (detail) 2004, lambda print colour of the artist and Roslyn Oxley9 artist and Landings 3, Santiago photograph, courtesy of the artist Gallery, Sydney and Eleni Koroneou Gallery, Athens Mona Hatoum Undercurrent (detail) John Pule 2004 Portrait by 2004 Electrical cable, light bulbs, Yuk King Tan Boomtown (detail) Robert Catto, courtesy of the Courtesy of the artist and 2006 fi recrackers, installed in Arts Foundation of New Zealand Alexander and Bonin, New York. Local Transit, Artists Space, New Photo: Mattias Givell, courtesy York, 2006, courtesy of the artist Isaac Julien 2004 Portrait Magasin 3 Stockholm Konsthall and Sue Crockford Gallery, Auckland copyright of Jonathan Root

Lázaro A. Saavedra González Phil Collins they shoot horses Ahmed Zaoui 2006 Portrait courtesy El Síndrome de la Sospecha (The (still), 2004, video, courtesy of NZ Herald Syndrome of the Suspicion) (still) of the artist and Tanya Bonakdar 2004, DVD, courwtesy of the artist Gallery, New York Lucia Madriz Alerta Roja (Red Alert) 2006 Installation with beans, corn, Sriwhana Spong Peace Mantra (still) Areta Wilkinson Ki Mua Ki Muri rice. Courtesy of the artist and 2006, DVD, courtesy of the artist 2005, monel 400, 9ct gold, brass, Landings3, Santiago and Anna Miles Gallery, Auckland paint, wood, glass, courtesy of the artist and Anna Bibby Gallery, The Atlas Group/Walid Raad Willie Doherty Closure (still) Auckland. Photo: Studio La Gonda My Neck Is Thinner Than A Hair 2005, DVD, courtesy of the artist, (detail) 2005 Colour photograph, Alexander and Bonin, New York and Fiona Hall When my boat comes in courtesy of Walid Raad Galería Pepe Cobo, Madrid (detail) 2002-ongoing, gouache on banknotes, courtesy of the Eve Armstrong Trading Table held Julian Hooper, Liliu (detail) 2006, artist and Roslyn Oxley9 Gallery, as part of Roam at ARTSPACE 2005, various media on paper, courtesy of Sydney courtesy of the artist and ARTSPACE. the artist and Ivan Anthony Gallery, Lynette Wallworth Evolution of Photo: Conor Clarke Auckland Fearlessness (still) 2006, single-channel interactive video Alexander Fraser still courtesy Alexandros Georgiou Imam mosque, installation, produced by forma, of the New Zealand Film Archive Isfahan 2005, various media on commissioned by New Crowned Hope paper from the series Without my Festival, Vienna own vehicle 2006, courtesy of the artist and Eleni Koroneou Gallery, Athens

16 17 Gallery Floor Plans New Gallery Main Gallery

  

   LEVEL 1   LEVEL 2



      GROUND   Entrance LEVEL 1

KHARTOUM PLACE

Entrance LORNE KITCHENER STREET STREET

LOWER GROUND Our guides are located throughout the gallery. They are qualified and trained to assist with any questions you may have. Please feel free to ask our guides any questions.

Lighting: The lighting levels are low for the protection of the works of art

WELLESLEY STREET