Top Marching

Total Page:16

File Type:pdf, Size:1020Kb

Top Marching TOP MARCHING Updated Aug, 2021 PERCUSSION ACCESSORIES RETAIL WEST MUSIC BRAND MODEL # WEST MUSIC # DESCRIPTION QTY TOTAL PRICE PRICE SNARE STICKS Vic Firth SRH 255804 Ralph Hardimon Signature, Barrel Tip, White $19.50 $12.49 Vic Firth SRC 263796 Roger Carter Signature, Round Tip $19.50 $12.49 Vic Firth SJQ 255858 Jeff Queen Signature, Round Tip, Reverse Taper $19.50 $12.49 ProMark TXDC17W 260274 Scott Johnson Signature Round Tip $18.90 $9.30 TXDC17W ProMark 264907 Scott Johnson WHITE $21.99 $10.00 White TXDCBYO- ProMark 264906 BYOS FireGrain $25.50 $14.99 SW-FG Innovative FS-2 255487 Field Series, Oval Tip $18.00 $9.15 Perc Innovative FS-4 255483 Field Series, Round Tip $19.50 $9.95 Perc Innovative FS-PR 255484 Paul Rennick Signature, Teardrop Tip $19.50 $9.95 Perc Innovative FS-JC 256284 Jim Casella Signature, Oval Tip $19.50 $9.95 Perc Innovative FS-PR2 257698 Paul Rennick $19.50 $10.75 Perc MULTI-TENOR STICKS Vic Firth MTS1 260145 Corpsmaster Tenor Sticks $23.00 $12.99 Vic Firth SMAPTS 263207 John Mapes $23.00 $12.99 Innovative TS-1 254298 Field Series Tenor Sticks, Large Round Tip $18.50 $9.40 Perc MULTI-TENOR MALLETS Vic Firth SRHTS 255035 Ralph Hardimon Signature Tenor Sticks, Wood Tip $19.75 $12.49 Vic Firth MT1A 254909 Gold Shaft Tenor Mallets, Nylon Head $50.25 $29.49 Vic Firth SRHTSN 263795 Ralph Hardimon Signature Tenor Sticks, Nylon Tip $23.00 $12.99 Vic Firth MT1AS 254910 Heavy Aluminum Shaft Tenor Mallets, Nylon Head $53.75 $31.99 ProMark TS-7 256834 Mike Stevens Tenor $39.00 $19.99 ProMark TS-8 259028 Sean Vega Tenor $36.50 $18.99 ProMark ATA-1 254706 Aluminum Tenor $54.50 $25.10 ProMark ATH-1 254708 Hickory Tenor $54.50 $25.65 ProMark TS-PR 262812 Paul Rennick Tenor $32.25 $16.40 BASS MALLETS Vic Firth MB0H 254898 Wood Shaft BD Mallets, for 16-18” Bass Drum $57.00 $33.99 Vic Firth MB1H 254899 Wood Shaft BD Mallets, for 18-22” Bass Drum $58.50 $35.99 Vic Firth MB2H 254901 Wood Shaft BD Mallets, for 22-26” Bass Drum $63.00 $37.49 Vic Firth MB3H 254903 Wood Shaft BD Mallets, for 26-30” Bass Drum $74.75 $48.49 Vic Firth MB4H 254905 Wood Shaft BD Mallets, for 30-34” Bass Drum $83.00 $41.50 Innovative FBX-1 257699 Wood Shaft BD Mallets, for 16-18” Bass Drum $59.25 $31.15 Perc Innovative FBX-2 257700 Wood Shaft BD Mallets, for 18-22” Bass Drum $61.50 $32.30 Perc Innovative FBX-3 257701 Wood Shaft BD Mallets, for 22-26” Bass Drum $66.75 $34.95 Perc Innovative FBX-4 257702 Wood Shaft BD Mallets, for 26-30” Bass Drum $79.25 $41.65 Perc Innovative FBX-5 257703 Wood Shaft BD Mallets, for 30-34” Bass Drum $89.25 $46.90 Perc ProMark OBD1 257981 Wood Shaft for 14’’-18’’ $64.50 $31.00 ProMark OBD2 257982 Wood Shaft for 18’’-22’’ $68.75 $33.70 ProMark OBD3 257983 Wood Shaft for 22’’-24’’ $73.25 $35.90 page 1 RETAIL WEST MUSIC BRAND MODEL # WEST MUSIC # DESCRIPTION QTY TOTAL PRICE PRICE BASS MALLETS (CONT.) ProMark OBD4 257984 Wood Shaft for 24’’-28’’ $84.00 $41.20 ProMark OBD5 257985 Wood Shaft for 28’’-32’’ $92.75 $45.45 MARIMBA MALLETS Vic Firth M182 254975 Multi-Application, Synthetic Yarn, Medium Marimba $51.00 $31.99 Vic Firth M183 254976 Multi-Application, Synthetic Yarn, Hard Marimba $51.00 $31.99 Innovative IP1002 254241 Jim Casella Signature, Synthetic Yarn, Medium Marimba $54.00 $35.10 Perc Innovative IP1003 254242 Jim Casella Signature, Synthetic Yarn, Hard Marimba $54.00 $35.10 Perc Innovative IP4001 261921 Sandi Rennick, Soft $54.00 $35.10 Perc Innovative IP4002 261922 Sandi Rennick, Medium $54.00 $35.10 Perc Innovative IP4003 261923 Sandi Rennick, Hard $65.00 $35.10 Perc ProMark JW1 258875 Multi-Application, Synthetic Yarn, Hard Marimba $63.50 $35.99 ProMark JW3 258877 Multi-Application, Synthetic Yarn, Hard Marimba $63.50 $35.99 ProMark JW5 258879 Multi-Application, Synthetic Yarn, Hard Marimba $53.50 $35.99 VIBRAPHONE MALLETS Vic Firth M186 254978 Multi-Application, Synthetic Cord, Medium Vibraphone $67.50 $42.99 Vic Firth M187 254979 Multi-Application, Synthetic Cord, Hard Vibraphone $67.50 $42.99 Innovative Jim Casella Signature, Synthetic Cord, Medium Vibra- IP1005 254244 $63.00 $40.95 Perc phone Innovative IP1006 254245 Jim Casella Signature, Synthetic Cord, Hard Vibraphone $63.00 $40.95 Perc Innovative IP4005 264632 Sandi Rennick, Soft $63.00 $40.95 Perc Innovative IP4006 264633 Sandi Rennick, Medium $63.00 $40.95 Perc Innovative IP4007 264634 Sandi Rennick, Hard $63.00 $40.95 Perc XYLOPHONE/GLOCK MALLETS Innovative RFS420 254293 Field Series Vibraphone Mallets Hard $60.00 $39.00 Perc Innovative RFS320 254292 Field Series Vibraphone Mallets Soft $60.00 $39.00 Perc Innovative FS550 254217 field Series Extra Hard $41.00 $26.65 Perc SNARE BATTER HEADS Remo KS-2613-00 253397 White Max, High Tension Kevlar, 13-inch $105.10 $54.10 Remo KS-2614-00 253398 White Max, High Tension Kevlar, 14-inch $107.50 $53.05 Remo KS-0524-00 256241 Cyber Max, White, High Tension Kevlar, 14-inch $112.90 $56.30 Remo P2-0314-C2 253458 Powerstroke 2, Clear Traditional Tension, 14-inch $46.70 $25.30 Evans SB13MHW 257869 Hybrid, White, High Tension, 13-inch $112.25 $55.00 Evans SB14MHW 257870 Hybrid, White, High Tension, 14-inch $121.25 $53.00 Evans SB13MHSB 260708 Hybrid-S, Black, High Tension, 13-inch $101.00 $48.10 Evans SB14MHSB 260709 Hybrid-S, Black, High Tension, 14-inch $106.75 $50.85 Evans SB14MSB 263887 14’’ System Blue $125.50 $57.75 SNARE SIDE HEADS Remo SA-0313-TD 253652 Mylar, High Tension, 13-inch $28.50 $13.85 Remo SA-0314-TD 253653 Mylar, High Tension, 14-inch $29.10 $14.30 Evans SS13MH1 257871 Hybrid, Clear, High Tension, 13-inch $67.75 $35.00 Evans SS14MH1 257872 Hybrid, Clear, High Tension, 14-inch $72.00 $35.40 page 2 WEST RETAIL WEST MUSIC BRAND MODEL # DESCRIPTION QTY TOTAL MUSIC # PRICE PRICE MULTI-TENOR HEADS Ask us about the new Remo Colortone Tenor Heads! Available in Blue, Red, Orange, Yellow, Purple, and Green! Remo PS-0306-MP 253434 Clear Pinstripe Crimplock, 6-inch $31.00 $16.00 Remo PS-0308-MP 253436 Clear Pinstripe Crimplock, 8-inch $33.90 $17.50 Remo PS-0310-MP 253438 Clear Pinstripe Crimplock, 10-inch $35.30 $18.25 Remo PS-0312-MP 253441 Clear Pinstripe Crimplock, 12-inch $37.40 $19.30 Remo PS-0313-MP 253443 Clear Pinstripe Crimplock, 13-inch $39.30 $20.30 Remo PS-0313-MP 253445 Clear Pinstripe Crimplock, 14-inch $41.00 $21.10 Ask us about our Evans Tenor Head Packs! Evans TT06CC 259358 Corps Clear, 6-inch $27.00 $12.90 Evans TT08CC 259359 Corps Clear, 8-inch $28.00 $13.35 Evans TT10CC 259360 Corps Clear, 10-inch $29.25 $13.95 Evans TT12CC 259361 Corps Clear, 12-inch $31.25 $13.95 Evans TT13CC 259362 Corps Clear, 13-inch $33.75 $14.85 Evans TT14CC 259363 Corps Clear, 14-inch $36.00 $16.10 Evans TT06SB1 260710 System Blue 6’’ Tenor $30.25 $13.95 Evans TT08SB1 260711 System Blue 8’’ Tenor $31.25 $14.40 Evans TT10SB1 260712 System Blue 10’’ Tenor $32.25 $14.85 Evans TT12SB1 260713 System Blue 12’’ Tenor $35.00 $16.10 Evans TT13SB1 260714 System Blue 13’’ Tenor $37.25 $17.15 Evans TT14SB2 260715 System Blue 14’’ Tenor $39.25 $18.10 PERCUSSION ACCESSORIES Sabian 61002 255648 Cymbal Straps, Leather Tie-Style, Pair $18.50 $14.99 Sabian 61002EZ 255649 Cymbal Straps, Leather Ball-Style, Pair $22.00 $18.99 Pearl BMH-100 257974 Bass Drum Mallet Holder with Rim Shooters $113.99 $85.37 Pearl K-030 252153 Drum Key, High Torque $13.00 $10.80 Pearl PTT13 263291 Multi Tool; Tech Tool $25.00 $17.95 Pearl MUH20 256378 Snare Accessory Mount $48.00 $39.66 ProMark PQ2 264521 Stick Bag, Holds 2 Pair $27.25 $15.85 Vic Firth MSBAG2 251587 Marching Stick Bag, Holds 2 pairs $27.50 $17.99 Innovative SB-2 251289 Marching Stick Bag, Holds 2 pairs $21.00 $14.70 Perc Vic Firth VICKEY2 262730 High Tension Drum Key $26.50 $17.95 Yamaha RS-1418 261508 Bass Drum Rim Savers-14"-18" $36.00 $27.00 Yamaha RS-2032 261509 Bass Drum Rim Savers-20"-32" $36.00 $27.00 Yamaha MBMH-2 252489 Bass Drum Mallet Holder 2 Pair $18.00 $13.50 Manhow VIRFL1 262490 Stick Tape-WHITE $6.95 $5.50 Manhow VIRFL2 262491 Stick Tape-BLACK $6.95 $5.50 page 3 BRAND DESCRIPTION SIZE OPTIONS WEST MUSIC PRICE QTY TOTAL BASS DRUM HEADS Remo PowerMax White, Single Ply 14”-32” $37.36 - $73.60 Remo PowerMax 2 White 2 Ply 14”-32” $41.30 - $73.60 Remo PowerMax Black Suede 14”-32” $41.30 - $79.50 Remo PowerMax Ebony 14”-32” $41.30 - $79.50 Evans MX1 White 14”-32” $39.00 - $81.70 Evans Mx1 Black 14”-32” $43.15 - $91.95 Evans MX2 White 2 Ply 14”-32” $44.30 - $86.25 Evans MX2 Black 2 Ply 14”-32” $49.64 - $91.95 School District: School Building: Subtotal: Po #: Check #: Cash Sales Tax*: Name: Grand Total: *Please add local sales tax Address: on personal orders City State Zip Code Phone #: Email: 1212 5th Street • Coralville, IA 52241 • 319-351-2000 • 800-373-2000 • westmusic.com page 4.
Recommended publications
  • A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Gworek University of Connecticut - Storrs, [email protected]
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-7-2017 A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Gworek University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Gworek, Nathaniel, "A Study of Percussion Pedagogical Texts and a Percussion Primer" (2017). Doctoral Dissertations. 1388. https://opencommons.uconn.edu/dissertations/1388 A Study of Percussion Pedagogical Texts and a Percussion Primer Nathaniel Richard Gworek, DMA University of Connecticut, 2017 My dissertation project is in two parts; the first part examines and evaluates percussion pedagogical literature from the past century, while the second is a percussion primer of my own authorship. The primer, which assumes a basic knowledge of standard musical notation, provide a structured system of teaching and learning percussion technique; it is supplemented with videos to utilize current technology as an educational resource. Many percussion method books have a narrow focus on only one instrument. There are few comprehensive resources that address the entire family of instruments, but they generally cater to a college level audience. My research focuses on the layout of the comprehensive resources while utilizing the narrow sources to inform my exercises. This research helped me find a middle ground, providing the technical development of the narrow focus resources while covering the breadth of topics in the comprehensive resources. This, in turn, help me develop an informationally inclusive yet concise resource for instructors and for students of all ages. My primer contain lessons on snare drum, timpani, and mallet percussion, and complementary instruments, such as bass drum, triangle, and cymbals.
    [Show full text]
  • Thesis- Pedagogical Concepts for Marching Percussion
    PEDAGOGICAL CONCEPTS 1 Running head: PEDAGOGICAL CONCEPTS PEDAGOGICAL CONCEPTS FOR MARCHING PERCUSSION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC EDUCATION: STUDIO PEDAGOGY EMPHASIS THOMAS JOHN FORD UNIVERSITY OF WISCONSIN-STEVENS POINT MAY, 2019 PEDAGOGICAL CONCEPTS 2 Abstract This document serves as a guide for recent music education graduates who are put in the position of having to teach marching percussion to students who have joined the marching band, specifically in the drumline. To have a well-rounded understanding of the drumline, teachers will need to know the instruments of the drumline, and the associated sticks and mallets. This document also discusses pedagogical concepts for all of the instruments, including playing techniques required to achieve a balanced sound throughout the ensemble, and how to properly care for marching percussion equipment. Keywords: marching percussion, drumline, battery, snare drums, tenor drums, bass drums, crash cymbals PEDAGOGICAL CONCEPTS 3 Table of Contents Abstract 2 Acknowledgements 5 List of Figures 8 Introduction 9 Chapter I: Marching Percussion Equipment 12 Snare Drums 12 Tenor Drums 14 Bass Drums 16 Crash Cymbals 17 Other Equipment 18 Chapter II: Pedagogical Concepts for Marching Percussion 21 Posture 21 Playing Positions 21 Grips and General Playing Techniques 25 Stroke Types and Dynamics 31 The Exercise and Technical Development Program 32 Timing Strategies 37 Chapter III: Marching Percussion Care and Maintenance 39 Changing and Replacing Heads 39 Repairing Broken and Loose Drum Equipment 40 Cymbal Straps 42 Cleaning and Storing Equipment 43 PEDAGOGICAL CONCEPTS 4 Conclusion 45 References 46 Appendix A 49 PEDAGOGICAL CONCEPTS 5 ACKNOWLEDGEMENTS There are so many people who I want and am obligated to thank for helping me in this whole process of graduate school and writing my thesis.
    [Show full text]
  • Faculty Biographies Division Coordinators and Educational Consultants
    2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions.
    [Show full text]
  • Good Afternoon, the 2018/2019 Indoor Drumline Season Is Just
    Good Afternoon, The 2018/2019 Indoor Drumline season is just around the corner and an interest meeting will be held on Tuesday, October 30th at 7:00pm in the Yorktown High School Band Room. If you are interested, but cannot attend that meeting time, send an email to let the director know that you are considering participating in the 2018/2019 season. The meeting will last no more than 45-60 minutes and staff will cover the schedule, expectations, goals, clinics/auditions, and will answer as many questions as you can think to ask! What is Indoor Drumline? Indoor Drumline combines elements of music performance, marching, and theater: Students work together to perform highly advanced percussion arrangements in coordination with choreographed drill on a customized floor covering. They then compete in gymnasiums with other performing groups. The Yorktown Indoor Percussion ensemble is a 25-40 member, extra-curricular, competitive percussion ensemble. The group consists of the marching percussion section and front ensemble section of a marching band or concert setting. Yorktown competes in the Atlantic Indoor Association (AIA) circuit that includes ensembles from Virginia, Maryland, and North Carolina, and the Winter Guard International (WGI) circuit that includes ensembles from all over the world. Is percussion experience necessary? No, percussion experience is not necessary; however, instrumental music experience is. Non- percussionists are invited to be a part of the ensemble. The staff is looking for students with good attitudes, and openness to learning and trying new things. Is marching experience necessary? No. Marching experience is not necessary to be a part of the ensemble; however, marching experience is necessary to be considered for the marching component of the ensemble (the battery section).
    [Show full text]
  • Krissy Bergmark Tabla, Composition, Percussion
    Krissy Bergmark Tabla, Composition, Percussion [email protected] www.krissybergmark.com 1730 Graham Ave, Apt 346, St. Paul, MN 55116 Tel 708.466.4424 Education Master of Music - University of Minnesota in Minneapolis, MN. 2012 Bachelor of Music - Northern Illinois University in DeKalb, IL. 2010 Awards and Distinctions Minnesota State Arts Board Artist Initiative Grant Recipient, 2018. Funding to compose and produce an album of original works featuring tabla in a modern acoustic instrumental setting. Minneapolis, MN. International Workshop for Jazz and Creative Music Participant, 2018. Banff Centre for Arts and Creativity in Banff, Alberta, Canada. Cedar Commissions Recipient - Cedar Cultural Center, 2016. Project to compose piece for dancer, tabla, guitar, cello, and fiddle through “conversational composition” with dancer and choreographer Lauren Baker. Premiered at the Cedar Cultural Center in Feb.2017. Minneapolis, MN. 2016 Metropolitan Regional Arts Council’s Next Step Grant Recipient, 2016. Funding to travel for continued study with Master Tabla Player Pandit Yogesh Samsi and to compose for Matra in Mumbai, India. Minnesota Percussive Arts Society Chapter Vice President. 2016 - present Responsibilities include holding chapter meetings, organizing a state-wide Day of Percussion, fundraising and management of funds. Silkroad’s Global Musician Workshop Participant, 2016. DePauw University in Greencastle, Indiana. Jerome Foundation Travel and Study Grant Recipient, 2015. Funding for travel to continue studies with Master Tabla Player Pandit Yogesh Samsi and compose for Matra in Mumbai, India. Minnesota Public Radio Class Notes Artist, 2015, 2017. With Matra in St. Paul, MN. Undergraduate Special Opportunities in Artistry and Research Grant Recipient, 2009. Funding from Northern Illinois University to travel and study North Indian tabla drumming with Master Tabla Player Pandit Yogesh Samsi in Mumbai, India.
    [Show full text]
  • Basic Snare Drum Technique by Thom Hannum
    Basic Snare Drum Technique By Thom Hannum There are a number of effective methods for learning basic snare drum technique. So be open to suggestions and seek a teacher to help guide you through the fundamentals. Below are some guidelines to get you started. Have fun! Stand Assembly and Instrument Position 1. Spread the base of the stand far enough to create a stable platform. 2. Insert the top into the base of the stand. 3. Place the drum into the basket while avoiding contact with the snare strainer. 4. The drum should be at about waist level and slightly angled for your comfort. 5. Tighten all stand wing nuts. Step 1 Step 2 Step 3 Step 4 Step 5 Tuning and Stick Selection Now it’s time to tune the drum for the best possible sound. I recommend following the steps outlined in Tom Freer’s Pearl article, Basic Snare Drum Tuning, which can be found at Pearl’s website (www.pearldrum.com). Have your teacher help select snare sticks that work for you. Something equivalent to a 2B or a 5B usually works fine. The balance point is 1/3 of the way up from the butt end of the stick. Grip the stick near this point for the best response and bounce. Grip Guidelines and Posture Learning to hold the sticks properly is essential for improving technique. Use the photos as a guide and make sure to memorize the feel of the following guidelines: #1 Fulcrum (thumb and first two fingers), #2 Finger contact (comfortably wrap all fingers around the stick; not too tight), #3 Bead placement (as close together as possible for an even sound) and then striking area (center of the drum head), #4 Wrist motion (down position and up position).
    [Show full text]
  • Curriculum Vitae
    Dr. Bradley Edward Meyer __________________________________________________ EDUCATION University of Kentucky, Lexington, KY Doctor of Musical Arts Degree in Percussion Performance, May 2011 - with a certificate in Music Theory Pedagogy Dissertation Topic: “Six Japanese Gardens and Trois Rivières: Delta An Analysis of Kaija Saariaho’s Two Major Works for Solo Percussion and Electronics” Primary Instructors: James Campbell, Dr. Donna Kwon, John Willmarth University of South Carolina, Columbia, SC Masters of Music Degree in Percussion Performance, May 2008 Primary Instructors: Dr. Scott Herring, Jim Hall University of Kentucky, Lexington, KY (Summa Cumm Laude) Bachelor of Music Degree in Percussion Performance, May 2006 Primary Instructors: James Campbell, Dr. Andrew Bliss, Dr. Erin Walker, Dr. Julie Hill, John Wilmarth, Dr. Robert Parks Additional Study: Gifford Howarth (mallet specialist), Dr. K. H. Han (world music), Michael Spiro (Afro-Cuban percussion), Neil Larrivee (mallet specialist), Thom Aungst (marching percussion), Jamie Eckert (marching percussion), Jason Inhat (marching percussion), Ellis Hampton (marching percussion), Mike Greer (marching percussion), Jack Mansanger (marching percussion) PROFESSIONAL APPOINTMENTS Director of Percussion, Stephen F. Austin State University, Nacogdoches, TX, Fall 2012–Current - Percussion Ensemble Director - “Music featuring Christopher Deane” Percussion Ensemble Concert (2/25/13) - Percussion Ensemble Concert (11/6/12) - “Percussion in the Pines” Concert (12/4/12) - Steel Band Director (“Jacks of Steel”) - “Percussion in the Pines” Concert (12/4/12) - Percussion Lesson Instructor - Percussion Methods Instructor - Solo Recitals - 1/14/13 - Faculty Recitals - Dr. J.D. Salas, Tuba (2/21/13) - Dr. Geneva Fung, Piano (2/19/13) - Dr. Charles Gavin, French Horn (1/30/13) - Guest Clinicians: Christopher Deane (residency), John Best, Robert Crutchfield, Dr.
    [Show full text]
  • Marching Percussion Techniques for Prospective Band Directors
    MARCHING PERCUSSION TECHNIQUES FOR PROSPECTIVE BAND DIRECTORS: A COURSE DESIGNED FOR INSTRUMENTAL MUSIC EDUCATION MAJORS By William Kenneth Garrett, Jr. Liberty University A MASTER’S THESIS PRESENTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN MUSIC EDUCATION December 2017 1 Table of Contents TABLE OF CONTENTS.......................................................................................................... 2 ABSTRACT .............................................................................................................................. 3 CHAPTER ONE: INTRODUCTION ..................................................................................... 5 STATEMENT OF PROBLEM ........................................................................................................ 6 STATEMENT OF PURPOSE ......................................................................................................... 7 SIGNIFICANCE OF THE STUDY ................................................................................................... 7 DEFINITION OF TERMS ............................................................................................................. 8 CHAPTER TWO: LITERATURE REVIEW ......................................................................... 9 A BRIEF HISTORY OF PERCUSSION ........................................................................................... 9 CHALLENGES WITH EXISTING CURRICULUM DESIGN .............................................................. 10
    [Show full text]
  • Junior Drumline Lead Instructor: Les Schaeffer
    Junior Drumline Lead Instructor: Les Schaeffer [email protected]; 306-209-8285 Regina-based drummer, audio engineer, music producer and music educator Les Schaeffer has an extensive background as a drummer / percussionist as well as a Diploma in Professional Sound & Business with Honours from Metalworks Institute. Upon graduating from Metalworks Institute Les eventually became an assistant engineer at Metalworks Studios and other notable studios in Toronto and has since been expanding his musical talents as an active freelance audio engineer, music producer and drum tech. He has had opportunities to work on sessions with a variety of talented artists, engineers, and producers including Noah “40” Shebib (Drake), David Bottrill, Tom Cochrane, Cone McCaslin, Parkway Drive, Kim Mitchell, Kevin Shirley and Randy Bachman. Upon relocating to Regina Les continued to work out of Studio One and currently runs his own business Split Level Sound as a freelance engineer / producer offering tracking, editing, mixing and production services for clients in the Regina area. Les is an accomplished versatile drummer with a professional background of over 22 years in the Regina, Calgary, Montreal and Toronto areas. He is an experienced live and studio musician having collaborated, performed, recorded and toured with a variety of artists ranging from Juno Award winners to cruise ships and also has over 25 years of teaching experience through private instruction and large ensemble settings. Les keeps a busy schedule as an established freelance drummer and music professional in the Regina area and is also the drummer and engineer for electro / rock band Robot Hive and The New Montagues (voted best cover band in 2018).
    [Show full text]
  • Tuning Tips for Marching Percussion
    Educator Series PERCUSSION Tuning Tips for Marching Percussion Marching percussion is one of the most demanding areas of music in terms of equipment wear and tear. Because marching drums are primarily used outdoors, a well-tuned drum is necessary to allow the maximum projection of sound. Also, a conscientious schedule of regular maintenance and tuning will extend the life of each instrument. The pitches recommended in these tuning tips serve as a reference for achieving superior projection and tone quality from each Yamaha instrument. (C4 = Middle C) Find the right pitch for your drum and keep it there. Don’t get into the habit of tightening the drumhead every time you play it. The drumhead needs to be tuned, not necessarily tightened. Even though new heads require a short break-in period, modern materials are extremely resilient and tend to hold pitch longer if they are always returned to the desired pitch at every session. Stay consistent and check the drum pitch often, especially when the head is new. It is better to check the head daily and make small adjustments than it is to wait a week and make a large adjustment in tensioning. Change heads when the tone has gone “dead,” not just when you break a head. Things to Remember • Keep tension rods lubricated with lithium grease, petroleum jelly or Yamaha premium valve oil. Carefully remove exposed lubricant, as it can attract dirt and damage threads. Replace worn or lost nylon and metal washers. • Lubricating wood bearing edges with a thin coat of Yamaha paraffin or cork grease will ease high-tension tuning, and help prevent moisture from seeping into the shell.
    [Show full text]
  • Stick and Mallet Section for the Marching Percussion Ensemble by Clif Walker, Associate Director of Bands & Director of Percussion Studies – Blue Springs High School
    Stick and Mallet Section for the Marching Percussion Ensemble By Clif Walker, Associate Director of Bands & Director of Percussion Studies – Blue Springs High School There are many great stick and mallet companies in the world. At Blue Springs High School we use Innovative Percussion due to the superior variety and availability of both quality product and service. The recommendations below can easily be translated into similar products offered by different companies. I. Marching Bass Drum Mallets: A. Size/Weight: Bass drum mallets generally graduate with the size of the drum – the smaller the drum the smaller the mallet (less air to move, less needed to move that air). If you march smaller bass drums (16”, 18”, 20”, 24” for example) you may not need 4 different sizes of bass mallets due to relatively close sizes of this configuration. I have had success with the following recipe: Drum sizes 14” - 18” Innovative Percussion FBX-1 Mallets Drum sizes 20”, 22” Innovative Percussion FBX-2 Mallets Drum sizes 24”, 26” Innovative Percussion FBX-3 Mallets Drum sizes 28”, 30” Innovative Percussion FBX-4 Mallets Drum size “32 Innovative Percussion FBX-5 Mallets If your bass drum section is consistently staged visually backfield or you have a very large band/winds, you may want to consider larger mallets (and larger drums, and larger kids to carry them!). Keep in mind, mallets size/weight effects volume, not articulation. B. Articulation: Bass drum mallets general come in 3 degrees of articulation: 1. Wood (very hard/very articulate) –back of the felt mallet/using the handle side 2.
    [Show full text]
  • March to the Beat of a New Drum
    MARCH TO THE BEAT OF A NEW DRUM “THE MOST FAMOUS NAME ON DRUMS” RETURNS TO THE FIELD From our humble Chicago beginnings to our current Charlotte headquarters, Ludwig has spanned over 100 years of American drum manufacturing. As one of the most respected names in drums, Ludwig has captured a total of 10 Drum Corps International drum titles with Spirit of Atlanta, The Bridgemen, and The Blue Devils Drum & Bugle Corps. We’re proud to continue this excellence with the introduction of our new line of marching percussion. We’ve combined the legendary Ludwig sound with stronger and lighter materials to meet the contemporary marching ensemble’s needs. Prepare yourself for the “Ultimate” in marching percussion. The Ludwig Ultimate snare drum takes the exiting LUDWIG ULTIMATE Free-Floater model to a whole new level. Designed to meet today’s marching demands, the Ultimate snare drum allows the player to achieve clean and crisp articulations with minimal weight. The secret is in the SNARE lightweight aluminum hardware that secures the heads, allowing the thick 8-ply Maple shell to be completely suspended for exceptional projection and resonance. FINISHES Stock black (B), white (W), and silver (S) laminate finishes are integrated into the shell molding process, making them the most durable finish on the market. Custom lacquer finishes available via special order. LUMS14PB 12x14” LUMS14PW 12x14” LUMS14PS 12x14” SNARE SNARE GUT 16 individually adjustable and removable snare guts allow for a customized sound. SNARE GUARD Stabilizing steel snare guards protect the snare unit while supplying safe and balanced support. WEIGHT 8-ply shell and lightweight frame combine for a total weight of only 15.6 lbs.
    [Show full text]