Abjection, Love Bonds, and the Queering of Race by Seulghee Lee
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Dead Space 2: the Sublime, Uncanny and Abject in Survival Horror Games
Dead Space 2: The Sublime, Uncanny and Abject in Survival Horror Games Garth Mc Intosh 404209 Master of Arts by Course Work in Digital Animation 18 February 2015 Supervisor: Hanli Geyser ` 1 Figure 1. Visceral Games, Dead Space II, game cover, 2011. Copyright U.S.A. Electronic Arts. ` 2 Table of Contents INTRODUCTION ................................................................................................................................. 4 HORROR GENRE................................................................................................................................................ 5 ‘DEAD SPACE 2’ ................................................................................................................................................ 6 METHODOLOGY & STRUCTURE ...................................................................................................................... 8 CLARIFICATION OF TERMS .............................................................................................................................. 9 CHAPTER 1 SUBLIME WITHIN NARRATIVE AND MIS-EN-SCENE ....................................10 THE MARKER AND GOYA .............................................................................................................................. 11 AWAKING TO A NIGHTMARE ........................................................................................................................ 13 THE SUBLIME ................................................................................................................................................ -
Your Abjection Is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-In-Différance
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 6-2017 Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in-Différance Ricardo R. Ramirez California State University - San Bernardino Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Digital Humanities Commons, Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Recommended Citation Ramirez, Ricardo R., "Your Abjection is in Another Castle: Julia Kristeva, Gamer Theory, and Identities-in- Différance" (2017). Electronic Theses, Projects, and Dissertations. 560. https://scholarworks.lib.csusb.edu/etd/560 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Ricardo Rodriguez Ramirez June 2017 YOUR ABJECTION IS IN ANOTHER CASTLE: JULIA KRISTEVA, GAMER THEORY, AND IDENTITIES-IN-DIFFÉRANCE A Thesis Presented to the Faculty of California State University, San Bernardino by Ricardo Rodriguez Ramirez June 2016 Approved by: Dr. Jacqueline Rhodes, Committee Member Dr. Chad Luck, Committee Member © 2016 Ricardo Rodriguez Ramirez ABSTRACT Typified rhetorical situations are often a result of normalized ideologies within cultures; however, they also have the capability to produce new ideology. -
The Dialectic of Freedom 1St Edition Pdf Free Download
THE DIALECTIC OF FREEDOM 1ST EDITION PDF, EPUB, EBOOK Maxine Greene | 9780807728970 | | | | | The Dialectic of Freedom 1st edition PDF Book She examines the ways in which the disenfranchised have historically understood and acted on their freedom—or lack of it—in dealing with perceived and real obstacles to expression and empowerment. It offers readers a critical opportunity to reflect on our continuing ideological struggles by examining popular books that have made a difference in educational discourse. Professors: Request an Exam Copy. Major works. Max Horkheimer Theodor W. The latter democratically makes everyone equally into listeners, in order to expose them in authoritarian fashion to the same programs put out by different stations. American Paradox American Quest. Instead the conscious decision of the managing directors executes as results which are more obligatory than the blindest price-mechanisms the old law of value and hence the destiny of capitalism. Forgot your password? There have been two English translations: the first by John Cumming New York: Herder and Herder , ; and a more recent translation, based on the definitive text from Horkheimer's collected works, by Edmund Jephcott Stanford: Stanford University Press, Learn how to enable JavaScript on your browser. Peter Lang. The truth that they are nothing but business is used as an ideology to legitimize the trash they intentionally produce. Archetypal literary criticism New historicism Technocriticism. The author concludes with suggestions for approaches to teaching and learning that can provoke both educators and students to take initiatives, to transcend limits, and to pursue freedom—not in solitude, but in reciprocity with others, not in privacy, but in a public space. -
10753820.Pdf
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Outside of a Logocentric Discourse? The Case of (Post)modern Czech “Women’s” Writing Jan Matonoha Degree: MPhil Form of Study: Research Department of Slavonic Studies School of Modern Languages and Cultures University of Glasgow May 2007 © Jan Matonoha, 2007 ProQuest Number: 10753820 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10753820 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. -
Jean Genet and Subaltern Socialities by Kadji Amin Department Of
Agencies of Abjection: Jean Genet and Subaltern Socialities by Kadji Amin Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Marc Schachter, Co-Supervisor ___________________________ Michèle Longino, Co-Supervisor ___________________________ Robyn Wiegman ___________________________ Francisco-J. Hernández Adrián Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2009 ABSTRACT Agencies of Abjection: Jean Genet and Subaltern Socialities by Kadji Amin Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Marc Schachter, Co-Supervisor ___________________________ Michèle Longino, Co-Supervisor ___________________________ Robyn Wiegman ___________________________ Francisco-J. Hernández Adrián An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2009 Copyright by Kadji Amin 2009 Abstract This dissertation explores the concept of agential abjection through Jean Genet’s involvement with and writings about the struggles of disenfranchised and pathologized peoples. Following Julia Kristeva, Judith Butler has argued that modern subjectivity requires the production of a domain of abjected beings denied subjecthood and forced to live "unlivable" lives. "Agencies of Abjection" brings these feminist theories of abjection to bear on multiple coordinates of social difference by exploring forms of abjection linked to sexuality, criminality, colonialism, and racialization. Situating Genet within an archive that includes the writings of former inmates of penal colonies, Francophone intellectuals, and Black Panther Party members, I analyze both the historical forces that produce abjection and the collective forms of agency that emerge from subaltern social forms. -
ABJECT Performances AESTHETIC STRATEGIES in LATINO CULTURAL PRODUCTION
ABJECT performances AESTHETIC STRATEGIES IN LATINO CULTURAL PRODUCTION Leticia Alvarado ABJECT performances Dissident Acts A series edited by Macarena Gomez- Barris and Diana Taylor ABJECT performances AESTHETIC STRATEGIES IN LATINO CULTURAL PRODUCTION LETICIA ALVARADO Duke University Press / Durham and London / 2018 © 2018 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Heather Hensley Typeset in Scala Pro by Copperline Book Services, Inc. Library of Congress Cataloging- in- Publication Data Names: Alvarado, Leticia, [date] author. Title: Abject performances : aesthetic strategies in Latino cultural production / Leticia Alvarado. Description: Durham : Duke University Press, 2018. | Series: Dissident acts | Includes bibliographical references and index. Identifiers: lccn 2017045246 (print) | lccn 2017051045 (ebook) isbn 9780822371939 (ebook) isbn 9780822370635 (hardcover : alk. paper) isbn 9780822370789 (pbk. : alk. paper) Subjects: lcsh: Hispanic American mass media—Social aspects. | Hispanic American arts—Social aspects. | Hispanic Americans and mass media. | Mass media and culture. Classification: lcc p94.5.h58 (ebook) | lcc p94.5.h58 A48 2018 (print) | ddc 302.2308968/073—dc23 lc record available at https://lccn.loc.gov/2017045246 Cover art: Xandra Ibarra with Sophia Wang, Untitled (skins), 2015–2016. Performance documentation. Photograph by Robbie Sweeny. For the only people I ever want to see on purpose: Sydney, Lu, and Mika. And also for JEM. Love, a Hologram. Contents ix Acknowledgments 1 Introduction Sublime Abjection 25 Chapter 1 Other Desires: Ana Mendieta’s Abject Imaginings 57 Chapter 2 Phantom Assholes: Asco’s Affective Vortex 89 Chapter 3 Of Betties Decorous and Abject: Ugly Betty’s America la fea and Nao Bustamante’s America la bella 131 Chapter 4 Arriving at Apostasy: Performative Testimonies of Ambivalent Belonging 161 Conclusion Abject Embodiment 167 Notes 193 Bibliography 209 Index Acknowledgments i am humbled by the amount of support that brought this book to fruition. -
Colonialism Postcolonialism
SECOND EDITION Colonialism/Postcolonialism is both a crystal-clear and authoritative introduction to the field and a cogently-argued defence of the field’s radical potential. It’s exactly the sort of book teachers want their stu- dents to read. Peter Hulme, Department of Literature, Film and Theatre Studies, University of Essex Loomba is a keen and canny critic of ever-shifting geopolitical reali- ties, and Colonialism/Postcolonialism remains a primer for the aca- demic and common reader alike. Antoinette Burton, Department of History, University of Illinois It is rare to come across a book that can engage both student and specialist. Loomba simultaneously maps a field and contributes provocatively to key debates within it. Situated comparatively across disciplines and cultural contexts, this book is essential reading for anyone with an interest in postcolonial studies. Priyamvada Gopal, Faculty of English, Cambridge University Colonialism/Postcolonialism moves adroitly between the general and the particular, the conceptual and the contextual, the local and the global, and between texts and material processes. Distrustful of established and self-perpetuating assumptions, foci and canonical texts which threaten to fossilize postcolonial studies as a discipline, Loomba’s magisterial study raises many crucial issues pertaining to social structure and identity; engaging with different modes of theory and social explanation in the process. There is no doubt that this book remains the best general introduction to the field. Kelwyn Sole, English Department, University of Cape Town Lucid and incisive this is a wonderful introduction to the contentious yet vibrant field of post-colonial studies. With consummate ease Loomba maps the field, unravels the many strands of the debate and provides a considered critique. -
OF the POSTHUMAN SUBJECT, ABJECTION, and the BREACH in MIND/BODY DUALISM John Perham John Perham, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSUSB ScholarWorks California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of Graduate Studies 3-2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM John Perham John Perham, [email protected] Follow this and additional works at: http://scholarworks.lib.csusb.edu/etd Part of the Other English Language and Literature Commons Recommended Citation Perham, John, "SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM" (2016). Electronic Theses, Projects, and Dissertations. Paper 268. This Thesis is brought to you for free and open access by the Office of Graduate Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition: English Composition and English Literature by John Perham March 2016 SCIENCEFRICTION: OF THE POSTHUMAN SUBJECT, ABJECTION, AND THE BREACH IN MIND/BODY DUALISM A Thesis Presented to the Faculty of California State University, San Bernardino by John Perham March 2016 Approved by: Dr. Jacqueline Rhodes, Committee Chair, English Dr. Caroline Vickers, Committee Member Sunny Hyon, Department Chair © 2016 John Perham ABSTRACT This thesis investigates the multiple readings that arise when the division between the biological and technological is interrupted--here abjection is key because the binary between abjection and gadgetry gives multiple meanings to other binaries, including male/female. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance. -
Abjection, the Abject
abjection/the abject A term used by Julia Kristeva to designate that which upsets, disturbs, or undermines some established order or stable position. It does so because it is in in between what we ordinarily take to be absolute opposites (for example, life and death, or the human and the mechanical). A number of English words are derived from the Latin jacere, "to throw." Some of these words (subject, object, and abject) are important for semiotics. Etymologically, the subject (sub = under) is that which is thrown under, or subjected to, some process; the object (ob = against) is that which throws itself against, or resists, another; and the abject is that which is thrown off, away, or from. The abject is neither subject nor object; rather, it is something that "disturbs identities, systems and orders. Something that does not respect limits, positions, rules. The in- between, the ambiguous, the mixed up" (Kristeva). A corpse is an example of the abject, for it is neither human nor nonhuman—it is in between and mixed up. A mother's body is for a child something abject, something both belonging to and not belonging to the child. The abject is, according to Kristeva, a key factor in the formation of subjectivity (or the "l"). Early in the process of forming an identity (a process involving a transition from the pre-Oedipal semiotic level to the symbolic level), the abject contributes to the child's separation from the mother. But the formation of identity is a continuous process in which the semiotic dimension of subjectivity and language often disrupts the symbolic order. -
The Abjection of Performance in Lessing's Dramaturgy
theatre research international · vol. 30 | no. 1 | pp19–35 C International Federation for Theatre Research 2004 · Printed in the United Kingdom DOI:10.1017/S0307883304000847 Of Textual Bodies and Actual Bodies: the Abjection of Performance in Lessing’s Dramaturgy karen jurs-munby¨ Proceeding from the observation that Gotthold Ephraim Lessing’s famous Hamburgische Dramaturgie (Hamburg Dramaturgy) soon abandons the analysis of actual performances in favour of a discussion of character, the article explores Lessing’s problematic relationship with the performing body, situating it in the context of an increasingly textual culture. It shows the implications of this move in terms of gender prescriptions before discussing Lessing’s ‘disgust’ with a particular performance of his Emilia Galotti. Reading this example with Lessing’s treatise Laokoon and drawing on Julia Kristeva’s theory of abjection, it argues that Lessing’s struggle with the performers reveals a profound crisis in subject formation in the sense that the disturbing corporality of the performing body is always threatening sympathetic identification. The article concludes that the Dramaturgie itself constitutes an ‘abjection’ of performance. A postscript opens up the view onto the contemporary relevance and refiguration of Lessing’s Laokoon in the Laokoon Festival in Hamburg. The eighteenth-century dramatist, critic, translator and aesthetic theorist Gotthold Ephraim Lessing sits comfortably enthroned on a pedestal in one of the main squares, the Gansemarkt,¨ in Hamburg (Fig. 1). This monument to him is the only reminder of a barn-like theatre that once stood here and of the short-lived enterprise of the ‘Hamburgische Nationaltheater’ (Hamburg National Theatre) from 1767 to 1769,which was the first ‘standing’ (i.e. -
Adorno's Dialectical Realism
ADORNO’S DIALECTICAL REALISM Linda Martín Alcoff (Hunter College/CUNY Graduate Center) Alireza Shomali (Wheaton College, Massachusetts) The idea that Adorno should be read as a “realist” of any sort may in- deed sound odd. And unpacking from Adorno’s elusive prose a credible and useful normative reconstruction of epistemology and metaphysics will take some work. But we argue that he should be added to the grow- ing group of epistemologists and metaphysicians who have been devel- oping post-positivist versions of realism such as contextual, internal, pragmatic and critical realisms. These latter realisms, however, while helpfully showing how realism can coexist with ontological pluralism, for example, as well as a highly contextualised account of knowledge, have not developed a political reflexivity about how the object of knowledge—the real—is constructed. As a field, then, post-positivist realisms have been politically naïve, which is perhaps why they have not enjoyed more influence among Continental philosophers. Introduction Bruno Latour has recently called for a reconstructive moment in the cri- tiques of science and truth.1 Rather than repeatedly calling out the prob- lems with truth concepts, or critiquing the strategic context within which regimes of truth are produced, Latour argues that the discursive moment in which we find ourselves today requires an ability to make and defend truth claims. Surely he is right that much hangs in the balance concerning ongoing debates about issues such as global warming, the etiology of HIV/AIDS, the cause of the economic collapse, the nature of gender dif- ferences. Surely we can mark out better and worse candidates for truth in regard to these debates, even if capital “T” truth remains fallible.