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Solidarity Statement Against Police Brutality at Jamia Millia Islamia University and Aligarh Muslim University
Solidarity Statement Against Police Brutality at Jamia Millia Islamia University and Aligarh Muslim University We, the undersigned, condemn in the strongest possible terms the police brutality in Jamia Millia Islamia University, New Delhi, and the ongoing illegal siege and curfew imposed on Aligarh Muslim University, Aligarh. On 15th December 2019 Delhi police in riot-gear illegally entered the Jamia Millia campus and attacked students who are peacefully protesting the Citizenship Amendment Act. The Act bars Muslims from India’s neighboring countries from the acquisition of Indian citizenship. It contravenes the right to equality and secular citizenship enshrined in the Indian constitution. On the 15th at JMIU, police fired tear gas shells, entered hostels and attacked students studying in the library and praying in the mosque. Over 200 students have been severely injured, many who are in critical condition. Because of the blanket curfew and internet blockage imposed at AMU, we fear a similar situation of violence is unfolding, without any recourse to the press or public. The peaceful demonstration and gathering of citizens does not constitute criminal conduct. The police action in the Jamia Millia Islamia and AMU campuses is blatantly illegal under the constitution of India. We stand in unconditional solidarity with the students, faculty and staff of Jamia Millia Islamia and Aligarh Muslim University, and express our horror at this violent police and state action. With them, we affirm the right of citizens to peaceful protest and the autonomy of the university as a non-militarized space for freedom of thought and expression. The brutalization of students and the attack on universities is against the fundamental norms of a democratic society. -
Reading the Authentic in South Asian Diasporic Literature and Community
Between History and Identity: Reading the Authentic in South Asian Diasporic Literature and Community by Tamara Ayesha Bhalla A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2008 Doctoral Committee: Associate Professor Maria Sarita See, Chair Professor June M. Howard Professor Sidonie A. Smith Assistant Professor Christi A. Merrill Assistant Professor Megan L. Sweeney © Tamara Ayesha Bhalla 2008 Dedication To My Family (old and new) ii Acknowledgements One of the foundational pursuits of this dissertation has been to theorize how the act of reading, often considered a solitary pursuit, is in fact a communal and group-based activity. In completing the project, I have learned that the vexing and apparently solitary process of writing can be eased by interaction, feedback, and dialogue. And I consider myself extremely fortunate to have been accompanied by a number of thoughtful readers and fellow writers while completing this project. Firstly, I am enormously grateful to readers in the NetSAP-D.C. book club for welcoming me into the group (and often into their homes), for participating in my study, and for encouraging me to question my assumptions about reading and the role of the literary critic. I am particularly fortunate to have had a committee of scholars with quite diverse perspectives oversee and guide the development of this project. Megan Sweeney, who graciously agreed to join my committee very shortly after arriving at Michigan, provided indispensable advice on how to incorporate qualitative research methods into a literature project. -
By Amitava Kumar Estare Alston '90 “Living in Two Worlds”
Nonprofit Org. US POSTAGE PAID Winter 2012018-196-17 Permit No. 259 Newburgh, NY Address Service Requested OakNEWSLETTER FROM OAKWOOD FRIENDS SCHOOL • CELEBRATINGLeaves OVER 200 YEARS OF FRIENDS EDUCATION IN THE HUDSON VALLEY “A Human Writes Human Rights: Estare Alston ’90 A Novelist’s Report” By Amitava Kumar “Living in Two Worlds” promote social justice. Kumar will present: “A Hu- man Writes Human Rights: A Novelist’s Report.” Amitava Kumar was born in Ara, India, and grew up in the nearby town of Patna, famous for its corruption, crushing poverty and deli- cious mangoes. He is the author of several books of nonfiction and two novels. His prize- winning book A Foreigner Carrying in the Crook of His Arm a Tiny Bomb (2010) was described by The New York Times as a “perceptive and soulful … meditation on the global war on ter- ror and its cultural and human repercussions.” His latest book, Immigrant, Montana: A Nov- el (2018) was included in the list of notable Visit us at www.oakwoodfriends.org books of the year by The New York Times. Kumar is the Helen D. Lockwood Professor of English at Vassar College and has been honored with residencies at Yaddo and The Norman Mail- Estare Alston, class of 1990, mesmerized our 16 Winter 2012018-196-17 NEWSLETTER FOR ALUMNI AND MEMBERS OF THE OAKWOOD FRIENDS COMMUNITY er Center. He also has been awarded a Guggen- school community with her powerful talk heim Fellowship as well as a Ford Fellowship in about “Living in Two Worlds” presented dur- Literature from United States Artists. -
Indian Novel in the 21St Century
The Indian Novel in the 21st Century Oxford Research Encyclopedia of Literature The Indian Novel in the 21st Century Amardeep Singh Subject: Fiction, Novelists, and Prose Writers, Literary Studies (20th Century Onward), Postcolonial Literature and Studies Online Publication Date: Feb 2018 DOI: 10.1093/acrefore/9780190201098.013.414 Summary and Keywords The Indian novel has been a vibrant and energetic expressive space in the 21st century. While the grand postcolonial gestures characteristic of the late-20th-century Indian novel have been in evidence in new novels by established authors such as Vikram Chandra, Amitav Ghosh, and Salman Rushdie, a slate of new authors has emerged in this period as well, charting a range of new novelistic modes. Some of these authors are Kiran Desai, Aravind Adiga, Githa Hariharan, Samina Ali, Karan Mahajan, and Amitava Kumar. In general, there has been a move away from ambitious literary fiction in the form of the “huge, baggy monster” that led to the publication of several monumental postcolonial novels in the 1980s and 1990s; increasingly the most dynamic and influential Indian writing uses new novelistic forms and literary styles tied to the changing landscape of India’s current contemporary social and political problems. The newer generation of authors has also eschewed the aspiration to represent the entirety of life in modern India, and instead aimed to explore much more limited regional and cultural narrative frameworks. If a novel like Rushdie’s Midnight’s Children (1981) took its protagonist all over the Indian subcontinent and indexed a large number of important historical controversies in the interest of broad representation, Padma Viswnanathan’s The Toss of a Lemon (2008) limits itself to a focus on a single Tamil Brahmin family’s orientation to issues of caste and gender, and remains effectively local to Tamil Nadu. -
Program 2019
1 Festival Executive Directors’ Notes Producer Director & Advisor Sanjoy K. Roy Jessie Friedman & Jules Levinson Art and literature are two constants not One of the functions of art is to give people bound by political boundaries. They have a the words to know their own experience… universality within them that encourages us to absorb an idea, explore its differences, Storytelling is a tool for knowing who we are and appreciate its inherent diversity. and what we want. -Ursula K. Le Guin As societies and their people increasingly Namita Gokhale William Dalrymple find themselves connected through time, Literature festivals are burgeoning It is a joy to return to the beautiful Boulder The ZEE Jaipur Literature Festival is a unique space and geographies, an inverse effect throughout the United States and all over Public Library beside the whispering creek celebration of writing that has grown into proliferates making nations and their the world. We’ve marveled at the magnetism for what is perhaps my favorite festival something bigger and more wonderful than governments build firewalls to keep out that creates intensely fierce passion for and in the world. We gather to celebrate the anything we could ever have hoped for when those who do not belong. It is imperative dedication to this phenomenon, one that arts, to listen in to writers and thinkers, we first conceived this festival more than a therefore in our divisive times to create has taken many by surprise. It would seem and to investigate and interrogate our ever decade ago. We are as surprised as we are energetic platforms that allow the exchange that people do indeed yearn to engage in changing world. -
Asian Arts Ideas Forum
Jas Ahluwalia Amit Chaudhuri Siddhartha Deb Du Yun Amitav Ghosh Ha Jin Meena Kandasamy Amitava Kumar Dave Liang Andrea Lingenfelter Christopher Lydon Suketu Mehta Sharmistha Mohanty Murong Xuecun Ashis Nandy Emily Parker Qian Yi Orville Schell Allan Sealy Gingger Shankar Shen Shuang Jonathan Spence Su Tong Tan Chung Xu Xiaobin Yu Hua Zha Jianying Zhang Le L RA GU AU IN ASIAN ARTS IDEAS FORUM The Chindia Dialogues are co-sponsored by Asia Society’s Center for U.S.-China Relations, the Asian American Writers’ Workshop, and the India China Institute at the New School University in New York. Major Support provided by the National Endowment for the Arts, Aashish & Dinny Devitre, Dr. Indu & Mridul Pathak, The Armand G. Erpf Fund, Ellen Bayard Weedon Foundation, Arthur Loeb Foundation, China Energy Fund Committee, and other generous Asia Society supporters. Welcome Asia Society warmly welcomes you to the inaugural Asian Arts and Ideas Forum. This global initiative will convene leading Asian and American writers, thinkers, artists and performers across the Society’s network of eleven centers in the U.S. and Asia for engaging and innovative explorations of the most important issues facing an increasingly interdependent and Asia-centric world. For the inaugural Asian Arts & Ideas Forum, the ‘Chindia’ Dialogues brings to New York a group of writers, artists and performers from China and India to explore the role that literature and the arts have played, and continue to play, in the shared values and interests that link Asia’s two most populous nations to one another and to the rest of the world. -
Bookchums at Jaipur Literature Festival 2012
Jan 31, 2012 18:59 IST BookChums at Jaipur Literature Festival 2012 The five-day literary event of the year, the Jaipur Literature Festival 2012 was a mix of intellect, witty one-liners and saw writers from various parts of India and the world. It was as if universes of writers from every possible field were present at Diggi Palace. BookChums representatives interacted with various authors, poets and other luminaries of the literary world. BookChums was omnipresent at the book signing area and also at the various sessions that were held during the period of the five days. There were poetry readings, intense discussions and the looming image of one particular absentee – a certain Salman Rushdie. "No one has a right to ban literature. Just as a writer has a right to write, the reader has a right to read, "Purushottam Agarwal made his point at the inauguration. The Oprah Winfrey session and the final day session on the Salman Rushdie issue were the main standouts for us. There was so much to imbibe, that BookChums finds itself rich and content as an audience at the end of the fest. The inaugural session started with poetry readings from translations of Kabir and Tukaram. There was a session on little magazines, whose editors talked about casting aside the commercial aspect in order to ensure more freedom of expression in the magazines. Ashok Chakradhar’s humorous and satirical Hindi poetry dazzled audiences and so did Gulzar’s rendition of his latest poems. Pakistani writer Mohammed Hanif was an audience favourite with his witty one-liners, through all the five days, at various sessions.