Veiled Threats
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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Islamophobia Monitoring Month: December 2020
ORGANIZATION OF ISLAMIC COOPERATION Political Affairs Department Islamophobia Observatory Islamophobia Monitoring Month: December 2020 OIC Islamophobia Observatory Issue: December 2020 Islamophobia Status (DEC 20) Manifestation Positive Developments 9 8 7 6 5 4 3 2 1 0 Asia Australia Europe International North America Organizations Manifestations Per Type/Continent (DEC 20) 9 8 7 Count of Discrimination 6 Count of Verbal & Physical Assault 5 Count of Hate Speech Count of Online Hate 4 Count of Hijab Incidents 3 Count of Mosque Incidents 2 Count of Policy Related 1 0 Asia Australia Europe North America 1 MANIFESTATION (DEC 20) Count of Discrimination 20% Count of Policy Related 44% Count of Verbal & Physical Assault 10% Count of Hate Speech 3% Count of Online Hate Count of Mosque Count of Hijab 7% Incidents Incidents 13% 3% Count of Positive Development on Count of Positive POSITIVE DEVELOPMENT Inter-Faiths Development on (DEC 20) 6% Hijab 3% Count of Public Policy 27% Count of Counter- balances on Far- Rights 27% Count of Police Arrests 10% Count of Positive Count of Court Views on Islam Decisions and Trials 10% 17% 2 MANIFESTATIONS OF ISLAMOPHOBIA NORTH AMERICA IsP140001-USA: New FBI Hate Crimes Report Spurs U.S. Muslims, Jews to Press for NO HATE Act Passage — On November 16, the USA’s Federal Bureau of Investigation (FBI), released its annual report on hate crime statistics for 2019. According to the Muslim-Jewish Advisory Council (MJAC), the report grossly underestimated the number of hate crimes, as participation by local law enforcement agencies in the FBI's hate crime data collection system was not mandatory. -
Aug – Julie Burchill
2004/August JULIE BURCHILL– Publishing News Julie Burchill. Where exactly do you start? Opinions differ wildly - she’s been described on the one hand as ‘the Queen of English journalism’, and also as ‘the hack from hell’ - but one thing is pretty constant, she is never, ever ignored. For last almost 30 years, from her punk days on the NME to her most recent move from the Guardian to the Times, she has delighted in outraging her detractors and surprising her fans. And now? Now she’s written a teenage novel. Burchill is no stranger to the world of publishing, having produced many books, including the definitive S&F novel Ambition, plus newspaper and magazine columns and works of non-fiction, so why a teen novel? “It doesn’t do me much credit – and I’m not putting myself down – but I didn’t think the world was exactly waiting for another adult novel from me,” replies Burchill. “I had a No. 1 novel in 1989 but since then it’s been pretty much downhill. Also, inside me there’s no angst and no problems, and I think to write a great adult novel, like Graham Greene or Zoe Heller, you have to have a bit of angst inside you and I’ve reached a place in my life where I’m very happy and contented.” When she thought about attempting a teenage novel, Burchill was, she admits, delighted when she found out they were half the size of adult novels, ergo she wouldn’t have to “bang on for so long” and she also says she’d realised she hadn’t properly grown up. -
Dairy Science Park IV-2017-Konya
Proceedings of the 4th International Conference and Industrial Exhibition on Dairy Science Park November 1-5, 2017 Abstracts ISBN-978-969-422-001-7 Editors Sania Subhan Qureshi Rifat Ullah Khan M Subhan Qureshi Sher Bahadar Khan Shakoor Ahmad Qureshi Mithat Direk Venue Selçuk Üniversitesi, Konya, Turkey Co-organizer The University of Agriculture, Peshawar-25120, Pakistan Publisher Engr Irfan Ul Haq Qureshi, President, Dairy Science Park Peshawar/Konya Mobile/WhatsApp: +92 301 894 5994; Email: [email protected] Website: http://dairysciencepark.org.pk/ List of Contents Item Page Foreword 3 Editorial Committee 4 Organizing Committee 5 List of Abstracts 9 Abstracts 52 Partner Organizations 269 DSP Conference series 270 Proc Dairy Science Park IV, Nov 1-5, 2017 http://dairysciencepark.org.pk/dsp2017 2 Foreword Welcome to Konya the city of Mevlana Rumi in Turkey to participate in the Fourth International Conference and Industrial Exhibition on Dairy Science Park scheduled for 1-5 November, 2017, at Selçuk University. The event is continuation of the series held during November 2011, 2013 and 2015 at Peshawar, Pakistan. The three conferences focused on rehabilitation of the postflood Dairy Sector; Halal meat export potential of the Region and entrepreneurship based hygienic food production respectively. The fourth event of the series is being held with the theme “Achieving Food Security through Entrepreneurship Development and Biorisk Management”. Pakistan’s Khyber Pakhtunkhwa and FATA are rich in livestock resources valuing US $10 billion; however, these could neither provide good economic return to producers nor quality food to consumers because of poor management. Similar wastage of natural resources is being observed throughout the world. -
Extreme Speakers and Events: in the 2017/18 Academic Year Includes the University Extreme Speakers League Table by EMMA FOX
ExtrEmE SpEakErS and EvEntS: In thE 2017/18 acadEmIc YEar IncludES thE unIvErSItY ExtrEmE SpEakErS lEaguE tablE BY EMMA FOX DEMOCRACY | FREEDOM | HUMAN RIGHTS January 2019 Published in 2019 by The Henry Jackson Society The Henry Jackson Society Millbank Tower 21-24 Millbank London SW1P 4QP Registered charity no. 1140489 Tel: +44 (0)20 7340 4520 www.henryjacksonsociety.org © The Henry Jackson Society, 2019. All rights reserved. Title: “EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR” By Emma Fox cover Photo: credit InBLIvE, https://www.wxxinews.org/post/suny-join-study-abroad-initiative ExtrEmE SpEakErS and EvEntS: In thE 2017/18 acadEmIc YEar IncludES thE unIvErSItY ExtrEmE SpEakErS lEaguE tablE BY EMMA FOX DEMOCRACY | FREEDOM | HUMAN RIGHTS January 2019 EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR about the author Emma Fox is a Research Fellow at the Henry Jackson Sociey. She was previously the Director of Student Rights. Emma read for a BA in classical civilisation at the University of Leeds, undertaking several modules in Politics and Philosophy. Whilst at university, she was campaigns Officer for the Jewish Society, organising several interfaith and charity events. She was also involved in mental health awareness across campus and in local schools. Prior to joining the Henry Jackson Society, Emma worked as a magazine researcher at Time Inc; as a Public Affairs intern; and taught classics. She also volunteered at the calais refugee camp. 2 EXTREME SPEAkERS And EvEnTS: In THE 2017/18 AcAdEMIc YEAR Executive Summary l This report catalogues 204 events promoted to students in the academic year 2017/18 featuring speakers with a history of extreme or intolerant views, or representatives of extremist-linked organisations. -
Letters from Long ‘Un
Letters from Long ‘un Captain Robert James Henderson, MC and Bar 13th Battalion AIF 1915-1918 Bob Henderson in France, winter 1917 Compiled by David Garred Jones 1 ACKNOWLEDGEMENTS This compilation arose out of a wider study into the movements, actions and stories of the “Originals” of the 13th Australian Infantry Battalion in World War 1. Part of that work involved reviewing the hundreds of diaries and thousands of letters that had been donated to the various State libraries and the Australian War Memorial. Much of this first-hand material is now available on-line, and in some cases has been transcribed by the skilled and dedicated staff of those institutions. Amongst that wealth of material are the letters of Captain Robert James Henderson, MC and Bar, of the 13th Battalion. They encapsulate the thoughts and feelings of a man who started in 1915 as a private, saw action in Gallipoli, Fleurbaix, Pozieres, Mouquet Farm, Messines, Passchendaele and Villers-Bretonneux, rising through the ranks to Captain. Henderson’s family donated his letters, postcards, certificates, awards and other ephemera to the Australian War Memorial (“AWM”). They have been digitised and posted on line under the accession code AWM2016.30.1 through to AWM2016.30.9. I am deeply grateful to the AWM for making this valuable historical archive so readily accessible. As well as Henderson’s own photographs, I have included some relevant images from the AWM and other sources, all of which are acknowledged in the captions to the photos. I have also added, in italics, the locations from where each letter was written (if not already included in the original letter). -
FROM BLOOD LIBEL to Boycott
FROM BLOOD LIBEL TO BOYCOTT CHANGING FACES OF BRITISH ANTISEMITISM Robert Wistrich he self-congratulatory and somewhat sanitized story of Anglo-Jewry since the mid- T 17th century “return” of the Jews to Britain traditionally depicted this history as a triumphal passage from servitude to freedom or from darkness to light. Great Britain— mother of parliaments, land of religious and civic toleration, cradle of the Industrial Revolution, and possessor of a great overseas empire had graciously extended its liberties to the Jewish community which had every reason to love Britain precisely because it was British. So if things had always been so good, how could they became so bad? Why are there so many dark clouds building up on the horizon? Why is Anglo-Jewry the only important ethnic or religious minority in contemporary Britain that has to provide a permanent system of guards and surveillance for its communal institutions, schools, synagogues, and cultural centers? Antisemitism in the British Isles is certainly not a new phenomenon. It has a long history which should surprise only those who naively think of the English as being a uniquely tolerant, fair-minded, and freedom-loving nation. There were periods like the 12th century, as the historian Anthony Julius recently noted, when Anglo-Jews were being injured or murdered without pity or conscience—at times in an atmosphere of public revelry. Over 150 people were killed in March 1190 during the massacre of the Jews of York. This nasty wave of violent persecution (which included the first anti-Jewish blood libel in Christian Europe) culminated in the unceremonious expulsion of Jewry in 1290. -
John Bull University of Lincoln 'We Cannot All Be Masters, Nor All Masters/Cannot Truly Be Follow'd': Joe Orton's Holida
John Bull University of Lincoln ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Joe Orton is thought of largely as a writer for the theatre, and yet three of his plays first appeared on television: as many as first appeared on stage. In what follows I want to consider just one of these, The Erpingham Camp (1967) and, by looking at the way in which it evolved both before and after its first outing on television, to offer to both reposition this play in the oeuvre and to re-open the debate about what Orton was moving towards theatrically.1 Before considering its development, it will be useful first to reflect on the public perception of the young dramatist at the time he started to work on it. From a distance of some fifty years, and in a very different social and cultural climate, it is extremely hard to fully comprehend the kind of impact that Joe Orton’s plays had when first produced: and, concomitantly, it is just about impossible to understand the degree of hostility that they aroused in many quarters, and yet it is important to do so in order to understand how Orton dealt practically with the implications of this hostility. Nor was it confined to sections of the paying public and to newspaper critics, as reaction to the work that caused the greatest furore at the time, Loot (1964), will demonstrate. Examination of the Lord Chamberlain’s archive reveals that there was considerable internal pressure to refuse to grant it a licence at all: a reader’s report by Kyle Fletcher (8 December 1964) argued that the play 1 Work on this article has been greatly aided by research in the following archives: ‘Joe Orton Collection’, University of Leicester; ‘’Lord Chancellor’s Papers’ and ‘Peter Gill Archive’, British Library; ‘Lyndsay Anderson Archive’, University of Stirling; the British Film Institute archive. -
Apartheid Revolutionary Poem-Songs. the Cases of Roger Lucey and Mzwakhe Mbuli
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Lingue e Letterature Europee, Americane e Postcoloniali Apartheid Revolutionary Poem-Songs. The Cases of Roger Lucey and Mzwakhe Mbuli Relatore Ch. Prof. Marco Fazzini Correlatore Ch. Prof. Alessandro Scarsella Laureanda Irene Pozzobon Matricola 828267 Anno Accademico 2013 / 2014 ABSTRACT When a system of segregation tries to oppress individuals and peoples, struggle becomes an important part in order to have social and civil rights back. Revolutionary poem-songs are to be considered as part of that struggle. This dissertation aims at offering an overview on how South African poet-songwriters, in particular the white Roger Lucey and the black Mzwakhe Mbuli, composed poem-songs to fight against apartheid. A secondary purpose of this study is to show how, despite the different ethnicities of these poet-songwriters, similar themes are to be found in their literary works. In order to investigate this topic deeply, an interview with Roger Lucey was recorded and transcribed in September 2014. This work will first take into consideration poem-songs as part of a broader topic called ‘oral literature’. Secondly, it will focus on what revolutionary poem-songs are and it will report examples of poem-songs from the South African apartheid regime (1950s to 1990s). Its third part will explore both the personal and musical background of the two songwriters. Part four, then, will thematically analyse Roger Lucey and Mzwakhe Mbuli’s lyrics composed in that particular moment of history. Finally, an epilogue will show how the two songwriters’ perspectives have evolved in the post-apartheid era. -
Thank You for Downloading This Podcast of the Report. in This Edition Linda Presley Looks at Iranian Softpower in the UK
(00:0) Voiceover – Thank you for downloading this podcast of The Report. In this edition Linda Presley looks at Iranian Softpower in the UK. To find out more about the programme and other BBC podcasts visit the BBC Radio 4 website. (00:15) Men chanting and screaming (00:19) Linda Presley: The storming of the British embassy in Tehran last month brought relations between the UK and Iran to a new low. In response all Irans diplomats were expelled by the Foreign secretary William Hague. But Iran still has a presence here in Britain. (00:37) Woman 1: I think sometimes Iranian people living in the UK, they see the face of Iranian government really powerful in the UK aswell. (00:46) Linda Presley: And what about Press TV, the satellite TV channel funded by the Iranian Government? (00:51) Man 1: The people on Press TV, alot of them are sitting in London. They’re not all card carrying Islamists (00:58) Linda Presley: In the Report this week we explore the influence of Iranian organisations in the UK. Does Iran have soft power in Britain? And If so, what is it trying to do? (01:16)Linda Presley: If you want to know what the government of Iran is thinking, you probably wont do better than tuning in to Press TV on the sky satellite. And its here in a bland looking office block in Hanger Lane just off the A40 in West London that a production company called Press TV ltd is based. Press TV is a glossy English medium channel that comes under the umbrella of Irans state broadcaster. -
FOR IMMEDIATE RELEASE Charity Denounces Transphobic Article Trans Media Watch BM TMW London WC1N 3XX Transmediawatch@Googlemail
FOR IMMEDIATE RELEASE Charity Denounces Transphobic Article Trans Media Watch BM TMW London WC1N 3XX [email protected] Trans Media Watch responds to Julie Burchill article in The Observer Trans Media Watch, the charity that works to see transgender (trans) and intersex people and issues treated with accuracy, dignity and respect, expressed disappointment at the comment piece by Julie Burchill published in the Observer newspaper on 13th January 2013. The article was ostensibly written in defence of Ms Burchill’s colleague Suzanne Moore after comments made earlier in the week by individual Twitter users. Ms Burchill, however, attacked the whole trans community, using language which would be considered offensive and distressing to many trans people. Trans Media Watch has been contacted by numerous people concerned about this article. In a social context in which trans experiences are poorly understood and many trans people face social exclusion, attacks of this kind are particularly damaging. Not only can they cause acute distress to individuals, many of whom have no-one to turn to for support, but they perpetuate a climate of prejudice that makes it difficult for people to go about their daily lives without harassment. "We are saddened to see a former campaigner for social justice reduced to this kind of name calling, and still more saddened that the Observer would publish it," said Trans Media Watch chair Jennie Kermode. "It should have been quite possible for Julie Burchill to make her point in defence of Suzanne Moore without resorting to such tactics. Her article purports to challenge bullying but bullying is exactly what it is doing.