Trustees' Annual Report and Accounts 2020
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The Epidemiology of Life-Limiting Diseases in Childhood Has Been
University of Huddersfield Repository Rodriguez, Alison We are here for a good time not a long time: Being and caring for a child with a life-limiting condition Original Citation Rodriguez, Alison (2009) We are here for a good time not a long time: Being and caring for a child with a life-limiting condition. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/6963/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ‘We are here for a good time not a long time: Being and caring for a child with a life-limiting condition’ ALISON MARIE RODRIGUEZ A thesis submitted to the University of Huddersfield in partial fulfillment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield January 2009 Acknowledgements I would like to thank all of the professionals, children and parents who took part in this research, for their time, their experiences and their thoughts. -
Spring & Summer 2019
news Spring & Summer 2019 Registered Charity No. 512987 Kirkwood Hospice @KirkwoodHospice Lace up for a night to remember! Page 2 In this issue... Cooking up a storm Meeting a local hero Head Chef Matthew on creating Lifelong rugby fan Raymond bespoke food experiences for gets to know league legend our patients. Henderson Gill. 1 Our Enabling Volunteers At Kirkwood, patient care and supporting people and their families to improve quality of life is at the heart of everything we do. We focus on what is really important to each individual in order to help them remain as independent as possible. There are many ways that Finding out who those in the community choose they are, what is are many ways Kirkwood’s to volunteer their time for important to them and how Enabling Volunteers can support Kirkwood and we are proud we can best support them. We patients to ensure each individual to have a new team of Patient want each person to be seen enjoys the best quality of life Enabling Volunteers based here as an individual outside of their during their time with us. at the Hospice. condition. This team are trained to talk Whether this may be enjoying For more information or to with and listen to patients in fresh air out in our gardens, find out how to become an order to meet individual needs playing games, watching Enabling Volunteer for Kirkwood, as closely as possible and get to television, listening to music or please call us on: 01484 557900 know the person a little better. -
Remarkable Highgate Women a Joint Project Between the HLSI and Photographer Ruth Corney
Remarkable Highgate Women A joint project between the HLSI and photographer Ruth Corney This exhibition has developed from a project begun in the HLSI Archives to document the many Highgate women, aged 80 or more, who have made their mark on their community or further afield. They all deserve our notice, have done remarkable things and have lived life to the full. Working women, refugees, social activists, scientists, mothers, teachers, actors or writers – we want to know about them and to celebrate them. Hilary Laurie, HLSI I have long been fascinated by the faces of older women and have loved photographing them. Over the last 2 years, I have photographed 18 wonderful women. It has been a joy to meet them, to talk to them and to find out about their lives. I have found their positivity, resilience, vivacity, wisdom and generosity of spirit inspiring. Ruth Corney Eva Alberman Eva was born in Berlin in August 1929. When her father, a doctor, lost his job in 1933 the family left for London. Their house in Golders Green quickly became home to other family members. Eva was evacuated with a cousin to Bath to live with her father’s sister and her husband, the writer Stefan Zweig. In 1943 she was brought back home – ‘just in time for the rockets, but this didn’t worry me.’ At St Paul’s Girls’ School she took up the cello and ‘had lots of music and good friends’. She studied medicine at Newnham College, Cambridge and continued her training at the London Hospital, qualifying in 1955 with a first-class degree. -
The Old Vic Announces the Old Vic 12 Class of 2016-2017
The Old Vic announces The Old Vic 12 Class of 2016-2017 London, 5th December: Today The Old Vic announces the theatre makers behind this year’s Old Vic 12: a company of talented, developing artists looking to make the next step in their careers. The scheme offers them the opportunity to expand their networks, experience first class mentoring and receive funding to create three brand new plays as a collective. The newly announced Old Vic 12 consists of: ➔ Directors, Chelsea Walker, Lekan Lawal and Jesse Jones ➔ Producers, Molly Roberts, Tobi Kyeremateng and Aaron Rogers ➔ Playwrights, Joe White, Rebecca Crookshank and John O’Donovan ➔ Designer, Fin Redshaw ➔ Movement Director, Rachael Nanyonjo ➔ Composer, Cassie Kinoshi This Autumn, after receiving 1,300 applications and interviewing over 300 candidates, The Old Vic is thrilled to start work with these artists to nurture and unveil the work they produce. Artistic Director, Matthew Warchus said, ‘Supporting the next generation of theatre-makers is one of the most important and effective contributions to our cultural future we can make. It is also one of the most enjoyable. The Old Vic 12 sees emerging creatives engaging with people at the top of their profession across a wide range of theatrical disciplines and it's hugely inspiring to see how much all parties get from the mutual exchange of ideas. The presence of these early-career creative minds in our midst through the year is extremely energising. And it's also exciting to see the partnerships formed within the group and how these develop forward beyond The Old Vic. -
Lamda.Ac.Uk Review of the Year 1 WELCOME
REVIEW OF THE YEAR 17-18 lamda.ac.uk Review of the Year 1 WELCOME Introduction from our Chairman and Principal. This year we have been focussing on: 2017-18 has been a year of rapid development and growth for LAMDA Our students and alumni continue to be prolific across film, theatre and television • Utilising our new fully-accessible building to its maximum potential and capacity. production, both nationally and internationally; our new building enables us to deliver • Progressing our journey to become an independent Higher Education Provider with degree gold standard facilities in a fully accessible environment; and our progress towards awarding powers. registration as a world-leading Higher Education Provider continues apace. • Creating additional learning opportunities for students through new collaborations with other arts LAMDA Examinations continues to flourish with 2017/18 yielding its highest number of entrants to organisations and corporate partners. date, enabling young people across the globe to become confident and creative communicators. • Widening access to ensure that any potential student has the opportunity to enrol with LAMDA. We hope you enjoy reading about our year. • Extending our global reach through the expansion of LAMDA Examinations. Rt. Hon. Shaun Woodward Joanna Read Chairman Principal lamda.ac.uk Review of the Year 2 OUR PURPOSE Our mission is to seek out, train and empower exceptional dramatic artists and technicians of every generation, so they can make the most extraordinary impact across the world through their work. Our examinations in drama and communications inspire people to become confident, authentic communicators and discover their own voice. Our vision is to be a diverse and engaged institution in every sense, shaping the future of the dramatic arts and creative industries, and fulfilling a vital role in the continuing artistic, cultural and economic success of the UK. -
Christopher York SERENA MANTEGHI Build a Rocket Was Christopher’S Debut Serena Manteghi Is an Established Play
Stephen Joseph Theatre and Tara Finney Productions present Running time: 75 minutes (no interval) | Age guidance: 14+ (Contains some strong language and adult themes) Tell us what you thought: @thesjt | @tara_finney | #BuildARocket Christopher York SERENA MANTEGHI Build a Rocket was Christopher’s debut Serena Manteghi is an established play. After winning HighTide’s First theatre practitioner and performer, Commissions Award, the text was working extensively in new writing, developed in conjunction with HighTide, devising and physical storytelling. She is Women at RADA and the SJT. It debuted the recipient of the following awards; at the SJT in 2018, and subsequently BankSA ‘Best Theatre’ Award for won The Holden Street Award at The Eurydice Edinburgh Festival, the Adelaide Fringe Best Theatre Weekly , The Sunday Mail’s ‘Best Female Award and was named as The Sunday Mail’s Best Female Solo Performance’ for Build A Rocket, ‘Honourable Mention’ Solo Show. by Critics Circle Award for Build A Rocket and she was shortlisted for the Norman Beaton Fellowship Award in Christopher’s adaptation of The Pit and the Pendulum also 2016. premiered in 2018, set in the modern day Middle East, it scrutinised the attire laws that oppress women in those Her theatre credits include; Hamlet (Shakespeare’s Rose areas. It opened in Oxford’s Bodleian Libraries’ historical Theatre), Salty Irina (Ovalhouse), Eurydice (Holden Street Convocation House before transferring to The Omnibus in Theatres, Adelaide), Build A Rocket (Stephen Joseph Theatre/ London. Various), The Terrible Infants (Wiltons Music Hall), The Rise and His new play 212 is an Arts Council England’s supported Fall of Little Voice (Stephen Joseph Theatre), Echoes (Brits Off project. -
2015 Festival
m me LONDON london international mime festival 2015 8 > 31 january Circus Skills Age Guidance Barely Methodical Troupe Bromance Chris Lynam EricTheFred 12+ m ‘A must-see Circus Ronaldo Amortale Gecko Institute 14+ programme of Gandini Juggling 4 x 4 Knights of the Invisible Joli Vyann Stateless Black Regent 12+ me physical and Lonely Circus Fall, Fell, Fallen Theatre Ad Infinitum Light 12+ LONDON Oktobre Oktobre Trygve Wakenshaw Kraken 16+ visual theatre NoFit State Circus Noodles London International Mime Festival For people who are deaf/ 8 > 31 January 2015 work, from the Family Friendly hearing impaired UK and from Barely Methodical Troupe All shows have a visual narrative, New circus, extreme dance, physical Bromance 8+ with little or no use of text, except Mat Ricardo Showman, which imagery, fairground commedia and exotic around the Circus Ronaldo Amortale 8+ Gandini Juggling 4 x 4 8+ will have a BSL interpreted Japanese puppetry are just some of the world’ Lonely Circus Fall, Fell, Fallen 8+ performance on Wed 21 Jan and exciting and essentially wordless media Total Theatre Magazine Mat Ricardo Showman 8+ Oktobre, whose minimal text will through which the Mime Festival’s artists NoFit State Circus Noodles 4+ appear in the freesheet programme. tell their stories. Thomas Monckton/Circo Aereo Audio-described Performance The Pianist 5+ At LIMF 2015 ballet dancers collaborate Theatre Re Blind Man’s Song with Sean Gandini’s brilliant jugglers, Mime/Movement/Dance-theatre on Thu 22 Jan and Basil Twist’s sly foxes dance through Cie 111/Bory/Ito Plexus a hundred hand painted Japanese Knights of the Invisible Black Regent Peeping Tom 32 rue Vandenbranden mimelondon.com ‘dogugaeshi’ theatre screens. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
Cav and Pag Came Very Early in My Operatic Education
HAMPSTEAD GARDEN OPERA www.hgo.org.uk Charity No. 1092649 JACKSONS LANE THEATRE, HIGHGATE, LONDON N6 5AA CAVALLERIA RUSTICANA By Mascagni Best Opera Production and Winner 2013 PAGLIACCI By Leoncavallo Finalist 2014/2015/2016 Translations by David Parry HGO’s first production at its new Highgate home. May 13th to 22nd, 2016 Stage Director: Bruno Ravella • Music Director: Oliver John Ruthven • With the HGO Orchestra May 13th to 22nd, at their new home at Jacksons Lane Theatre in Highgate, Hampstead Garden Opera will present the classic double bill of passion and revenge, Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, in an exciting new concept developed by Bruno Ravella. This will be the world premiere of a new English translation for Cavalleria Rusticana by the eminent conductor David Parry. ‘We are thrilled to be mounting our first production at Jacksons Lane, a more comfortable and better equipped venue, and a better singing space than we have previously enjoyed’ says Chairman Roger Sainsbury. Cavalleria Rusticana and Pagliacci are, in a sense, the twin peaks of a new style of opera which took Italy by storm in the early 1890s. It was quickly labelled ‘verismo’ after an Italian literary style of the period though in truth there are not many operas to which the term can accurately be applied. The characters are ordinary village folk, far removed from the historic and Shakespearean dramas of Verdi and the epics of Wagner. Passion and emotion are central, and the idea of jilted or lost love often plays a part. It has also been said of it that "in verismo opera, the knife is never very far away." This is certainly true of both Cavalleria Rusticana and Pagliacci. -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
Masonic Charitable Foundation Annual Report and Financial Statements for the Year Ended 31 March 2019
MASONIC CHARITABLE FOUNDATION ANNUAL REPORT AND FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 MARCH 2019 Charity Number: 1164703 Company Number: 09751836 MASONIC CHARITABLE FOUNDATION Contents Page Trustees’ Annual Report 3 Strategic Report 8 Statement of Trustees Responsibilities 26 Auditor’s Report 27 Consolidated Statement of Financial Activities 30 Balance Sheets 31 Consolidated Statement of Cash Flows 32 Notes to the Financial Statements 33 The following pages do not form part of the statutory accounts Annex A – Grants made to Charitable Institutions 58 Annex B – Hospice Grants made by Province 64 Page 2 of 69 MASONIC CHARITABLE FOUNDATION TRUSTEES ANNUAL REPORT The trustees are pleased to submit their report for the year ended 31st March 2019. This report includes a directors’ report as required by Section 415 of The Companies Act 2006 and a strategic report as required by The Companies Act 2006 (Strategic Report and Directors’ Report) Regulations 2013. Reference and Administrative Information Name and Registered Office The name of the charity is the Masonic Charitable Foundation (the “Charity”) and it has its registered office at 60 Great Queen Street, London, WC2B 5AZ. Trustees The trustees who served during the year were: - Dr Charles A. Akle (resigned 26th August 2018) - John Boyington, CBE - J. Michael Codd (resigned 13th December 2018) - Charles A.G. Cunnington - Jean-Paul da Costa - Timothy D. Dallas-Chapman - Simon D’O. Duckworth, OBE, DL - Adrian J.R. Flook (resigned 13th December 2018) - Antony D.G. Harvey - Christopher Head - Michael R.Heenan (Treasurer) - Richard M. Hone, QC (President) - John E. Hornblow - James H. Newman, OBE (Deputy President and Chairman) - Andrew C. -
Report: How Can Arts Venues Be More Age Friendly and Make Work with Older People More Sustainable
Report: How can arts venues be more age friendly and make work with older people more sustainable Introduction Barings tasked us with researching what theatre venues are doing to widen participation among the elderly. To achieve this outcome we talked to professionals about how engaging with the arts can be a health benefit for older people. We also visited seven participating venues in London to see various arts programmes in action. We amassed comment from participants as well as those leading the projects, with a view to sharing good practice and encouraging other arts organisations to consider introducing or improving a programme for the older age group - categorised as aged 55 plus. We specifically asked: what is going well and how has this been achieved; what are the challenges and barriers when working with an older age group; thoughts for the future? This qualitative research focussed particularly on the practical issues in creating a suitable space and welcoming ‘age friendly’ environment for more elderly people; for some organisations, working in outreach in care settings is the preferred alternative. The report also considers sustainability of projects and the importance of quantifiable evidence of the benefits to end users, including those isolated by dementia, living alone or in care settings. It highlights initiatives taken by each venue as a step towards pooling ideas and suggesting solutions to problems peculiar to this age group. Brief overview of programmes at each venue Albany Theatre hosts ‘Meet Me at The Albany’ each week in Deptford, Lewisham, with 20- year-old Entelechy Arts delivering various artistic activities, ranging from singing to model making.