wexner center for the arts THE OHIO STATE UNIVERSITY presents 1927 The Animals and Children Took to the Streets

thu–sat, apr 1 8–20 | 8 PM sun, apr 21 | 2 PM Performance Space

2012–13 Performing Arts Season Thank you for 1927 The Animals and Children joining us at tonight’s Took to the Streets

performance. Thu–sat, apr 18–20 | 8 pm Sun, apr 21 | 2 pm Performance Space Special thanks to all Wexner Center members and sponsors. Your support makes this event possible. Major support for the Wexner Center’s The Wexner Center also receives The Wexner Center for the Arts is your one-stop source for 2012–13 performing arts season is generous support from the Greater everything in the contemporary arts. Come back and check out generously provided by the Doris Duke Columbus Arts Council, The Charitable Foundation. Columbus Foundation, Nationwide our groundbreaking exhibitions, films, theater, dance, music, and Foundation, and the Ohio Arts programs for all ages. Visit the acclaimed Wexner Center Store and try Accommodations are provided by The Council, as well as from the Corporate treats from Heirloom in our café. Blackwell Inn. Annual Fund of the Wexner Center Foundation and Wexner Center Follow us on facebook and Twitter, Lead media season support is provided members. by the Columbus Dispatch. find more at wexarts.org.

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Cover photo: Nick flintoff Program residency activities

In addition to organizing public presentations of contemporary work 1927 in the performing, media, and visual arts, the Wexner Center actively seeks to provide opportunities for interaction among visiting artists, The Animals and Children students, faculty, and staff of The Ohio State University, and members of the community. These activities and associated discussions led by Took to the Streets authorities in many fields offer our audiences a better understanding of the creative process and the work of artists engaged by the Wexner created by...... 1927 Center. directed and written by...... Suzanne Andrade While at the Wexner Center, members of 1927 held a discussion film, animation, and design by. . . Paul Barritt session with students from Ohio State’s Department of Theatre music by...... Lillian Henley focusing on the creation and integration of computer animation in costumes by...... Sarah Munro their productions. At this session, students had the opportunity to Esme Appleton ask questions about The Animals and Children Took to the Streets and its creative evolution. produced by...... Joanna Crowley animation assistance by ...... Derek Andrade About 1927 Performed by...... Sue Appleby Eleanor Buchan Lewis Barfoot 1927 is a performance company based in that specializes in voice of the caretaker...... James Addie combining performance and live music with animation and film to production manager...... Steve Watling create magical filmic theater. Celebrated at home and overseas, 1927 was founded in 2005 by writer, performer, and director Suzanne Andrade and animator and illustrator Paul Barritt. In 2006 performer Originally performed by Suzanne Andrade, Esme Appleton, and Lillian and costume designer Esme Appleton and performer, composer, and Henley. Co-commissioned by (BAC), Malthouse musician Lillian Henley joined. In 2007 producer Jo Crowley began Theatre Melbourne, and The Showroom (University of Chichester). collaborating with the company. The four creative members of Supported by Corn Exchange Newbury. Early development supported 1927—Andrade, Barritt, Appleton, and Henley—come from different by The Arches and Manipulate Visual Theatre Festival. UK premiere artistic backgrounds; it’s the collaboration between, and complete funded by Arts Council England. integration of, their various disciplines that has paved the way for the company to create its innovative and original work. 1927 cut The show is approximately one hour with one 15-minute intermission. its teeth in London’s cabaret scene. The company performed the beginnings of its debut show in cabaret venues, spoken word nights, and comedy clubs, supporting major cabaret acts and bands including the Dresden Dolls at the Theater, London. In 2007, 1927 premiered Between the Devil and the Deep Blue Sea, its debut show, at the Edinburgh Festival Fringe, achieving critical acclaim and winning five industry awards (Herald Angel, Fringe First, Arches Brick, Carol Tambor, and Total Theatre awards). Following the success of that Edinburgh debut, the company has presented the show in two sold- out London seasons and toured to venues and festivals in every region of the UK and across the globe to major international theaters and arts festivals including PS 122, Under the Radar, and Spoleto Festival (USA); Sydney Opera House, Malthouse Theatre, Adelaide Cabaret Festival, and Perth Festival (Australia); Uijeongbu Music Theatre Festival (Korea); Singapore Festival; Mladi levi Festival (Slovenia); Dublin Festival (Ireland); Belfast Festival (UK); Macau Festival; Hanover Festival (Germany); and New Zealand Festival. Along the way the show and company have garnered critical acclaim and two creative & production team New York Drama Desk Award Nominations and won the Peter Brook Empty Space Award for Best Ensemble in 2008. Suzanne Andrade (writer, director, and 1927 co-artistic director) 1927 premiered The Animals and Children Took to the Streets at Australia’s writes and directs 1927’s work. Before forming 1927, Suzanne was Sydney Opera House and the Malthouse Theatre in Melbourne in commissioned by the BBC to write a play for the West Yorkshire 2010, following over a year of making in the company’s East London Playhouse. The results were not particularly good, which encouraged studio and research, development, and in-progress performances in Suzanne to turn away from traditional script writing and try her hand London, Glasgow, Edinburgh, Newbury, and Chichester. The show at comedy and poetry. She fared marginally better and won several had its UK premiere at Battersea Arts Centre (BAC) in London in small-scale standup comedy competitions before moving to London December 2010–January 2011, winning the 2011 Award and establishing herself as a performance poet. After appearing on for Best Entertainment. During 2011 and 2012, the show toured Radio 3 (Mixing It, The Verb), Suzanne met Paul Barritt. The pair created to Australia, China, New Zealand, Sri Lanka, United Arab Emirates, several small shows involving her poetry and his projections. They France, Nigeria, Croatia, Ireland, France, and the United States. In the gained a cult (small but loyal) following. Suzanne has created all of UK it was presented at Holt Festival and Latitude Festival and was 1927’s shows and collaborated with Paul as 1927 to co-conceive a new selected for the 2011 British Council Edinburgh showcase. The Animals production of The Magic Flute at the Komische Opera Berlin, which she and Children Took to the Streets was presented again in London at the codirected. She is currently writing 1927’s new show for 2014. Suzanne National Theatre in December 2011–January 2012 and in December is mainly consumed by 1927, but she occasionally pops up at the odd 2012–January 2013 (in the larger Lyttelton Theatre). In 2013 the storytelling gig. company is presenting the show with a new cast across the UK and during an eleven-month international tour to Hong Kong, Jordan, Paul Barritt (film, animation, design, and 1927 co-artistic director) France, Switzerland, the United States, Spain, China, Israel, Holland, illustrated and animated The Animals and Children Took to the Streets. Russia, Latvia, Ireland, Austria, Italy, New Zealand, Azerbaijan, Ukraine, Before forming 1927, Paul worked as a freelance illustrator and Armenia, Georgia, and Malta. animator. Paul has exhibited his artwork in various galleries and has also made several stand-alone films, all of which are distributed 1927 has also collaborated with the Komische Opera in Berlin to internationally, appearing in film festivals throughout the United develop a large-scale new production of The Magic Flute, which Kingdom and Europe. He won an award at the Darklight Film Festival premiered in November 2012 and is running in repertory performances for his short film Shed. Paul has co-created all of 1927’s shows and through July 2013. The company is also developing a new production most recently collaborated with Suzanne as 1927 to co-conceive for 2014. 1927 is an associate company of the Theatre. For a new production of The Magic Flute at the Komische Opera Berlin, more information visit 19-27.co.uk. for which he created full-scale animation and film. Paul is currently developing visual content for 1927’s new show for 2014. Paul is also a lecturer in animation and illustration at Middlesex University. For more information about Paul, please see paulbarritt.com.

Esme Appleton (co-creator and co-costume designer) is an essential part of 1927’s creative process: not only does she perform the main role in each 1927 show but she’s also instrumental in brutally editing scripts, neatening scenes, conceiving ideas, adding interactive moments, being an assistant director, and liaising with Suzanne on initial scripts and Paul on aesthetic ideas. Many of the interactive motifs that have become 1927’s trademark stem from Esme, who has an uncanny ability to think in terms of both live action and animation. Currently in demand to appear in many a film project, Esme has numerous interests outside of 1927, among them playing the musical saw and guitar, pixilation, voice training, and perfecting her own peculiar brand of naturalism. Esme is with the Conway Van Gelder Grant agency and would give her right arm to be in a Shane Meadows film.

Lillian Henley (composer) is the sort of intuitive collaborator that one dreams of working with, as both a musician and performer. Her rather unique skill lies in being able to translate sketchy thoughts and rough (Les Enfants Terribles), John Godber’s adaptation of 20,000 Leagues ideas into amazingly catchy melodies. Her piano scores hold 1927’s Under the Sea (Hull Truck), Little Women (, West End), shows together, are hugely atmospheric, and range in sound from Cinderella in Into The Woods (), South Pacific (UK tour), classic silent film to Kurt Weill. Lillian not only composes the scores Bobbie Ellis alongside Alison Steadman in Losing Louis (Trafalgar but also performs in 1927’s shows, at times singing, playing piano, and Studios/UK tour), and Lady Macbeth (Shakespeare’s Globe). Sue’s changing costumes all at once! Outside of 1927 Lillian is currently work as a musical director includes Three Men in a Boat (UK tour), composing an album and is a core performer of Ragroof Theatre’s tea 20,000 Leagues Under the Sea with director John Godber, and the West dances. You should see her rhumba. She has scored a number of silent End productions of Cool Hand Luke (Aldwych), Carrie’s War (Apollo), films for the Barbican, , and independent filmmakers and Little Women (Duchess), and Anne of Green Gables (Lillian Baylis). She is making quite a name for herself as a silent film pianist. For more coaches many industry professionals, as well as teaching singing information about Lillian, please see lillianhenley.com. at several top drama schools. She has led Limelight, a nationally acclaimed jazz band in the UK, for the past six years. Joanna Crowley (producer) produced The Animals and Children Took to the Streets. 1927 would flounder without Jo.S he came on board after Lewis Barfoot (performer) is a singer, actress, and theater maker. Edinburgh 2007 and has since become indispensable to the whole She has been devising, co-creating, and writing songs and plays for process. Jo is a rare breed of producer indeed: she deals with new theater since 2005. She has just returned from touring the United shows, touring, finances, funding, control of creative collaborations, States as Kate in Taming of the Shrew with Aquila Theatre. Lewis and with venues, press, promotion, and advising on every single premiered The History of the Pomegranate, her debut solo show, in aspect of 1927’s work. Jo is, simply put, a bit of a legend. She’s also 2011 at Jacksons Lane in London with Arts Council England support. a bit of a ballerina. Outside of 1927, Jo also produces the work of Her other theater credits include Loser (Company FZ, International Ridiculusmus Theatre Company, artist Kazuko Hoki, and Australian Mime Festival), Richard II (Old Vic), Hamlet (Old Vic), Hedda Gabler performance trio the Suitcase Royale, and she supports and advises a (Bulandra, Bucharest), When Five Years Pass (Arcola), Up The Café de number of independent artists, companies, and emerging producers. Paris (New Players), Incontinental (Kazuko Hohki Productions), Hidden Birds (Winner of Les Eurotopiques Award, Lille, France), and WOLF Sarah Munro (co-costume designer) is one of the cofounders of (Authentic Artist Collective). Her television credits include Pissed on the Insect Museum and Insect Circus, with whom she performs and the Job, Whitey Blighty, and Forgiven (C4). Lewis is currently performing designs. She is a frighteningly creative and clever woman whom 1927 across the UK as a solo singer songwriter and has previously sung hopes to work with again in the future. Sarah designed some of the with pop, funk, and folk bands the Fruit People, Geezer, and Rún. She costumes in The Animals and Children Took to the Streets, and she helped enjoys gigs at Glastonbury, Lovebox, the Union Chapel, Bath Pump us realize our own designs and demands. For more information about Rooms, Southbank Centre, Edinburgh Festival, and folk festivals all Sarah, please visit insectcircus.co.uk. over the UK. She hopes to record her debut album soon.

Derek Andrade (animation assistant) assisted Paul with animating Eleanor Buchan (performer) trained at Ecole Philippe Gaulier and Zelda’s gang, as well as providing valuable criticism and encouraging at the University of London’s Central School of Speech and Drama. words throughout the process. He is a stop-frame animator and Her theater credits include La Fille à la Mode (National Theatre, filmmaker who has made music videos for Emmy the Great and Battersea Arts Center, V&A, Barbican, , and worked for RSA films and Future Shorts. For more information about international tour), Put Up Job (Gideon Reeling at Bestival), Terror Derek, please visit cargocollective.com/derekandrade. 2011 (Soho Theatre), Indiscreet (Battersea Arts Center), Broken Down (Theatre 503), Merely Players (Shunt), The Advice Booth (Forest Fringe at Latitude), Titus Andronicus, Henry VI Parts 1,2 & 3 (The Scoop), Clockwork performer biographies (ADC Theatre, Cambridge), Private Lives and The Dead of Night (Sheringham Rep), Things You Said in the Dark (Battersea Arts Center); The Tin Soldier (international tour), Haozkla (Bedlam Theatre), Your Ex-

Lover Is Dead (Arches Glasgow), Closer (The Roxy), and The Merchant Sue Appleby (performer) trained at the University of London’s Central of Venice, Measure for Measure, and Twelfth Night (Central School of School of Speech and Drama. She has a first class degree in music and Speech and Drama). Her film credits include The Eden Project, Me, Jane, drama from the University of Birmingham, with three years’ classical Not Waving but Drowning, Ways of Eating, Free Time, and Waking Up on singing and piano training at the Birmingham Conservatoire. Sue the Wrong Side of Bed. Eleanor is part of ArtForEating, a collective that worked with renowned conductor John Wilson and his Orchestra in runs performance-based pop-up restaurants and interactive The Good Companions for Radio 3, on the “Rodgers and Hammerstein” & dining experiences. “Hollywood” Proms for BBC TV/Radio, and at Abbey Road Studios. Her theater credits include Three Men in a Boat (UK tour), Beatrice in Much Ado about Nothing (UK/European tour), Mephisto in The Vaudevillians wexner center foundation board of trustees

Leslie H. Wexner, Chair E. Gordon Gee, Vice Chair James Lyski, President

Trustees Janet B. Reid Nicholas K. Akins Joyce Shenk David M. Aronowitz Alex Shumate Jeni Britton Bauer A. Alfred Taubman Shelley Bird Barbara Trueman Michael J. Canter Abigail S. Wexner Adam R. Flatto John F. Wolfe Sherri Geldin Ann Gilbert Getty Michael P. Glimcher Elizabeth Kessler C. Robert Kidder Ex Officio Nancy Kramer Joseph A. Alutto James E. Kunk Mark Shanda Bill Lambert Bruce A. Soll Ronald A. Pizzuti Mark E. Vannatta

WEXNER CENTER FOR THE ARTS

Director ...... Sherri Geldin Deputy Director ...... Jack Jackson

PERFORMING ARTS & SUPPORT STAFF

Director of Performing Arts ...... Charles R. Helm Performing Arts Program Coordinator . . Sarah Swinford

Cover photo: Nick flintoff Performing Arts Program Assistant . . . . Justin Lintelman Director of Technical Services ...... John A. Smith Stage Managers ...... William J. Barto Andrew Hensler Engineers ...... Scott Austin Stephen Jones Michael Sullivan Lighting Supervisor ...... Sonia Baidya Stage Crew ...... Stagehands Local 12 Director of Patron Services ...... Megan Cavanaugh Contracts & Facilities Manager ...... Claudia Bonham Patron Services Managers ...... Helyn Dell Mark Spurgeon Patron Services Coordinators ...... Joanna Hammer Stephanie Varnacini Adam Vincent upcoming jazz event

Craig ords Taborn c m re m c rogers/e Trio n hoto © Joh © hoto P apr 27 | 8 pm Innovative jazz pianist Taborn—a player's player who has appeared here with Chris Potter and Tim Berne—returns to lead his own stellar trio.

on sale now—tickets.wexarts.org | (614) 292-3535