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thet h e insider’si n s i d e r’ s beautyb eau t y bibleb i b l e

A FAIRCHILDFAAIRCHIRCRCHHILDIL PUBLPUBLICATIONLICATCATTIONON RED CARPET SPECIAL

The Season’s The Award-Winning Beauty Looks Glamorous INCLUDING Life? Curls, Bangs, Bobs What Really New School, Happens Old-Style Glamour Inside a Movie An Edgier Makeup Trailer Smoky Eye PLUS The Biggest Bombs, Too! HOLLYWOOD’S FRESH FACES KATE MARA & THE NEW CROP OF INGENUES

CLOTHES CALL Tinseltown’s Top Stylists “Younger looking eyes in a blink.” Andie MacDowell - 48 Years Old -

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ZERO CLUMPS The latest eye GUARANTEED looks DEFINED. Check out our podcast at maybelline.com Contents DEPARTMENTS 12 People, Places & Lipsticks Hollywood’s unexpected spa trend, Dior’s celeb-only ’do and the hippest braids in town. 16 What’s In Store Fight the rainy-day blahs with our favorite April launches. 48 The It List: Celebrity Stylists A roundup of Tinseltown’s go-to fashion pros. 54 Last Call: Army of One Pop star Brooke Hogan on her entourage-free awards show beauty routine.

FEATURES 21 Red Hot & Beautiful The hottest trends in red-carpet hair and makeup, plus some duds that never should have left their stylists’ chairs. 28 Supporting Players A backstage look into the hurly-burly lives of movie hair and makeup artists. 34 Great Expectations Kate Mara got her start singing at football games. Now this low-key beauty is ready to be Hollywood’s next leading lady. 40 Up, Up and Away Six young actresses on track for big-screen stardom. 42 Reality Check Dove’s anti-celebrity take on beauty marketing does more than just sell soap.

46 Oribe Goes to the Oscars Shoot me now! For the inside scoop on what life’s like for movie makeup artists and hairstylists, turn to “Supporting The super stylist takes us along as he coifs three Players” on page 28. of Hollywood’s biggest names for the Oscars.

WWD IS A REGISTERED TRADEMARK OF ADVANCE MAGAZINE 800-289-0273, or visit www.subnow.com/wd. Please give both new and old PUBLISHERS INC. COPYRIGHT ©2007 FAIRCHILD FASHION addresses as printed on most recent label. First copy of new subscription GROUP. ALL RIGHTS RESERVED. PRINTED IN THE U.S.A. will be mailed within four weeks after receipt of order. Address all editorial, VOLUME 193, NO. 84, April 20, 2007, WWD (ISSN 0149–5380) is pub- business, and production correspondence to WOMEN’S WEAR DAILY, 750 lished daily (except Saturdays, Sundays and holidays, with one additional Third Avenue, New York, NY 10017. For permissions and reprint requests, issue in January and November, two additional issues in March, May, please call 212-630-4274 or fax requests to 212-630-4280. Visit us online ON THE COVER Kate Mara photographed June, August and December, and three additional issues in February, at www.wwd.com. To subscribe to other Fairchild magazines on the World by Guy Aroch. Hair by Halli April, September and October) by Fairchild Fashion Group, which is a Wide Web, visit www.fairchildpub.com. Occasionally, we make our sub- division of Advance Magazine Publishers Inc. PRINCIPAL OFFICE: 750 scriber list available to carefully screened companies that offer products Bowman at The Wall Group; ARKLE BY PETER ILLUSTRATIONS Third Avenue, New York, NY 10017. Shared Services provided by and services that we believe would interest our readers. If you do not want makeup by Christy Coleman Condé Nast Publications: S. I. Newhouse, Jr., Chairman; Charles H. to receive these offers and/or information, please advise us at P.O. Box at The Wall Group; manicure Townsend, President/CEO; John W. Bellando, Executive Vice President/ 15008, North Hollywood, CA 91615-5008 or call 800-289-0273. WOMEN’S COO; Debi Chirichella Sabino, Senior Vice President/CFO; Jill Bright, Execu- WEAR DAILY IS NOT RESPONSIBLE FOR THE RETURN OR LOSS OF, by Gina Viviano for Artists tive Vice President/Human Resources. Periodicals postage paid at New OR FOR DAMAGE OR ANY OTHER INJURY TO, UNSOLICITED MANU- by Timothy Priano; styled by York, NY, and at additional mailing offices. Canada Post Publications Mail SCRIPTS, UNSOLICITED ART WORK (INCLUDING, BUT NOT LIMITED TO, Frances Tulk-Hart for See Agreement No. 40644503. Canadian Goods and Services Tax Registration DRAWINGS, PHOTOGRAPHS, AND TRANSPARENCIES), OR ANY OTHER No. 886549096-RT0001. Canada Post: return undeliverable Canadian UNSOLICITED MATERIALS. THOSE SUBMITTING MANUSCRIPTS, PHO- Management; set stylist: addresses to: P.O. Box 503, RPO West Beaver Cre, Rich-Hill, ON L4B 4R6 TOGRAPHS, ART WORK, OR OTHER MATERIALS FOR CONSIDERATION Stephen Caputo. Shirt by POSTMASTER: SEND ADDRESS CHANGES TO WOMEN’S WEAR DAILY, SHOULD NOT SEND ORIGINALS, UNLESS SPECIFICALLY REQUESTED TO Karen Walker, shorts by P.O. Box 15008, North Hollywood, CA 91615–5008. FOR SUBSCRIPTIONS, DO SO BY WOMEN’S WEAR DAILY IN WRITING. MANUSCRIPTS, PHOTO- ADDRESS CHANGES, ADJUSTMENTS, OR BACK ISSUE INQUIRIES: Please GRAPHS, AND OTHER MATERIALS SUBMITTED MUST BE ACCOMPANIED Antonio Berardi. write to WWD, P.O. Box 15008, North Hollywood, CA 91615-5008, call BY A SELF-ADDRESSED STAMPED ENVELOPE.

6 THE HOLLYWOOD ISSUE INSPIRATION AND INNOVATION

Inspired by beauty, motivated by a world of possibilities, and drawing on technology, P&G Beauty delivers beauty breakthroughs that help make beauty dreams a reality.

©2006 P&G the insider’s beauty bible

A FAIRCHILD PUBLICATION

Pete Born Executive Editor, Beauty Jenny B. Fine Editor

Jennifer Weil European Beauty Editor Andrea Nagel Mass Market Beauty Editor Julie Naughton Senior Prestige Market Beauty Editor Molly Prior Mass Market Beauty News Editor Matthew W. Evans Beauty News Editor Michelle Edgar Associate Beauty Features Editor Faye Brookman Contributing Editor Megan McIntyre Assistant Editor Katharine Jones Editorial Intern Deborah Boylan Copy Editor

CONTRIBUTORS Samantha Conti, Brid Costello and Nina Jones (), Stephanie Epiro (Milan), Miles Socha (Paris), Marcy Medina (), Katherine Bowers (Boston), Melissa Drier (Berlin), Georgia Lee (Atlanta), Holly Haber and Rusty Williamson (Dallas), Koji Hirano (Tokyo)

ART Andrew Nimmo Consulting Art Director Danilo Matz Consulting Art Director Anita Bethel Photo and Imaging Director Carrie Provenzano Associate Photo Editor

PHOTOGRAPHERS Pavel Antonov, John Aquino, Talaya Centeno, George Chinsee, Steve Eichner, Kyle Ericksen, Robert Mitra, Thomas Iannaccone

ADVERTISING Ralph Erardy Senior VP, Group Publisher Jay Spaleta Publisher Debra Goldberg Associate Publisher, Beauty Randi Segal Mass Beauty Director Ron Troxell Senior Account Manager, West Coast Amelie Barsi European Beauty Manager, Paris Michele Sutton Executive Beauty Assistant Bill Andrulevich General Manager, Fairchild Fashion Group Richard Cherichella Business Director, Fairchild Fashion Group Janet Janoff General Manager, WWD

MARKETING/PROMOTION Jodi Marchisotta Associate Publisher, Marketing Danielle McMurray Creative Services Director Zoraida Walker Senior Manager, Marketing and Promotion Lindsay Swartz Marketing Manager Benjamin Gelinas Design Director Mark Ramel Design Manager Dick Silverman Director of Special Projects Toni Nicolino Associate Manager of Special Projects Kathleen Callahan Classified Marketing Manager Maggie Gould Marketing Coordinator Lily Fleishman Marketing Assistant Andrea Kaplan VP, Corporate Communications

PRODUCTION Gena Kelly Executive Director, Manufacturing and Distribution Chris Wengiel Group Production Director Cristina Tavares Production Director Jill Breiner Associate Production Manager Ahmed Pruitt Production Coordinator

CIRCULATION Wendy Frank Circulation Director Richard Franz Circulation/Sales Director John Cross Fulfillment Director Susan Kline Fulfillment Manager

Daniel Lagani President, Fairchild Fashion Group

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Actress Kate Mara has a lot to smile about. Find out why on page 34. SWEET DREAMS MANY YOUNG WOMEN DREAM OF STARDOM, INCLUDING THIS eyes in sultry colors (not the standard black or grey), the return of curls, the month’s cover girl Kate Mara. Unlike most, though, Mara is on the verge preponderance of bangs and bobs, stained lips—look for all to make a major of hitting it big time in Hollywood. Don’t yet recognize her? That’s not comeback if the red carpet is any indication. surprising. Mara, who most recently costarred opposite While the stars present a glamorous front on the red carpet, life behind the in Shooter and was also seen in , among others, is scenes can be anything but, as Rachel Brown discovered when she tapped part of a growing group of up-and-coming actresses who would rather be into the life of movie makeup artists and hairstylists. The days are long, the known for their craft than their clothing, would rather read a script than pressure intense and the politics as Machiavellian as any found inside the a scandal-ridden tabloid and who shun the as assiduously as Beltway. For an insider’s view of life on the set, turn to “Supporting Players” they seek out meaty scripts. It just might be the dawning of a new age in on page 28. Hollywood, and it’s one we celebrate, first in “Great Expectations,” which Of course, for every point, there is a counterpoint, and for the beauty profiles Mara’s steady ascent in Tinseltown, then in “Up, Up and Away,” industry, which has long used celebrity to add a sheen of glamour to its where you’ll discover six young actresses who are also on the verge of wares, Dove is that counterpoint. Over the last five years, the Unilever- PHOTOGRAPHED BY GUY AROCH breaking into the big time. owned brand has seen its sales in the U.S. double to $1 billion, thanks in Chances are, they’ll know they’ve hit the big time when they walk the red large part to an advertising campaign that uses real women instead of carpet at a major awards event like the Golden Globes or models or celebrities. As Molly Prior writes in “Reality Check” on page 42, and the flashbulbs are blinding. After all, the red carpet is a place where Dove’s fondness for the Average Jane taps into an emerging marketing appearances do count—and where countless hair and makeup trends are tool of consumer-generated content. Could this signify that the public’s born. From the Globes to the Grammys, the People’s Choice Awards to the insatiable appetite for fame is on the wane? Probably not. But as Kate Oscars, we tracked the season’s top beauty trends. As you’ll discover in “Red, Mara and her ilk demonstrate, style and substance are the T&A of the new Hot and Beautiful” on page 21, there was a lot of news this spring. Smoky millennium. And that’s a welcome change. —JENNY B. FINE

10 THE HOLLYWOOD ISSUE

People, Places & Lipsticks

Diane FETE DE BEAUTÉ Kruger Dior Beauty’s Dianne Vavra gives us an inside peek at the company’s intimate A-list dinner.

WHEN I JOINED THE PUBLIC RELATIONS DEPARTMENT AT DIOR Beauty nearly a decade ago, no one could have told me I’d be breaking bread with and Sheryl Crow in one night. But with our annual Oscar week dinner at the Chateau Marmont, that’s exactly what I do. It began about seven years ago as a small gathering, with agents, publicists, industry people and a few makeup artists. Right off the bat it was pretty clear I had a brilliant publicity opportunity on my hands. Even though , who had graciously agreed to wear Dior makeup on the red carpet that year, was our sole A-list guest, interest from the media—and other celebrities—was immediate. Magazines asked for exclusive coverage and Vavra with Emmy publicists began calling in December to solicit invites for Sheryl Crow. Rossum clients. Today, I actually have to turn away VIP guests. Keeping the essence of the dinner—intimate, informal, Karolina The VIP-laden table. fun—can be tough. It’s easy for an event like this to turn into Kurkova a paparazzi feeding frenzy, but our regular guests, including , Diane Kruger, Angie Harmon and GYLLENHAALGYLLEN BY PETER KRAMER/; STEFANI: FRAZER HARRISON/GETTY; BOTTEGA VENETA: GETTY; MILLER: MICHAEL BRUCKNER/GETTY , appreciate the under-the-radar feel. Only one photographer covers the event, and only during cocktails. H This year, in spite of a rainy, unseasonably cold evening, our long table for 30 was packed with everyone from Mission Impossible 3 actress Maggie Q to the gorgeous , who brought her beau, Jack Huston (Anjelica’s nephew). The gals sipped martinis and actually talked beauty; when we handed out makeup cases chock-full of Dior product, they were genuinely delighted in going through their goodie bags, trading lip gloss shades and experimenting with each other at the table. By the time the last guest left at about one a.m., I was feeling a mix of exhausted and energized. For all of this celebrity schmoozing, I still have “pinch me” moments on a regular basis (case in point: Charlize showed up early and helped me set up!). While I wouldn’t trade those moments for anything, I’m thankful that (unlike my celebrity guests) I can run to the drugstore or the park with my kids without worrying about being caught sans Rouge Dior lipstick. ••• PLAITS, PLEASE •••

Certain fashion commentators gave Sienna Miller a solid thrashing for the headband of braided hair she wore at this year’s Golden Globes. But it placed her among other eclectic stars—like Gwen Stefani and Maggie Gyllenhaal—who have also rocked the Heidi look, and in the company of models who sported the look for the spring 2007 Bottega Veneta show. Even if you’re not ready for pinning on a hairpiece (which is what Sienna used), adding braids gives a modern twist to the updo and is ridiculously easy to do. Tim Lehman, from New York’s John Frieda Salon, says start by smoothing in a dollop of shine product to give definition, and braiding only the sections of hair that frame the face. “You can pin them back to the sides or on top of the head. Just be sure to keep some wispy pieces free at the front so it looks soft.” Lehman recommends pulling the rest of the hair up into a ponytail or bun, or leaving it down for a retro Seventies vibe. “It’s such a cool and young look, and is perfect for nights when your hair refuses to Maggie Gyllenhaal Gwen Stefani Bottega Veneta Sienna Miller cooperate,” he says. —JILL SCHUCK

122 THE HOLLYWOOD ISSUE ISSUE AMERICA’S #1 MASCARA BRAND! * ALL EYES ARE ON US!

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*Maybelline calculation based in part on data reported by AC Nielsen through its Scantrak service for the Mascara category for the 52-week period ending 2/24/2007 for the Food / Drug / K / T market. People, Places & Lipsticks Phillips hard at work. GO EAST, ASPIRING BEAUTY SURE,, MOST STARLETS POINT THEIR MERCEDES, BMW Budget bliss. or PriuPriuss west of Hollywood—to Beverly Hills, Westwood or Santa MMonica—foronica pre-red-carpet treatments at the ritzy spa du jour. CCaviar-infusedaviar-i lotions? Diamond massages? Bills in the high three ddigitsigits oror more? They’re game. But in preparation for her Golden Globes tromp, Brenda Strong, whose husky voice purrs the lurid affairs of the Desperate Housewives suburbanites, shunned the west side spa gauntlet and instead headed east for relaxation on a layman’s budget. She went to a spa in Koreatown, where glowing skin is convenient and cost-effective. Just consider the numbers. In Beverly Hills, a precious diamond massage at The Peninsula Spa is $275 for 90 minutes; in Koreatown, a 90-minute scrub and massage at the Aroma Spa & Sports in Wilshire Center is $110. In Westwood, a one-hour basic facial at Bliss Spa at the W hotel costs $100; in Koreatown, the Olympic Spa offers a 60-minute aromatic balancing facial for $60. Strong isn’t the only celebrity doing the math. Koreatown spa Beverly Hot Springs reported that both Penélope Cruz and recently paid a visit. And even male celebs, Don Johnson being one, have been known to frequent the Koreatown D’Vine treatment rooms. One additional Hollywood perk: It’s unlikely the As Dionne Phillips was preparing to paparazzi will decamp from their Robertson Boulevard hideouts to launch her beauty line, she realized PHOTOS BY ROBYN BECK/AFP/GETTY IMAGES; KEVIN WINTER/GETTY; ALEXANDER TAMARGO/GETTY; ROBERTO SCHMIDT/AFP/GETTY snap a shot. —RACHEL BROWN that it had to offer the kinds of looks she provides clients at her Beverly Hills Eastern Advantage — Where the stars go for pampering on the cheap. salon, without the large investment in time and money. Phillips, whose CENTURY SPORTS CLUB & SPA AROMA SPA & SPORTS BEVERLY HOT SPRINGS NATURA SPORTS HEALTH CLUB 4120 W. Olympic Boulevard 3680 Wilshire Boulevard 308 N. Oxford Avenue 3240 Wilshire Boulevard salon, D’Lashes, is a regular stop-off Los Angeles, 90019 Los Angeles, 90010 Los Angeles, 90004 Los Angeles, 90010 point for the likes of , 323-954-1020 213-387-0212 323-734-7000 213-381-2288 and , launched her collection of beauty products for the face as much as the eyes. Formerly a makeup artist who now works primarily as an eyelash extension specialist, Phillips wanted to “offer fast, convenient and healthy products for women who are on the go and still want to look fabulous.” The 10-item collection, launched in February, is available at dlashes.com and at her salon. So far a key seller has been the Duo Bronzer, which comes in four different color combination duos. Lash-related products include the Lash Kit, which contains silk fiber lashes, tweezers and hypoallergenic glue. There are also lip glosses, a self- Univision’s Premio Lo tanner and a teeth-whitener. Prices The Oscars in 2003... at the 2004 Golden Globes... NuestroN Awards 2007... and the 2007 Oscars . range from $12.50 to $55. “People want a complete look to go with their ••••• PPERFECTE R F E C T MATCHM A T C H •••• • lashes,” says Phillips. “A great lip gloss can make your eyelashes pop even Love them or hate them, the red-carpet duds donned dress with matching sheer lip gloss at the 2004 more. I want women to look like by Jennifer Lopez never fail to elicit a heartfelt Golden Globes? J.Lo continued the habit with they had a ready-made face, without response, and her uncanny ability to coordinate sparkly gray eyes and matching Biba minidress at having to do a lot of outfits and makeup choices is just one aspect of her the 2006 MTV Video Music Awards, shimmery stuff.” —KAVITA DAWSON fashion know-how. Who could forget that 2003 eyes and cheeks to go with a shimmery frock at D’Lashes, 9911 W. Oscar night collaboration of Valentino toga with Univision’s Premio Lo Nuestro Awards, and soft Pico Boulevard, eye shadow in the exact same shade of mint green? lilac shadow and gloss that matched her bejeweled Studio 22, Or the Grecian-inspired salmon Michael Kors Marchesa at this year’s Academy Awards. —J.S. Beverly Hills

14 THE HOLLYWOOD ISSUE

01 Ren Phyto-Dynamic Instant Lifting Facial Spray what’s in store Proteins from the hibiscus flower physically tense the 03 skin while extracts from sea grass promote a strong epidermal structure, in a spray that can be applied over The Green Team makeup. $35; Sephora Go au naturel with these mossy-hued, 02 Gianna Rose Atelier The Magic Frog French-Milled plant-based goodies for the skin and body. Soap It’s hard to resist COMPILED BY MEGAN MCINTYRE smooching this adorable sparkling soap. $23.50; C.O. Bigelow Apothecaries, New London Pharmacy

03 Clarins Ultra-Matte Rebalancing Lotion Give slicked-up, super shiny 02 complexions the heave-ho with this Alpine willow herb, chrysine and linden-based mattifying oil controller. $36; Clarins counters

04 Nuxe Tonific Fermeté Intensive Firming Cream Pulp from the Kigelia Africana 06 tree tones as seaweed extract stimulates collagen and elastin synthesis for taut, elastic skin. 04 $47; Barneys New York

05 Jo Malone Acqua di 05 Limone Scent Surround 01 Spray Spritz this light mist on yourself for its refreshing scent of lime, or use it on your bed linens for a crisp, energizing whiff in the a.m. $55; Bergdorf Goodman, Saks

06 Kiehl’s Yerba Maté Tea Cleanser Using tea made from the leaves of the yerba maté tree, known in Brazil for its numerous health benefits, this vitamin-packed cleanser wipes away makeup and grime for healthy, oil-free skin. $20.50; Kiehl’s stores

07 Crest Nature’s Expres- sions Mint + Green Tea Extract Toothpaste Extracts 08 of natural green tea and mint make this whitening paste 09 extra refreshing, perfect for a morning wake-up call. $2.99; mass retailers

08 Banana Boat UltraMist Soothing Aloe After Sun Continuous Spray Gel This ingenious aloe gel sprays directly onto sunburns to instantly cool and relieve your scorched areas without you having to touch them. $5.99; mass retailers

09 Sarah, Duchess of York Tranquili-ty Candle by Slatkin & Co. This chic bisque votive, designed by Duchess of York Sarah Ferguson, soothes senses and calms worries with green tea and 07 mint. $16.50; Bath & Body Works

16 THE HOLLYWOOD ISSUE 01 Amatokin Emulsion for the Face From the makers of StriVectin, this light emulsion “wakes up” dormant adult 03 stem cells with a proprietary Weird Science peptide complex to repair and regenerate damaged The newest crop of skin care creams are skin for fewer wrinkles. $173; Bloomingdale’s straight out of the test tube with high-tech

02 Osmotics Anti-Radical ingredients and innovative new formulas. Age Defense Fights off COMPILED BY MEGAN MCINTYRE damaging free radicals oxygen, nitrogen and carbonyl thanks to a potent cocktail of tripeptides, vegetal protein and a newly created ingredi- 01 ent, 2-dimethylchromans (a synthesized molecule of vitamin E), which scavenges hydrogen free radicals and prevents skin cell injury. $125; select Nordstrom 02 03 Körner Loaded the Anti-Ager Talk about a high-performance concoction. Pomegranate and iris bulb moisturize while psuedodi- peptides elevate collagen levels and cereal membranes (a yeast wall extract) work with marine oligosaccharides to rev up the skin’s immune system for a plumped, soft, regenerated face. $240; Bergdorf Goodman

04 Therapy Systems Essential C Serum Deflect free radicals with this antioxi- dant power player, which uses an advanced form of vitamin C, resulting in fewer fine lines and improved clarity and tone. $95; Henri Bendel

05 Prescriptives Vibrant-C Skin Brightening Lotion Moisturizer Say adios to age spots and dullness. This lightweight lotion has micro- 06 optic luminizers to give skin an 04 instant radiance boost while 2 CME (a mix of vitamin C and vitamin E molecules) brightens and evens skin tone. $46; Prescriptives counters

06 Sublimage Eye Essential Regenerating 05 Eye Cream Using the same polyfractioning technique, which isolates the most efficacious molecules of the vanilla planifolia plant, as the original face cream, this promises to keep eyes 07 looking youthful, glowing and de-puffed. $160; Chanel counters

07 Yves Saint Laurent Lisse Expert Esthetic Wrinkle Eraser Kit The ultimate, portable wrinkle-fighter, this features a glycolic acid Peeling Masque with exfoliating micro- spheres to rejuvenate skin and a Wrinkle Eraser Pen to “fill in” wrinkles with dehydrated hyaluronic acid. $225; Yves Saint Laurent counters

THE HOLLYWOOD ISSUE 17 01 Guerlain Super Aqua- what’s in store Lotion, Aqua-Mask Drench your skin in hydration with 01 this extra-watery hydrating toner and moisturizing mask that feature a cell-water enriching sap, extracted 01 from the blue cedar tree, for a verifiable oasis on your parched summer face. $45, $60; Bergdorf Goodman, Bloomingdale’s, Saks

02 Nivea for Men Energizing Hydro Gel When it’s 90 degrees out and you aren’t 02 anywhere near a cool body of water, this energizing mint, magnesium and taurine gel is the next best thing to a refreshing splash of H2O to the face. $6.99; mass retailers

03 Thymes Azur Foaming Bath Based on the concept of thalassotherapy (read: sea- based ingredients used for health and beauty benefits), sea minerals, herbs and proteins condition skin while 07 the oceanic fragrance soothes. $24; Beauty Collection, New London Pharmacy, Zitomer

04 Tommy Hilfiger Tommy Girl Summer From the master of prep comes a fragrance inspired by Cape Cod. Part of the Seaside Breeze Summer Set, which includes a body lotion and nautical tote, this Nantucket cranberry, beach roses and Cape Cod wildflower blend is the perfect summer scent. 06 $48 for the set; Belk, Macy’s

05 Bobbi Brown Surf & Sand Eye Palette Using the aqua shades of the Bahamian sea as a muse, makeup artist Brown created this palette of 10 sheer—and eminently wearable—shades. $42; Bobbi Brown counters CHINSEE GEORGE & MATZ DANILO BY STYLED CHINSEE; GEORGE BY PHOTOGRAPHED

06 H2O+ Sea Results Line Filler Sea fennel and sea lettuce hydrate, while a marine-derived mineral formula delivers moisture to the skin in this aqueous wrinkle smoother. $42; H2O+ stores, 800-242-2284 05 07 Tom Ford for Estée Lauder Azurée Soleil Eau Fraiche Skinscent Inspired by the mythical beach destination of Lauder’s Just Beachy imagination, this sexy scent features Tahitian gardenia petals, coconut and orange These marine-inspired treats will blossoms mixed with sultry leave you hydrated, refreshed accords of vetiver, sandal- wood and myrrh. $49.50; and yearning for your swimsuit 04 Estée Lauder counters and a beach chair. 03 COMPILED BY MEGAN MCINTYRE

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not for plain janes.™ Penélope Cruz Renée Zellweger at the at the Oscars Golden Globes

Gwen Stefani at the Billboard Music Awards

Mary J. Blige at Jennifer Lopez at the the Grammys HOLLYWOOD’S HOTTEST BEAUTY TRENDS Golden Globes

Hilary Swank at the Golden Globes Red, Hot &

Katherine Heigl at the Golden Globes HEIGL BY FRAZER HARRISON/GETTY IMAGES; ALL OTHERS BY STEVE GRANITZ/WIREIMAGE CRUZ PHOTO BY JOHN SHEARER/WIREIMAGE; LOPEZ BY FRANK MICELOTTA/GETTY IMAGES; Beautiful From jewel tones and smoky eyes to bobs, bangs and pin-straight hairstyles, a slew of new beauty trends dominated the red carpet awards season this year.

PHOTOS COMPILED BY CARRIE PROVENZANO

ALL-OUT, OLD-SCHOOL Christina GLAMOUR Aguilera at the Grammys What would a major red-carpet event be without classic, old-style glamour? Oversized updos, enormous buns, major makeup and some serious jewels to top it all off were the name of the game for many. It takes hours to execute a look like this—and that’s exactly the point. “I’m a huge fan of the Old Hollywood look,” says celebrity hairstylist Ted Gibson, whose clients include , and Joy Bryant. “On the red carpet, you want to make a statement. It should look more deliberate than not.” From Gwen Stefani’s Forties-inspired front roll to Mary J. Blige’s updo, Katherine Heigl’s finger waves to ’s one-sided swoop, this year’s old school, Hollywood-style glamour were deliberate winners, never overdone. THE HOLLYWOOD ISSUE 21 Teri Hatcher Ginnifer WIL PANETTIERE, DEGUIRE/WIREIMAGE; BY GREGG JOHANSSON HEAP, HEIGL, FERGIE, ROBISON, IMAGES; BUCCI/GETTY BY VINCE PHOTO ROSSI DE at the Goodwin at Golden the Golden Globes Globes Portia Scarlett de Rossi Johansson at the at the Oscars Grammys Jennifer Love Hewitt at the Golden Globes

Emily Robison at HARRISON/GE BY FRAZER HATCHER SCUIULLI/WIREIMAGE; BY JOHN RICHARDS GALELLA/WIREIMAGE; BY RON JARMUSCH SHAMIM/WIREIMAGE; FERDAUS the Grammys

Fergie at the Grammys BRONZE Bronze was by far one of the most popular makeup shades on the red carpet. But instead of the over-baked, tanorexic look of years past, this season the shade showed up as a sultry accent for the eyes, cheeks and even lips (see Scarlett Johans- PONYTAILS son at the Grammys). Makeup artists were unanimous about its versatility. “Bronze is very neutral and very glamorous,” This year, the ponytail shed its says makeup artist, Chanel spokesperson and simple, sporty origins for a more favorite Angela Levin. “You can do it with pale or dark skin. sophisticated milieu, showing up as at the It’s elegant, understated and gorgeous.” Carol Shaw, who a major style on a host of young People’s Choice Awards used bronze on Teri Hatcher, agrees. “Bronze looks incredible Hollywood hotties. Fergie sported on the red carpet when the light hits it,” she says. “It’s healthy a spiraling style at the Grammys, looking, but sexy, and a great way to still look natural yet a Lady Godiva- made up. Best of all, it goes with any color you’re wearing.” inspired style at the Oscars and Hayden Panettiere an all-out wavy style at the Globes. The common theme: texture. “I loved the ponytails,” says Vavoom celebrity “Bronze looks incredible when the light hits it. stylist Mark Townsend, who created ’s looks at the Globes and Oscars. It’s healthy looking, but sexy. ” LIAMS, GOODWIN, HEWITT, BY STEVE GRANITZ/WIREIMAGE; WINSLET BY WINSLET HEWITT, GOODWIN, LIAMS, BAFTA/WIREIMAGE; BY GREEN BY GRANITZ/WIREIMAGE; STEVE “I love to see texture in the hair.”

Hayden Panettiere at the Golden Globes

Eva Green at the BAFTAs

Imogen Heap at TTY IMAGES; BERRY BY JESSE GRANT/WIREIMAGE BY JESSE BERRY IMAGES; TTY the Grammys Y GE

Katherine GRANT BY JESSE BERRY IMAGES; ;

Heigl at the WINSLET People’s THE BIRD’S NEST Choice Kate Awards When it comes to awards season, beauty

Winslet bloopers usually bear no relation to each other. BY at the

BAFTAs But this year’s missteps all seemed to be a BAFTA/WIREIMAGE variation on a theme: the bird’s nest coiffure. A whirling dervish of whorls, swirls and curls, the gravity-defying style was a hit with recent Bond girl Eva Green, recent divorcée Denise Richards and musician Imogen Heap, who /

took the concept literally and accessorized WIREIMAG ; GREEN Vanessa Williams Jim Jarmusch at Denise Richards hers with a profusion of foliage. Even the men, at the Golden the NY Film Critics at the Billboard as evidenced here by hipster filmmaker Jim

Globes Circle Awards Music Awards Jarmusch, got into the act, sporting a look BY most agree is strictly for the you-know-who. E

22 THE HOLLYWOOD ISSUE HOLLYWOOD’S HOTTEST BEAUTY TRENDS

Naomi Campbell Ashley Scott at the at the Vanity Fair People’s Choice Oscar party Awards

Victoria Beckham at Elton John’s AIDS foundation Oscar party

BOBS When in doubt, cut it off. Some of Holly- wood’s hottest stars did this year, adopting the bob as their favorite new style—and it paid off big time in red-carpet kudos. From Ashley Toni Collette Scott’s chin length version at the People’s at the Golden Globes Choice Awards to ’s shoulder- length style at the Billboard Music Awards, Janet Jackson the bob looked fresh, modern and new. “The at the Billboard Music Awards bobs looked fantastic,” enthuses Gibson, who says the number of women requesting the style in his New York salon is increasing

LTER/WIREIMAGE; exponentially. “It’s so fresh. It’s all I’ve been

DEGUIRE/WIREIMAGE; DEGUIRE/WIREIMAGE; talking about over the last six weeks. We’re coming into spring and now is the perfect time to think about changing your hair,” he continues. “The bob is extremely hot.”

KEEPING IT REAL V Rachel Weisz On the red carpet, natural doesn’t mean nothing. Michelle Williams at at the Golden the Film Indpendent Globes In fact, pulling off a fresh-faced look often Spirit Awards requires more prep time and finesse than an all-out maquillage, points out Pati Dubroff, Dior’s celebrity makeup artist, who worked on Naomi Watts, and this year. “The makeup has to be natural but important,” she says. “It has to be well-structured and have definition. If it’s so natural that it’s wishy-washy, it’s not red carpet-worthy—it’s just day makeup.” Dubroff, who gave Winslet the ultimate natural look for the Golden Globes, says the key is meticulously applying each different element, making sure to give contour, shape and definition to the eyes, cheeks and mouth. And one final detail, Dubroff notes, is key. “Flawless skin,” she says, “is an absolute must.”

Abigail Breslin at at at the Film at the BAFTAs the Golden Globes the Golden Globes Independent Spirit Awards BRESLIN BY JON FURNISS/WIREIMAGE; WEISZ BY FRAZER HARRISON/GETTYWILLIAMS IMAGES; HAYEK, BY GARNER JEFF BY STEVE GRANITZ/WIREIMAGE; VESPA/WIREIMAGE;SCOTT BY MICHAEL OWEN LIU BAKER/WIREIMAGE; BY GREGG BECKHAM COLLETTE BY DIMITRIOS KAMBOURIS/WIREIMAGE BY STEVE GRANITZ/WIREIMAGE; CAMPBELL BY JEFFREY MAYER/WIREIMAGE; JACKSON BY CHRIS WA

THE HOLLYWOOD ISSUE 23 SMOKY EYES The smoky eye may be a staple on the red carpet, but this season makeup artists imbued it with a new twist: color. Grey and black, Jennifer Hudson at the Oscars smoky eye staples, were instead at the Golden Globes replaced by a kaleidoscope of color, from hunter green on at the Globes

to plum on Reese Witherspoon BY FRANK HUDSON SEDGWICK, KING/WIREIMAGE; BY BARRY WINFREY MACMEDAN/WIREIMAGE; BY DAN PHOTO WITHERSPOON and shimmery mocha on Jennifer Hudson, both at the Oscars. “Last year’s smoky eyes were stronger and darker; this year’s were smokier and softer,” says Levin. As Dubroff points out, it’s a look GRANITZ/WIREIMAGE BY STEVE OTHERS ALL DEGUIRE/WIREIMAGE; BY GREGG RAE IMAGES; MICELOTTA/GETTY that complements—rather than at the Grammys competes with—whatever gown Reese Witherspoon at the Oscars an actress is wearing. “On the red carpet, the harmonization between the dress and face is so important,” she says. “Introducing subtle color enhances the feeling of the dress and one’s eye color.”

Felicity Huffman at the Golden Globes at the Vanity Fair Oscar party

Corinne Bailey Rae Shakira at Nelly Furtado at at the Grammys the Grammys the Grammys

Jennifer Hudson at the Golden Globes

Kyra Sedgwick at the Golden Globes

CURLS The curly girls were out in full force on the red carpet, from Shakira’s wild mane and Nelly’s shoulder-length style at the Grammys to the more tailored looks of Krya Sedgwick and Jennifer Hudson at the Globes. Tighter, shorter curls, as seen on Corinne Bailey Rae, also popped up. Curly as the styles were, though, they never looked unruly. “This year’s curls were much more controlled, not as much frizz and fuzziness,” says hairstylist Oscar Blandi. “Curly is sexy,” he contin- ues, with one caveat. “To get a sexy curly look, you at have to have a lot of hair. But you don’t want to be the Grammys too over the top, because otherwise you have big hair. Everything has to be in proportion.” 24 THE HOLLYWOOD ISSUE HOLLYWOOD’S HOTTEST BEAUTY TRENDS

Eve at the Vanity Fair Kirsten Dunst Natasha Bedingfield Oscar party at the Oscars at the Grammys at the Oscars

BANGS There is no faster way to alter your look than saying to a hairstylist, “Let’s cut bangs.” Which is exactly what Reese Witherspoon said to her hairdresser, Vavoom’s Townsend, on the eve of awards season. He reports the actress “wasn’t nervous at all” about making a IHANNA, WEISZ BY KEVIN MAZUR/WIREIMAGE; ALL OTHERS BY STEVE GRANITZ/WIREIMAGE big change right before a major event. Witherspoon wasn’t the only red-carpet fixture sporting the style: Rosario Dawson, Eve, Kirsten Dunst and Mariska Hargitay all opted for fringe. “Many women still think of bangs as little girl bangs, cut all the way from one side of the head to the other,” says Gibson. “It’s not that, though. Today, bangs don’t have that severeness. Instead, they’re soft and bring focus to the eyes.” Rosario Dawson at the Vanity Fair Oscar Party Mariska Hargitay at the Emmys “Today, bangss dondon’t’t have that seversevereness.e Instead, they’re soft and bring focus to the eyes.”

Cameron Diaz at the Golden at the Globes Billboard Music Awards

Anne Hathaway at the Oscars

Rachel Weisz at the Oscars Kate Winslet Maggie at the Golden Gyllenhaal at Globes the Oscars

RED LIPS The red lip is a red-carpet perennial and this year was no exception. , Maggie Gyllenhaal, Rachel Weisz and Nicole Kidman all opted for scarlet smackers at the Oscars, while , Kate Winslet and Rihanna wore the shade at the Globes and Grammys, respectively. And no wonder. “This is the year for red lips,” says Levin, who created Kidman’s Oscar look. What makes red lips new again is the texture. Eschew the heavy, matte look of red carpets past for a lighter stain. “This is a modernized version of a vintage look,” says Levin. “Achieve it by using a redder lipstick, but going for more of a stain.” Or combine

DAWSON, EVE PHOTO BY JEFFREY MAYER/WIREIMAGE; FOSTER, GYLLENHAAL BY JEFF VESPA/WIREIMAGE; BY LESTER HATHAWAY COHEN/WIREIMAGE; R it with a pink cheek for a baby-doll look, as did Diaz. “You’ve gotta love that,” says Carol Shaw. “It’s great when people have fun.” THETHE HOLLYWOOD ISSUE 25 ONLY PROFESSIONAL

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Ziyi Zhang at the Vanity Fair Oscar party Jada Pinkett-Smith VAVOOM, THE FIRST CHOICE at the Oscars OF PROFESSIONAL STYLISTS, EVERYDAY STARLETS AND ELLE WOODS. Reese Witherspoon at the Oscars

Garcelle Beauvais at the Film Independent Spirit Awards

Gwyneth Paltrow at the Oscars

Beyoncé Knowles at the Golden Globes WITHERSPOON, PINKETT-SMITHMICELOTTA/GETTY IMAGES; KIDMAN PHOTOS BY STEPHEN SHUGERMAN/GETTY BY JOHN SHEARER/WIREIMAGE; IMAGES; ALL OTHERS BY GREGG DEGUIRE/WIREIMAGE BEAUVAIS BY STEVE GRANITZ/WIREIMAGE; PALTROW BY LESTER COHEN/WIREI STRAIGHT HAIR It was as if Hollywood’s leading ladies got together before the big night and collec- tively decided that straight hair should be the hot style du carpet. Reese, Gwyneth, Nicole and Jada at the Oscars, Beyoncé at the Globes, Ciara at the Grammys—not a wave or a curl (or a hint of frizz) among them. Credit the new wave of styling products, which makes stick straight hair the province of anyone, provided Visit matrix.com now to learn they have a flat iron, says Townsend, who more about the Show-Stopping created Witherspoon’s Oscar-winning look. “The key to long straight hair is Glamour of Vavoom. that it looks healthy and we have the right technology to achieve that,” he says. Straight doesn’t mean flat though. What Vavoom is a proud sponsor of all of these looks had in common was body—not always a given with straight hair. “Reese’s dress had an actual flow to Ciara at the it and I wanted the hair to feel the same NicoleN Kidman Grammys at the Oscars way.” Mission accomplished. 28 THE HOLLYWOOD ISSUE Supporting Players Ah, the glamorous life...or is it? Life behind the OR MOVIE MAKEUP DEPARTMENT Finally, shortly after 1 p.m., Lohan moseys into head Tricia Sawyer, the film I Know Who scenes with the trailer with no aura of urgency. She updates the Killed Me officially wrapped at 4:30 a.m. crew on her latest purchases—a phone and a tattoo. on March 6 after a 19-hour day and 14 solid Hollywood’s “I had to do something, I was getting too anxious,” weeks (excluding a hiatus of three due to she says, explaining the inking. After the schoolgirlish star Lindsay Lohan’s rehab stint) of work. catching-up ends, Lohan plops down in the chair to FThrough it all, the makeup trailer was her home, most be made over. She shuts her eyes as Morgan twirls her as evidenced by the loose bags of almonds (for hair into curlers and Sawyer paints her nails and puts sustenance,) Mariage Frères candles (a calming successful on fake eyelashes. pleasure her fiancé doesn’t quite understand), cupcakes The pressure is on. The A.D. brings the news: Time made by her soon-to-be stepdaughter for Lohan and hair and has run out. With curlers still in her hair, Lohan exits magazines strewn about the place to pass the time. the trailer. Sawyer spruces up her makeup on the set, And on a movie set, if you’re a hairstylist or makeup just before the cameras roll. artist, there is plenty of time to pass, but precious makeup artists. Time is money, and nowhere is that more apparent minutes to actually get the task done. Life is one long than on a movie shoot. This low-budget film, Sawyer stretch of downtime punctuated by bursts of frenetic By Rachel Brown estimates, costs around $150,000 a day to produce. activity when actresses and actors are being prepped. Illustrations by Peter Arkle Every minute of overrun is a potential budget buster. For directors, makeup and hair, no matter how Making a movie, many in the business of doing so important, prevents stars from doing their main job: say, is akin to starting, operating and taking down a acting. The less time primping takes, the better. multimillion dollar company in a matter of weeks. On the last day of , Sawyer The short lifespan makes the experience intense—the arrives on the set at 10:42 a.m. She, her assistant Brooke budget constraints, bonding, stress and workload are Bell, and hairstylist Anne Morgan make phone calls, all turned up a notch. And of course, like any office, check e-mails and chat—and try to calm the frazzled it has its share of politics, a particular breed of which nerves of the assistant director, who stops by repeatedly exists in the makeup trailer. in a state of extreme panic. He needs Lohan now and “There is a stigma in this business that there are repeatedly pops his head into the makeup trailer to three types of hair and makeup people. There are the check if she’s there. “How long will she take?” he asks movie kind, the TV kind and the fashion kind,” says with life-or-death seriousness. A half-hour for hair and Richard Marin, who leaped from styling hair for the 15 minutes for makeup is the reply. “These guys have runway and magazines to coiffing the cast for no sense of humor,” Sawyer says in an aside. 34 episodes. “The TV people have the stigma of not

THE HOLLYWOOD ISSUE 29 One of Tricia Sawyer’s always-there knowing how to do very good hair and makeup because Still, such requests can cause tension on the set. A they don’t keep up with fashion. Movie people have a professional top star might request a stylist from a favorite salon stigma of not having loves because they go away for who cuts her hair but has no film background. “This four to six months at a time. The fashion kind, they tools is a happened recently and the person had never been on say, ‘Oh, I would never do this [film or TV] job. I only a set before. They didn’t even know the word ‘wrap,’” do covers and advertising campaigns.’” continuity says Bunny Parker, who headed hair departments on True or not, the perception of difference has Crash and Bobby. “It makes it hard on the rest of us historically kept makeup artists and hairstylists in the who are qualified.” various fields on separate career paths. Case in point: notebook Nicki Ledermann, known for her makeup artistry When Marin consulted his peers about Friends, he on The Devil Wears Prada and , notes was told it was an awful move for someone building another drawback: Consistency of the movies’ look can a - and celebrity-studded portfolio. Times suffer. On a movie like Bobby, for example, Parker was change. Ultimately, says Marin, “It was the best thing hair department head, but , I did for my career,” and more and more artists are and Lohan all had their own hairstylists and makeup making the move. artists. The result: Some criticized the film’s makeup Madeline Leonard, who runs Cloutier Agency in Los for not being Sixties-appropriate throughout the cast. Angeles, traces the growth in requests for personalized That’s why one of Sawyer’s always-there professional hair and makeup artists to Friends. The powerful cast tools is a continuity notebook with digital pictures of could handpick crew members. Marin, for instance, characters during scenes throughout the movie, along has continued to work with , most with a list of the makeup used. Horror stories abound recently on an episode of Dirt, on in makeup and hair circles about failures of continuity. Analyze This and Courteney Cox on Scream 2. During a movie he declined to name, Donald Mowat, Other actors and actresses craved their own support a makeup artist who worked with Mark Wahlberg on staff too. Of course, special treatment for stars is not The Departed and Shooter, bloodied a lead actor for a new. Susan Cabral-Ebert, president of the nearly fist fight. The fight was nixed in the editing room, and 1,700-member IATSE Local 706, the makeup artists the actor’s mouth went from unhurt to busted for no and hairstylists guild, names Marlene Dietrich and with digital apparent reason. “Sometimes you watch a movie and Grace Kelly as two icons who had their own beauty say, ‘Why is she made up like that and there is nothing teams. What is new is that a star now doesn’t have to pictures to link it up,’” Mowat says. “Those breaks are hard. be of Dietrich’s and Kelly’s caliber to make demands. The audience should [be able to] follow it.” The Friends phenomenon coincided with the of characters Schooled in hair on fashion shoots and runways, demise of the and the rise of the super John Frieda expert Kerry Warn says nailing down film celebrity in its place. With actresses gracing magazine continuity can become repetitive. On Eyes Wide Shut, covers, they became accustomed to top hairstylists and during Stanley Kubrick dragged out one scene for weeks. makeup artists. In turn, those stylists and artists have Every day of shooting, Warn was required to perfect tied their careers to the stars, taking film and television scenes the exact same hairdo on Nicole Kidman. “Doing jobs previously frowned upon to build relationships. fashion, I never really paid attention to [continuity]. “The line is blurred,” says Marin. throughout You altered the girl as she was standing there,” he says. The staggering power of Hollywood to set trends has “[On movies], to have to make sure the hair looks the made its allure to hair and makeup artists undeniable. same, it’s a stretch.” “In America, only when something exists on television the movie, The studios resist star demands for their own is it real or important,” says Kristofer Buckle, a makeup reasons. According to a 1993 labor agreement between artist who works with and has been along with the studios and the union, a base wage scale for a behind the scenes on her films. He outlines the arch makeup artist or hairstylist on a movie with a budget of a hair or makeup trend: It starts on the runway and a list of the of $10 million or more is $44.51 an hour. That doesn’t gets filtered through magazines, movies and films, include overtime—an average day can run from 14 to 16 where it is interpreted for the masses who take pictures makeup used. hours—and what is called a box rental for supplies that of their favorite stars to makeup counters or salons to can be several hundred per day. But a primo celebrity emulate the looks. makeup or hair person doing a movie can earn up to Angela Levin has worked in all media during her $6,000 or more a week in rare instances, not to mention career. “The profile of the girls whom I work with is first-class airfare, luxury hotel accommodations and that once they find someone they’re comfortable with, use of an air-conditioned car during shooting. they prefer to keep working with them,” says Levin, Studios simply don’t want to cover the extra salaries. a celebrity makeup artist who is under contract with To cut costs, many have capped star perks at lump Chanel. Her “girls” include , Aniston and sums. They’ve also lobbied for makeup and hair people Nicole Kidman, for whom Levin did makeup on three to double up on duties, taking care of both a lead star movies—His Dark Materials: Golden Compass, The and the department. Makeup or hair department Invasion and Margot at the Wedding—in production heads report to the director, hire staff (a six-person this year. Tricia Sawyer stastaffff is about average, but reportedly up to 80 makeup

30 THE HOLLYWOOD ISSUE THE HOLLYWOOD ISSUE 31 and hair people worked on loosen with a quick blow-dry. Marie Antoinette) and oversee On the movie Georgia a film’s look. Rule, scheduled for release in The structure of the hair May, Marin had to believably and makeup industry itself style Felicity Huffman’s hair to helps keep costs down. follow dramatic plot twists. Celebrity makeup artists and Huffman starts off looking hairstylists stay out of film normal, even trendy, then because they can make better goes through a breakdown and pay elsewhere. Makeup artist chops off her hair. Marin took Molly Stern, who regularly his scissors to wigs over and handles Reese Witherspoon’s over again, but director Gary red-carpet events and joined Marshall pushed for more. her on Just Like Heaven and “I don’t have a lot of practice the upcoming Rendition, making people look horrible, estimated an in-demand “I don’t have but finally I just went for it celebrity freelancer notches $1,500 to $4,000 a day, and cut these big holes in the wig,” recounts Marin. versus at most about $10,000 a week on a movie. On a lot of “[Huffman] walked out onto the set and showed top of that, lucrative contracts with makeup companies the wig. [Marshall] yelled out, ‘You look hideous. are not doled out on the basis of movie or television It’s perfect.’” credits. “Someone who doesn’t work on films, but practice On period pieces, makeup artist and hairstylists who has freelance and celebrity [clients] has the same raid Warner Research for vintage Look, Ladies’ opportunity to get a contract with a line,” says Stern, making Home Journal and Vogue magazines for inspiration. who has a deal with CoverGirl. Old movies can come in handy as well. Brad Wilder Money isn’t everything. Movies are arduous. Weeks people look watched Rosalind Russell in His Girl Friday before at a time may have to be spent in remote destinations starting on Leatherheads, a movie set in the Twenties. and the days are long. After four months in London on Russell’s attitude and liberated style informed Wilder Killing Me Softly with , Stern had her horrible, about the makeup for Renée Zellweger, who plays fill of the movie business. “It was a miserable experience. a ballsy reporter. A modern woman of the time, he The people weren’t hellacious, but the hours [were]. I but finally learned, was empowered to use makeup extensively, was far away, and I was lonely,” she says. even—gasp—audaciously flashing her lipstick and Teamwork is necessary to get through the process. I just went compact in public. The only diva on a movie is the star. No others need Shooting on film can be complex, too. One rule of apply. The collaborative environment attracted for it and thumb according to Wilder: Everything skews darker. makeup artist Ledermann, who originally broke “You can use a dark brown eyeliner, and it’s going into the business practicing her craft in magazines. to look relatively black on film,” he warns. Another “Fashion is very superficial. It’s very in the moment. cut these mistake is to apply overly iridescent foundation. On It’s very glitzy. It depressed me because I felt there film, it can make the actress appear sweaty. In the is more to life than this,” she says. “In film, because big holes height of Technicolor, foundations with pink in them of the screenplays and all the variety of people, you were a mainstay. Yellow-tinged bases are the current experience life in very different aspects.” in the wig,” staple today. The type of work is very different as well. A film Working on The Hours, Warn learned firsthand how makeup artist’s job, unlike a celebrity makeup artist, camera filters can alter appearance. Because Kidman’s is to make a character realistic, not ultraglamorous. recounts character aged, he had to turn her hair gray. On the Celebrity makeup artist Stern found toning down the initial tries, her hair came off as blonde through the makeup tricky on Just Like Heaven. Witherspoon’s Marin. The filters. “It’s a question of toning it, not changing it character was in a coma —not exactly red-carpet drastically,” he says. “We should cool the color down a ready—for the majority of the movie. director bit if it’s looking too warm and vice versa.” As a rule, makeup artists and hairstylists carefully To Sawyer, certainly, being comfortable behind study the script to tease out clues about the character yelled out, the scenes in the makeup trailer is key to the job. and the context. Then discussion takes place with the After all, she’s in one a lot. Sawyer, who is also busy director and actor, who share thoughts about how the spearheading a namesake beauty line for QVC, is character should be developed. ‘You look headed soon to Florida to age Sharon Stone 20 years That was Enzo Angileri’s protocol on A Few Good for a cameo in Rocket and then probably off to London Men, where he styled Demi Moore’s hair. The hair hideous. for a movie with Lindsay Lohan and . had to be convincing for a military woman. It had If her schedule seems crazy, that’s because it is. After to exude toughness, and simultaneously be sexy and It’s perfect.’” all, this is Hollywood. And as Audrey Hepburn said beautiful, all while hidden under a hat for much of in Breakfast at Tiffany’s, “A girl can’t read without the movie. The solution was a short cut that would her lipstick.” n

32 THE HOLLYWOOD ISSUE Roll the Beauty Credits Lights, camera, beauty! Call them the go-to glam squad, the makeup artists and hairstylists Hollywood’s hottest actresses call upon to make them look perfect for any part. —R.B.

Hair Noriko Watanabe Emanuel Millar CREDITS INCLUDE: Kill Bill: Vol. 1 CREDITS INCLUDE: The Missing (Lucy Liu), Eternal Sunshine of (), Girl, Interrupted the Spotless Mind (Kate Winslet), (Angelina Jolie), Get Smart (Anne Wimbledon (Kirsten Dunst) Hathaway) Barbara Olvera Kimberly Kimble CREDITS INCLUDE: The Black Dahlia CREDITS INCLUDE: Dreamgirls (,) Confessions (Beyoncé Knowles), The Pink of a Dangerous Mind (Drew Panther (Beyoncé Knowles), Austin Barrymore), Ever After (Drew Powers in Goldmember (Beyoncé Barrymore), The Nanny Diaries Knowles) (Scarlett Johansson) Lyndell Quiyou Colin Jamison CREDITS INCLUDE: Freedomland CREDITS INCLUDE: Alexander (Angelina (), My Best Friend’s Jolie), Mr. & Mrs. Smith (Angelina Wedding (), Notting Jolie), Lara Croft Tomb Raider: The Hill (Julia Roberts) Cradle of Life (Angelina Jolie) Melissa Yonkey Anne Morgan CREDITS INCLUDE: Bobby Makeup CREDITS INCLUDE: Walk the Line (Lindsay Lohan), Shall We Dance (Reese Witherspoon,) Blood (Jennifer Lopez), Maid in Heba Thorisdottir Robin Fredriksz Diamond (Jennifer Connelly,) (Jennifer Lopez), Bordertown CREDITS INCLUDE: The Prestige CREDITS INCLUDE: There’s Something About Mary (Jennifer Lopez) (Scarlett Johansson), The Black (Cameron Diaz), In Her Shoes (Cameron Diaz), I Know Who Killed Dahlia (Scarlett Johansson), The (Cameron Diaz), Fever Pitch Me (Lindsay Lohan) Blondell Good German (Cate Blanchett), (Drew Barrymore) CREDITS INCLUDE: You, Me and Dupree The Other Boleyn Girl (Scarlett Kerry Warn (), How to Lose a Guy Johansson), Rise (Lucy Liu), The Toni G CREDITS INCLUDE: Bewitched in 10 Days (Kate Hudson) Nanny Diaries (Scarlett Johansson) CREDITS INCLUDE: The Good Shepherd (Nicole Kidman), Eyes Wide Shut (Angelina Jolie), North Country (Nicole Kidman), The Others (Nicole Kay Georgiou Angela Levin (Charlize Theron), Monster Kidman) CREDITS INCLUDE: Derailed CREDITS INCLUDE: The Break-Up (Charlize Theron), A Mighty Heart (Jennifer Aniston), Shallow Hal (Jennifer Aniston), The Stepford (Angelina Jolie) Enzo Angileri (Gwyneth Paltrow), Possession Wives (Bette Midler), His Dark CREDITS INCLUDE: The Italian Job (Gwyneth Paltrow) Materials: Golden Compass (Nicole Erin Ayanian (Charlize Theron), Aeon Flux Kidman), The Invasion (Nicole CREDITS INCLUDE: Charlie’s Angels: (Charlize Theron), The Adventures Kidman), Margot at the Wedding Full Throttle (Lucy Liu), Bobby of Rocky & Bullwinkle (Rene Russo) (Nicole Kidman) (Lindsay Lohan), Mr. Brooks (Demi Moore), Code Name: The Cleaner Tricia Sawyer (Lucy Liu) CREDITS INCLUDE: Bobby (Sharon Stone), Casino (Sharon Stone), Richard Dean Rocket (Sharon Stone,) I Know CREDITS INCLUDE: Mona Lisa Smile Who Killed Me (Lindsay Lohan) (Julia Roberts), Erin Brockovich When a Man Falls in the Forest (Julia Roberts), Runaway Bride (Sharon Stone) (Julia Roberts) Brad Wilder Ronnie Specter CREDITS INCLUDE: Hulk (Jennifer CREDITS INCLUDE: Freedom Writers Connelly), Sweet Home Alabama (Hilary Swank), How to Lose a Guy (Reese Witherspoon), Walk the Line in 10 Days (Kate Hudson), Stardust (Reese Witherspoon), Leatherheads () (Renée Zellweger), Case 39 (Renée Zellweger) Judy Chin CREDITS INCLUDE: Blood Diamond Margot Boccia (Jennifer Connelly), Failure to CREDITS INCLUDE: Maid in Manhattan Launch (Sarah Jessica Parker), The (Jennifer Lopez), Monster-in-Law Family Stone (Sarah Jessica Parker) (Jennifer Lopez), Shall We Dance (Jennifer Lopez), Blonde Ambition Pamela Westmore (Jessica Simpson) CREDITS INCLUDE: Premonition (), Infamous (Sandra Bullock)

THE HOLLYWOOD ISSUE 33 Shirt by Lela Rose.

34 THE HOLLYWOOD ISSUE PASSIONATELY DEVOTED

TO HER CRAFT—NOT THE TRAPPINGS

THAT GO ALONG WITH IT—

ACTRESS KATE MARA IS ON THE

VERGE OF BREAKING

THROUGH INTO THE RANKS OF

MAJOR .

BY JENNY B. FINE great PHOTOGRAPHED BY GUY AROCH expectations

THE HOLLYWOOD ISSUE 35 A STUDY

IN

CONTRASTS CONTRASTS

IN IN

STUDY STUDY A A

Shirt by Karen Walker, shorts by Antonio Berardi.

36 THE HOLLYWOOD ISSUE Chiffon top by Chloé.

ORGET THE CRITICS. WHEN IT COMES TO SEEKING JOB costars Sir Ben Kingsley, Woody Harrelson and Emily Mortimer. approval, actress Kate Mara has her own high standards to live up to. The former is an , the latter a dramatic thriller—and the fact “It’s always flattering when someone says something nice about that they have relatively little in common is exactly the point for Mara. “I like something you worked really hard on,” says the auburn-haired 24- a challenge, something I haven’t done before,” she says. “Roles that scare you year-old in her straightforward, matter-of-fact style. “But it’s more are always the best ones to take, because then you have to do the work and important that I feel proud and satisfied with the work I did without it’s so much more fun. It’s better for me when a role makes me nervous.” having to get approval from a critic or anyone else.” Mara has been acting since the age of nine—although her family tree lends Ignoring the critics may get increasingly hard for Mara, though. After itself more to athletics. Born in Bedford, N.Y., about an hour north of New steadily ascending the ranks of working actresses in Hollywood—over the York City, she is the great-granddaughter of Timothy Mara, founder of the past two years, she’s been in Brokeback Mountain, co-starred in 24 and , and , founder of the . An avid received rave reviews for the otherwise tepidly received We Are Marshall— football fan, Mara grew up singing the National Anthem at Giants games—a Mara has a full slate of films on deck. Early April saw the release of Shooter, practice she continues today on opening day and other special occasions. a fast-moving action flick in which she costars with Oscar nominee Mark Though she began acting professionally at 14, she does admit to the Wahlberg, and she recently wrapped filming on Transsiberian, which occasional bouts of self-doubt when making a film. Take Brokeback

THE HOLLYWOOD ISSUE 37 Makeup by Christy Coleman at The Wall Group; hair by Hallie Bowman at The Wall Group; styled by Frances Tulk-Hart at See Management; set and props by Stephen Caputo at igroupnyc. com; manicure by Gina Viviano for ArtistsByTimothyPriano.com.

38 THE HOLLYWOOD ISSUE try to not take it too seriously and just be laid-back about the whole thing.”

Mountain, in which she played the daughter of and Michelle Williams and was directed by Ang Lee. “The best word to describe him would be peaceful, but he’s also extremely focused,” Mara says of Lee. “He’s very specific, and it was hard at first to get used to that. My role was small and I was only there for a short amount of time, but I was convinced I’d be fired after the first day,” she laughingly remembers. “Then I realized that’s his way of directing and, by the end, I embraced it and realized that’s why he’s so well respected. He knows what he wants and he really does the work—he knows exactly how it’s supposed to look, how it’s supposed to sound, but he’s not opposed to you trying things.” When Mara talks about movies and directors, she knows whereof she speaks. A self-described cinema buff, she spends her off hours watching films old and new, from movie musicals like The Sound of Music and Oklahoma to modern classics like Coal Miner’s Daughter and Shakespeare in Love. That grounding has given her a very clear idea of how to navigate the sometimes tangled twists of Hollywood. She is devoted to her profession, not the extreme fame that comes along with it. Often compared to a young Julia Roberts, Mara is quick to demure when asked if she’d like to achieve stardom on that level. Noting that Roberts is an actress whom she greatly admires, Mara also names Gwyneth Paltrow, Cate Blanchett and Kate Winslet (“We have the same first name, but that’s not the reason!” she jokes) as role models. “I admire actresses who are known for their acting. “You can have great style, but I’m not interested in being known for what I wear.” That’s not to say she’s completely immune to the fashion bug. Describing herself as obsessed with Christian Louboutin shoes—the 5-foot, 3-inch actress’ most recent purchase was a pair of peep-toe turquoise pumps with a 4 1/2-inch heel—she also favors Prada, Chanel and Dolce & Gabbana. For red-carpet appearances, Mara works with a stylist, but takes inspiration from her roles for her day-to-day style. “One day I’ll wake up and feel very girly, the next, I’ll want to wear Converse sneakers and a hoodie sweatshirt. When I was shooting We Are Marshall, my clothes were Seventies-inspired and it made me want to dress like that in my normal day life.” Even though she recently moved from New York to Los Angeles, land of the omnipresent paparazzi, when it comes to beauty, Mara’s routine is relatively low-maintenance in the way that only the genetically blessed can be. Her must-have makeup item? Mascara—L’Oréal’s Double Extend is a current favorite. As for her flaming red hair, a distinctive trait that sets her apart from hordes of young wannabes? “I’m awful,” she says, when a hairstylist compliments her on its healthy state. “The only time I brush it is when I get out of the shower. I love Bumble and bumble’s products for redheads, but if I travel, I don’t bring my own shampoo,” she continues to groans all around. “I just use what they have in the hotel.” Mara may be low-key about her beauty, but she’s not about her career. “I have a crazy passion for acting. It’s the only thing I’ve ever wanted to do,” she says. “I feel really lucky because I have a lot of friends who are trying to figure out what they should do. I’ve always known and my passion today is just as strong as when I was a kid. Stronger even. I just love it.” ■n

THE HOLLYWOOD ISSUE 39 upup

& WATCH YOUR BACK, LINDSAYaway LOHAN. THESE SIX young, talented, up-and-coming starlets are all perfectly poised to steal a lot of headlines this year. But unlike the hard-partying, rehab- jumping, car-crashing celebrities currently running amok, these actresses are in the news for their skills on the screen, not their paparazzi street cred. Even more inspiring, they’re all under the age of 25. While some of these talented ladies might not be familiar to you, they’re all on the fast track to becoming household names within the year, thanks to breakout performances alongside some of the mary biggest names in Hollywood in some of the most hotly anticipated movies. BY MEGAN MCINTYRE elizabeth winstead, 22 THE DRAMATIC DARLING At the tender age of 22, Winstead already has an impressive dramatic , 24 résumé, with parts in Bobby THE SCENE STEALER and Factory Girl under her belt. Last year was a banner one for Brit Emily Blunt, who Currently she’s showing off her horror stole the show in The Devil Wears Prada. Blunt, who background (she starred in Final made her acting debut in the theater alongside Dame Destination 3 and a remake of Black , shone in the role that landed her a Golden Christmas) as one of a number of Globe nomination as the hassled and hilariously Grindhouse girls in the feverishly sardonic assistant to ’s demanding editor anticipated and from hell. But Devil was just a toe dip in the Hollywood grisly double feature, pool for Blunt, who has a whopping seven films in Grindhouse. This summer will see the pipe, including the female lead in The Great Buck Winstead tackling action blockbusters Howard alongside and John Malkovich. as the daughter of ’ Blunt may have had a whirlwind 2006, but 2007 looks hard-to-kill detective John McClane in to have even more in store for this gifted and congenial the latest installment of the Die Hard young star. franchise, Live Free or Die Hard.

40 THE HOLLYWOOD ISSUE emma roberts,16 THE TEEN QUEEN As the niece of Julia Roberts, it’s safe to say that Emma Roberts has one big golden ticket into the Hollywood hierarchy. Yet despite her famous relation, she’s nabbed roles and attention in her own right, not relying on her aunt for recognition. At the age of 10, Roberts had her breakout role in the drug-filled drama Blow, alongside

Y . Fast-forward six years and Roberts is

GETT making headlines as the guitar-toting, lovable klutz / Addie Singer on Nickelodeon’s hit series Unfabulous, which has earned her an army of tween fans and a record deal with Columbia. That’s just the beginning. Roberts is creating major buzz for her first starring role in the upcoming Nancy Drew movie, based on the classic teen detective books. ETTY; STEWART: KEVIN WINTER brittany snow, 21

RLEY GALLAY/ GETTY; STEWART: KEVIN WINTER/GETTY THE REBOUND GIRL Fans of the TV show American Dreams will remember Brittany Snow as the sweet-as-pie, American Bandstand- obsessed Meg Pryor in the Sixties-era television show that was critically acclaimed but suffered from poor ratings. When Dreams was canceled in 2005, Snow did a complete about-face, making a guest appearance as a racist neo-Nazi teen on the edgy FX drama Nip/Tuck. kristen Now she’s diving headlong into movies, with roles in teen comedies like last year’s John Tucker Must Die and next stewart, 17 year’s horror flick Prom Night. She’s also landing some meatier roles. She’ll play snotty Amber von Tussel in THE UNDERAGE VETERAN the upcoming movie version of the musical Hairspray Stewart has made a name for herself with and Michelle Pfeiffer and will star playing freaked-out teenagers in alongside Matthew Broderick in next year’s substance horror movies. She’s best known abuse drama Finding Amanda. for her role as the terrified diabetic teen trapped in 2002’s Panic Room. She held her own in the film with megastar Jodie Foster and soon landed other choice roles, including hayden that of and Sharon Stone’s daughter in the horror film panettiere, 17 Cold Creek Manor. But Stewart is out to show she’s more than just THE SCI-FI SWEETHEART a screaming, terrorized, slasher- If “save the cheerleader, save the world” has any movie actress. While her first film meaning to you, then chances are you’re already release of the year, The Messengers, familiar with Hayden Panettiere, aka the indestructible was a scary movie, she’s hitting cheerleader from the hit NBC sci-fi show Heroes. Before other genres hard, starting with a she was purposefully mangling her hands in garbage starring role as ’s daughter disposals or throwing herself into fiery buildings, and Adam Brody’s love interest in Panettiere was taking on TV with guest roles in shows the upcoming romantic comedy In like Malcolm in the Middle and Ally McBeal. She’s the Land of Women and a part in also got a beauty deal with Neutrogena, who saw her the directed wilderness potential and signed her on as a brand spokeswoman in drama Into the Wild, alongside 2005. While Heroes is currently her only commitment, . Currently, Stewart she’s been putting in the hours on the red carpet, is filming the comedy What Just showing off her natural beauty and burgeoning sense Happened with Robert De Niro and

BLUNT: VINCE BUCCI/GETTY IMAGES; WINSTEAD: BUCCI; ROBERTS: MILLER/GETTY; RYAN SNOW: DENISE TRUSCELLO/WIREIMAGE; PANETTIERE: CHA of style at various events and ceremonies. Stanley Tucci.

THE HOLLYWOOD ISSUE 41 marketing spotlight Reality fact these ads are about marketing a new product,” she continues. “But a typical marketing approach would use young, airbrushed models to introduce an antiaging product. Check Dove has decided to use women over 50 who have gray hair and sun spots. Would you buy beauty products from these These are real images, and they’re women? Dove’s anti-Hollywood advertising beautiful. They represent strength and confidence.” approach is proving to be a long-term ringing That message seems to have struck success at the cash register. a chord. Consumers are respond- ing to the Unilever-owned brand’s BY MOLLY PRIOR brazen, anti-Hollywood stance, as it PHOTOGRAPHS BY ERIC RAY DAVIDSON continues to glance over the perfectly coiffed heads of celebrities in favor of real women. The brand has doubled its business over the past five years, reaching $1 billion in U.S. retail sales, WENDY KATZMAN STARS IN according to Kathy O’Brien, Dove’s a national beauty advertising marketing director. “We have aggres- campaign shot by world famous sive plans for the next five years and photographer . expect to double our business again. Haven’t heard of her? Didn’t We’re slightly ahead of last year’s think so. When Dove went search- growth rate.” ing for “stars” for its newest ad One way Dove plans on doing that campaign, it blazed right past is by continuing to shatter conven- Hollywood on Interstate 405 tional molds in beauty advertising. to find Katzman, a 55-year-old “Dove continues to break stereotypes, physical therapist in San Francisco. and age is one of the most prevalent Recruited by a scout while linger- stereotypes out there,” says O’Brien, ing in the sauna at her fitness club, referring to the brand’s decision to Katzman is one of six “real women” take issue with the industry’s anti- over the age of 50 who appear in aging message and instead present the brand’s skin-baring Pro-Age a pro-aging message. Dove asserts campaign. that none of the images has been Although Katzman considers airbrushed or retouched, save for herself a private person and admits removing a shadow here and there. that she wondered how she’d feel if The eyebrow-raising Pro-Age she saw a billboard of herself at a campaign, created by Ogilvy & Bay Area Rapid Transit rail station, Mather, has surfaced on a billboard she shed those concerns, along with in New York’s Times Square and her robe, for the photo shoot with within the pages of glossy maga- Leibovitz. The accompanying ad zines. The images were also slated copy declares: “Too old to be in an to air on the small screen, but TV antiaging ad. But this is Pro-Age, a executives banned them from their new line of skin and hair care from networks because the pictures didn’t Dove. Beauty has no age limit.” meet with their internal “standards “It’s a lovely message presented and clearances,” said a Dove spokes- in a beautiful way,” says Katzman. woman. The effort ties into Dove’s “I’m not going to dispute the Campaign for Real Beauty, a global

42 THE HOLLYWOOD ISSUE THE HOLLYWOOD ISSUE 43 marketing spotlight

is a symbol of the revolutionary change that is happening in the marketing “Anything that’s world,” he says. Chajet, who helped design the original package for the Dove beauty bar, adds, “It’s a real challenge to keep a brand current, given that the number of brands and media outlets have exploded.” done to Dove has attempted to take advantage of that explosion by posting casting calls for real women on its Web site and setting up chat rooms where women celebrate women can discuss current beauty standards. A recent effort included a monthlong online contest—promoted on YouTube with a video clip featuring Grey’s Anatomy actress Sara Ramirez—that invited women to create their own of different 30-second commercial for Cream Oil Body Wash. The winning ad, featuring a young woman using the body wash in the ages and sizes shower, aired in a commercial break during the 79th annual Academy Awards in February. In the ad, contest winner Lindsay Miller of Sherman Oaks, Calif., asks, “What’s better than knowing you’re beautiful even when no one is looking?” should be Dove’s O’Brien notes that the contest generated 1,000 submissions and two million hits on dovecreamoil.com. “The contrast of a real woman’s celebrated amateur video against the glitz and glamour of the Oscars was striking,” says O’Brien. The professional ad began airing in early March. But not every Madison Avenue ad executive is convinced. “I’m so tired because the of reality. Every now and then a little fantasy doesn’t hurt,” says Charles DeCaro, partner in New York ad agency Laspata/DeCaro. He recalls how current standard Dorian Leigh, the redheaded stunner who appeared in ’s Fire and Ice ad in the Forties, transported consumers to a different mood and time. DeCaro, who had just returned from the Oscars, acknowledges, “Anything of beauty is that’s done to celebrate women of different ages and sizes should be celebrated because the current standard of beauty is so alien to reality.” so alien to reality.” He adds, however, “This is not about saving mankind. The end goal is to sell more soap.” Dove’s tell-it-like-it-is marketing effort launched in 2004 to broaden current beauty standards. approach may work for personal care, Dove’s fondness for the Average Jane taps into an emerging marketing WOMEN OVER 50 but some question whether it would tool of consumer-generated content, says Nate Morley, vice president, group be as effective for color cosmetics or creative director of Deutsch Inc. He says that Dove’s realistic pull in a sea hair color. After all, Revlon’s attempt of aspirational advertising ties into consumers’ fondness for “mixing and % to use older women, wrinkles and all, matching,” whether it’s wearing designer jeans and an H&M T-shirt or 91 to peddle its Vital Radiance cosmetics buying into multiple messages about beauty. “Dove has built an emotional believe it is time for line fell flat. The line was discontinued HAIR BY GUNN; MAKEUP BY STEVIE AT STEVIEMAKEUP.COM; STYLED BY SHOSHANNA FISCHHOFF connection with the consumer, but it’s also done a nice thing strategically society to change in September. where it’s separated itself from everyone else in the category,” says Morley, “Dove’s mantra is be the best you adding that Ray-Ban has taken a similar approach with its “Never Hide” its views about women can be, but not about transforming campaign. Introduced in March by projecting homemade images of people and aging. yourself,” says Gloria Appel, execu- wearing Ray-Bans on 12 jumbo screens in Times Square, the company says tive vice president, group director at the effort “portrays regular guys and girls living their everyday lives with Grey Worldwide New York, where she authenticity...because the most fashionable thing to be is yourself.” works with Procter & Gamble’s Clairol, Still, for many there is an inherent contradiction in Dove’s approach. % Max Factor and CoverGirl brands. Says Meenakshi Gigi Durham, associate professor of journalism and mass 92 “Color cosmetics and hair color are communication at the University of Iowa, “Dove is marketing products, like believe past generations about transforming yourself, rather a thigh-firming cream, by saying ‘Stay just the way you are.’” But, in her view, of women over 50 than acceptance.” Dove’s sense of humor about unrealistic expectations is appealing. “Everyone Appel applauds Dove’s ability to wants to look attractive, but not everyone wants to adhere to the narrow were not doing the spark a global conversation, though. Hollywood definition of beauty,” continues Durham, who teaches classes on things women over 50 “The notion of real beauty is some- gender and sexuality in the media. “Dove is saying you can enjoy your looks are doing today. thing that has always been on women’s without striving for unattainable extremes.” minds,” she says, adding that there A number of advertising executives say that the intention of the campaign, continues to be a group of consumers while philanthropic to some extent, is ultimately to sell more soap. Dove, it who are enamoured with celebrity. “I seems, is just getting on a higher soapbox to do it. Many also assert that Dove’s % do give the Dove team a lot of credit for decision to shatter beauty’s traditional advertising template is an effective 87 having the courage of their convictions. way to break through a cluttered marketplace. “The campaign stands out in believe they are too It has taken a path and continues to a crowded landscape,” says David Wolfe, creative director of The Doneger stay with it, becoming more audacious Group. “These days, to grab people’s attention is a miracle. Dove is in the young to be old. along the way.” However, she freely ad- vanguard of what’s going to be realistic advertising aimed at real people.” SOURCE: DOVE SURVEY mits, “I still believe in Charles Revson’s Clive Chajet, chairman of Chajet Consultancy, agrees. “Dove’s campaign idea of ‘hope in a jar.’” ■n

44 THE HOLLYWOOD ISSUE THE HOLLYWOOD ISSUE 45 BABACKC STAGGE ATT THEE ACAADEDEMMY AWAW RRDS WITH HOLO LYWOOOOD’S GO-TOT HAIRSRSTYYLIL STS .

SUPERSTAR HAIRSTYLIST ORIBE IS NO STRANGER TO THE Oscars. (He created J.Lo’s famous bubble coif a few years ago, among others.) But this year, the pressure was really on. Oscar host Ellen DeGeneres, her partner Portia de Rossi and nominee Penélope Cruz all enlisted the Miami- based stylist to do their hair for the 2007 Academy Awards. With a client roster like that, the margin for error is nil, so about a month before the big day, Oribe began thinking about the style for each woman, sketching out his ideas. For Cruz, he envisioned a strong look, “somewhere between Frida Kahlo and Maria Callas. I don’t want her hairdo to take over,” he said in early February.

46 THE HOLLYWOOD ISSUE HAUTE GLAMOUR Oribe’s original sketch FRREE TO BE CRIMP’S MY STYLEE had more texture, Orribe didn’t want De Rossi used to crimpm but on tthehee day day of,of, hehe DeGeGeneres’ hair to her hair as a teen and didn’tdid want to upstage upspstage her perfor- loved Oribe’s plan. Cruz or her dress, so manceance or personality,personality Combined with his instead he improvised so he played it safe original idea of a Lady an elegant bun. bbtut sophi hititdsticated. Godiodivava pponytail,onytail she looked chic and fresh.

“I want people to see herer and her gorgeousgorgeous dress.” FoForr DeGeneres, Oribe was which took a little over an hour from start to finishfi i h to complete. l “The dress thinking “clean and easysy and stylizedstylized. The minute you think about her hair was huge, so proportion-wise, the bun couldn’t be too small,” he says. too much,” he said, “it becomes too contrived.” And for de Rossi, the stylist was “We needed something big in the back.” Still, Oribe was thrilled with the planning on a statement-making Lady Godiva-esque ponytail. Still, Oribe outcome: “Penélope looked unbelievable, and even Jennifer [Lopez] said knows the old adage about the best laid plans. “In my mind, I think about what she looked the best out of everyone.” I want to do,” he says, “but in the end, it’s about making the person who you’re The stylist did get to take out his crimping iron for de Rossi. “Everyone working on feel amazing about herself.” in her camp thought she should be softer, but I told her, ‘You need a look. It’s About two days before the Oscars, Oribe, his assistant and 10 bags filled a big night for you.’” It turns out de Rossi used to crimp her hair as a kid, so with hair extensions, styling products, countless combs and brushes, flat irons, was more than up for it. Oribe crimped the front and then added the waist- curling irons and crimping irons and a new Dior Homme suit (“This is the first length ponytail. Success. “As she was walking the red carpet, Zac Posen [who time I’ll be backstage at the Oscars and I don’t want to look too crazy!”) hit Los designed de Rossi’s dress] called and raved about her hair,” he says gleefully. Angeles and set up base camp at the Renaissance Hotel. Finally, DeGeneres. “She wasn’t nervous at all. She was amazing,” Oribe On Oscar day, Cruz’s house was the first stop, where Oribe discovered the says. After going over the made-to-order suits she would be wearing during actress had decided on a different gown than the one he had originally thought the show, Oribe decided to stay simple. “To go edgier would have upstaged she would be wearing. While in the planning stages Oribe had considered her,” he says. “We wanted her to look great and to look like Ellen. She said crimping Cruz’s hair, then creating a coif; the duo opted to go for an Old after she felt great because she didn’t have to worry about her hair.” Hollywood/Grace Kelly/Evita Perón feeling instead. “It didn’t change, I just As for Oribe, he had as good a time as his clients. “Backstage was rearranged things,” he says a week later. “It wasn’t what I had planned, but amazing,” he says. “You think it’s huge, but it’s really not. You’re two inches I presented her with the crimping thing and she didn’t feel experimental.” from Nicole Kidman or Celine Dion. Every moment, there’s new eye candy

DE ROSSI, CRUZ, DEGENERES PHOTOS BY GETTY IMAGES Instead, Oribe made an elaborate bun out of two long ponytail extensions, to look at.” —JENNY B. FINE

THE HOLLYWOOD ISSUE 47 the it list CELEBRITY STYLISTS Onlynly one woman is namednamed “best“best actress” duringduring thethe AcademyAcademy Awards.Awards. But asas theythey walkwalk downdown thethe redred carpet,carpet, toptop stars andand ingenuesingenues alikealike havehave an equal chance to make their marks on the fashion world. That’s why the real competition on Oscar night isn’t over a little gold man, but over securing the perfect diamond-encrusted necklace to show off that breathtaking gown. The stars of that strenuous race are Hollywood’s hottest fashion stylists, the people celebrities turn to when every clasp and clutch has to be just so. Here, a comprehensive roundup of the stylists celebrities have on speed dial. COMPILED BY MAYRAV SAAR PHOTO BY THOMAS DEL BRASE/GETTY IMAGES

48 THE HOLLYWOOD ISSUE the it list

Annie Jagger Annie Spong Arianne Phillips Blair Levin Britt Bardo Cate Adair CONTACT: Margaret CONTACT: Cloutier CONTACT: Bianca Blyth CONTACT: Artists CONTACT: Magnet LA, CONTACT: Montana Art- Maldonado Agency, Agency, 310-394-8813 at Beauty and Photo, by Timothy Priano, 323-463-0100 ists and Cloutier Agency, 323-556-3455 CELEB CLIENTS: Annette 323-549-3100 323-782-0021 CELEB CLIENTS: Kate 310-394-8813 CELEB CLIENTS: Ashlee Bening, , CELEB CLIENTS: CELEB CLIENTS: Mariah Hudson, Cameron Diaz, CELEB CLIENTS: Costume Simpson, Natasha Hilary Duff, Jessica Biel, . Films include Carey, Kristin Cavallari, Eva Mendes, Mary-Kate designer for Desperate Bedingfield, Emmy Julianne Moore, Katie Walk The Line; One Hour Paris Hilton and Ashley Olsen Housewives Rossum Holmes, Salma Hayek Photo; Girl, Interrupted; ADVERTISING CLIENTS: ADVERTISING CLIENTS: ADVERTISING CLIENTS: ADVERTISING CLIENTS: ADVERTISING CLIENTS: The People vs. Larry Martini Bacardi N/A N/A N/A Gap, Levi’s, Nike, Hanes, Flynt EDITORIAL: In Style, EDITORIAL: Harper’s EDITORIAL: N/A EDITORIAL: Jane, In Reebok, Nordstrom, ADVERTISING CLIENTS: Vogue, Cosmopolitan, Bazaar, In Style, MY STYLE IS: Rich texture Style, Premiere Target, Lee Jeans, Macy’s Changes from season to Los Angeles Confiden- Angeleno, C Magazine, and color combined MY STYLE IS: Christian EDITORIAL: Vanity Fair, season tial, Elle, Flaunt Flair, Glamour with a bit of whimsy and Louboutin black patent , Vogue, EDITORIAL: Italian MY STYLE IS: Classic, MY STYLE IS: Effortless vintage elegance. tuxedo shoes, Stella Seventeen, Paper Vogue, Harper’s Bazaar, yet natural, jeans with an emphasis on STAR TIP: Love your McCartney grey zipper MY STYLE IS: Classic, W, Russian Vogue, and a T-shirt. Easy, fun, bold and amazing accessories. Accentuate jeans, Zac Posen fuchsia elegant, chic. Numero simple clothes. A balance accessories. your assets. Mix and bow blouse, black Mike STAR TIP: Women look MY STYLE IS: Un- between style and STAR TIP: Know and match around statement & Chris bomber jacket, better in less complicated apologetic, irreverent, personality. choose silhouettes that pieces. Have fun with black knit beret. fashion. Patterns can be modern, vintage, urban STAR TIP: Dress for your suit your body shape. Use your style. Don’t take it STAR TIP: Know your tricky. Buy things that eclectic. body. When given the proper undergarments. too seriously. body type and your color you are comfortable STAR TIP: Be yourself. choice, go classic over There’s nothing worse palette and pick clothes wearing right away. If trendy. One great piece is than visible panty lines that complement those. you’d wear it out of the better than five just-OK or the wrong type or store, it’s a winner. pieces. color of bra.

Cher Coulter Dana Marasca Daniel Caudill Danny Flynn Dawn Deborah CONTACT: Brianne CONTACT: Celestine CONTACT: Celestine CONTACT: Cloutier Boonyachilito Waknin McWilliam and Brooke Agency, 310-998-1977 Agency, 310-998-1977 Agency, 310-394-8813 CONTACT: Margaret CONTACT: Kate Wall/The Wall Group, CELEB CLIENTS: Emily CELEB CLIENTS: Jes- CELEB CLIENTS: Demi Maldonado Agency, Stirling and Brooke 212-352-0777 Proctor, , sica Alba, , Moore, Eva Longoria, 323-556-3455 Wall/The Wall Group, CELEB CLIENTS: Kate John Stamos Audioslave Janet Jackson, Pamela CELEB CLIENTS: Lionel 310-276-0777 Bosworth, Robin Wright ADVERTISING CLIENTS: ADVERTISING CLIENTS: Anderson Richie, Jaclyn Smith, CELEB CLIENTS: Halle Penn, Emily Mortimer, American Express, Arden B., Old Navy ADVERTISING CLIENTS: Berry, Sandra Bullock, , Jared Puma, Skyy Vodka, EDITORIAL: In Style, Almay, Neutrogena, Paul ADVERTISING CLIENTS: Eva Mendes, Brittany Leto, Sienna Guillory Martini & Rossi Premiere, Rolling Stone, Mitchell, Levi’s Marshalls, Kmart, Murphy ADVERTISING CLIENTS: EDITORIAL: Los Vanity Fair EDITORIAL: British Talbots, Shady Ltd. ADVERTISING CLIENT: N/A Angeles Magazine, MY STYLE IS: Jeans and a Vogue, Rolling Stone, EDITORIAL: N/A Versace EDITORIAL: i-D Angeleno, Arena, British T-shirt. Nylon, Interview, In MY STYLE IS: Bohemian EDITORIAL: Harper’s MY STYLE IS: Effortless, Cosmopolitan STAR TIP: Avoid following Style chic with clean, simple Bazaar, Vanity Fair, cool and sexy. Fashion MY STYLE IS: Classic trends. Look for classic MY STYLE IS: I like to elements. Confident and Rolling Stone, Interview and trends are one thing, tailoring with an edge. tailored looks that you’re mix it up. Vintage and sexy with a dash of street. MY STYLE IS: Practical but individuality is a I love to throw a twist comfortable wearing. designer pieces. I’m STAR TIP: Own the look. elegance mixed with a treasure. into the mix, something And “classic” does not always on the lookout for The hottest dress from sporty, clean twist. STAR TIP: Tailoring is unexpected. Something mean “conservative.” quirky accessories that I the hottest designer can STAR TIP: Organize your my secret weapon. It’s vintage. Something can throw in the mix. look horrible if you don’t closet—it makes dressing worth spending the extra original. STAR TIP: Confidence! feel like yourself. Cloth- quick and easy. Whatever amount. When your STAR TIP: Know your With that and a pair of ing should enhance one’s you decide, even if it’s out clothes fit perfectly it’s body. Take off one Spanx, you can pull off personality, not make of the ordinary, wear it easy to feel confident. accessory. anything! one unrecognizable. with conviction.

THE HOLLYWOOD ISSUE 49 the it list CELEBRITY STYLISTS

Eddie Elizabeth Estee Stanley & Evet Sanchez Gemina Aboitiz GK Reid Schachnow Meredith Cristina Ehrlich CONTACT: Kate CONTACT: Cloutier CONTACT: Margaret CONTACT: Celestine CONTACT: Fred Segal CONTACT: Margaret Stirling and Brooke Agency, 310-394-8813 Maldonado Agency, Agency, 310-998-1977 Beauty, 310-550-1800 Maldonado Agency, Wall/ The Wall Group, CELEB CLIENTS: Ashley 323-556-3455 CELEB CLIENTS: Reese CELEB CLIENTS: Jennifer 323-556-3455 310-276-0777 Judd, Beyoncé Knowles, CELEB CLIENTS: Jennifer Witherspoon, Julia Lopez, Melissa Ether- CELEB CLIENTS: Penélope CELEB CLIENTS: Lopez, Beyoncé Knowles, Roberts, Kate Winslet, idge, Rosario Dawson Cruz, Mary-Kate and Leonardo DiCaprio, Vin ADVERTISING CLIENTS: Mary J. Blige, Nelly , Tom Hanks ADVERTISING CLIENTS: Ashley Olsen Diesel, Adrien Brody, L’Oréal, Almay, Garnier Furtado, Mariah Carey ADVERTISING CLIENTS: Nike, J.C. Penney ADVERTISING CLIENTS: Joseph Cross, Ryan EDITORIAL: In Style, ADVERTISING CLIENTS: Old Navy, Neiman EDITORIAL: Details, In Maybelline, Verizon, Reynolds, Gisele Vanity Fair, More L’Oréal, De Beers, Shi- Marcus, Nordstrom, Touch, Maxim, W Honda, Warner Bros. ADVERTISING CLIENTS: MY STYLE IS: Just the seido, Rock & Republic Levi’s, Gap MY STYLE IS: Very classic, EDITORIAL: In Style, N/A right thing. EDITORIAL: Harper’s EDITORIAL: Arena, chic and sexy. It’s always People, Life, Esquire EDITORIAL: In Style, GQ, STAR TIP: Define your Bazaar, i-D, Vibe Esquire, GQ, In Style, age-appropriate, and I OUR STYLE IS: Clas- Arena, Elle own inner style. MY STYLE IS: To create Vanity Fair like to keep it clean but sic, chic with strong MY STYLE IS: Hip- iconic visual expressions MY STYLE IS: I like to mix with a sense of edge. European influence. pie-chic, vintage and of my client’s personality new pieces and vintage STAR TIP: Be age- STAR TIP: Stay focused one-of-a-kind. and artistic vision. pieces together to create appropriate; you can still on great pieces that you STAR TIP: Borrow STAR TIP: Don’t let a look that’s both current look hot and sexy. Have can work into different treasures from other criticism curb your and timeless. a great pair of shoes and looks, whether it’s a great cultures. A poncho from personality or visual STAR TIP: Dress yourself great handbags. Have trench that works with Peru, a leather bag from exploration. Unless look- according to your body your clothes tailored so trousers for day or can Mexico or bangles from ing pretty is all you’re type—not the latest they look like they were be worn over a cocktail India can enhance indi- about, let your creativity, trends—and you’ll look specially made for you. dress for night. viduality and separate intellect and strengths and feel confident. you from everyone else. show through.

Heidi Meek Janine Israel Jeanne Yang Jennifer Rade Jessica Paster Jewels CONTACT: Cloutier CONTACT: Celestine CONTACT: Cloutier CONTACT: Margaret CONTACT: Magnet LA, CONTACT: Kate Agency, 310-394-8813 Agency, 310-998-1977 Agency, 310-394-8813 Maldonado Agency, 323-463-0100 Stirling and Brooke CELEB CLIENTS: Kerry CELEB CLIENTS: Amber CELEB CLIENT: Katie 323-556-3455 CELEB CLIENTS: Diane Wall/The Wall Group, Washington, Eva Longo- Tamblyn, Nelly Furtado, Holmes CELEB CLIENT: Angelina Lane, Thandie Newton, 310-276-0777 ria, Mariska Hargitay Shirley Manson, The ADVERTISING CLIENT: Jolie Kate Bosworth, Cate CELEB CLIENTS: Alison ADVERTISING CLIENTS: Donnas Hugo Boss ADVERTISING CLIENTS: Blanchett, Naomi Watts Lohman, Alexis Bledel, Microsoft, Sony ADVERTISING CLIENTS: EDITORIAL: Vanity Fair, Shiseido, St. John, Target ADVERTISING CLIENTS: Jesse Bradford, James EDITORIAL: Harper’s Visa, SoBe, Remy GQ, Esquire, Entertain- EDITORIAL: Cosmopoli- Revlon, Diet Coke, Sears, Franco Bazaar, Vanity Fair Martin, Saturn, Cingular ment Weekly, Details tan, Cingular, Lancôme ADVERTISING CLIENT: MY STYLE IS: EDITORIAL: Vanity Fair, MY STYLE IS: I want MY STYLE IS: Slightly EDITORIAL: Vogue (U.K., Guess Simple, sophisticated, In Style, Domino my clients to look like funky classic with a little Spain, Mexico), Harper’s EDITORIAL: V Magazine, fashion-forward. MY STYLE IS: My personal them but better. I want “I don’t care.” Jeans, Bazaar, Vanity Fair Italian Vanity Fair, STAR TIP: Take time style is a white tank top, people to ask them if tank tops, cashmere MY STYLE IS: Classic with Rolling Stone, Interview out to recharge and get jeans and cashmere they lost weight or had a and wearable shoes are a bit of an edge. My style MY STYLE IS: Classic, revitalized—whether it’s sweaters. I get to play haircut—not drastically staples. is eclectic, and I tend timeless, simple—less is a mani-pedi or just 10 dress-up all the time different. For myself, I’m STAR TIP: Accept your toward pretty and sexy. more. minutes of solitude in the with other people, so I classic with a twist. body. Trends come and STAR TIP: It doesn’t mat- STAR TIP: Know your bathtub! Putting yourself keep my style simple. STAR TIP: Don’t worry go. Real style is about ter if you’re a size 14 or a body, be true to yourself into your schedule will STAR TIP: Treat yourself about trends too much. interpreting fashion in size 2, confidence is one and splurge on the shoes result in a more confi- right. If you feel good, Skinny jeans may be hot, your own way. It’s not of the most important and the bag! dent woman. That’s one then you’ll look good. but if they don’t flatter about how much you things that a woman can of the best accessories for Simple, clean lines work your body, they’re not hot spend. It’s about how you have. You can’t err with any outfit. every time. for you. put it together. always wearing simple.

50 THE HOLLYWOOD ISSUE Jill Swid Joey Tierney Julie Weiss Kecia Clark Lauren Lauren Kolodny CONTACT: Margaret CONTACT: Fred Segal CONTACT: Margaret CONTACT: Celestine Ehrenfeld CONTACT: Artists Maldonado Agency, Beauty, 310-550-1800 Maldonado Agency, Agency, 310-998-1977 CONTACT: Celestine by Timothy Priano, 323-556-3455 CELEB CLIENTS: Tour 323-556-3455 CELEB CLIENTS: Carmen Agency, 310-998-1977 323-782-0021 CELEB CLIENT: Michelle stylist for Gwen Stefani, CELEB CLIENTS: Britney Electra, Evangeline Lilly, CELEB CLIENTS: Charlize CELEB CLIENTS: Faith Monaghan Juliette Lewis and the Spears, Gabrielle Union, Jamie-Lynn DiScala Theron, Jennifer Anis- Ford, Kristen Bell, ADVERTISING CLIENTS: Licks, , Britney Terrence Howard ADVERTISING CLIENTS: ton, Emma Roberts Hanes, Levi’s, Estée Spears, , ADVERTISING CLIENTS: Trina Turk, Nike, Easy ADVERTISING CLIENTS: ADVERTISING CLIENTS: Lauder, Revlon, Marshall Pussycat Dolls Pontiac, Target, Renault Spirit, Target Nautica, Banana Victoria’s Secret, Sony, Fields ADVERTISING CLIENT: EDITORIAL: Hollywood EDITORIAL: Domino, Republic, Clinique, Danskin EDITORIAL: Harper’s Smashbox Cosmetics Life, In Style, Maxim, Glamour, CosmoGirl! Clairol, CoverGirl EDITORIAL: Elle, Vanity Bazaar, Allure, Vanity EDITORIAL: Angeleno, People, Flaunt, Seventeen MY STYLE IS: Casual EDITORIAL: Vanity Fair, Fair, Interview, Jane Fair, New York Times British Cosmopolitan, MY STYLE IS: Fashion- glamour—simple lines, Esquire, GQ MY STYLE IS: A pair of Magazine FHM, Hollywood Life, forward without being classic styles and lots MY STYLE IS: Classic jeans with a flowy hippy MY STYLE IS: Simple, In Style, People, , over the top. of color, adding unique modern with a twist. I top, comfortable shoes youthful and chic, Urb, OK Magazine STAR TIP: To look your elements and accessories love to layer textures. I and jewelry. I’ll wear juxtaposed with an edge. MY STYLE IS: Sophisti- best, you have to feel your to make it my own. seldom follow trends. anything that’s unusual STAR TIP: Embrace your cated and eclectic. best when you look in the STAR TIP: Highlight the STAR TIP: Wear what or eclectic in its texture, body. Everything should STAR TIP: Just be mirror. Everyone has a assets. Great legs? Show looks good on you. fabric or style. be tailored, from bargain comfortable. different body type and them off in skirts. Beau- Not everyone can pull STAR TIP: Accessorize! finds to couture. If it fits idea about fashion, so tiful skin tone—wear off everything that a Switch it up with your well, it will look great. choose clothes that fit ac- complementary colors. designer features. Take handbags, jewelry, shoes, cordingly. Then enhance Take the time to find inspiration from what’s belts, sunglasses, scarves basics with current trends styles and shapes that happening in fashion and hats. You can never to feel complete. work best for you. and personalize it. have too many!

Laury Smith Lee Harris Lisa Michelle Marni Maryam Matt Goldman CONTACT: Margaret CONTACT: Bardeen Boyd Senofonte Malakpour CONTACT: Margaret Maldonado Agency, Agency, 323-655-9000 CONTACT: Brianne CONTACT: Margaret CONTACT: Margaret Maldonado Agency, 323-556-3455 CELEB CLIENTS: Drew McWilliam and Brooke Maldonado Agency, Maldonado Agency, 323-556-3455 CELEB CLIENTS: , Barrymore, Lucy Liu Wall/The Wall Group, 323-556-3455 323-556-3455 CELEB CLIENTS: Kelis, Paris Hilton, Mischa ADVERTISING CLIENTS: 212-352-0777 CELEB CLIENTS: Sean CELEB CLIENTS: Courte- Nas, Aly & AJ, AFI, Barton, Dita Von Teese N/A CELEB CLIENTS: Charlize Combs, , ney Cox, Keith Richards, Mario, Jackson Browne, ADVERTISING CLIENTS: EDITORIAL: N/A Theron, Hilary Swank, Christina Milian, Trudie Larry Clark Dave Stewart, Annie Levi’s, Mulberry, Carl’s MY STYLE IS: Dior Rosario Dawson Styler ADVERTISING CLIENTS: Lennox Junior, Marks & Spencer Homme cords and jeans, ADVERTISING CLIENT: ADVERTISING CLIENTS: Levi’s, CNC by Costume ADVERTISING CLIENTS: EDITORIAL: Arena, Hanes T-shirts and Dior Estée Lauder, Enyce National, Nine West, La Nike, Sony Flaunt, Surface Chuck Taylor low-tops. EDITORIAL: Elle, Harper’s EDITORIAL: Harper’s Perla EDITORIAL: Rolling MY STYLE IS: Oversized STAR TIP: Establish Bazaar, In Style Bazaar, Vanity Fair, Elle, EDITORIAL: Interview, V Stone, Nylon, Spin and layered, mixing a relationship with a MY STYLE IS: Bombshell In Style, Trace, Nylon, Man, French Vogue MY STYLE IS: Sleek lines the feminine with the salesperson at a depart- Hollywood with a dose of Essence MY STYLE IS: Simple and and forward thinking. masculine. I enjoy layer- ment store and ask her European chic. MY STYLE IS: Bardot/ chic with a personal rock STAR TIP: Know your ing pieces that probably to notify you of sales STAR TIP: There’s truth to Mahogony/Scranton ’n’ roll touch. I like style body. Make your edits, wouldn’t or shouldn’t and promotions. Then the old cliché “diamonds Prep—absolutely no that never dies. but never be afraid to be seen together. use that sale season op- are a girl’s best friend.” black! STAR TIP: Go for quality try something new. And There are no rules for portunity to stock up on They work everywhere STAR TIP: Wear a symbol rather than quantity. remember: A great tailor over-accessorizing. quality, timeless pieces from the red carpet on of your personality some- When choosing what to is a woman’s greatest STAR TIP: Exude that will last. Don’t buy Oscar night to a fabulous where in your outfit. buy, go for classics and weapon. confidence. And never into trends and always breakfast in bed. Invest give it a twist with shoes question yourself. dress age appropriately. in yourself. and accessories

THE HOLLYWOOD ISSUE 51 the it list CELEBRITY STYLISTS

Melissa Laskin Michael Angel Misha Rudolph & Negar Ali Neil Rodgers Nicole Chavez CONTACT: Cloutier CONTACT: Celestine Nra Suwannath CONTACT: Margaret CONTACT: Celestine CONTACT: Fred Segal Agency, 310-394-8813 Agency, 310-998-1977 CONTACT: Margaret Maldonado Agency, Agency, 310-998-1977 Beauty, 310-550-1800 CELEB CLIENT: Keith CELEB CLIENTS: Maldonado Agency, 323-556-3455 CELEB CLIENTS: Be- CELEB CLIENTS: Rachel Urban Kylie Minogue, Linda 323-556-3455 CELEB CLIENTS: Monet yoncé, Keira Knightley, Bilson, Melinda Clark, ADVERTISING CLIENTS: Evangelista, Lisa Marie CELEB CLIENTS: Will Mazur, Brittany Murphy, Christina Ricci, Robbie Mischa Barton, Jaime Graham Webb, HBO, Presley Smith, Usher, Brandy, Patrick Dempsey, Tom Williams, Adam Brody Pressly, Jessica Capshaw, Adidas, Sprite, Sony, ADVERTISING CLIENTS: Julie Delpy Hanks, ADVERTISING CLIENTS: Tori Spelling K-Swiss, , Nestlé, Motorola, BMW, Mattel, ADVERTISING CLIENTS: ADVERTISING CLIENTS: N/A ADVERTISING CLIENTS: Nike, Mazda, Joico, Fashion Rocks, L’Oréal, Nike Women, Union Bay, Volkswagen, Levi’s EDITORIAL: Vanity Fair, N/A Sebastian, Hard Candy Wella, Maybelline Adidas, Joie EDITORIAL: Vanity Fair, Arena, British Elle, GQ, V EDITORIAL: Spin, EDITORIAL: Elle, Surface, EDITORIAL: Cosmopoli- EDITORIAL: Complex, In Style, Teen Vogue, i-D Magazine Hollywood Life, People, W, German Vogue, In tan, Elle, Paper, Rolling Ebony, People, Us, Paper MY STYLE IS: While I MY STYLE IS: Simple, In Touch, Six Degrees Style, Glamour Stone, Surface OUR STYLE IS: A understand the power understated, chic, but MY STYLE IS: Classic and MY STYLE IS: Simple. I MY STYLE IS: Modern, combination of vintage of trends, I’m drawn to sexy. pretty. pick only key pieces that progressive, distinct. A and contemporary more timeless pieces that STAR TIP: Be honest STAR TIP: Accessorize. are going to work for little deviant, strong and, favorites that emphasize are slightly off-center. In with yourself. Create a You can make any outfit more than one season. above all, finished. individuality, effortless- the fall, I love layering; style that suits you and look spectacular by add- STAR TIP: Dress to fit STAR TIP: Always ness and unique but in the summer, I love to maintain and develop ing the right accessories. your body. Don’t just buy remember who you are stylish elegance. throw on a vintage dress this instead of following pieces because they’re in and your body type and STAR TIP: Know your or a great Missoni piece. trends. style. Pick out pieces of wear things that will body and its limitations. STAR TIP: Personal style a look or trend but don’t complement both. Also, a Watch trends, but never and confidence always copy it. Have it work for little Chanel never hurts! fall victim to them. trump the latest trend. your body type.

Nikki Sargent Paula Bradley Pauline Penny Lovell Rachel Zoe CONTACT: Celestine CONTACT: Margaret Leonard CONTACT: Cloutier CONTACT: Cloutier CONTACT: Magnet LA Agency, 310-998-1977 Maldonado Agency, CONTACT: Cloutier Agency, 310-394-8813 Agency, 310-394-8813 and Todd Shemarya CELEB CLIENTS: Carmen 323-556-3455 Agency, 310-394-8813 CELEB CLIENT: Ginnifer CELEB CLIENTS: Barbra Artists, 323-655-3757 Electra, Tiger Woods, CELEB CLIENTS: Kelis, CELEB CLIENTS: Andie Goodwin Streisand, Beyoncé, Di- CELEB CLIENTS: Michelle Monaghan, Aly & AJ MacDowell, Christie ADVERTISING CLIENTS: anna Ross, Halle Berry, Cameron Diaz, Jennifer Marcia Cross, ADVERTISING CLIENT: Brinkley, Ming-Na Wen N/A Kate Winslet, Lucy Liu, Garner, Demi Moore, ADVERTISING CLIENTS: Bebe ADVERTISING CLIENTS: EDITORIAL: W, Men’s Nicole Kidman, Salma Salma Hayek Nike, Target, Nautica, EDITORIAL: N/A Neiman Marcus, Target, Health, Teen Vogue Hayek, ADVERTISING CLIENTS: Billabong, Kohl’s, Sony MY STYLE IS: My style is Nike MY STYLE IS: Comple- ADVERTISING CLIENTS: Avon, L’Oréal, Jimmy EDITORIAL: In Style, Aus- definitely mine. Fashion- EDITORIAL: Organic menting and enhancing N/A Choo tralian Elle, Australian forward, but more Style, Health, Shape the style of each client. EDITORIAL: In Style, EDITORIAL: Los Angeles Vogue, British Glamour woman than girl. Always MY STYLE IS: Eclectic and Ultimately it should look Vogue, Vanity Fair, Us Confidential, Details, MY STYLE IS: Eclectic. a touch of rock ’n’ roll influenced by diverse effortless. MY STYLE IS: It changes Elle, Marie Claire, How I dress depends on elegance. No respect for cultures. STAR TIP: Feel good in from person to person, Vanity Fair, W my mood. trend authority. STAR TIP: Spend your what you wear, have body to body, essence to MY STYLE IS: Relaxed STAR TIP: Be confident STAR TIP: Be yourself. Be money on good haircuts confidence in what essence. glamour. Elements of the in who you are and what an individual. Have fun, and shoes. you choose. If it doesn’t STAR TIP: Red-carpet chic Sixties Mod movement in you like, find what suits and always dress for you. feel right, don’t wear it. can be incorporated by fashion to the Seventies. your body and personal- Understand your body everyone: I’m working on STAR TIP: Work with ity. The most inspiring, and work with it. Use the Phillip Bloch clothing your body, not against it. beautiful women are a tailor. Well-fitting line, an affordably priced Interpret a style. Don’t those who are comfort- clothes always look more line with a chic feel and copy it, because you’ll able in their own skin. expensive. urban edge. look like a fashion victim.

52 THE HOLLYWOOD ISSUE RicciR Robyn Samantha DDeMartino Goldberg McMillen CONTACT:C Cloutier CONTACT: Celestine CONTACT: Kate AAgency, 310-394-8813 Agency, 310-998-1977 Stirling and Brooke CELEBC CLIENTS: Lisa CELEB CLIENTS: Kurt Wall/The Wall Group, KKudrow, Eva Longoria, Russell, , 310-276-0777 CChristina Ricci Ashanti, Alexis Bledel CELEB CLIENTS: Johnny ADVERTISINGA CLIENTS: ADVERTISING CLIENTS: Depp, Vanessa Paradis, GGap, Pantene, Guess, Vans, Olay , Evan LLevi’s EDITORIAL: In Style, Elle, Rachel Wood, Jodie EDITORIAL:E In Style, GQ, People Foster Maxim,M Angeleno MY STYLE IS: I’m a cha- ADVERTISING CLIENTS: MYM STYLE IS: Classic with meleon. I get dressed in H. Stern, Estée Lauder a modern twist. the morning depending EDITORIAL: Harper’s STARS TIP: Build a on my mood—preppy one Bazaar, Elle, Rolling wwardrobe of basic pieces day, grungy the next. But Stone, Details, In Style tthath flatter you. Invest I always keep it simple. MY STYLE IS: Classic. in the best quality you STAR TIP: Stay current Eclectic. California chic. ccan afford. Then buy a but true to your own STAR TIP: Don’t leave fefew trendier pieces each style. Tweak your closet home feeling uncomfort- sseason to spice up your with a few key trend able or you’ll be miserable wwardrobe. Get the basics pieces each season. You all day. Wearing a beauti- rright and then have fun have to feel comfortable ful matching bra and wwith the icing on the in what you’re wearing to panty can make you feel ccake. be confident. confident and sexy.

Simone Tara Swennen Vincent Vivienne Wendi + Nicole Zoe Joeright Harouche CONTACT: Margaret Boucher Palmer CONTACT: Kate CONTACT: Artists CONTACT: Margaret Maldonado Agency, CONTACT: Margaret CONTACT: Celestine Stirling and Brooke by Timothy Priano, Maldonado Agency, 310-481-4420 Maldonado Agency, Agency, 310-998-1977 Wall/The Wall Group, 323-782-0021 323-556-3455 CELEB CLIENTS: Michelle 323-556-3455 CELEB CLIENTS: Keira 212-352-0777 CELEB CLIENTS: Emma CELEB CLIENT: Christina Rodriguez, Lindsay CELEB CLIENTS: Teri Knightley, Penélope CELEB CLIENTS: Denise Roberts, Eva Mendez, Aguilera Lohan, Naomi Campbell Hatcher, Jennifer Cruz, , Jessica Richards, Diane Keaton, Hilary Duff, Kelly Clark- ADVERTISING CLIENTS: ADVERTISING CLIENTS: Hudson, Simpson, Jewel, Sophie Ellen DeGeneres, son, Nicolette Sheridan Stephen Webster, Pepsi Monique Lhuillier, PETA ADVERTISING CLIENTS: Marceau, k.d. lang, Scarlett Johansson ADVERTISING CLIENTS: EDITORIAL: Rolling EDITORIAL: Nylon, Clairol, ABC, Bravo, ADVERTISING CLIENTS: Dooney & Bourke, Stone, In Style, British Movieline, Harper’s Hyperion ADVERTISING CLIENTS: N/A Neutrogena GQ, CosmoGirl! Bazaar, Entertainment EDITORIAL: In Style, Emanuel Ungaro, EDITORIAL: In Style, EDITORIAL: Glamour, In MY STYLE IS: Streamlined Weekly, 944, Ocean Glamour, Marie Claire, Mulberry, Ann Taylor, Glamour, Vanity Fair Style, People, Vanity Fair and chic with a rock ’n’ Drive, Hollywood Life Interview, Rolling Stone, Hanro, Neiman Marcus, OUR STYLE IS: Eclectic, MY STYLE IS: Eclectic roll edge. MY STYLE IS: Edgy chic, a Tommy Hilfiger, Fossil, fresh, versatile. chic. I adore the STAR TIP: Looking your mixture of class and fun. MY STYLE IS: Glamour Karen Millen STAR TIP: Take some feminine-yet-edgy look. best is about confidence STAR TIP: Always have with a modern edge. EDITORIAL: British Elle, extra time to get dressed STAR TIP: Fit is most and attitude. In terms a good tailor—fit is STAR TIP: Keep the focus Vogue (Spain, Australia, each morning, paying important. Invest in of fashion, start simple: everything. Also know on you: Avoid too many ), Harper’s Bazaar close attention to fit and key items that suit your Focus your wardrobe on what you like. If you feel accessories. Keep smil- (U.S., ), Glamour details. If you’re going to body. Focus on trends classic pieces that never beautiful, it will show. ing: Fashion is supposed (U.S., German, France) splurge, do it on things for accessories—the go out of style. Then use to be fun. MY STYLE IS: Modern that will stand the test of season’s best bags, shoes seasonal accessories to classic. time, as trends fade with and jewelry create an edge up your look. STAR TIP: Less is more. each season. up-to-date look.

THE HOLLYWOOD ISSUE 53 last call Army off One Entourage begone. Brooke Hogan has a DIY approach to red-carpet beauty.

Posing When it comes to awards shows, primping ain’t like a pro. easy. Many a Hollywood darling has turned desperate diva when awards season rolls around, enlisting a hair and makeup task force to prepare her for the maelstrom of head-to-toe critiques from red-carpet reporters. Not so for Brooke Hogan, daughter of Eighties wrestling icon Hulk Hogan. At this year’s Grammys, the teenage singer opted to do her own hair and makeup. Here, Hogan, who’s currently filming the fourth season of her reality show Hogan Knows Best and recording her second album, fills us in on her beauty secrets and the inspiration for her glam look. —MEGAN MCINTYRE

What kind of look were you going for at the Grammys? Brooke Hogan: I was going for the Jayne Mansfield look. I looked her up on the Internet and printed up a picture and taped it next to my mirror and just started copying. It only took me about an hour to get ready. I like doing my makeup like that, with the dark eyes and the red lips. To make the wavy hair, I

took a curling iron and curled it and I found out, by GRANITZ/WIREIMAGE STEVE GETTY; GARCIA/ ORLANDO GETTY; GORDON/ CHRIS IMAGES; AGOSTINI/GETTY BY EVAN PHOTOS trial and error, that if you brush through the curls they’ll all bunch together into one big wave. What was the red-carpet reaction? B.H.: Usually when I walk onto the carpet I get a great pop of flashbulbs, but with the Grammys, I got blinded. When everyone saw me, they couldn’t believe the transformation. I really looked glammed out. Why did you decide to forgo the hair and makeup squad? B.H.: I do my own most of the time because I know my face and body better than anyone else does. If you have somebody else do it, they don’t know your face like you do. What products did you use? B.H.: I used to buy makeup from Walgreens and do the $3 foundation, but my skin started breaking out from it. I don’t usually spoil myself but I ended up going to Dior and getting a tinted moisturizer, translucent powder and liquid eyeliner. For my hair I used a drugstore curling iron from Revlon. Who first taught you how to apply makeup? B.H.:B Showing off her My mom. I used to watch her in the mirror. I was also buying magazines onstage style. to find hairstyles that I could copy. I went from being the girl with 20 butterfly clips in her hair to copying styles from magazines. What products can’t you live without? B.H.: I just got into this Dove body wash that has lotion in it. I forget to put lotion on so this leaves me semi-moisturized. I can’t live without my Dior makeup—it hasn’t given me one zit yet. And Scott Barnes Body Bling is great. Is there a hairstylist or makeup artist who’s work you love? B.H.: Ken Pavés. He knows how to make hair look perfect. If the singing career doesn’t pan out, would you ever Hogan’s DIY consider becoming a makeup artist? look at the B.H.: I would definitely do it. I always do my friend’s makeup and Grammys. A photo op with her famous dad. I like making people look pretty.

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