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Georgia Douglas Johnson and Eulalie Spence As Figures Who Fostered Community in the Midst of Debate
Art versus Propaganda?: Georgia Douglas Johnson and Eulalie Spence as Figures who Fostered Community in the Midst of Debate Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Caroline Roberta Hill, B.A. Graduate Program in Theatre The Ohio State University 2019 Thesis Committee: Jennifer Schlueter, Adviser Beth Kattelman Copyright by Caroline Roberta Hill 2019 Abstract The Harlem Renaissance and New Negro Movement is a well-documented period in which artistic output by the black community in Harlem, New York, and beyond, surged. On the heels of Reconstruction, a generation of black artists and intellectuals—often the first in their families born after the thirteenth amendment—spearheaded the movement. Using art as a means by which to comprehend and to reclaim aspects of their identity which had been stolen during the Middle Passage, these artists were also living in a time marked by the resurgence of the Ku Klux Klan and segregation. It stands to reason, then, that the work that has survived from this period is often rife with political and personal motivations. Male figureheads of the movement are often remembered for their divisive debate as to whether or not black art should be politically charged. The public debates between men like W. E. B. Du Bois and Alain Locke often overshadow the actual artistic outputs, many of which are relegated to relative obscurity. Black female artists in particular are overshadowed by their male peers despite their significant interventions. Two pioneers of this period, Georgia Douglas Johnson (1880-1966) and Eulalie Spence (1894-1981), will be the subject of my thesis. -
District of Columbia Inventory of Historic Sites Street Address Index
DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES STREET ADDRESS INDEX UPDATED TO OCTOBER 31, 2014 NUMBERED STREETS Half Street, SW 1360 ........................................................................................ Syphax School 1st Street, NE between East Capitol Street and Maryland Avenue ................ Supreme Court 100 block ................................................................................. Capitol Hill HD between Constitution Avenue and C Street, west side ............ Senate Office Building and M Street, southeast corner ................................................ Woodward & Lothrop Warehouse 1st Street, NW 320 .......................................................................................... Federal Home Loan Bank Board 2122 ........................................................................................ Samuel Gompers House 2400 ........................................................................................ Fire Alarm Headquarters between Bryant Street and Michigan Avenue ......................... McMillan Park Reservoir 1st Street, SE between East Capitol Street and Independence Avenue .......... Library of Congress between Independence Avenue and C Street, west side .......... House Office Building 300 block, even numbers ......................................................... Capitol Hill HD 400 through 500 blocks ........................................................... Capitol Hill HD 1st Street, SW 734 ......................................................................................... -
Appendix C Evolution of Arts Uses in the Arts Overlay Zone
Appendix C Evolution of Arts Uses in the Arts Overlay Zone A short (and incomplete) history of the arts on 14 th and U Streets While there has been a significant amount of research and writing about the “Black Broadway” of U Street during the early part of the 20 th century, less information is available about the renaissance of arts and arts institutions in the neighborhood since the riots of 1968, and why the neighborhood can claim as many arts institutions as it does. This is a first attempt to put together a history of the theatric, visual, and musical arts as these institutions appear at the end of the first decade of the 21 st century, and is not meant to serve as a comprehensive review. A more thorough study of the history of arts in the community needs to be undertaken in order to capture a complete picture. In addition, much of the history is due to the initiative and accomplishments of a few key individuals, and those people each deserve to tell their story in their own words. As the arts district continues to develop, it will be important to return to this document and expand upon it to better appreciate why arts institutions are among us, how they have been able to sustain, and what can be done to encourage their longevity and growth in the decades to come. Theatres and theatrical groups The riots that followed the assassination of Martin Luther King left 14 th and U Streets largely intact, but scarred. Merchants used metal grates and sliding garage-style barriers to close their businesses at the end of the day. -
Black Diamonds Gathered in the Darkey Homes of the South
--a. B • .• - :::::- - The Old-Time "Darkie," And What Made Him Different That piece in the " 'Round About Maryland" section of this co1umn last Wednesday about John-The-Baptist Hemsley, the 93-year-old "darkie'" of Charles county who had recently died, spoke of the respect in which he was held by white people and gave him credit for being "polite, honest and upright." That was why he was re spected. Many of the oldtime "darkies" in all -parts of Maryland were. Don't I remember old "Aunt Millie" at Elk . ton; and ''Ned'' Thomas, and "Will" Boulden and all the rest of ..t. them "darkies" who were born mote·1o i ~{' the purple than in the black and · who l acted al:ways in their place, with . cou:t1eous allegiance to the whi~ ....- - - -~--~ up-startish, presumptuous CO!lj and the old ones so devoted, sol so lova'ble in their traits of serv the ,families they considered th~ longed .to! It was a great era f ~ colore·d~ folk-the best and ha! they ever had known or will kn -- --~ ~-- J RaJte.. Book. j I l I l I Wervvn rlf. dterne J!,;b rarv C(Jniversitv o/ 8/Jabama in 2'3irmingkam of the- co1!ege or-arts ana sciences ' fr0m 1907 to 1918, he later served I as ·professor of sociology, devoting his talents to problems of the Ne- . gro race. Since· his retirement in 1934 Prof. Miller ,had spent much of his time developing the university's library section dealing with the Negro race · and writing for newspapers and pe . -
Draft Development Framework for a Cultural Destination District Within Washington, Dc’S Greater Shaw / U Street 2
DUKE Government of the District of Columbia DC Office of Planning DRAFT DEVELOPMENT FRAMEWORK Assisted by Bay Area Economics FOR A CULTURAL DESTINATION DISTRICT Ehrenkrantz Eckstut & Kuhn Stanmore Associates PETR Productions WITHIN WASHINGTON, DC’S Street Sense Cultural Tourism DC GREATER SHAW / U STREET Justice & Sustainability September 2004 DUKE DRAFT DEVELOPMENT FRAMEWORK FOR A CULTURAL DESTINATION DISTRICT WITHIN WASHINGTON, DC’S GREATER SHAW / U STREET 2 “Music is my mistress, and she plays second fiddle to no one.” Edward Kennedy “Duke” Ellington Washington, DC’s Native Son & World Legend (1899 - 1974) DUKE DRAFT DEVELOPMENT FRAMEWORK FOR A CULTURAL DESTINATION DISTRICT WITHIN WASHINGTON, DC’S GREATER SHAW / U STREET 3 TABLE OF CONTENTS I. Overview 4 II. Existing Neighborhood Context 5 III. Historic / Cultural Context 6 IV. Planning Process (Development Goals) 8 V. Market Analysis Summary 9 VI. Public Sites Overview 9 VII. Public Policy & Placemaking 10 VIII. Planning & Implementation Principles 12 A. Placemaking 13 Howard Theatre Sub-District 14 Howard Theatre (Ellington Plaza) 15 NCRC + WMATA Parcels 18 WMATA + Howard CVS 20 9th Street Sub-District 22 Housing Finance Agency Site 23 Rhode Island Avenue Sub-District 24 NCRC + United House of Prayer Parcels 25 Watha T. Daniel/Shaw Neighborhood Library Site 26 African American Civil War Memorial Sub-District 28 Grimke School 29 Howard Town Center Area Sub-District 30 Lincoln Common Sub-District 31 B. Design Guides 32 1. Comprehensive Plan - Land Use 33 2. Shaw School Urban Renewal Plan 34 3. Historic Districts 35 4. Zoning 36 5. Mixed Land Uses 38 6. Transportation & Parking 39 5. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:_December 13, 2006_ I, James Michael Rhyne______________________________________, hereby submit this work as part of the requirements for the degree of: Doctor of Philosophy in: History It is entitled: Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region This work and its defense approved by: Chair: _Wayne K. Durrill_____________ _Christopher Phillips_________ _Wendy Kline__________________ _Linda Przybyszewski__________ Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region A Dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Ph.D.) in the Department of History of the College of Arts and Sciences 2006 By James Michael Rhyne M.A., Western Carolina University, 1997 M-Div., Southeastern Baptist Theological Seminary, 1989 B.A., Wake Forest University, 1982 Committee Chair: Professor Wayne K. Durrill Abstract Rehearsal for Redemption: The Politics of Post-Emancipation Violence in Kentucky’s Bluegrass Region By James Michael Rhyne In the late antebellum period, changing economic and social realities fostered conflicts among Kentuckians as tension built over a number of issues, especially the future of slavery. Local clashes matured into widespread, violent confrontations during the Civil War, as an ugly guerrilla war raged through much of the state. Additionally, African Americans engaged in a wartime contest over the meaning of freedom. Nowhere were these interconnected conflicts more clearly evidenced than in the Bluegrass Region. Though Kentucky had never seceded, the Freedmen’s Bureau established a branch in the Commonwealth after the war. -
Publication Number: M-1821 Publication Title: Compiled Military
Publication Number: M-1821 Publication Title: Compiled Military Service Records of Volunteer Union Soldiers Who Served with the United States Colored Troops: Infantry Organizations, 8th through 13th, including the 11th (new) Date Published: 2000 COMPILED MILITARY SERVICE RECORDS OF VOLUNTEER UNION SOLDIERS WHO SERVED WITH THE UNITED STATES COLORED TROOPS: INFANTRY ORGANIZATIONS, 8TH THROUGH 13TH, INCLUDING THE 11TH (NEW) Introduction On the 109 rolls of this microfilm publication, M1821, are reproduced the compiled military service records of volunteer Union soldiers belongs to the 8th through the 13th infantry units, including the 11th (new) organized for service with the United States Colored Troops (USCT). The USCT included 7 numbered cavalry regiments; 13 numbered artillery regiments plus 1 independent battery; 144 numbered infantry regiments; Brigade Bands Nos. 1 & 2 (Corps d'Afrique and U.S. Colored Troops); Powell's Regiment Colored Infantry; Southard's Company Colored Infantry; Quartermaster Detachment; Pioneer Corps, 1st Division, 16th Army Corps; Pioneer Corps, Cavalry Division, 16th Army Corps; Unassigned Company A Colored Infantry; and Unassigned USCT. There are also miscellaneous service cards arranged alphabetically by surname at the end of the unit records. The records reproduced are part of the Records of the Adjutant General's Office, 1780's-1917, Record Group (RG) 94. Background Since the time of the American Revolution, African Americans have volunteered to serve their country in time of war. The Civil War was no exception. Official sanction was the difficulty. In the fall of 1862 there were four Union regiments of African Americans raised in New Orleans, LA: the 1st, 2nd, and 3rd Louisiana Native Guard, and the 1st Louisiana Heavy Artillery (African Descent). -
U.S. Bank Celebrates Reopening of Historic Howard Theatre
U.S. Bank Celebrates Reopening of Historic Howard Theatre April 11, 2012 Bank Officials Join Developer, City Officials and Music Legends at Grand Opening Gala and Benefit for Nation’s Oldest African American Theatre WASHINGTON--(BUSINESS WIRE)--Apr. 11, 2012-- Officials from U.S. Bank, Howard Theatre Restoration, Inc., Ellis Development Group, and City officials will gather on Thursday, April 12 to celebrate the grand reopening of the Howard Theatre with a star-studded gala and benefit concert featuring performances and appearances by some of the most legendary figures in the worlds of music, comedy and dance. U.S. Bank, through its community development subsidiary, provided more than $10 million in financing in support of the $29 million historic renovation. The financing package included New Markets and Historic Tax Credit financing structured in partnership with Hampton Roads Ventures, Mid-City Community CDE, and DC Housing Enterprises. U.S. Bank also serves as a gala event sponsor. “We’re proud to be a partner of choice in the revival of this social, cultural and architectural landmark,” said Laura Vowell, Vice President of U.S. Bank. “Howard Theatre Restoration and Ellis Development had a vision that this historically-important but badly-neglected structure could be brought back to life, and they assembled a team to do it. Financial support from U.S. Bank and our partners helped ensure that a building which played a significant role in Washington DC’s past will do so again in the future.” Located near the corner of 7th and T Streets, the Howard Theatre—"The Theatre for the People”—was originally constructed in 1910 and served as one of the oldest and most popular performing arts venues for African American singers and musicians when the nation was deeply divided by segregation. -
MILLER, KELLY, 1863-1939. Kelly Miller Family Papers, 1890-1989
MILLER, KELLY, 1863-1939. Kelly Miller family papers, 1890-1989 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Miller, Kelly, 1863-1939. Title: Kelly Miller family papers, 1890-1989 Call Number: Manuscript Collection No. 1050 Extent: 22.25 linear feet (46 boxes), 15 bound volumes (BV), and 2 oversized papers boxes (OP) Abstract: Papers of African American intellectual and professor Kelly Miller, including correspondence, writings, subject files, printed material, photographs and other papers, in addition to the papers of his wife Annie Mae Miller, and children. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Kelly Miller papers, Howard University, Moorland-Spingarn Research Center (Washington, D.C.) Separated Material In Emory's holdings are books and pamphlets formerly owned by Kelly Miller. These materials may be located in the Emory University online catalog by searching for: Miller, Kelly, former owner. The May Miller papers were originally received as part of this collection and separated to form their own collection due to their size, research value, and distinct provenance. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Kelly Miller family papers, 1894-1989 Manuscript Collection No. 1050 Source Purchase, 2007. Citation [after identification of item(s)], Kelly Miller family papers, Stuart A. -
The Role of Officer Selection and Training on the Successful Formation and Employment of U.S
THE ROLE OF OFFICER SELECTION AND TRAINING ON THE SUCCESSFUL FORMATION AND EMPLOYMENT OF U.S. COLORED TROOPS IN THE AMERICAN CIVIL WAR, 1863-1865 A thesis presented to the Faculty of the U.S. Army Command and General Staff College in partial fulfillment of the requirements for the degree MASTER OF MILITARY ART AND SCIENCE Military History by DANIEL V. VAN EVERY, MAJOR, US ARMY B.S., Minnesota State University, Mankato, Minnesota, 1999 Fort Leavenworth, Kansas 2011-01 Approved for public release; distribution is unlimited. Form Approved REPORT DOCUMENTATION PAGE OMB No. 0704-0188 Public reporting burden for this collection of information is estimated to average 1 hour per response, including the time for reviewing instructions, searching existing data sources, gathering and maintaining the data needed, and completing and reviewing this collection of information. Send comments regarding this burden estimate or any other aspect of this collection of information, including suggestions for reducing this burden to Department of Defense, Washington Headquarters Services, Directorate for Information Operations and Reports (0704-0188), 1215 Jefferson Davis Highway, Suite 1204, Arlington, VA 22202-4302. Respondents should be aware that notwithstanding any other provision of law, no person shall be subject to any penalty for failing to comply with a collection of information if it does not display a currently valid OMB control number. PLEASE DO NOT RETURN YOUR FORM TO THE ABOVE ADDRESS. 1. REPORT DATE (DD-MM-YYYY) 2. REPORT TYPE 3. DATES COVERED (From - To) 10-06-2011 Master‘s Thesis AUG 2010 – JUN 2011 4. TITLE AND SUBTITLE 5a. CONTRACT NUMBER The Role of Officer Selection and Training on the Successful 5b. -
2020 DC HISTORIC PRESERVATION PLAN Plan Methodology Connections to Long-Range Planning B Seeking Public Views
2020 District of Columbia Historic Preservation Plan Preserving For Progress 1 introduction 1 Preserving for progress The district of columbia’s vision for historic preservation 2 dc history and heritage 9 People and progress A legacy of visionary plans Landmarks and milestones A succession of eras 3 preservation achievements 45 What works about preservation in dc 4 preservation challenges 55 Gathering public views Balancing growth and character Protecting neighborhoods Communicating preservation basics Leading the nation Planning for preservation Evaluating available resources 5 goals, objectives, and actions 65 Setting shared goals Sustaining our progress Preservation in context A new planning cycle Recognizing historic resources Engaging communities Improving protections Maintaining our heritage 6 implementation 79 Achieving our goals 7 resources and appendices 89 Bibliography Credits and acknowledgements introduction 1 Preserving for progress Introduction Continuing on a Path Forward A Guide for Everyone Plan Organization Now well into its third century, the District of Columbia is This plan for 2020 updates the goals established in the Preservation requires collective action. Community The 2020 plan is organized in seven chapters: fortunate in the exceptional value of its cultural, historical, District’s historic preservation plan for the four years ending organizations and volunteers foster pride in our history and and architectural heritage. This is a rich and varied legacy, in 2016. That plan introduced a new framework for planning advocate for the benefits of preservation. Schools, cultural • First, it describes a common vision, and reviews our manifested not just in the city’s majestic museums and that could be sustained through regular updates in the institutions, and a multitude of congregations maintain history and heritage — Chapters 1 and 2. -
In 1848 the Slave-Turned-Abolitionist Frederick Douglass Wrote In
The Union LeagUe, BLack Leaders, and The recrUiTmenT of PhiLadeLPhia’s african american civiL War regimenTs Andrew T. Tremel n 1848 the slave-turned-abolitionist Frederick Douglass wrote in Ithe National Anti-Slavery Standard newspaper that Philadelphia, Pennsylvania, “more than any other [city] in our land, holds the destiny of our people.”1 Yet Douglass was also one of the biggest critics of the city’s treatment of its black citizens. He penned a censure in 1862: “There is not perhaps anywhere to be found a city in which prejudice against color is more rampant than Philadelphia.”2 There were a number of other critics. On March 4, 1863, the Christian Recorder, the official organ of the African Methodist Episcopal (AME) Church, commented after race riots in Detroit, “Even here, in the city of Philadelphia, in many places it is almost impossible for a respectable colored per- son to walk the streets without being assaulted.”3 To be sure, Philadelphia’s early residents showed some mod- erate sympathy with black citizens, especially through the Pennsylvania Abolition Society, but as the nineteenth century progressed, Philadelphia witnessed increased racial tension and a number of riots. In 1848 Douglass wrote in response to these pennsylvania history: a journal of mid-atlantic studies, vol. 80, no. 1, 2013. Copyright © 2013 The Pennsylvania Historical Association This content downloaded from 128.118.152.206 on Wed, 09 Jan 2019 20:56:18 UTC All use subject to https://about.jstor.org/terms pennsylvania history attitudes, “The Philadelphians were apathetic and neglectful of their duty to the black community as a whole.” The 1850s became a period of adjustment for the antislavery movement.