Heidegger, Authenticity, and Modernity Essays in Honor of Hubert L
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Why Dreyfus' Frame Problem Argument Cannot Justify Anti
Why Dreyfus’ Frame Problem Argument Cannot Justify Anti- Representational AI Nancy Salay ([email protected]) Department of Philosophy, Watson Hall 309 Queen‘s University, Kingston, ON K7L 3N6 Abstract disembodied cognitive models will not work, and this Hubert Dreyfus has argued recently that the frame problem, conclusion needs to be heard. By disentangling the ideas of discussion of which has fallen out of favour in the AI embodiment and representation, at least with respect to community, is still a deal breaker for the majority of AI Dreyfus‘ frame problem argument, the real locus of the projects, despite the fact that the logical version of it has been general polemic between traditional computational- solved. (Shanahan 1997, Thielscher 1998). Dreyfus thinks representational cognitive science and the more recent that the frame problem will disappear only once we abandon the Cartesian foundations from which it stems and adopt, embodied approaches is revealed. From this, I hope that instead, a thoroughly Heideggerian model of cognition, in productive debate will ensue. particular one that does not appeal to representations. I argue The paper proceeds in the following way: in section I, I that Dreyfus is too hasty in his condemnation of all describe and distinguish the logical version of the frame representational views; the argument he provides licenses problem and the philosophical one that remains unsolved; in only a rejection of disembodied models of cognition. In casting his net too broadly, Dreyfus circumscribes the section II, I rehearse Dreyfus‘ negative argument, what I‘ll cognitive playing field so closely that one is left wondering be calling his frame problem argument; in section III, I how his Heideggerian alternative could ever provide a highlight some key points from Dreyfus‘ positive account of foundation explanatorily robust enough for a theory of a Heideggerian alternative; in section IV, I make my case cognition. -
Kierkegaard on Selfhood and Our Need for Others
Kierkegaard on Selfhood and Our Need for Others 1. Kierkegaard in a Secular Age Scholars have devoted much attention lately to Kierkegaard’s views on personal identity and, in particular, to his account of selfhood.1 Central to this account is the idea that a self is not something we automatically are. It is rather something we must become. Thus, selfhood is a goal to realize or a project to undertake.2 To put the point another way, while we may already be selves in some sense, we have to work to become real, true, or “authentic” selves.3 The idea that authentic selfhood is a project is not unique to Kierkegaard. It is common fare in modern philosophy. Yet Kierkegaard distances himself from popular ways of thinking about the matter. He denies the view inherited from Rousseau that we can discover our true selves by consulting our innermost feelings, beliefs, and desires. He also rejects the idea developed by the German Romantics that we can invent our true selves in a burst of artistic or poetic creativity. In fact, according to Kierkegaard, becom- ing an authentic self is not something we can do on our own. If we are to succeed at the project, we must look beyond ourselves for assistance. In particular, Kierkegaard thinks, we must rely on God. For God alone can provide us with the content of our real identi- ties.4 A longstanding concern about Kierkegaard arises at this point. His account of au- thentic selfhood, like his accounts of so many concepts, is religious. -
Man As 'Aggregate of Data'
AI & SOCIETY https://doi.org/10.1007/s00146-018-0852-6 OPEN FORUM Man as ‘aggregate of data’ What computers shouldn’t do Sjoukje van der Meulen1 · Max Bruinsma2 Received: 4 October 2017 / Accepted: 10 June 2018 © The Author(s) 2018 Abstract Since the emergence of the innovative field of artificial intelligence (AI) in the 1960s, the late Hubert Dreyfus insisted on the ontological distinction between man and machine, human and artificial intelligence. In the different editions of his clas- sic and influential book What computers can’t do (1972), he posits that an algorithmic machine can never fully simulate the complex functioning of the human mind—not now, nor in the future. Dreyfus’ categorical distinctions between man and machine are still relevant today, but their relation has become more complex in our increasingly data-driven society. We, humans, are continuously immersed within a technological universe, while at the same time ubiquitous computing, in the words of computer scientist Mark Weiser, “forces computers to live out here in the world with people” (De Souza e Silva in Interfaces of hybrid spaces. In: Kavoori AP, Arceneaux N (eds) The cell phone reader. Peter Lang Publishing, New York, 2006, p 20). Dreyfus’ ideas are therefore challenged by thinkers such as Weiser, Kevin Kelly, Bruno Latour, Philip Agre, and Peter Paul Verbeek, who all argue that humans are much more intrinsically linked to machines than the original dichotomy suggests—they have evolved in concert. Through a discussion of the classical concepts of individuum and ‘authenticity’ within Western civilization, this paper argues that within the ever-expanding data-sphere of the twenty-first century, a new concept of man as ‘aggregate of data’ has emerged, which further erodes and undermines the categorical distinction between man and machine. -
The Self As/In/Through Its Vicissitudes
Wesleyan University The Honors College Sometimes I Think, Sometimes I Am: The Self as/in/through its Vicissitudes by Mark Kelley Class of 2008 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Philosophy and The College of Social Studies Middletown, Connecticut April, 2008 Sometimes I Think, Sometimes I Am: The Self as/in/through its Vicissitudes Table of Contents Acknowledgments 1 Introduction: Fuzzy Logics 2 1 Inwardness: The Birth of Reflexivity 11 2 Diachronic Unity, Synchronic Multiplicity, and Memory 32 3 Being-in-the-World, or, Charles Taylor as a Reader of Descartes 59 4 Repetition, Meaning, and Event: An Existential Grammar of the Self 79 5 Reflections on the Condition(s) of Postmodernity 107 Conclusion: From Self to World… and Back Again 139 Bibliography 145 Sometimes I think. Sometimes I am. -Paul Valéry, French Poet, (1871-1945) Sometimes I sits and thinks, And sometimes I just sits. -Satchel Paige, Baseball Player, (1906-1982) 2 Acknowledgements Many knowledges have contributed to the insight and argument in this project and deserve recognition; all of the various shortcomings should be attributed solely to the author. First of all, thank you to my readers for dedicating their time and effort to the lengthy culmination of an overly ambitious topic: I have learned more about the writing process than anything else through this project. Many thanks go to the College of Social Studies for providing and environment in which I have thrived, and the Philosophy Department for its consistent support and stimulation throughout my time at Wesleyan. -
(Modern Philosophy) Part I: Fichte to Hegel 9. Walter Benjamin, Der
Notes 1 Idealism and the Justification of the Image 1. J.G. Fichte, The Vocation of Man (New York: Bobbs Merrill, 1956), p.80 (adapted). 2. Idem, The Science of Knowledge (New York: Appleton, Century Crofts, 1970), p.188. 3. Fichte (1956), pp.81f. 4. Ibid., pp.98f. 5. Ibid., pp.124f. 6. Ibid., p.147. 7. For example, the so-called 'Atheismusstreit'. See: F. Copleston, A History of Philosophy, Vol. V, II (Modern Philosophy) Part I: Fichte to Hegel (New York: Doubleday, 1965), pp.lOOff. 8. Friedrich Schlegel, Kritische Schriften (Miinchen: Carl Hanser, 1956), p.46. 9. Walter Benjamin, Der Begriff der Kunstkritik in der Deutschen Romantik in Gesammelten Schriften 1:1 (Frankfurt am Main, 1972), p.26. 10. Quoted in Benjamin (1972), p.37. 11. F. Schlegel, Lucinde (Stuttgart: Reclam, 1963), p.35. 12. F.J.W. Schelling, System of Transcendental Idealism (Charlottesville: Uni versity of Viriginia Press, 1978), p.219. 13. Ibid., p.232. 14. Henrik Steffens, Inledning til Philosophiske Forelasninger i K9benhavn (1803) (New edn) K0benhavn: Gyldendal, 1905), p.21. 15. Ibid., pp.21f. 16. Ibid., p.22. 17. One of the best summaries of Grundtvig's thought in English remains E.L. Allen, Bishop Grundtvig: A Prophet of the North (London: James Clarke, 1949). James Clarke have also published (more recently) an anthology of Grundtvig's writings. A sign of increasing Anglo-Saxon awareness of Grundtvig's significance is the recently formed Anglo Danish conference Grundtvig and England. 18. Henning Fenger, Kierkegaard: The Myths and Their Origins (Newhaven: Yale University Press, 1980), p.84. 19. -
Creativity in Nietzsche and Heidegger: the Relation of Art and Artist
Creativity in Nietzsche and Heidegger: The Relation of Art and Artist Justin Hauver Philosophy and German Mentor: Hans Sluga, Philosophy August 22, 2011 I began my research this summer with a simple goal in mind: I wanted to out- line the ways in which the thoughts of Friedrich Nietzsche and Martin Heidegger complement one another with respect to art. I had taken a few courses on each philosopher beforehand, so I had some inclination as to how their works might be brought into agreement. However, I almost immediately ran into difficulty. It turns out that Heidegger, who lived and thought two or three generations after Nietzsche, had actually lectured on the topic of Nietzsche's philosophy of art and had placed Nietzsche firmly in a long tradition characterized by its mis- understanding of art and of the work of art. This means that Heidegger himself did not agree with me|he did not see his thoughts on art as complementary with Nietzsche's. Rather, Heidegger saw his work as an improvement over the misguided aesthetic tradition. Fortunately for me, Heidegger was simply mistaken. At least, that's my thesis. Heidegger did not see his affinity with Nietzsche because he was misled by his own misinterpretation. Nevertheless, his thoughts on art balance nicely with those of Nietzsche. To support this claim, I will make three moves today. First, I will set up Heidegger's critique, which is really a challenge to the entire tradition that begins with Plato and runs its course up to Nietzsche. Next, I will turn to Heidegger's views on art to see how he overcomes the tradition and answers his own criticism of aesthetics. -
Curriculum Vitae Fall 2014
James C. Olsen ! Georgetown University 43260 Tumbletree Terr Department of Philosophy Broadlands, VA 20148 202.687.7487 [email protected] CURRENT POSITION Researcher, Center for New Designs in Learning and Scholarship, Georgetown University (2013 - present) ! Adjunct Faculty, Georgetown University (2013 - present) EDUCATION !Georgetown University (2006-2013), PhD in Philosophy (September 2013) Dissertation: “Mind, Body, and World: Resolving the Dreyfus-McDowell Debate.” ! Committee: William Blattner (Chair), Mark Lance, and Mark A. Wrathall (UC Riverside) Dissertation Abstract: Hubert Dreyfus has claimed that our situated, skillful and embodied engagement with the world (skillful coping) is an intentional, personal-level phenomena that serves as a ground for conceptual activity. John McDowell has responded by claiming that skillful coping is pervasively conceptual and by dismissing the relevance of the normative phenomena to which Dreyfus calls attention. I argue that a more careful analysis of both reflective and unreflective experience reveals that possessing conceptual capacities—no less than possessing skillful, action-oriented bodies— changes the nature and content of perception. Consequently, while Dreyfus is right to insist on the relevance of our skillful and unreflective bodily practices, he misunderstands the relationship between coping and language specifically, and hence between coping and conceptuality more generally. This leaves him with a problematic dualism in the nature of human experience and understanding. On the -
A Selected Glance at How Kierkegaard Stages the Problem of What It Is to Become a Christian in His Initial Aesthetic Authorship
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1970 A selected glance at how Kierkegaard stages the problem of what it is to become a Christian in his initial aesthetic authorship. Frank Schloegel University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Schloegel, Frank, "A selected glance at how Kierkegaard stages the problem of what it is to become a Christian in his initial aesthetic authorship." (1970). Electronic Theses and Dissertations. 6627. https://scholar.uwindsor.ca/etd/6627 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. -
Introduction
Cambridge University Press 0521820456 - Heidegger’s Analytic: Interpretation, Discourse, and Authenticity in Being and Time Taylor Carman Excerpt More information INTRODUCTION Philosophy is at once historical and programmatic, its roots always planted in tradition even as it moves into new, uncharted terrain. There are undeniably great works all along the spectrum, some immersed in intellectual history at the expense of contemporary problems, some fix- ated on current problems, forgetful of their histories. But philosophy misunderstands itself at either extreme. In writing this book, I have tried to steer a middle course between Scylla and Charybdis. The result is a reading of Being and Time that is, I hope, neither antiquarian nor anachronistic. I have focused on some problems at the expense of others, many of them fed by discussions in contemporary Anglo-American philosophy, though I have tried to deal with them within what strike me as the conceptual horizons proper to Heidegger’s thinking. The book is therefore neither a commentary on Being and Time nor simply a Heideggerian approach to some indepen- dently defined philosophical domain. It is instead an account of the substantive and methodological role of the concept of interpretation (Auslegung) in Heidegger’s project of “fundamental ontology” in Being and Time. Interpretation runs like a thread through the entire fabric of the text, and I have tried to point up its philosophical importance for the existential analytic of Dasein. Substantively, Heidegger maintains that interpretation – by which he means explicit understanding – is definitive of human existence: Human beings have an understanding of what it means to be, and that under- standing is or can be made explicit, at least in part. -
Part 1: the Ecology of the Image
PART 1: THE ECOLOGY OF THE IMAGE Figure 1: Figure-ground reversal: the face-vase illusion (original design by Edgar Rubin). Ian E. Gordon, Theories of Visual Perception (Chichester: John Wiley & Sons, 1989) 53. 2 PART 1: THE ECOLOGY OF THE IMAGE …no denser or more tacit form of communication, no shaping or organising force more comprehensive or more insidiously embedded in our lifeworld than images. They make up the true lingua franca of commerce, politics, and psyche; they are the ‘cloaking devices’ par excellence of the human social world. (Sanford Kwinter)1 One must see, at first sight, what does not let itself be seen. And this is invisibility itself. For what first sight misses is the invisible. The flaw, the error of first sight is to see, and to not notice the invisible. (Jacques Derrida)2 …nothing seems more important than to debate the ecological role and character of images. (Andrew Ross)3 Don’t worry sweetheart — it’s just a movie. (Anon) INTRODUCTION 4 SNAP SHOT: AN ACCIDENT IN SLOW MOTION I am sitting in a Holden car designed in 1966, travelling down a highway on an extremely hot day at fifty miles per hour. The luxurious design of the interior (beautifully preserved by the car’s owner) speaks of a familiar car culture even though the detailing has changed. Something is, nonetheless, 1 Sanford Kwinter in his introduction to Bruce Mau, Life Style (London: Phaidon, 2000) 36. 2 Jacques Derrida, Specters of Marx: the state of the debt, the work of mourning, and the New International, trans. -
IN SEARCH of AUTHENTICITY: from Kierkegaard to Camus 1
In Search of Authenticity ‘This man has, I repeat, no place in a community whose basic principles he flouts without compunction…’. I tried to explain that it was because of the sun, but I was only too conscious that it sounded nonsensical… I explained that I didn’t believe in God… I told him that I wasn’t conscious of any ‘sin’; all I knew was that I’d been guilty of a criminal offence… In Camus’s The Outsider, Meursault’s struggle with authenticity leads to his being judged more than just a criminal. Other fictional heroes, or anti-heroes, have been created by philosophers to explore certain ideas or theories: like Meursault, Kierkegaard’s Abraham, Nietzsche’s Zarathustra and Sartre’s Mathieu all embody the contradictions of trying to live outside society’s accepted norms. Jacob Golomb’s In Search of Authenticity examines these characters in his analysis of the ethics of authenticity. His own passionate commitment to the quest for such an ideal is clearly evident in his writing. Golomb is particularly concerned that postmodernism devalues the subjectivity and pathos that inextricably link an individual’s search for authenticity. He argues that this search is now all the more pertinent and relevant when set against the general disillusionment characterizing the mood of the late twentieth century. In Search of Authenticity provides invaluable insight into the heroes and anti-heroes of the great Continental philosophers. Like them it marries philosophy and literature by looking at the rational model of ethics compared with the romantic ideal of authenticity. Consequently, it will prove vital reading for students of both philosophy and literature. -
Thinking, with Heidegger, the Religion-Science-Theology Relation
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 3-1-2013 Thinking, with Heidegger, the Religion-Science-Theology Relation David L. Carlson University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Carlson, David L., "Thinking, with Heidegger, the Religion-Science-Theology Relation" (2013). Electronic Theses and Dissertations. 112. https://digitalcommons.du.edu/etd/112 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. THINKING, WITH HEIDEGGER, THE RELIGION-SCIENCE-THEOLOGY RELATION ____________ A Dissertation Presented to the Faculty of the University of Denver and the Iliff School of Theology Joint PhD Program University of Denver ____________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ____________ by David L. Carlson March 2013 Advisor: Dr. Francis Seeburger ©David L. Carlson 2013 All Rights Reserved Author: David L. Carlson Title: THINKING, WITH HEIDEGGER, THE RELIGION-SCIENCE- THEOLOGY RELATION Advisor: Dr. Francis Seeburger Degree Date: March 2013 ABSTRACT This work is an attempt to think the essential nature of the interrelationships among religion, science, and