The Life of Prayer
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The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
Book of Common Prayer
the book of common prayer and administration of the s a c r a m e n t s with other rites and ceremonies of the church According to the use of the anglican church in north america Together with the new coverdale psalter anno domini 2019 anglican liturgy press the book of common prayer (2019) Copyright © 2019 by the Anglican Church in North America The New Coverdale Psalter Copyright © 2019 by the Anglican Church in North America Published by Anglican Liturgy Press an imprint of Anglican House Media Ministry, Inc. 16332 Wildfire Circle Huntington Beach, CA 92649 Publication of the Book of Common Prayer (2019), including the New Coverdale Psalter, is authorized by the College of Bishops of the Anglican Church in North America. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording, or otherwise, without the prior permission of the publisher, except as provided for by USA copyright law, and except as indicated below for the incorporation of selections (liturgies) in bulletins or other materials for use in church worship services. First printing, June 2019 Second (corrected) printing, November 2019 Third printing, November 2019 Quotations of Scripture in the Book of Common Prayer (2019) normally follow the ESV® Bible (The Holy Bible, English Standard Version®) except for the Psalms, Canticles, and citations marked with the symbol (T), which indicates traditional prayer book language. The ESV Bible copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. ESV Text Edition: 2016. -
The University of Oklahoma Graduate College A
THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By D. JASON BISHOP Norman, Oklahoma 2006 UMI Number: 3239542 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3239542 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 A CONDUCTOR’S RESOURCE GUIDE TO THE OFFICE OF COMPLINE A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY Dr. Dennis Shrock, Major Professor Dr. Irvin Wagner, Chair Dr. Sanna Pederson, Co-Chair Dr. Roland Barrett Dr. Steven Curtis Dr. Marilyn Ogilvie ' Copyright by D. JASON BISHOP 2006 All Rights Reserved. TABLE OF CONTENTS Chapter I: Introduction Purpose of the Study 1 Need for the Study 2 Survey of Related Literature 3 Scope & Limitations of the Study, -
The Episcopal Church of St. John the Evangelist 60 Kent Street ? St
The Episcopal Church of St. John the Evangelist 60 Kent Street ? St. Paul, MN 55102 ? 651-228-1172 www.stjohnsstpaul.org The Eleventh Sunday of Pentecost August 28, 2011 10 O’CLOCK RITE I MORNING PRAYER AND HOLY EUCHARIST “And the Lord God planted a garden, east of Eden.” - Genesis 2:8 Welcome to All Visitors We are delighted that you have come to St. John’s to worship God this morning. If this is your first time here, please fill out a guest card and place it in the offering plate. We invite you to make St. John’s your church home. Join us downstairs in the Undercroft for refreshments and fellowship following our services. Blessings and peace be with you this holy day. NURSERY: Excellent nursery care is provided every Sunday beginning at 9:00 a.m. for children age 5 and under. The nursery is located in the Undercroft. To reach the Undercroft, take any of the stairways or elevator to the lower level. RESTROOMS: Restrooms are also located in the Undercroft in the lower level. • Thank you for not bringing food or beverages into the church and for silencing cell phones and other electronic equipment. • Did you know that you are able to hear the service in the undercroft and/or nursery? Ask the nursery attendant to adjust the sound if you wish to listen from that location. • Please refrain from using flash cameras during the worship service. ASSISTING IN THE SERVICE RECTOR The Rev. Jered Weber-Johnson ASSISTANT RECTOR The Rev. Keely Franke DEACON The Rev. -
Understanding the Daily Office
Understanding the Daily Office Everything you wanted to know about Morning, Noonday & Evening Prayer: A guide by the Reverend Matthew Mead Make two thousand years of tradition your own: pray and worship as Christians have for millennia, immerse yourself in the same psalms Jesus himself prayed, and hear and read passages of the Bible for the first time or for the fiftieth time. Experience and understand the Daily Office! 2 About the Daily Office at Saint Mary’s The Daily Office is the daily public prayer of the church. It is different than Mass (also called the Holy Eucharist). In the Roman Catholic Church the Daily Office is known as the Liturgy of the Hours. In other churches the Daily Office is sometimes referred to as the Divine Office. In Anglican and Episcopal churches the Daily Office is comprised of Morning Prayer (sometimes called Matins), Noonday Prayer, Evening Prayer (sometimes called Evensong), and Compline. The term, “Daily Office” is used to describe these regular times of prayer. Ideally every Office is prayed publicly by members of a church community. Realistically, however, it can be difficult for any community (outside of a monastic setting) to pray every Office together. For this reason a great number of Christians pray all or part of the Office privately. At Saint Mary’s public Morning Prayer is said every day of the year except Saturdays and Federal Holidays. On Sundays and Major Feast Days in the church year Morning Prayer is sung and referred to as Matins. Noonday prayer is said every day of the year except Sundays and certain feast days throughout the year (when as Solemn Mass is offered instead). -
Choral Music
WORCESTER MUSIC LIBRARY : CHORAL MUSIC NOTE The choral pieces are presented in Composer order. There are many collections, and these are presented under 'Various'. Collections of Carols and other seasonal items are presented under 'Xmas'. Composer Title Abba arr. Marsh Mamma Mia! And Other Abba Hits Arnold The John Clare Cantata Bach J.S. Cantata 142 Bach J.S. Christ lay in Death's Dark Prison Bach J.S. Christmas Oratorio HB Bach J.S. Christmas Oratorio SB Bach J.S. Christmas Oratorio SB Bach J.S. Coffee Cantata Bach J.S. Come, Jesus, Come (Komm, Jesu, Komm) Breitkopf Bach J.S. Come, Jesus, Come (Komm, Jesu, Komm) Novello Bach J.S. Hold in Affection Jesus Christ Bach J.S. Mass in B Minor Bach J.S. Motetten (Motets) Bach J.S. Praise the Lord all ye nations Bach J.S. Sleepers Wake Bach J.S. St John's Passion Bach J.S. St Matthew Passion Bart Oliver! Beach Boys ed Lojeski Best of thre Beach Boys Beatles With a Little Help From My Friends Beatles ed Lojeski The Beatles in Revue Beethoven Choral Sympathy Beethoven Mass in C Beethoven Mass in D Beethoven The Choral Fantasia Bennett All the King's men Bennett Woman of Samaria Berkeley All the King's men Berkeley Or Shall We Die? Berlioz Messe Solennelle Berlioz Requiem Berlioz The Childhood of Christ Berloiz Requiem ed Schirner Bernstein Chichester Psalms (in three movements) Bernstein Vocal selection from West Side Story Bernstein West Side Selection Bernstein West Side Story Bizet Te Deum Blake The Song of St. -
March 2016 Concert Programme
S H A Saturday 19th March 2016, 7.30 p.m. K St John’s Church, Dumfries E S P GEORGE SHEARING E A Songs and Sonnets R E JOHN RUTTER 4 Birthday Madrigals 0 0 ANDREW CARTER S H Benedicite A and other songs K E MARGARET HARVIE DONALD SCOTT S (Piano) (Double Bass) P IAN HARE (Organ) E A CARLISLE CANTATE CHILDREN’S CHOIR R E Conductor: EDWARD TAYLOR 4 0 Programme £1.50 0 www.dumfrieschoralsociety.co.uk Scottish Charity No. SC002864 ACKNOWLEDGEMENTS Honorary President: The Duchess of Buccleuch and Queensberry Scottish Charity No. SC002864 Website: www.dumfrieschoralsociety.co.uk Dumfries Choral Society, a member of Making Music Scotland, gratefully acknowledges the generous financial assistance and services given by the following Patrons, Friends, and Sponsors: Patrons Friends The Duchess of Buccleuch Mr & Mrs Peter Boreham Mr Ian P M Meldrum Mrs Margaret Carruthers Mrs Jessie Carnochan Mr James More Mrs Barbara Kelly Mrs Mary Cleland Mr Hugh Norman Miss Gerry Lynch, MBE Mrs Agatha Ann Graves Mr John Walker Mr J & Dr P McFadden Mrs Nan Kellar Mrs Maxine Windsor Mrs Agnes Riley Mrs Jennifer Taylor Sponsors The Aberdour Hotel Bibliographic Data Services Ltd Asher Associates Elite Display Barbours, Dumfries University of the West of Scotland Barnhill Joinery Ltd Weesleekit Web Design If you would like information about becoming a Friend, Patron, or Sponsor of Dumfries Choral Society, please contact the Patrons’ Secretary, Mrs Sheena Meek (07753 824073), or visit the website at: www.dumfrieschoralsociety.co.uk The Society gratefully acknowledges a generous donation received from the Buccleuch Charitable Trust. -
Notes for Visiting Choirs and Organists
NOTES FOR VISITING CHOIRS AND ORGANISTS Thank you for bringing your choir to sing at Winchester Cathedral. We very much hope that your time here will be enjoyable and rewarding. Choral services have been offered in this place for many centuries and, by your visit, you are enabling us to maintain that wonderful tradition whilst the Cathedral Choir is away. Please note that during the coming year, there will be major repairs taking place in the Cathedral which will mean that the Song Room will not be available for rehearsal. We will do our best to ensure that there is an alternative rehearsal room available for you. There will also be alternative secure changing rooms provided, when the Song Room is closed. Should you have any particular rehearsal problems during your visit, the Liturgy & Music Office or Virgers will always be willing to help. The following notes are detailed in the hope that you will arrive knowing what to expect, and be able to offer the best standard of music within our service structure. Please do not hesitate to be in contact if anything is unclear, or if we can be of more assistance. Susan Wallace Canon Precentor and Sacrist COMMUNICATIONS Overseas visitors, please dial +44 1962 instead of 01962 Liturgy and Music Office (for all enquiries except organ practice) Sue Armstrong (01962) 857219 [email protected] Assistant Director of Music (for booking organ practice) George Castle (01962) 857213 [email protected] Fax: (01962) 857201 Post: Liturgy & Music Office, Cathedral Office, 9 The Close, 2 Winchester, Hampshire, SO23 9LS U.K. -
Durham E-Theses
Durham E-Theses Changes in the Methodist Hymnody during the eighteenth and nineteenth centuries Hind, Roland How to cite: Hind, Roland (1968) Changes in the Methodist Hymnody during the eighteenth and nineteenth centuries, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9933/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ABSTRACT OP THESIS. .» Changes in Methodist Hymnody during the Eighteenth and Nineteenth Centuries. Submitted by Roland Hlnd.B.A..M.Lltt* for the degree of M.A. At first the singing was either unaccompanied, led by a choir of Charity Children, with the Parl6h Cleric as precentor; or accompanied by an instrumental band* Tunes were florid, with much faulty verbal accentuation. Taste reached its nadir 1770-1840. Style became superficial, boisterous, with repeats and fugal imitations; the melody and harmony were crude, deriving from nineteenth century Italian opera* There was slavish adoration and adaptation of the great classical composers* In the mid-nineteenth century, through the influence of the Oxford Movement, there were surpliced choirs; prose chant8 were sung and there were tentative attempts at plain- song* Tunes were like part-songs* There was also a better type of more sophisticated composer who produced good melody and sober harmony. -
What Is the Anglican Tradition? Scripture
What is the Anglican Tradition? Scripture. A lecture given as part of the Series What is Our Anglican Tradition? Edmonton, Lent 2006 By Dr Walter Deller Principal, The College of Emmanuel and St. Chad When it comes to how Anglicans deal with the Finally, I want to comment on what seem Bible, it’s probably more correct to pose the historically, and still today, to be two forces question What Isn’t Our Anglican Tradition? If constantly requiring to be balanced as we seek in one tries to answer either the positive or negative faithfulness to interpret the Scriptures together in forms of your question in any phenomenological continuity with our Anglican tradition. way—that is, trying to describe what one can observe past and present—it’s rather difficult to see Because it’s Lent, and we are all deeply what should be excluded. So one first response I immersed in our Lenten discipline, it might be will offer to your question is that we Anglicans interesting to share a glimpse of how one woman read the scriptures as Christians in the Catholic or kept Lent in the period between 1669 and 1678— universal Church always have throughout history— not least because it tells us something about in a multiplicity of ways that are shaped by the Anglicans and the Bible. John Evelyn in his Life of practices of Christian liturgy, piety and discipline, Mrs Godolphin, about Margaret Bragge/Godolphin, and by the constant renewal of the Church through a Maid of Honour to the Queen in the racy and the work of the Holy Spirit and the spread of the lascivious Restoration court of Charles II, observed Good News of Jesus Christ though time and Lent by fasting and dining alone at home, and then cultures. -
Concordia Theological Monthly
CONCORDIA THEOLOGICAL MONTHLY Preludes to Praise-Devotional Reflection ARTHUR CARL pmPKORN The Natural Knowledge of God RALPH A. BOHLMAN T Homiletics Theological Observer Book Review VOL. XXXIV December 1963 No. 12 Preludes to Praise: Devotional Reflections By ARTHUR CARL PIEPKORN There are three anonymous hymns in I our rite which, though they are not of We have no way of knowing with cer divine inspiration, have received a place in tainty who wrote Benedicite omnia opera the worship of the church all but totally or when it was written. The time that sug on a par with the psalms and canticles that gests itself is the vehement pogrom that can unquestionably claim God as their di the Seleucid emperor Antiochus Epiphanes vine Author. mounted against the Jews in the seven The first is the canticle Benedicite omnia teenth decade before Christ's birth.5 In the opera. l Even before our Lord's birth Hel prayer of Azariah which immediately pre lenistic Judaism gave this canticle a place cedes our canticle, he confesses that in true in its Sacred Scriptures as a part of the judgment God had given His people "into third chapter of the Book of Daniel.2 the hands of lawless enemies, most hateful The second is the Laudamus te, the hymn rebels, and to an unjust king, the most introduced by the angelic paean of praise: wicked in all the world." 6 This lament re "Glory be to God on high and on earth flects the situation reported in the first peace, goodwill to men." It is a morning chapter of First Maccabees, which might hymn of the church in the East and a Eu very well have seemed to pious Jews a fiery charistic chant of the church in the West.3 furnace of misfortune. -
Enriching Our Worship 1
Enriching Our Worship 1 Morning and Evening Prayer The Great Litany The Holy Eucharist Supplemental Liturgical Materials prepared by The Standing Liturgical Commission 1997 CHURCH PUBLISHING INCORPORATED, NEW YORK 1 Copyright © 1998 by The Church Pension Fund Portions of this book may be reproduced by a congregation for its own use. Commercial or large-scale reproduction, or reproduction for sale, of any portion of this book or of the book as a whole, without the written permission of Church Publishing Incorporated, is prohibited. Church Publishing Incorporated 445 Fifth Avenue New York, NY 10016 10 9 8 7 6 5 2 Contents 5 Preface 7 Introduction 13 The Use of Supplemental Liturgical Materials 18 Supplemental Liturgical Materials 72 Notes 80 Music for the Eucharistic Prayers 3 4 Preface by The Most Reverend Frank Tracy Griswold Enriching Our Worship is offered by the Standing Liturgical Commission to the Church through the General Convention as an enrichment of our liturgical prayer. This collection is part of an ongoing process of listening to what the Spirit is saying to the Church through the diverse experience of those who gather to worship and to celebrate the sacramental rites which fashion and identify us as the People of god. Enriching Our Worship is not intended to supplant the Book of Common Prayer, but rather to provide additional resources to assist worshiping communities wishing to expand the language, images and metaphors used in worship. In some cases the can- ticles and prayers represent the recovery of ancient biblical and patristic images, such as the identification of Christ with Wis- dom, and in other cases images which speak of God in other than the familiar masculine terms which have been so much a part of our liturgical prayer.