Spring 2019 Issue of the ROCK Magazine Was Designed and Produced by the 2018-19 ROCK Staff
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The Retreat Wellness and Recovery Center 461-A Carlisle Dr
THE RETREAT WELLNESS AND RECOVERY CENTER 461-A CARLISLE DR. HERNDON, VA 20170 INITIAL INTERVIEW FORM Date:______________ CLIENT INFORMATION: Name:____________________________________________________________________ Phone: (Wk)________________________(Hm)___________________________________ Address:__________________________________________City:_____________________ State:_________________________________Zip:_________________________________ May I have permission to mail to this address? Yes________ No______________ Email: :_________________________________ Sex: Male_______Female___________Date of Birth:______________________________ Others living at home:________________________________________________________ Employer:_________________________________Occupation________________________ How long have you worked there?____________How long in this occupation?___________ Education: (List highest level of education attained)_________________________________ Primary Physcian:________________________________Phone_______________________ List any significant health problems:______________________________________________ ___________________________________________________________________________ List any medications you are taking and the dosage:_________________________________ Have you seen this type of therapist before? YES__________NO________ If yes, when and with whom?____________________________________________________ Give a brief description of treatment:______________________________________________ How were you referred to my office?______________________________________________ -
The Ethics of the International Display of Fashion in the Museum, 49 Case W
Case Western Reserve Journal of International Law Volume 49 | Issue 1 2017 The thicE s of the International Display of Fashion in the Museum Felicia Caponigri Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Felicia Caponigri, The Ethics of the International Display of Fashion in the Museum, 49 Case W. Res. J. Int'l L. 135 (2017) Available at: https://scholarlycommons.law.case.edu/jil/vol49/iss1/10 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law 49(2017) THE ETHICS OF THE INTERNATIONAL DISPLAY OF FASHION IN THE MUSEUM Felicia Caponigri* CONTENTS I. Introduction................................................................................135 II. Fashion as Cultural Heritage...................................................138 III. The International Council of Museums and its Code of Ethics .....................................................................................144 A. The International Council of Museums’ Code of Ethics provides general principles of international law...........................................146 B. The standard that when there is a conflict of interest between the museum and an individual, the interests of the museum should prevail seems likely to become a rule of customary international law .................................................................................................149 IV. China: Through the Looking Glass at The Metropolitan Museum of Art.......................................................................162 A. Anna Wintour and Condé Nast: A broad museum interest for trustees and a semi-broad museum interest for sponsors .................164 B. -
From the Baffler No. 23, 2013]
Facebook Feminism, Like It or Not SUSAN FALUDI [from The Baffler No. 23, 2013] The congregation swooned as she bounded on stage, the prophet sealskin sleek in her black skinny ankle pants and black ballet flats, a lavalier microphone clipped to the V-neck of her black button-down sweater. ―All right!! Let‘s go!!‖ she exclaimed, throwing out her arms and pacing the platform before inspirational graphics of glossy young businesswomen in managerial action poses. ―Super excited to have all of you here!!‖ ―Whoo!!‖ the young women in the audience replied. The camera, which was livestreaming the event in the Menlo Park, California, auditorium to college campuses worldwide, panned the rows of well-heeled Stanford University econ majors and MBA candidates. Some clutched copies of the day‘s hymnal: the speaker‘s new book, which promised to dismantle ―internal obstacles‖ preventing them from ―acquiring power.‖ The atmosphere was TED-Talk-cum-tent-revival-cum- Mary-Kay-cosmetics-convention. The salvation these adherents sought on this April day in 2013 was admittance to the pearly gates of the corporate corner office. ―Stand up,‖ the prophet instructed, ―if you‘ve ever said out loud, to another human being—and you have to have said it out loud—‗I am going to be the number one person in my field. I will be the CEO of a major company. I will be governor. I will be the number one person in my field.‘‖ A small, although not inconsiderable, percentage of the young women rose to their feet. The speaker consoled those still seated; she, too, had once been one of them. -
ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018
ITALIAN ART SOCIETY NEWSLETTER XXIX, 3, Fall 2018 An Affiliated Society of: College Art Association Society of Architectural Historians International Congress on Medieval Studies Renaissance Society of America Sixteenth Century Society & Conference American Association of Italian Studies President’s Message from Sean Roberts Rosen and I, quite a few of our officers and committee members were able to attend and our gathering in Rome September 15, 2018 served too as an opportunity for the Membership, Outreach, and Development committee to meet and talk strategy. Dear Members of the Italian Art Society: We are, as always, deeply grateful to the Samuel H. Kress Foundation for their support this past decade of these With a new semester (and a new academic year) important events. This year’s lecture was the last under our upon us once again, I write to provide a few highlights of current grant agreement and much of my time at the moment IAS activities in the past months. As ever, I am deeply is dedicated to finalizing our application to continue the grateful to all of our members and especially to those lecture series forward into next year and beyond. As I work who continue to serve on committees, our board, and to present the case for the value of these trans-continental executive council. It takes the hard work of a great exchanges, I appeal to any of you who have had the chance number of you to make everything we do possible. As I to attend this year’s lecture or one of our previous lectures to approach the end of my term as President this winter, I write to me about that experience. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
The First Monday in May
A Magnolia Pictures, Relativity Studios & Planned Projects In Association with Condé Nast Entertainment, Mediaweaver Entertainment & Sarah Arison Productions Present A Fabiola Beracasa Beckman Production THE FIRST MONDAY IN MAY A film by Andrew Rossi 91 minutes Official Selection 2016 Tribeca Film Festival – Opening Night World Premiere Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia 1 An unprecedented look behind the scenes of two of New York’s premier cultural events, The First Monday in May follows the creation of “China: Through The Looking Glass,” the most attended fashion exhibition in the history of The Costume Institute at The Metropolitan Museum of Art, and the 2015 Met Gala, the star-studded fundraiser that celebrates the opening of the exhibition. Acclaimed filmmaker Andrew Rossi (Page One: Inside the New York Times) follows Anna Wintour, Artistic Director of Condé Nast and editor-in-chief of Vogue magazine and longtime chair of the Met Gala, and Andrew Bolton, the iconoclastic curator who conceived the groundbreaking show, for eight months as they prepare for an evening they hope will take the worlds of art and fashion by storm. Documenting one of the most exclusive parties in the world side-by-side with an exhibition that drew more than three-quarters of a million visitors during its four-month run, The First Monday in May is a captivating portrait of the private side of a pair of high-profile public events. -
The Ethics of the International Display of Fashion in the Museum, 49 Case W
CORE Metadata, citation and similar papers at core.ac.uk Provided by Case Western Reserve University School of Law Case Western Reserve Journal of International Law Volume 49 | Issue 1 2017 The thicE s of the International Display of Fashion in the Museum Felicia Caponigri Follow this and additional works at: https://scholarlycommons.law.case.edu/jil Part of the International Law Commons Recommended Citation Felicia Caponigri, The Ethics of the International Display of Fashion in the Museum, 49 Case W. Res. J. Int'l L. 135 (2017) Available at: https://scholarlycommons.law.case.edu/jil/vol49/iss1/10 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Journal of International Law by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Journal of International Law 49(2017) THE ETHICS OF THE INTERNATIONAL DISPLAY OF FASHION IN THE MUSEUM Felicia Caponigri* CONTENTS I. Introduction................................................................................135 II. Fashion as Cultural Heritage...................................................138 III. The International Council of Museums and its Code of Ethics .....................................................................................144 A. The International Council of Museums’ Code of Ethics provides general principles of international law...........................................146 B. The standard that when there is a conflict of interest between the museum and an individual, the interests of the museum should prevail seems likely to become a rule of customary international law .................................................................................................149 IV. China: Through the Looking Glass at The Metropolitan Museum of Art.......................................................................162 A. -
Met Gala: La Historia Detrás De La Alfombra Roja
HDIT cat (ex)Marino 05/05/2020 MET GALA: LA HISTORIA DETRÁS DE LA ALFOMBRA ROJA Ayer hubiese sido, como todo primer lunes de mayo, el día en que tiene lugar la gala anual del Costume Institute en el Metropolitan Museum of Art de New York. Aprovechamos la fecha para revisar un poco la evolución de este evento y su relación con el estudio de la historia del traje. La Gala del Met es un evento benéfico cuyo objetivo es Lady Gaga en la Met Gala de 2019 cuyo tema fue “Camp: Notes on Fashion” parafraseando recaudar fondos destinados al Costume Institute (instituto del el ensayo de Susan Sontag “Notes on Camp.” vestido). Este evento de fama mundial, por la presencia de las Alexander McQueen: The Horn of Plenty, (el máximas celebridades en su alfombra roja, inaugura la cuerno de la abundancia) otoño/inv 2009–10 exposición de moda anual del instituto para la cual los invitados a la velada se visten de acuerdo al tema del año. El evento se realiza desde 1948 pero su notoriedad pública -y su recaudación- se incrementó fuertemente en los años setenta bajo la dirección de Diana Vreeland, y vuelve a hacerlo desde fines de los noventa con Anna Wintour, tal vez las dos figuras más trascendentes en el ámbito editorial de la moda. Algunas de las temáticas más destacadas en la historia de la exhibición anual fueron: • retrospectivas sobre los más importantes diseñadores: Balenciaga, Yves Saint Laurent, Alexander McQueen, entre muchos otros 1 HDIT cat (ex)Marino 05/05/2020 • relación entre la moda y el arte: “Cubismo y Moda”; moda y danza: “Diaghilev - Vestidos -
Download the File “Tackforalltmariebytdr.Pdf”
Käraste Micke med barn, Tillsammans med er sörjer vi en underbar persons hädangång, och medan ni har förlorat en hustru och en mamma har miljoner av beundrare världen över förlorat en vän och en inspirationskälla. Många av dessa kände att de hade velat prata med er, dela sina historier om Marie med er, om vad hon betydde för dem, och hur mycket hon har förändrat deras liv. Det ni håller i era händer är en samling av över 6200 berättelser, funderingar och minnen från människor ni förmodligen inte kän- ner personligen, men som Marie har gjort ett enormt intryck på. Ni kommer att hitta både sorgliga och glada inlägg förstås, men huvuddelen av dem visar faktiskt hur enormt mycket bättre världen har blivit med hjälp av er, och vår, Marie. Hon kommer att leva kvar i så många människors hjärtan, och hon kommer aldrig att glömmas. Tack för allt Marie, The Daily Roxette å tusentals beundrares vägnar. A A. Sarper Erokay from Ankara/ Türkiye: How beautiful your heart was, how beautiful your songs were. It is beyond the words to describe my sorrow, yet it was pleasant to share life on world with you in the same time frame. Many of Roxette songs inspired me through life, so many memories both sad and pleasant. May angels brighten your way through joining the universe, rest in peace. Roxette music will echo forever wihtin the hearts, world and in eternity. And you’ll be remembered! A.Frank from Germany: Liebe Marie, dein Tod hat mich zu tiefst traurig gemacht. Ich werde deine Musik immer wieder hören. -
Openthebooks Oversight Report – National
PUBLISHED: JULY 2017 By: Adam Andrzejewski – Founder and CEO of OpenTheBooks.com Thomas W. Smith – Chairman of OpenTheBooks.com “Open the Books is doing the work I envisioned when the Coburn-Obama bill became law. Their innovative app and other tools are putting sunlight through a magnifying glass.” March 11, 2014 Dr. Tom Coburn, Honorary Chairman of OpenTheBooks.com OUR REPORT MADE POSSIBLE BY: The “Federal Funding Accountability and Transparency Act of 2006” Sponsors: Sen. Tom Coburn (R-OK) & Sen. Barack Obama (D-IL) (Public Law 109-282, 109th Congress) “Is the spending in the public interest or the special interest?” – U.S. Sen. Tom Coburn “I know that restoring transparency is not only the surest way to achieve results, but also to earn back the trust in government…” – U.S. Sen. Barack Obama NATIONAL FOUNDATION ON THE ARTS AND HUMANITIES OVERSIGHT REPORT BY OPENTHEBOOKS.COM prologue Every year, celebrities such as Katy Perry, Pharrell Williams, Madonna, Alex Rodriguez and Jennifer Lopez grace the red carpet at the “Met Gala,” a benefit for New York City’s Metropolitan Museum of Art. The star power helps the organization raise up to $300 million annually. Since 2009, however, the Met has received federal grants totaling $1.2 million from the National Foundation on the Arts and Humanities (NFA-H). The Met can’t argue that it needed the money – it has more than $3.7 billion in financial assets. Our OpenTheBooks Oversight Report – The National Foundation on the Arts and Humanities found that well-heeled, public charities such as the Met take hundreds of millions of dollars in public funding annu- ally. -
Cool Kids Never Have the Time: the Music of the Smashing Pumpkins and Youth of the 1990S
STARKIE, ZACHARY J., M.M. Cool Kids Never Have the Time: The Music of the Smashing Pumpkins and Youth of the 1990s. (2008) Directed by Dr. Guy Capuzzo. 105 pp. The purpose of this thesis is to examine the connection between youth of the 1990s and the music of the Smashing Pumpkins. The introduction is used to provide the reader with pertinent background information on youth, the 1990s, alternative music, and the Smashing Pumpkins. Following that, Chapters 1 and 2 feature analyses of two songs by the Smashing Pumpkins, “Here Is No Why” and “Tales of a Scorched Earth.” The analyses of both songs focus on text enhancement and musical contrasts in each song. At the end of Chapter 2, the qualities of each song are compared. Chapter 3 examines two styles of music that were influential on the band, progressive rock and heavy metal, and examines their place in “Here Is Now Why” and “Tales of a Scorched Earth.” Chapter 3 also examines how the differences between these two styles are evident in the Smashing Pumpkins’ music. Finally, Chapter 4 examines the band’s newest recording, Zeitgeist, and assesses its use of the musical aspects evident in “Here Is No Why” and “Tales of a Scorched Earth.” COOL KIDS NEVER HAVE THE TIME: THE MUSIC OF THE SMASHING PUMPKINS AND YOUTH OF THE 1990S by Zachary J. Starkie A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Music Greensboro 2008 Approved by _____________________________ Committee Chair © 2008 Zachary James Starkie APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of the Graduate School at The University of North Carolina at Greensboro. -
Lop40* with SHADOE STEVENS
r+l~l IN (!41~1 *lOP40* WITH SHADOE STEVENS PLBASB AUDITION BACH DISC ZHKBDIAfBLY. IP YOU HAVB ANY QUESTIONS, PLBASB CONTACT US TOLL PRBB AT 1-800-4~3-~50~. ,..,.SHOW NUMBER & AIR DATE APPEAR ON UPPER RIGHT HAND CORNER OF MAILING LABEL- -COMPACT DISC 11, TRACK 10, HAS 1KHz REFERENCE TONE- TOPICAL PROMOS TOPICAL PROMOS FOR SHuW 147 ARE LOCATED ON QISC 4, TRACKS 6. 7 ANP 8. DO NOT USE AFTER SHOW HZ, 1. MAftKY MARK & THE FUNKY BUNCH "W!LDS!QE~ :27 Hi, Shadoe Stevens, some big acts are poised for some big del•uta on AT40. Marky Mark wants to follow up his #1 smash "Good Vibrations• with his new one, -wilckide•. Rox,~o is due ba~•, ~·'·:,their latest, •spendinp My Timr:t•, Hammar is within st:rik,ng dlsiance w•h his "2 Leg~ 2 Quit". Not to M~enhon the hot nt.w '"'"• by superstars Manah Carey and Michael Jackson. Who's hot enough to blast on through? Ah·ha, the Shadoe knows on Amtrican Top 40. (LOCAL TAG) 2. MICHAEL JACKSON "BLACK OR WHITE" :16 Hi, Shadoe Stevens. Well, ~·s finally coming out, Michael Jac' :son's first album in four years. ••s called 'Dangerous' and the lead-off single is already out, the song 'Black or WMe". You know~ has to debut on American Top 40. But where? Ah-ha, the Shadoe knows!! (LOCAL TAG) 3. MICHAEL BOLTON 'WHEN A MAN LOVES A WOllAM: :23 His first #1 was remake, a song he wrote called 'How Am I s ..oposed To Live W~hout You' and now, Michael Botton's trying to do ~again! This time, w~ his remake of the 1988 Percy Sledge •:lassie h~.