American Square Dance Vol. 54, No. 10 (Oct. 1999)
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The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Front Matter
Cambridge University Press 978-1-316-64187-3 — Classical Literature on Screen Martin M. Winkler Frontmatter More Information Classical Literature on Screen Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle’s perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (Westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). This book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and for scholars and students of film, literature, and history. martin m. winkler is University Professor and Professor of Classics at George Mason University. His most recent books are Cinema and Classical Texts: Apollo’s New Light (Cambridge, 2009), The Roman Salute: Cinema, History, Ideology (2009), and Arminius the Liberator: Myth and Ideology (2015). He has also published numerous articles, book chapters, and reviews, and edited several essay collections on classical antiquity and film. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-64187-3 — Classical Literature on Screen Martin M. -
Greek Drama Resources
Greek Drama Resources A Bibliography & Filmography Compiled by Dennis Lee Delaney Head, Professional Director Training Program Ohio University Theater Division, School of Dance, Film, and Theater © 2016 Websites / Internet Resources Ancient Greek Theater Resources Actors of Dionysus (www.actorsofdionysus.com) AOD has earned a reputation for making Greek tragedy seriously sexy (The Guardian) and since 1993 have built up an extensive track record of gripping and wholly accessible productions. Their website chronicles their production history, education publications/workshops, and also has a shop which features scripts, CDs and DVDs. Ancient Greek Drama (www.cbel.com/ancient_greek_drama) This is a useful compendium of 125 manually selected sites on various topics related to Greek drama, including individual articles on the playwrights and their works. Ancient Greek Theater (www.academic.reed.edu/humanities/ 110Tech.html) A page designed to provide an introduction to Ancient Greek Theater and provide tools for further research. Contains timelines, staging issues, bibliography and links. The Ancient Theatre Archive (www.whitman.edu/theatre/ theatretour/home.htm) A virtual reality tour of Greek and Roman Theatre architecture throughout the world, including mainland Europe, North Africa and the United Kingdom. The Archive of Performances of Greek and Roman Drama / University of Oxford (www.apgrd.ox.ac.uk) A comprehensive production history of ancient Greek and Roman drama in modern performance. It contains a database of information on more than -
Sociedad Hispánica De Estudios Neogriegos
ESTUDIOS NEOGRIEGOS REVISTA CIENTÍFICA DE LA SOCIEDAD HISPÁNICA DE ESTUDIOS NEOGRIEGOS Número 13 2010 SOCIEDAD HISPÁNICA DE ESTUDIOS NEOGRIEGOS Vitoria-Gasteiz 2010 ESTUDIOS NEOGRIEGOS: Revista científica de la Sociedad Hispánica de Estudios Neogriegos. Titulo abreviado: Estud. Neogriegos – N. 1 (1997) – Granada: Sociedad Hispánica de Estudios Neogriegos, 1997-2001, País Vasco, 2003-2005, Vitoria-Gasteiz, 2009-2010. Anual ISSN 1137-7003. Depósito Legal: GR- 82-97 1. Lengua griega medieval y moderna – Publicaciones periódicas 2. Literatura griega medieval y moderna – Publicaciones periódicas 3. Civilización griega medieval y moderna – Publicaciones periódicas I. Sociedad Hispánica de Estudios Neogriegos. Publicaciones 807.73/.74 (05) – 877.3/.4 (05) – 008 (495)(05) – 008(495.02)(05) ESTUDIOS NEOGRIEGOS, publicación científica anual de la Sociedad Hispánica de Estudios Neogriegos, acoge trabajos originales e inéditos en forma de artículos, actualizaciones bibliográficas, recensiones y noticias, relacionados con la Grecia medieval, moderna y contemporánea, preferentemente en los ámbitos artístico, filológico, histórico, lingüístico y de traducción. Quienes deseen enviar originales para su publicación habrán de ser socios de la SHEN. También podrán publicarse trabajos de miembros de la Sociedad Europea de Estudios Neogriegos. Estudios Neogriegos se edita una vez al año. El plazo de entrega de originales finaliza el día 30 de septiembre. El Comité editorial acusará recibo de la recepción de los originales y se iniciará el proceso evaluador de los trabajos. Todos los trabajos recibidos serán evaluados por al menos dos especialistas en cada materia. Durante el proceso se mantendrá el anonimato tanto de los evaluadores como de los autores. La aceptación o no del trabajo será comunicada al autor en diciembre. -
Aristophanes, Gender, and Sexuality
CHAPTER 3 Aristophanes, Gender, and Sexuality James Robson Introduction Of all the qualities of Aristophanes' plays, it is their risqué content for which they are perhaps best known in the modern world. Certainly, for commercial theaters and student productions alike, Aristophanes is regularly marketed as a "naughty" playwright, with sex—and a hint of controversy—used to pique audience interest and sell tickets. A 2013 poster of a production of Lysistrata at Austin State University portrays a strident, naked women with one sash across her breasts bearing the name of the play, while a second sash cover- ing her genitalia carries the wording: "This play contains strong adult content and language" (a warning presumably designed to maximize the play's appeal while also keeping the faint-hearted away).1 To advertise their 2014 Lysistrata, Chicago's (re)discover theatre used the image of a woman's vanity mirror onto which a penis had been scrawled in lipstick. As this image might suggest, this production, billed as an "anti-war sex farce," chose to put gender politics center stage. According to their publicity material, "[t]o spice things up, a male and female actor will alternate the roles of Lysistrata and the Magistrate every other night, giving a unique dual perspective on gender." Audience members were also invited to "pick their gender" for the night. Those choosing to be women were charged $15 for their ticket, while those opting to be men paid $20—a pricing policy which, the theater claimed, reflected the pay differential between men and women in the US at the time.2 The marketing of these two productions of Lysistrata usefully highlights three key themes in the play's modern reception: the push and pull of its "adult content"; its ability to be exploited as a "sexy" play; and the potential it offers to those staging or adapting the play to explore not only gender politics but also 1 <www.apsu.edu/news/apsu-area-theatre-and-dance-present-lysistrata-april-17-21> accessed 15 January 2016. -
American Square Dance Vol. 55, No. 4
AMERICAN Fr, SOUAREDANCE "The International Magazine of Square Dancing" together` or Square 6Dancing!- April 2000 $3.00 morimaRsrs WIPE 8 RECORD SERVICE THE "ORIGINAL" SUBSCRIPTION TAPE SERVICE 1l a\r you heard all 75-80 releases from the last 3 months? The Best Just Got Less Expensive! ONLY $89* FORA 3 YEAR SUBSCRIPTION! I Since 1971 NEw OR RENEWALS! LIMITED TIME OFFER (*USA/Canada; $131 Foreign Air Mail) (offer extended to May 15, 2000) www.SupremeAudio.com Full On-Line Shopping Square & Round Dance Records & Equipment! 1-800-445-7398 (USA & Canada) Phone: 800-445-7398 or 603-876-3636 Fax: 800-346-4867 or 603-876-4001 Foreign Toll Free: AT&T USA Direct * 800* O E-mail: SupremeeSupremeAudio.com Wehsite: www.SupremeAudio.com HANHURST'S TAPE & RECORD SERVICE • (A Division of Supreme Audio. Inc .l P.O. Box 50 • Marlborough, NH 03455-0050 American SquareDance, Apri12000 *********************************** *pawhicle Reeds Buckskill* * * * — % * Itit * * eli , Ir.. * * * * * * Becky & Dick Waibel Larry Cole Dale McClary Otto Degner * * * * * • NEW RAWHIDE RELEASES * * RWH-213 PATRIOTIC MEDLEY by Tom * * RWH-212 SANTO DOMINGO by Jerry * * • COMING SOON * * RWH-214 MY HAPPINESS by Larry * *Grace Wheatley Steve Sullivan. * * • NEW KARAOKE SING-A-LONG SONGS w * RWH-8I7 HONKY TONK ANGELS by Dale * * RWH-8I8 LIFE'S TURNED HER THAT WAY by Hank * * * * • NEW HOEDOWNS * * RWH-526 HOME RUN & HAIL MARY (2-Sided) * * * • NEW ROUND DANCES * Jerry Reed RWH-808 AM I BLUE by Mike Hank Lutcher * RWH-815 LONESOME 77203 by Mike % * * RWH-807 IF YOU'RE -
Der US-Amerikanische Western in Den Deutschen Kinos (1933-1960): Eine Filmografie 2011
Repositorium für die Medienwissenschaft Jonas Wegerer Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie 2011 https://doi.org/10.25969/mediarep/12759 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wegerer, Jonas: Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 128). DOI: https://doi.org/10.25969/mediarep/12759. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0128_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 128, 2011: Western. Redaktion und Copyright dieser Ausgabe: Jonas Wegerer. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0128_11.html Letzte Änderung: 13.9.2011. Der US-amerikanische Western in den deutschen Kinos (1933-1960): Eine Filmografie Zusammengestellt von Jonas Wegerer Liste 1: Zwischen 1949 und 1960 in deutschen Kinos 1960 sind mehr als 650 Western erstaufgeführt wor- erstaufgeführte amerikanische Western den, fast ein neuer Western pro Woche. Liste 2: Zwischen 1933 und 1940 in deutschen Kinos erstaufgeführte amerikanische Western In Liste 1 sind alle Western, die zwischen 1945 und 1960 in den deutschen Kinos erstaufgeführt wurden, mit deutschem Verleihtitel, Datum der Erstauffüh- rung und Originaltitel und Produktionsjahr, verzeich- Der Western, das „amerikanische Genre par excel- net. -
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music........................................................................................................................................... -
Motion Pictures and Juvenile Delinquency. Interim Report
[COMMITTEE PRINT] 1*i iii [ i _ I IRMILIIII|RI I 84TH CONGRESS SENATE REo- ld Session I fENAT MOTION PICTURES AND JUVENILE DELINQUENCY INTERIM REPORT A OF THE SUBCOMMITTEE TO INVESTIGATE JUVENILE DELINQUENCY TO THE COMMITTEE ON THE JUDICIARY PURSUANT TO S. Res. 62 as extended 84tk Congress RELATIVE TO THE INVESTIGATION OF JUVENILE DELINQUENCY IN THE UNITED STATES Printed for tLe use of the Committee on the Judiciary UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1956 &4, i 70 COMMITTEE ON TIlE JUDICIARY JAMES 0. EASiTLANIP, Misalssippl, ('atrmon Et;TES4 KEFAUVER, Tennessee ALEXANDER WILEY, Wisconsin OLIN I). JOHNSTON, South Carolina WILLIAM LONGER, North Dakota THOMAS C. HENNINGS, Ja., Missouri WILLIAM E. JENNER, Indiana JOIN L. McCLELLAN, Arkansas ARTHUR V. WATKINS, Utah PRICE DANIEL, Texas EVERETT McKINLEY DIRKSEN, Illinois JOSEPH C. O'MAIONEY, Wyoming HERMAN WELKER, Idaho MATTHEW M. NEELY, West Virginia JOHN MARSHALL BUTLER, Maryland MiOmmmn-r To INVESTIGATE JUVENILE DINQ1TENCY IN THE UNITED STATES ESTES KEFAUVER, Tennessee, Chairmwan THOMAS C. HENNINGS, Ja., Missouri WILLIAM LANGER, North Dakota PRICE DANIEL,. Texas ALEXANDER WILEY, Wisconsin JAMcs H. Boso, GOferal Counsel 11 CONTENTS P... I. Introduction , Motion pictures are a trt of the media of mass communticaton investigation ------------------------------------------ I Letters express concern over excessive violence in motion picturest... .. .... ... .. .. 2 Concern exprnwA-d over objectionable motion-picture adver- tiiing ....................................... ............ 3 11. Has there beeoj an, increase in violezie and brutality in motion pictures_. ..------------------------------ 4 Motion-picture industry admits overemphasis on excessive violence . ------------------------------ 4 Foreign countries officially object to violence in American flm---------------...---------------------------- r.xanples of alleged film violations of the Productioi, Code. -
Mayor and Council Fire Geza Horvath from Recreation
first Ktk The News! For Value - Shop TheAdvs All The Activities The Largest And Best Shops And TheT«w With Tout Services In The Area Are Our iome-Town P«pw, Advertisers' Patronize Them! (EarterCARTERET, N. J., FRIDAYd, MARCH 18, 1955 PRICE EIOHT CENTS )istrict Catholic Veterans Honor NewspapermanDraft Code Mayor and Council J jCaders On Housing nopposed Standards Fire Geza Horvath L|h 1'arlios Kile County Itorough Attornry (Jets i Members Housing; Authority's Proposed Program From Recreation Bd. , 1PTPH|. r Borough Clerk C A RT ERE T—Frank Haury, AI( Claims Threats Used to L ', ,,in.|,ka today made chairman of the Garteret Houslns i i ,ii county committee Authority revealed yesterday that Question Legality of Job Get Him out of GOP Vni' li.ii !> parties who will the Authority has submitted to V ,i iho primary, April Soroush Attorney Nathaniey A. Council Primary contests. Jncoby a proposed code, dealing On Board Paying $1,900 Tlv: no with housing rehabilitation. CARTERET — Geza Horvath, sioner of the State Legal Divi- Ions active in the Republican i Michael Breza, 83 Thr code, on which the Author- CARTERET — County School sion, who held a similar view- party here, has been fired from his ,,,ul Mrs. A. C. Hun- ity has been working for months Superintendent Robert R. ;l provides certain minimum housing Blunt revealed today thnt he point. He referred to the State post as n member of the four-man |WN Strect; second, stnndnrds, statues of occupancy, is questioning the legality of the Statute 18-5-1-22. recreation board. -
HOLLYWOOD's WEST: the American Frontier in Film, Television, And
o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Lysistrata Have Used Laughter to Critique Sex, War, and Feminism for Nearly a Century
Sex and War on the American Stage American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s “make love not war” message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theaters— plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the US in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex, and Spiderwoman Theater’s openly political Lysis- trata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholar- ship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysis- trata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Modern Drama at Birmingham-Southern College. Her work has appeared in Women and Perfor- mance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).