Gregor Hilderbrandt
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ALICJA KWADE Geboren 1979 Lebt Und Arbeitet in Berlin Ausbildung
GRIEDER CONTEMPORARY ALICJA KWADE Geboren 1979 Lebt und arbeitet in Berlin Ausbildung 1999-2005 Universität der Künste, Berlin Einzelausstellungen (Auswahl) 2016 Alicja Kwade, De Appel Arts Centre, Amsterdam, NL 2015 TRAFO Centre for Contemporary Art, Szczecin, PL Alicja Kwade: Monolog aus dem 11ten Stock, Haus am Waldsee, Berlin, DE Against the Run, Public Art Fund (solo), New York, NY, US Hector-Kunstpreis 2015, Kunsthalle Mannheim, DE Die bewegte Leere des Moments, Schirn Kunsthalle, Frankfurt, DE Alicja Kwade Warten auf Gegenwart II, Kunsthalle Nürnberg, DE Alicja Kwade, Silva Agostini, Grieder Contemporary, Zürich, CH 2014 Alicja Kwade – Warten auf Gegenwart, Kunstmuseum St. Gallen, CH Forecasting Horizon, Galleri Nicolai Wallner, Kopenhagen, DK 2013 Gegenwartsdauer, kamel mennour, Paris, FR Kunstmuseen Krefeld, Haus Esters, DE Kunstverein, Bremerhaven, DE Lisa Cooley, New York, US 2012 The heavy weight of light, Harris Lieberman, New York, US Die Gesamtheit aller Orte, Kunsthal 44 Møen, DK In Circles, Johann König, Berlin, DE Future Past, Grieder Contemporary, Zürich, CH 2011 Sensor, Zeitraum für junge Positionen, ZKM Karlsruhe, DE Villa Tokyo, Tokyo, JP 52°31'17,23, 13°24'02,64, Polnisches Institut, Berlin, DE Belebung toter Einheiten, Oldenburger Kunstverein, Oldenburg, DE Alkahest, Kunstverein Bremerhaven, Bremerhaven, DE 2010 Probleme massereicher Körper, Westfälischer Kunstverein, Münster, DE Ereignishorizont, Kestner Gesellschaft, Hannover, DE Broken away from Common Standpoints, Museion at Peep-Hole, Mailand, IT 2009 Grenzfälle -
Berlin Studio Conversations
Edited by Stephanie Buhmann BErlin Studio convErSationS twEnty womEn talk aBout art introduction It was humbling and pleasantly surprising when upon its release in March 2016, the first volume of this ongoing interview series, New York Studio Conversations – Seventeen Women Talk About Art, received enthusiastic, widespread support. That initial book not only inspired three different exhibitions and accompanying panel discussions at the Shirley Fiterman Art Center at the Borough of Manhattan Community College in New York (2015), the Macy Art Gallery at Teachers College at Columbia University, New York (2016), and the Indiana University of Art and Design in Columbus, Indiana (2017), but it subsequently entered the collections of numerous international research libraries. Within a few months, a second printing was announced. All of this encouraging feedback has helped to spark this second volume. At the urging of my Berlin-based publisher The Green Box, I eagerly shifted my focus to artists based in this dynamic city. My gratitude goes out to Anja Lutz for offering invaluable insight into the overall selection of interviewees. As with the prior volume, Berlin Studio Conversations – Twenty Women Talk About Art aims to provide an intimate look at a vast range of artistic practices. Here, philosophies and intent vary as much as the choices of medium, which span painting, sculpture, drawing, multi-media installation, video, photography, and sound-based work. Certainly, not everything can be covered, and yet what the reader of this book will be able to gather is that there are myriad ways to make or think about art today. As we are forced to maneuver through globally challenging times, art can be both outspoken and referential to current events; it can examine social structures and the human condition at large; it 3 Berlin Studio Conversations introduction can be focused on the everyday or on transformative events; it a temperature. -
Alicja Kwade
ALICJA KWADE Born 1979 Katowice, Poland Lives and works in Berlin EDUCATION 1999-2005 Studium der Bildenden Kunst, UdK, Berlin SOLO EXHIBITIONS 2021 In Abwesenheit, Berlinische Galerie – Landesmuseum für Moderne Kunst, Berlin 2020 Kausalkonsequenz, Langen Foundation, Neuss, Germany Petrichor, KÖNIG Galerie, Tokyo, Japan 2019 In Between Glances, MIT List Visual Arts Center, Cambridge, MA Moving in Glances, Dallas Contemporary, Texas WeltenLinie, Palazzo Biscari, Catania, Italy ParaPivot, The Roof Garden Commission, The Metropolitan Museum of Art, New York ParaParticular, 303 Gallery, New York The Resting Thought, Centre De Creation Contemporaine Olivier Debre, Tours, France 2018 Glances, Blueproject Foundation, Barcelona, Spain Entitas, König Galerie, Berlin Germany Being, Neuer Berliner Kunstverein, Berlin, Germany Kunsthal Charlottenborg, Copenhagen, Denmark EMMA – Espoo Museum of Modern Art, Helsinki, Finland Kunstmuseum Gelsenkirchen, Gelsenkirchen, Germany AMBO, Kunsthalle Kiel, Kiel, Germany Materia, Per Ora, Fondazione Giuliani, Roma, Italy LinienLand, Museum Haus Konstruktiv, Zurich, Switzerland TunnelTeller, Art & the Landscape, Castle Hill on the Crane Estate, Ipswich, MA 2017 Revolution Orbita, Kamel Mennour, London, United Kingdom Phase, König Galerie, Berlin, Germany Sterne, Kosmische Kunst von 1900 bis heute, Lentos Kunstmuseum Linz, Austria ReReason, YUZ Museum, Shanghai, China Revolution Orbita, Kamel Mennour, London A Trillionth of a Second, i8, Reykjavik, Iceland Deconstructing Borders- Sigmar Polke / Alicja Kwade, Museum -
ALICJA KWADE Born in 1979 in Katowice, Poland. Lives and Works in Berlin. SOLO SHOWS 2019 Parapivot, the MET Roof Garden, NYC Th
ALICJA KWADE Born in 1979 in Katowice, Poland. Lives and works in Berlin. SOLO SHOWS 2019 ParaPivot, The MET Roof garden, NYC The Resting Thought, CCOD Tours, France Install Pars Pro Toto, Maersk Tower Copenhagen, COP Tyra Alicja Kwade, 303 gallery, NYC, USA Alicja Kwade, Contemporary Arts Center in Cincinnati, Ohio Alicja Kwade, Dallas Setouchi Triennale 2018 Entitas, St. Agnes | Nave, KÖNIG Galerie, Berlin Being…, n.b.k. Neuer Berliner Kunstverein, Berlin, Germany TunnelTeller, Castle Hill on the Crane Estate, Ipswich, MA MATERIA, PER ORA, Fondazione Giuliani, Rome Alicja Kwade, Fiac Solo booth, 303 gallery, Fiac, Paris, France Out of Ousia, Kunsthal Charlottenborg, Copenhagen, Denmark TRANS-FOR-MEN, EMMA – Espoo Museum of Modern Art, Helsinki, Finland Kunst & Kohle. Alicja Kwade mit Dirk Bell, Gregor Hildebrandt und Rinus van de Velde, Kunstmuseum Gelsenkirchen, Germany AMBO, Kunsthalle Kiel, Kiel, Germany LinienLand, Haus Konstruktiv, Zurich, Switzerland 2017 Big Be-Hide, Installation, Frieze Sculpture Park, London, United Kingdom Revolution Orbita, kamel mennour, London Field Station: Alicja Kwade, Eli and Edythe Broad Art Museum, East Lansing, USA Deconstructing Borders, Sigmar Polke / Alicja Kwade, Museum Frieder Burda | Salon Berlin, Berlin, Germany. ReReason , YUZ Museum, Shanghai, China Phase, König Galerie, Berlin A Trillionth of a Second, i8 Gallery, Reykjavik, Iceland Sichtbare Unsichtbare Grenzen, Sigmar Polke – Alicja Kwade, Museum Frieder Burda, Salon Berlin 2016 “Alicja Kwade: Medium Median”, Whitechapel Gallery, London, England. “In Aporie”, kamel mennour, Paris, France. “I Rise Again, Changed But The Same”, 303 Gallery, New York, USA. “Alicja Kwade”, De Appel Arts Center, Amsterdam, Netherlands. 2015 “Alicja Kwade: Nach Osten”, TRAFO Center for Contemporary Art, Szczecin, Poland. -
Alicja Kwade the Resting Thought
alicja kwade the resting thought 2 february - 1 september, 2019 opening on february 1st, 2019, 6-9 pm 1/16 Sommaire 3-5 a project conceived for the nave of the ccc od, Tours 6-8 alicja kwade : biography 6 solo shows 8 price and awards 9 2019 : celebrating all aspects of the renaissance 10 centre de création contemporaine olivier debré 11-12 programme 2019 13 the ccc od - jeu de paume partnership 14 partners and sponsors of the ccc od 15 practical informations 16 press contacts 2/16 a project conceived for the nave of the ccc od, tours For her first solo institutional exhibition in France, the artist based in Berlin Alicja Kwade steps in the cccod with a brand new work of art. Alicja Kwade’s sculptural work has demonstrated unparalleled formal development for several years culminating in this monumental piece matching the scale of the art centre nave. Alicja Kwade exhibited the work WeltenLinie at the Venice Biennale in 2017, initiating her unique exploration of space, how it is perceived and their ubiquitous relativity. The artist, prominent on the Alicja Kwade, WeltenLinie, 2017. Installation view at the Venice Biennale international art scene, has since created other Photo Italo Rondinella - Courtesy the artist & kamel mennour, Paris/London works enabling these concepts to be interpreted in a range of contexts and formats. The artist draws on and integrates these experiences for her new work, entitled Sub-Stance, at the ccc od. Alicja Kwade, ‘DrehMoment’ (détail), 2018, ‘Parralelwelt (Ast/AntiAst)’ (2018). Installation view, Kunsthal Charlottenborg 2018. © Photo: Roman März. -
On the Met Roof, Alicja Kwade's Test of Faith
On the Met Roof, Alicja Kwade’s Test of Faith By Thomas Rogers March 29, 2019 Known for confronting the laws of physics, the Polish-German artist builds a planetary sculpture and ponders our place in the universe Alicja Kwade in her Berlin studio. She created an abstract sculpture for the Metropolitan Museum of Art's Cantor Roof Garden asking visitors to contemplate their assumptions about life on Earth, and beyond. Credit Mustafah Abdulaziz for The New York Times BERLIN — On a recent afternoon in her studio, the Polish-German artist Alicja Kwade was inspecting a model for the work she designed for this spring’s Roof Garden Commission of the Metropolitan Museum of Art. The piece, titled “ParaPivot,” consists of two large sculptures made of steel, rectangular frames and several enormous spherical rocks. Ms. Kwade hopes that visitors will be able to walk under the spheres, some of which weigh over a ton, if the museum is able to secure the necessary city approvals. The experience, in a sense, is to be a test of faith. As Ms. Kwade adjusted the model, one of the miniature spheres detached and rolled past a small cutout meant to represent a museum visitor. “Oops, that’s not supposed to happen,” she said, then burst into laughter. She pointed out that the real rocks, gathered from different continents, would remain securely fastened to the structure, even in high winds. Ms. Kwade, 40, has become known in recent years for her sculptures that seem to test or bend the laws of physics and that explore broader questions about the nature of reality and our position within the universe.