Monographs Michael Van Valkenburgh Associates
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Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Master's Projects and Capstones Theses, Dissertations, Capstones and Projects Winter 12-16-2016 Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art Isabel Tassara [email protected] Follow this and additional works at: https://repository.usfca.edu/capstone Part of the Architectural History and Criticism Commons, Contemporary Art Commons, Interior Architecture Commons, Modern Art and Architecture Commons, and the Museum Studies Commons Recommended Citation Tassara, Isabel, "Leandro Erlich: Towards A Collaborative Relationship Between Architecture and Art" (2016). Master's Projects and Capstones. 436. https://repository.usfca.edu/capstone/436 This Project/Capstone is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Master's Projects and Capstones by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. Leandro Erlich: Towards a Collaborative Relationship Between Architecture and Art Keywords: contemporary art, museum studies, architecture, interactive installation, international artist, art exhibition, Buenos Aires Argentina, Contemporary Jewish Museum by Isabel Tassara Capstone project submitted in partial FulFillment oF the requirements For -
2014-2019 All Employers 5 Years
# LANDSCAPE ARCHITECTURE EMPLOYERS (August 2014 - May 2019) Atappe unknown Illinois unknown Bolton & Menk, Inc. Burnsville Minnesota Landscape Architect I Burns & McDonnell Engineering Kansas City Missouri Assistant Landscape Architect C2 Collaborative San Clemente California Project Designer Callander Associates Sacramento California Assistant Landscape Architect Callander Associates Landscape Sacramento California Assistant Project Designer Capital Landscaping Des Moines Iowa Landscape Architect Clark Construction Group, Inc., The Washington, DC District of ColumbiaOffice Engineer ** 13 Confluence Kansas City Missouri Landscape Architect in training 2 Conservation Corps MN St. Paul Minnesota Crew Member Conservation Design Forum Chicago Illinois Landscape Designer 2 Country Landscapes, Inc. Ames Iowa unknown * Coyle & Ceron, Inc. Orlando Florida Landscape Designer DANIEL S. NATCHEZ and ASSOCIATES, Inc. Mamaroneck New York Project Manager 2 Design Workshop Houston Texas Project Assistant / Entry Level LA DeVisser Landscape Services Grand Rapids Michigan Landscape Designer DLR Group Kansas City Kansas Entry Level Landscape Architect * DTJ Design Boulder Colorado Landscape Designer ** 3 EDSA Fort Lauderdale Florida Designer, Landscape Architect Elizabeth Kennedy Landscape Architecture, PLLC New York New York Landscape Designer 2 EPIC Landscape Productions Olathe Kansas Landscape Designer Evan C. Lai Landscape Design New York City New York Gardener * Fletcher Studio San Francisco California Designer Gary R Weber Associates Wheaton Illinois -
Alec Spangler, PLA, ASLA Education & Registration Teaching Landscape
Alec Spangler, PLA, ASLA Curriculum Vitae (c) 845.242.8639 [email protected] 2007 Purchase College, State University of New York Education & Registration Purchase, NY 2017– Registered Landscape Architect in New York State Graduate Assistant Instructor 2009–2012 Graduate School of Design While completing an MFA in Visual Arts, I developed and taught Harvard University, Cambridge, MA two semesters of intro-level drawing and painting classes for non- Master in Landscape Architecture majoring undergraduates. 2006–2008 Purchase College, SUNY, Purchase, NY MFA in Visual Arts Landscape Practice 1999–2002 Vassar College, Poughkeepsie, NY 2017– Independent Consulting BA in Studio Art, Correlate in Analytic Philosophy Since leaving MVVA, I have continued to consult as a writer and editor of firm-related texts for awards, competitions, and promotions. 1998–1999 Wheaton College, Norton, MA I have worked with Michael Van Valkenburgh on several publications intended reveal design processes and key features of MVVA’s work to a non-professional audience. Teaching Spring 2018– Stuckeman School of Architecture and Landscape 2012–2017 Michael Van Valkenburgh Associates, Brooklyn, NY Architecture, The Pennsylvania State University Designer–Senior Associate Assistant Teaching Professor, Department of Landscape Over 5 years of work at MVVA, I contributed to projects ranging from Architecture small gardens to urban-scale framework plans. I was most deeply involved at the conceptual and schematic stages of design, but Along with co-teachers Neil Korostoff and Lisa DuRussel, I taught have led projects from conception through construction, managing and coordinated 2 semesters of the 2nd-year BLA/1st-year MLA documentation, approvals, community review, client engagement, design studio and lead the associated theory component. -
The State of Art Criticism
Page 1 The State of Art Criticism Art criticism is spurned by universities, but widely produced and read. It is seldom theorized, and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history, and poses the question of whether criticism may become a university subject. Participants include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett, and Boris Groys. James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. His many books include Pictures and Tears, How to Use Your Eyes, and What Painting Is, all published by Routledge. Michael Newman teaches in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, and is Professor of Art Writing at Goldsmiths College in the University of London. His publications include the books Richard Prince: Untitled (couple) and Jeff Wall, and he is co-editor with Jon Bird of Rewriting Conceptual Art. 08:52:27:10:07 Page 1 Page 2 The Art Seminar Volume 1 Art History versus Aesthetics Volume 2 Photography Theory Volume 3 Is Art History Global? Volume 4 The State of Art Criticism Volume 5 The Renaissance Volume 6 Landscape Theory Volume 7 Re-Enchantment Sponsored by the University College Cork, Ireland; the Burren College of Art, Ballyvaughan, Ireland; and the School of the Art Institute, Chicago. 08:52:27:10:07 Page 2 Page 3 The State of Art Criticism EDITED BY JAMES ELKINS AND MICHAEL NEWMAN 08:52:27:10:07 Page 3 Page 4 First published 2008 by Routledge 270 Madison Ave, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Michael Van Valkenburgh Associates
MICHAEL VAN VALKENBURGH ASSOCIATES THE LANDSCAPE ARCHITECTURE FIRM AWARD SUBMITTAL ASLA Board of Trustees c/o Carolyn Mitchell American Society of Landscape Architects 636 Eye St., NW Washington, DC 20001 Re: Nomination of Michael Van Valkenburgh Associates for Firm of the Year Dear Trustees, The list of winners of ASLA’s Landscape Architecture Firm Award is stacked with firms that have produced significant work and made great contributions to our profession. As impressive as it is, however, the list remains glaringly incomplete, as it fails to recognize one of our most accomplished firms: Michael Van Valken- burgh Associates (MVVA). As a collective of talented designers and thinkers, MVVA has produced three decades worth of exceptional, groundbreaking built work, been a leader in promoting innovative responses to environmental challenges, and significantly raised awareness of the important work we do as landscape archi- tects. It is because of this that I enthusiastically nominate MVVA for the Landscape Architecture Firm Award. Michael Van Valkenburgh, FASLA, opened MVVA in 1982. As we all know, he has built a career as one of only a handful of landscape architects with name recognition extending far outside of our profession. His accom- plishments and contributions have been recognized with many awards, including the ASLA Design Medal and induction into the prestigious American Academy of Arts and Sciences. His is the public face for the firm, and the name on the letterhead, but he is far from the only person involved. Van Valkenburgh leads the firm with Laura Solano, ASLA and Matthew Urbanski, ASLA, who have been in- volved in most of the firm’s major projects, along with other principals Paul Seck, ASLA, and Gullivar Shepard, ASLA. -
Elizabeth Kathryn Meyer, Landscape Architect, FASLA
Elizabeth Kathryn Meyer, Landscape Architect, FASLA University of Virginia School of Architecture, Campbell Hall, 110 Bayly Drive, Charlottesville, VA 22904 Mailing address: University of Virginia School of Architecture, Box 400122, Charlottesville, VA 22904-4122 Home address: 2000 Thomson Road, Charlottesville, VA 22903-2421 telephone: 1.434.242.9565 mobile 1.434.924.6960 office email: [email protected] Education Master of Landscape Architecture, University of Virginia 1982 Masters Project, "The Garden as Urban Spatial Structuring Element" M.A. Historic Preservation. Minor: Landscape architecture history, Cornell University (coursework 1978-80) 1983 History of Architecture and Urban Development Program M.A. Thesis, "The United States Capitol Grounds: Preservation of an Olmsted Landscape" B.S. Landscape Architecture, University of Virginia 1978 Academic Experience Merrill D. Peterson Professor of Landscape Architecture, University of Virginia School of Architecture, 2014- Dean, University of Virginia School of Architecture & Edward E. Elson Professor, 2014-2016 Professor, University of Virginia School of Architecture, 2013- Associate Professor, University of Virginia School of Architecture, 1993-2013 Landscape Architecture Program Director, January 2006-January 2007 Department Chair, Landscape Architecture January1993 - August1998, January 2002-August 2003 Associate Professor, Harvard University Graduate School of Design, August1992 - Assistant Professor, Harvard University Graduate School of Design, 1988-1992 Visiting Lecturer, University of Virginia School of Architecture, Spring 1987, Fall 1985 Visiting Studio Critic, Harvard University Graduate School of Design, Fall 1986 Instructor, George Washington University Landscape Design program, Winter 1984, 1983 Visiting Instructor, Cornell University College of Architecture, Art and Planning, 1982-1983 Professional Practice Experience Historic Landscape architectural consultant, City+Arch+River. Reframing a Masterpiece Design Competition and Wellesley College Landscape Plan. -
Jacob K. Javits Federal Building Plaza Opening Book
Jacob K. Javits OPENING Federal Building Plaza New York, New York COMMISSIONER’S MESSAGE Great design solves multiple problems. You can witness that fact throughout the public spaces in New York City. The High Line salvaged a meaningful industrial artifact and provided open space for residents and visitors; at Brooklyn Bridge Park, granite pavers serve as kayak launches and protect the shoreline from storm surges; subway stations have been laboratories for both artists and inventors of digital interfaces. The newly reopened plaza at the Jacob K. Javits Federal Building is the latest example of multitasking in New York’s civic realm. Funds from the American Recovery and Reinvestment Act were committed to a much-needed waterproofing of the parking structure directly beneath the plaza. The public servants of GSA advocated for a more user-friendly project, one that could also produce a stunning above-ground renovation with minimal additional expense. The makers of this plaza deserve equal praise. GSA hired WASA/Studio A in collaboration with landscape architecture firm Michael Van Valkenburgh Associates for the plaza redesign, which it accomplished in lush, sweeping gestures. Paying as much attention to plant species as paving patterns, the design team’s meticulous work can be viewed as an extension of Thomas Paine Park’s greenery immediately to the east or as a counterpoint to the Javits building’s rigorous architecture. The new plaza also is an empathetic amenity for New Yorkers. Indeed, different seating types accommodate laptop users and lunch breakers, while also controlling traffic flows and discreetly securing the site. Although you would expect nothing less from the minds behind New York triumphs like Brooklyn Bridge Park, Teardrop Park in Lower Manhattan or Myrtle Hall at Pratt Institute, we are immensely grateful to them for applying that same dedication and insight here. -
Session Guide
FRI-B05: At the Intersection of Big D Design and Cultural Landscape Stewardship Historic landscapes face ongoing challenges when it comes to remaining successful and relevant places. This session gives the owner’s perspective on how projects by James Cor- ner Field Operations, Michael Van Valkenburgh Associates, and West 8 are incorporating forward-thinking design into the management and stewardship of three significant legacy landscapes. Learning Objectives: • Understand how decisions are made when setting parameters for incorporating con- temporary design interventions into the established patterns and aesthetic of signifi- cant historic landscapes. • Learn the processes involved in identifying and selecting design consultants for restor- ing, expanding, and reimagining well-known landscapes. • Discover the challenges and rewards involved in working in the practice of historic land- scape stewardship. • Learn the ways in which landscape architects are leading the charge in ensuring and enhancing the legacy of the profession of landscape architecture. PANELISTS Since 1989, Michael has played a key role in the transformation of the GGNRA, America’s largest urban national park. As Chief of a Park Development and Operations for the Presidio Trust, he is responsible for the transformation and stewardship of the historic Presidio of San Francisco, America’s most unique national park site. Key projects include Crissy Field, the National AIDS Memorial Grove, Alcatraz Island Master Plan and the Presidio’s transfor- mation from Army base to national park. Michael holds a BA in Architecture, and Master’s degrees in Landscape Architecture and City and Regional Planning, all from UC Berkeley. Emmeline Morris is a Project Manager with the National Park Service’s (NPS) Office of Design and Construction at the Denver Service Center in Lakewood, Colorado. -
An Analysis of Historic Preservation Debates in Chicago
Illinois State University ISU ReD: Research and eData Theses and Dissertations 4-14-2014 Modernism on Trial: An Analysis of Historic Preservation Debates in Chicago Stephen M. Mitchell Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Architecture Commons, and the History Commons Recommended Citation Mitchell, Stephen M., "Modernism on Trial: An Analysis of Historic Preservation Debates in Chicago" (2014). Theses and Dissertations. 163. https://ir.library.illinoisstate.edu/etd/163 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. MODERNISM ON TRIAL: AN ANALYSIS OF HISTORIC PRESERVATION DEBATES IN CHICAGO Stephen M. Mitchell 119 Pages May 2014 This thesis explores preservation issues regarding modernist architecture in Chicago. As urban and public history research, the project examines the new questions brought to the forefront by recent controversies over the preservation of modernist architecture. Modernism, and an “all concrete” variant known as “Brutalism,” popular in the mid-twentieth century, aimed to remove ornament and historical references common in neoclassical, neo-Gothic, Beaux Arts, and Art Deco architecture and replace them with minimal, clean, glass-and-steel buildings. Modernists who, on principle, did not believe in preservation of past forms are now in the unlikely position of making such an argument for their own buildings. Never widely embraced in the first place, Brutalism’s concrete façades seemed less and less to reflect aesthetic tastes as architects turned back toward historicist styles by the 1980s. -
Candace Damon, Vice Chairman of HR&A Advisors
Honorary Membership Nomination Narrative Nominee: Candace Damon, Vice Chairman of HR&A Advisors Nominee's Contact Information: 99 Hudson Street, 3rd Floor New York, NY 10013 1-212-977-2706 Nominator: Gina Ford, FASLA, Principal and Co-Founder, Agency Landscape + Planning Dear Esteemed Honors and Awards Committee Members: I am writing on behalf of hundreds of landscape architects, civic leaders, business entities and institutional champions that have been empowered by her work to nominate Candace Damon for Honorary Membership to the American Society of Landscape Architects. According to the nomination criteria, successful candidates for this honor should demonstrate "achievements of national or international significance or influence have provided notable service to the profession of landscape architecture". I can think of no better candidate than Candace. As a principal of HR&A Advisors, she has been a powerful force behind some of the greatest works of 21st century landscape architecture in America. Personally, I have worked with her on a number of projects including the Sarasota Bayfront, the renovation of Raleigh's Moore Square and the Fort Wayne Riverfront implementation plan. In each instance, her role has been absolutely essential to the strategic alignment of resources, the plan for the long- term success of the effort and, ultimately, to project realization. She has devoted her 30-year career to crafting sustainable urban redevelopment strategies in cities across North America, often leveraging the potential of public parks, open space, waterfronts and public realm as the driving catalyst. Her specific areas of expertise include supporting master planning efforts for large-scale revitalizations, ensuring the long-term viability of urban open space, leading organizational planning for non-profits and institutions, and addressing the financial challenges of making commercial and multifamily residential buildings energy efficient. -
Architecture [Criticism] Or Revolution
Architecture [Criticism] or Revolution Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Architectural Studies in the Graduate School of The Ohio State University By Gregory Lee Delaney, B.S. Graduate Program in Architectural Studies The Ohio State University 2010 Thesis Committee: Ashley Schafer, Advisor Jeffrey Kipnis Douglas Graf Copyright by Gregory Lee Delaney 2010 Abstract Architecture [Criticism] or Revolution is an exploration in journalistic architecture criticism. The current state of journalistic architecture criticism is uninspiring. There are two few of voices, and its field of influence is too narrow. The first article details the current position of journalistic architecture criticism. It accounts its history, its voices, its influence, and its future. The second two articles are explorations in writing on architecture for the people of Columbus, Ohio. They are meant for a non-professional audience, and begin to explore ways of educating the public on issues of contemporary architecture, and calls upon them to demand better design for our city. ii Vita 2000 to 2004……………………………….. Dublin Coffman High School 2004 to 2008………………..………...……. B.S. Architecture, The Ohio State University 2008 to 2009……………………..………… Graduate Assistant, Academic Advising, Knowlton School of Architecture, The Ohio State University 2009……….……………………...……...… Graduate Teaching Assistant, Knowlton School of Architecture, The Ohio State University Fields of Study Major Field: Architectural Studies iii Table of Contents Abstract……………………………………………………………………………………ii Vita……………………………………………………………………………………….iii Article 1: Architecture [Criticism] or Revolution………………………………………...1 Article 2: Building Momentum………………………………………………………….16 Article 3: (Mid)Western Duel…………………………………………………………...21 References………………………………………………………………………………..28 iv Article 1: Architecture [Criticism] or Revolution The year was 1963. The Beatles released their first album.