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National Folk Festival Cuyahoga Valley National Recreation Area September 21 - 23, 1984
WELCOME to the 46th National Folk Festival Cuyahoga Valley National Recreation Area September 21 - 23, 1984 Eleanor Roosevelt 1884-1962 With this festival we celebrate the discuss the needs ...." centenary of the birth of Eleanor An exhibit concerned with her life Roosevelt, a first lady not afraid to go and her contributions to the lives of into a coal mine, a friend who gave others is at this festival. A brief her presence and enthusiastic sup ceremony commemorating her life port to the National Folk Festival. She will be held at the opening of the was honorary chairman, but she was festival on Saturday. There's good not good at being an honorary reason not to do more; her con anything. Her direct involvement siderable disregard for speechifying helped immensely in the 1938 move on occasions like this one is well to Washington. There's an old letter known. And the National Folk from a secretary that begins, '' Mrs. Festival is itself a celebration of Roosevelt has asked me to tell you values very important to Mrs. that she will call in a few days to Roosevelt. 1 to make more people Festival 1s s1mp ~ 1 Park in their own From The Park Superintendent National Folk Festival aware of this Nationa sonally introduc Message others- but hthe the best of these and back yards-:-i~ fac~, ~er and meaningful Valle brings toget er Wel~o';:e to the Cuyahoga them to it in this und . the midst of others. ther important reasons ing y and its territories. Preser . many way. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
Good 'N Country 5-15-2021 Playlist
Good 'N Country 5-15-2021 playlist Artist Title Album Label Year Laura Cash Strange Awake But Dreaming Cash 2010 Joe Stampley How Lucky Can One Man Be Dot 1974 Porter Wagoner Heartbreak Affair RCA Victor 1960 Roy Rogers Stampede RCA Victor 1950 Leon McAuliffe Somebody Else Is Beatin' My Time Columbia 1949 Dave Dudley Sentimental Journey United Artists 1976 Jill Johnson Time Will Fly Roots And Wings Lionheart 2003 Country Side Of Harmonica Sam Look Out Heart A Drink After Midnight El Toro 2017 Ira Louvin Who Throwed Dat Rock Capitol 1964 Wayne Raney When They Let The Hammer Down King 1952 Phil Sullivan I Could Never Be Alone Starday 1959 Ella Mae Morse Oakie Boogie (1st version) Capitol 1951 Tom T. Hall What Have You Got To Lose RCA 1978 Freddie Hart Chain Gang Columbia 1959 Jimmy Wakely I Wish I Had A Nickel Capitol 1949 Cowboy Copas I'm Waltzing With Tears In My Eyes King 1949 Carl Belew Such Is Life Decca 1959 Chet Atkins San Antonio Rose (with Jerry Byrd) RCA Victor 1954 Merle Haggard Leonard MCA 1981 The Wilburn Brothers All Of A Sudden Cool Country (LP) Decca 1967 Earl Thomas Conley Crowd Around The Corner RCA 1984 Del Reeves Girl On The Billboard United Artists 1965 Jim Reeves Distant Drums RCA Victor 1966 Ray Price I Won't Mention It Again Columbia 1971 Ronnie Milsap What Goes On When The Sun Goes Down RCA Victor 1976 John Michael Montgomery I Love The Way You Love Me Atlantic 1993 John Hartford Gentle On My Mind RCA Victor 1967 Melba Montgomery Big Big Heartaches United Artists 1964 Billie Jo Spears Rainy Days And Stormy Nights United Artists 1979 Jimmy Newman Grin And Bear It MGM 1959 Tex Morton I've Known The Truth Okeh 1953 Roy Clark Stepping Stone Coral 1956 Stacy Dean Campbell Honey I Do Columbia 1995 Tanya Tucker The Night The Lights Went Out In Georgia …....Motion Picture Soundtrack (LP) Mirage 1981 Boxcar Willie Freight Train Blues Last Train To Heaven (LP) Main Street 1982 Hank Williams, Jr. -
EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim. -
The History of Radio in Emanuel County Part I – WJAT Radio, 1950 Thru 1975, Also the Entertainment Activities of the Nancy Auditorium by Rick Paul
The History of Radio in Emanuel County Part I – WJAT Radio, 1950 thru 1975, Also the entertainment activities of the Nancy Auditorium By Rick Paul Swainsboro, Georgia has a rather unique radio history. From its humble beginnings, we were dazzled and entertained by events that only a short time earlier would have seemed unimaginable. The history of WJAT radio, while interesting enough, really cannot be told completely without including the entertainment activities of the Nancy Auditorium. What a thrill it must have been as citizens witnessed our sleepy little town transform from an obscure logging and farming hamlet into one of the five most significant country music venues in the country. Even more exciting, and maybe a little scary for some, when you consider that country music was still new and rock and roll unheard of. Truly amazing! I began collecting information for this piece in the 60s while hanging around the radio station as a typical teenager, fascinated by juicy stories being told about the radio station and its people. Later, after actually becoming an employee and hearing even spicier pieces of station lore, it dawned on me that someone should write this stuff down. Well, here we are all these years later, and alas, not much has been written about WJAT Radio or the events at the Nancy Auditorium. Recently, I felt the time had finally come to put down on paper some of the things I had learned over the years. And so I began, intent on covering all aspects of our radio/entertainment history. I wanted to really dig in, separate fact from fiction, inform the unaware, bring about a greater appreciation for a bygone era and maybe even learn some new facts along the way. -
When I Stop Dreaming”--The Louvin Brothers (1955) Added to the National Registry: 2014 Essay by Benjamin Whitmer (Guest Post)*
“When I Stop Dreaming”--The Louvin Brothers (1955) Added to the National Registry: 2014 Essay by Benjamin Whitmer (guest post)* The Louvin Brothers Original label Charlie and Ira Louvin, the brothers who made up the blood-harmony duo the Louvin Brothers, had to fight tooth and nail to get “When I Stop Dreaming” recorded. After working their way off their family cotton farm and away from their abusive father, it had taken them 20 years to make the Grand Ole Opry and sign a major recording contract with Capitol Records. The problem being, now, Charlie and Ira found themselves pigeon-holed as gospel-only artists, which wasn’t doing their career any favors. As Charlie described it to me, the gospel people really didn’t like them much because they played string instruments. Since in the gospel world the piano was the only acceptable instrument, the strings made the audiences consider the Louvin Brothers as something like carnival people. Likewise, when the brothers played country music venues, their gospel music brought down all the people who were just trying to have fun. People don’t want to hear about God on Saturday night; that’s for Sunday morning. As Charlie put it, “We was pretty close to being a fart in a whirlwind.” They knew they needed a secular song if they were ever going to get out of the gospel trap. So they approached their A&R man at Capitol Records, Ken Nelson, with the idea. Nelson was not amused. Capitol Records had just tried a similar transition from gospel to secular with a singer named Martha Cross. -
Here Today Here Today Mp3, Flac, Wma
Here Today Here Today mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Here Today Country: US Released: 1982 Style: Bluegrass MP3 version RAR size: 1469 mb FLAC version RAR size: 1624 mb WMA version RAR size: 1156 mb Rating: 4.3 Votes: 553 Other Formats: AC3 ASF AU AAC DMF AHX WMA Tracklist Hide Credits Nobody But You A1 1:59 Written-By – Jim And Jesse McReynolds* Once More A2 3:48 Written-By – Dusty Owens Foggy Mountain Chimes A3 2:23 Written-By – Earl Scruggs The Children Are Crying A4 2:34 Written-By – Earl Taylor Hot Corn, Cold Corn A5 2:26 Written-By – Akeman*, Scruggs*, Flatt* Lonesome River A6 4:04 Written-By – Ralph And Carter Stanley* My Walking Shoes B1 2:11 Written-By – Martin*, Williams* Love And Wealth B2 2:29 Written By – Ira & Charlie LouvinWritten-By – Charlie Louvin, Ira Louvin Billy In The Lowground B3 2:28 Written-By – Traditional Making Plans B4 3:52 Written-By – Russell*, Morrison* Sweet Little Miss Blue Eyes B5 1:48 Written-By – Helm*, Taylor* Green Pastures B6 2:47 Written-By – Avril Gearheart, Ralph Stanley Credits Banjo, Vocals – Herb Pedersen Bass, Vocals – Emory Gordy* Fiddle, Vocals – Jim Buchanan Guitar – Herb Pedersen (tracks: B6) Guitar, Vocals – Vince Gill Mandolin, Vocals – David Grisman Other versions Category Artist Title (Format) Label Category Country Year VLP-383, VLP-383, Here Today (LP, Vemsa, PDI, 30.2038, Here Today 30.2038, Spain 1989 Album, RE) PDI E-30.2038 E-30.2038 Here Today (CD, Rounder Rounder 0169 Here Today Rounder 0169 US 1992 RE) Records ROUNDA Here Today (LP, Rounder ROUNDA Here Today Australia 1982 1004 Album) Records 1004 David Grisman / David Grisman / Herb Pedersen / Herb Pedersen / Vince Gill / Jim Vince Gill / Jim Rounder 0169 0169 US 1982 Buchanan / Buchanan / Emory Records Emory Gordy, Gordy, Jr. -
The Evangelical Roots of Rock N' Roll
religions Article Hell Hounds, Hillbillies, and Hedonists: The Evangelical Roots of Rock n’ Roll Clay Motley Department of Language and Literature, Florida Gulf Coast University, 10501 FGCU Blvd, South Fort Myers, FL 33965-6565, USA; [email protected]; Tel.: +1-239-590-7440 Academic Editor: Lawrence W. Snyder Received: 7 January 2016; Accepted: 1 March 2016; Published: 7 March 2016 Abstract: This essay contends that much of the creativity driving the formation of popular folk music, such as blues, country, and early Rock n’ Roll, in the American South during the early twentieth century grew from the religious tension between concepts of “sacred” and “secular” rooted in evangelical Protestantism. This essay examines the rebellious impulse of Rock n’ Roll as, in the absence of religious boundaries, tensions, and influences, it grew beyond its Southern roots. Keywords: blues music; country music; Rock n’ Roll; South; Protestant; Christianity; secular 1. Introduction/Background Rebellion is one of the defining features of Rock n’ Roll. This can take the form of rebellion against the conventions of the previous generation, established morals or aesthetics, gender and sexual norms, the dominant economic or political order, or some combination thereof. In 1953, just as Rock n’ Roll was about to break onto the national scene, the film The Wild One captured the genre’s youthful, alluring, and sometimes menacing rebelliousness when Marlon Brando’s character, Johnny, is asked what he is rebelling against, and he intensely replies, “What do you got?” [1]. Rock n’ Roll’s rebellious dynamic can sometimes be nothing more than flaunting of parental authority or taste, with sounds, slang, and clothes sure to annoy and confuse the older generation. -
Satan Is Real: the Ballad of the Louvin Brothers Free Ebook
FREESATAN IS REAL: THE BALLAD OF THE LOUVIN BROTHERS EBOOK Charlie Louvin,Benjamin Whitmer | 320 pages | 09 Jan 2013 | HarperCollins Publishers Inc | 9780062069047 | English | New York, United States Satan Is Real : The Ballad of the Louvin Brothers In SATAN IS REAL: THE BALLAD OF THE LOUVIN BROTHERS, Charlie Louvin and Benjamin Whitmer ha But, one need not be a country music fan to become completely engrossed in this book. In SATAN IS REAL: THE BALLAD OF THE LOUVIN BROTHERS, Charlie Louvin and Benjamin Whitmer have weaved a wonderful collection of anecdotes into a immensely readable biography of the two distinctly different brothers. But none of those writers has ever been Charlie himself. Just before his death in , the year-old icon completed Satan Is Real: The Ballad Of The Louvin Brothers, an account of his tumultuous relationship with his elder brother Ira, who died in a car wreck in after a lifetime of booze and vice. The Louvin Brothers’ tragic songs of Satan’s realness Retrieved January 23, Satan is Real: The Ballad of the Louvin Brothers interview This page was. Satan Is Real: The Ballad of the Louvin Brothers (Hardcover) has been visited by K+ users in the past month. The fire-and-brimstone cover art and the book’s title are both taken from the duo’s gospel album, Satan Is Real. (Jan.) Publishers Weekly. A real classic of Americana. Booklist. You can’t find anybody, I don’t think, that was not inspired by them. Vince Gill. The Louvin Brothers were my favorite when I was young and growing up in. -
HARD, HARD RELIGION: FAITH and CLASS in the NEW SOUTH By
HARD, HARD RELIGION: FAITH AND CLASS IN THE NEW SOUTH by JOHN HERBERT HAYES (Under the Direction of KATHLEEN CLARK) ABSTRACT “Hard, Hard Religion: Faith and Class in the New South” argues that a fervent people’s religious culture permeated the rural New South, and was a central element in the persona and music of an iconic figure from that world, Johnny Cash. A distinct religious sensibility—a regional “popular religion,” or what one white farm laborer called “hard, hard religion”—constituted a central medium through which the rural poor, white and black, articulated and engaged with the hard everyday forces in their lives in the New South: confinement, marginality, injustice, and ridicule. This sensibility was not a static “old time religion,” an “otherworldly” compensation, or a psychological coping mechanism. Indeed, through the mediated forms of “folk” music and early “hillbilly” and “race” records, this popular religion has recurrently attracted outsiders for its complex engagement with modernity and its discontents, even though the dominant categories of historical analysis, those that conceptualize southern power relations and religion solely through the lens of race, have obscured it. I focus in on the persona and music of Johnny Cash, demonstrating that a principal aspect of his durable popular appeal was his creative engagement with the “hard, hard religion” he absorbed in his youth, in a rural community in Arkansas in the 1930s and ‘40s. In wrestling with the meaning of his inherited faith, Cash sang basic themes from the older culture—an abiding sense of evil and of perpetual struggle against darkness, a via negativa as the path to God, a feeling of mystery and the stark limit in life, and a democratic spirit of favoritism for the lowly—into American popular culture from the 1960s until his death in 2003. -
Country Country Y R T N U
2 COUNTRY COUNTRY MARK ABBOTT ESSEN TIAL CD RCA 67621 € 19.50 I RECKON I’M A TEXAN ‘TILL I FOR THE RECORD 2-CD CD RCA 67633 € 32.90 DIE CD 131 01 € 21.90 TWEN TI ETH CENTURY CD RCA 67793 € 9.90 LEGEND ARY 3-CD ROY ACUFF 8 (AUSTRA LIA) CD RCA 94404 19.90 THE KING OF COUNTR Y € MUSIC 2-CD BCD 15652 € 30.68 GARY ALLAN NIGHT TRAIN TO MEMPHIS ALRIGHT GUY CD MCA 170201 € 21.90 2-CD CD CTY 211001 € 14.50 IT WOULD BE YOU CD MCA 70012 € 20.50 HEAR THE MIGHTY RUSH OF JOHNNIE ALLAN ENGINE CD JAS 3532 € 15.34 PROM ISED LAND CD CHD 380 € 17.90 OH BOY CLAS SICS PRES ENT... CD OBR 409 19.50 € JASON ALLEN TRACE ADKINS SOMETHING I DREAMED CD D 9000 € 19.90 GREATEST HITS - ENHANCED REX ALLEN 8 CD CD CAP 81512 € 21.50 VOICE OF THE WEST BCD 15284 € 15.34 BILL ANDERSON 20 GREATEST HITS CD BA 239 € 20.50 A LOT OF THINGS DIFFERENT CD VSD 66262 € 20.50 JOHN ANDERSON BACK TRACKS CD BR 0601 € 19.50 NOBODY’S GOT IT ALL CD CK 63990 € 20.50 SOME HOW, SOME WAY, SOME - DAY (EARLY TRACKS) CD PSR 90624 € 21.50 LYNN ANDERSON ROSE GARDEN / YOU’RE MY MAN CD 494897 € 16.90 8 LIVE AT BILLY BOB’S TEXAS CD SMG 5010 € 15.90 Then They Do- (This Ain’t) No Thinkin’ Thing- The Rest Of Mine- Chrome- I’m Tryin’- There’s A Girl In Texas- Every Light In The House- Don’t Lie- I Left Some thing Turned On At Home- Big Time- Lonely Won’t Leave Me Alone- Help Me Under stand- More- Welcome To Hell · (2003/CAPITOL) 14 tracks MORE.. -
CD Liner Notes
Cathy Barton Vocals, Autoharp, banjo, guitar, mountain dulcimer, hammered dulcimer Dave Para Vocals, guitar, 12-string guitar Kevin Hennessy Bass David Wilson Fiddle, cello, mandolin Pete Szkolka Keyboards Knox McCrory Harmonica The voices of First Christian Church Chancel Choir Tempe McGlaughlin Bob and Melissa Atchison Deep Settled Peace You'll Be Rewarded Over There My Sabbath Home Poppa Was a Preacher I Used to Have a Father and Mother Amazing Grace The Unclouded Day Light at the River Ain't No Grave Gonna Hold My Body Down I've Got a Father in the Kingdom On the Jericho Road Gone Home Abide With Me/ Faith of Our Fathers/ Bound for the Promised Land I Sing the Mighty Power of God Africa The Peace Carol Handsome Winsome Boy May the Roads Rise With You Ship Ahoy! There's a Deep Settled Peace in My Soul Kate Peters Sturgill We learned this song from Ginny Hawker and Kay Justice, whose singing we greatly admire. A renowned singer in the Appalachians, Sturgill was a cousin of A.P. Carter who accompanied him on some of his song collecting trips in and around Poor Valley, Virginia. I found no rest for my soul, Until I heard that story told. Now I'm in the shepherd's fold, And there's a deep settled peace in my soul. There's a deep settled peace in my soul. I've been redeemed and made whole. I've been washed in the blood of the lamb, And I know I understand That deep settled peace in my soul.