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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Screendollars About Films, the Film Industry No
For Exhibitors October 26, 2020 Screendollars About Films, the Film Industry No. 140 Newsletter and Cinema Advertising In 1926, Warner Bros. Pictures, then a small, struggling studio, began a partnership with the Vitaphone Corporation to use its sound-on-disc technology to produce films with synchronized playback of sound with visual images. WB made a series of one-reel sound short films to demonstrate (Click to Play) the technology, playing them before other features. Audiences responded so enthusiastically that Warner Bros. was convinced to bet big on talking motion pictures as the next big thing in movies. Their first feature-length film to use the Vitaphone system was The Jazz Singer, which premiered at Warners’ Theatre in New York on October 6, 1928. It starred Al Jolson, a famous singer and Broadway star of the day. The film included two short scenes in which Jolson’s spoken word was synchronized to the picture, delivering life-like dialog in real-time that thrilled movie goers, comparable to the most immersive, multi-sensory special effects in today’s cinema. By 1929, only TWO “Wait a minute, wait a YEARS after The Jazz Singer, Hollywood studios produced 335 all-dialogue features, as silent films receded minute. You ain’t into the history of the rapidly changing industry. heard nothin’ yet.” (Click to Play) Weekend Box Office Results (10/23-25) With Comments by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Honest Thief (Open Road) 3 2,502 2,350,000 939 7,476,274 2 The War with Grandpa (101 Studios) 3 2,345 1,882,672 803 9,719,719 3 Tenet (Warner Bros.) 8 1,801 1,300,000 722 52,500,000 4 The Empty Man (20th Century) 1 2,027 1,265,000 624 1,265,000 5 The Nightmare Before Christmas (Disney) 2 1,614 577,000 357 1,900,000 6 Hocus Pocus (Disney) 4 1,277 530,000 415 4,372,000 7 Monsters, Inc. -
Rupert Power ACO, GBCT | Crew Profile | Gravycrew
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator -
Lista Distribuidores Correccion
• 12 Yard Productions • Alex Bowen Producciones • 2929 Entertainment • All3media International • 3DD Enterteinment • Allegro Pictures • 9 Story Enterprises • Alley Cat Films • A&E Channel Home Video • Alliance Atlantos Releasing • Aardman • Alphablocks Limited • Abduction Films • Altadena Film • Acacia • AMC Networks (Walking Dead Only) • ACC Action Concept Cinema • American Cinema Independent • ACI • American Portrait Films • Acorn Group • Andrea Films • Acorn Media • Andres Wood Producciones • Actaeon Films • Anglia Television • Action Concept • Animal Planet Video • Action Concept • Animalia Productions • Action Concept Film and Stuntproduktion • Annapurna Productions • Action Image • Apollo Media Filmmanagement • Adness Entertainment • Arte France • After Dark Films • Artemis Films • Ager Film • Associated Television • AIM Group • Athena • Akkord Film Produktion • Atlantic 2000 • Alain Siritzky Productions • Atlantic Productions • Alameda Films • August Entertaiment • Alcine Pictures • AV Pictures • Alcon Entertainment • AWOL Animation • Berlin Amimation Film • Best Film and Video • Best Picture Show • Betty TV • B & B Company • Beyond International • Baby Cow Productions • Big Bright House of Tunes • Bandai Visual • Big Idea Entertainment • Banjiay Internartional • Big Light Productions • Bankside Films • Big Talk Productions • Bard Entertainment • Billy Graham Evangelistic Association / World Wide • Bardel Distribution • Pictures • BBC Worldwide • Bio Channel • BBL Distribution • BKN International • BBP Music Publishing c/o Black -
Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
No. 16-56843 UNITED STATES COURT OF
Case: 16-56843, 02/22/2017, ID: 10330044, DktEntry: 74, Page 1 of 36 No. 16-56843 UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT VIDANGEL, INC., Defendant-Appellant, v. DISNEY ENTERPRISES, INC.; LUCASFILM LTD. LLC; TWENTIETH CENTURY FOX FILM CORPORATION; AND WARNER BROS. ENTERTAINMENT, INC., Plaintiffs-Appellees. On Appeal from the United States District Court for the Central District of California Hon. André Birotte Jr. No. 2:16-cv-04109-AB-PLA APPELLANT’S REPLY BRIEF Brendan S. Maher Peter K. Stris Daniel L. Geyser Elizabeth Rogers Brannen Douglas D. Geyser Dana Berkowitz STRIS & MAHER LLP Victor O’Connell 6688 N. Central Expy., Ste. 1650 STRIS & MAHER LLP Dallas, TX 75206 725 S. Figueroa St., Ste. 1830 Telephone: (214) 396-6630 Los Angeles, CA 90017 Facsimile: (210) 978-5430 Telephone: (213) 995-6800 Facsimile: (213) 261-0299 February 22, 2017 [email protected] Counsel for Defendant-Appellant VidAngel, Inc. (Additional counsel on signature page) 175603.6 182634.2 Case: 16-56843, 02/22/2017, ID: 10330044, DktEntry: 74, Page 2 of 36 TABLE OF CONTENTS TABLE OF AUTHORITIES .................................................................................... iii INTRODUCTION .....................................................................................................1 ARGUMENT .............................................................................................................3 I. The Studios’ Narrative Is Misleading .............................................................. 3 A. VidAngel’s Business Is -
Hollywood Foreign Press Association 2019 Golden Globe Awards for the Year Ended December 31, 2018 Press Release
HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. BLACK PANTHER Marvel Studios; Walt Disney Studios Motion Pictures b. BLACKKKLANSMAN QC Entertainment / Blumhouse / Monkeypaw / 40 Acres and a Mule; Focus Features c. BOHEMIAN RHAPSODY Twentieth Century Fox and Regency Enterprises; Twentieth Century Fox d. IF BEALE STREET COULD TALK Annapurna Pictures / Plan B Entertainment / We Pastel; Annapurna Pictures e. A STAR IS BORN Warner Bros. Pictures / Live Nation Productions / Metro Goldwyn Mayer Pictures / Jon Peters Production / Bill Gerber Production / Joint Effort Production; Warner Bros. Pictures 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. GLENN CLOSE THE WIFE b. LADY GAGA A STAR IS BORN c. NICOLE KIDMAN DESTROYER d. MELISSA MCCARTHY CAN YOU EVER FORGIVE ME? e. ROSAMUND PIKE A PRIVATE WAR This document is being provided to the media pertaining to the nominations announcements for the 76th Annual Golden Globe Awards. The official press release is presented in PDF format and contains the official results. As a courtesy to the media, this version of the press release in Microsoft Word format is provided for ease of use. Ernst & Young LLP takes no responsibility for errors or changes made by the users of the Word file or the resulting impacts on their reporting. The official press release in PDF format represents the only official results. HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
Concevoir Et Animer Pour L'acceptation De Robots
Concevoir et animer pour l’acceptation de robots zoomorphiques Adrien Gomez To cite this version: Adrien Gomez. Concevoir et animer pour l’acceptation de robots zoomorphiques. Art et histoire de l’art. Université Toulouse le Mirail - Toulouse II, 2018. Français. NNT : 2018TOU20048. tel- 02466318 HAL Id: tel-02466318 https://tel.archives-ouvertes.fr/tel-02466318 Submitted on 4 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Délivré par Université Toulouse – Jean Jaurès Adrien Gomez Le 30 Août 2018 Concevoir et Animer pour l’Acceptation de Robots Zoomorphiques École doctorale et discipline ou spécialité ED ALLPH@: Études audiovisuelles Unité de recherche LARA (Université Toulouse Jean Jaurès) – LIRMM (Université Montpellier) Directeur(s) de Thèse M. Gilles METHEL M. René Zapata Co-encadrant de Thèse M. Sébastien Druon Jury Chu-Yin Chen, Professeure, université Paris 8 Sylvie Lelandais, Professeure, Université Evry-Val d’Essonnes Gilles Methel, Professeur, Université Toulouse2-Jean Jaurès René Zapata, Professeur, LIRMM Montpellier Sébastien -
MINUTES of Extraordinary General Meeting of ARYZTA AG Wednesday
MINUTES of Extraordinary General Meeting of ARYZTA AG Wednesday, 16 September 2020, at 10:00 a. m. at Samsung Hall in Dübendorf ZH 330024111945211v9 1 V1 1. Welcome and Opening Rolf Watter, member of the Board of Directors, introduced himself to the shareholders and welcomed them to the 2020 Extraordinary General Meeting of Aryzta. He explained that the Extraordinary General Meeting would be held in English in accordance with article 9(4) of the Articles of Association of the Company, with a German translation being available, and that he would chair the Meeting given that due to the current restrictions due to the COVID-19 situation Gary McGann, the Chairman of the Board of Directors, could not be physically present. The acting chair welcomed the member of the Board of Directors attending the Extraordinary General Meeting, being: - Gary McGann (attending by video conference); - Michael Dean Andres (attending by video conference); Luisa Delgado (physically present) - Greg Flack (attending by video conference); Dan Flinter (attending by video conference); - Annette Flynn (attending by video conference); - Alejandro Legarda Zaragüeta (attending by video conference); - Jim Leighton (attending by video conference); - Tim Lodge (attending by video conference); and - Kevin Toland (attending by video conference). Further attended: Frederic Pflanz, Group Chief Financial Officer (attending by video conference); and Rhona O'Brien, Group General Counsel and Company Secretary (attending by video confer- ence). The acting chair finally welcomed Urs Jordi, Armin Bieri and Heiner Kamps (all physically present) whose election was proposed by the group of shareholders who had requested this Extraordinary Gen- eral Meeting. 2. Invitation, Announcement and Constitution The acting chair noted the following housekeeping matters: 1. -
June 17, 2019-0932 Disney RTP.Ecl
960 1 UNITED STATES DISTRICT COURT 2 CENTRAL DISTRICT OF CALIFORNIA - WESTERN DIVISION 3 HONORABLE ANDRÉ BIROTTE JR., U.S. DISTRICT JUDGE 4 5 DISNEY ENTERPRISES, INC., ET ) AL., ) 6 ) PLAINTIFFS, ) 7 ) vs. ) No. CV 16-4109-AB 8 ) VIDANGEL, INC., ) 9 ) DEFENDANT. ) 10 ________________________________) 11 12 13 REPORTER'S TRANSCRIPT OF PROCEEDINGS 14 MONDAY, JUNE 17, 2019 15 9:41 A.M. 16 LOS ANGELES, CALIFORNIA 17 Day 5 of Jury Trial, Pages 960 through 1064, inclusive 18 19 20 21 22 ____________________________________________________________ 23 CHIA MEI JUI, CSR 3287, CCRR, FCRR FEDERAL OFFICIAL COURT REPORTER 24 350 WEST FIRST STREET, ROOM 4311 LOS ANGELES, CALIFORNIA 90012 25 [email protected] CHIA MEI JUI, CSR 3287, CRR, FCRR UNITED STATES DISTRICT COURT, CENTRAL DISTRICT OF CALIFORNIA 961 1 APPEARANCES OF COUNSEL: 2 FOR THE PLAINTIFFS: 3 MUNGER, TOLLES & OLSON LLP BY: KELLY M. KLAUS, ATTORNEY AT LAW 4 560 MISSION STREET, 27TH FLOOR SAN FRANCISCO, CALIFORNIA 94105 5 (415) 512-4017 (415) 512-4028 6 MUNGER, TOLLES & OLSON LLP 7 BY: ROSE LEDA EHLER, ATTORNEY AT LAW AND BLANCA YOUNG, ATTORNEY AT LAW 8 350 SOUTH GRAND AVENUE, 50TH FLOOR LOS ANGELES, CALIFORNIA 90071 9 (213) 683-9100 10 11 FOR THE DEFENDANT: 12 CALL & JENSEN BY: SAMUEL G. BROOKS, ATTORNEY AT LAW 13 AND MARK L. EISENHUT, ATTORNEY AT LAW 610 NEWPORT CENTER DRIVE, SUITE 700 14 NEWPORT BEACH, CALIFORNIA 92660 (949) 717-3000 15 VIDANGEL, INC. 16 BY: J. MORGAN PHILPOT, ATTORNEY AT LAW 295 WEST CENTER STREET 17 PROVO, UTAH 84601 (801) 810-8369 18 19 20 21 22 23 24 25 CHIA MEI JUI, CSR 3287, CRR, FCRR UNITED STATES DISTRICT COURT, CENTRAL DISTRICT OF CALIFORNIA 962 1 LOS ANGELES, CALIFORNIA; MONDAY, JUNE 17, 2019 2 9:41 A.M. -
Teen-Targeted Broadcast TV Can Be Vulgar… but Stranger Things Are
Teen-Targeted Broadcast TV Can Be Vulgar… But Stranger Things Are Happening On Netflix EXECUTIVE SUMMARY The entertainment industry has, for decades, The Parents Television Council renews its call for cautioned parents who want to protect their children wholesale reform to the entertainment industry- from explicit content to rely on the various age- controlled ratings systems and their oversight. based content ratings systems. The movie industry, There should be one uniform age-based content the television industry, the videogame industry rating system for all entertainment media; the and the music industry have, individually, crafted system must be accurate, consistent, transparent medium-specific rating systems as a resource to and accountable to those for whom it is intended to help parents. serve: parents; and oversight of that system should be vested primarily in experts outside of those who In recent years, the Parents Television Council has produce and/or distribute the programming – and produced research documenting a marked increase who might directly or indirectly profit from exposing in profanity airing on primetime broadcast television. children to explicit, adult-themed content. All of the television programming analyzed by the PTC for those research reports was rated as appropriate for children aged 14, or even younger. Today, with much of the nation ostensibly on lockdown as a result of the COVID-19 pandemic, children are at home instead of at school; and as a result, they have far greater access to entertainment media. While all forms of media consumption are up, the volume of entertainment programming being consumed through over-the-top streaming platforms has spiked dramatically.