ABOGADO NOMINEES LIMITED, Co. No. 01688036
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GIPE-119631-Contents.Pdf
r----~ I }"T.w'~ • I OHIO . I .LIMA AIOlON • .MAJUON ---=- -=- s P 0 RTATIONr SERVANTS OF INDIA SOCIETY'S UBRARY, rOONA 4 CN X,0;5'~. 7'&)hNI:/.NL, Gf4 AcN II:>('31 Date of release for loan 2 5 F This book should be returned oil ~g"e the date last mentioned below. An overdue char~e of 5 paise will be levied for each day the book is kevt beyond 'his date. f, 8 OCT ,qq 28 OV 1993 -.P. BOOKS BY THE SAME AUTHOR THE IRON MAN IN INDUSTRY Atlantic lJ,fonthly Press, 1921 THE TELEPHONE IDEA Greenberg, Inc., 1926 JOHNSON OF THE MOHAWKS Macmillan Co., 1930 NATIVE STOCK Macmillan Co., 1931 THE PENNS OF PENNSYLVANIA Macmillan Co., 1931 THEY TOLD BARRON 1930, and MORE THEY TOLD BARRON 1931. The Notes of Clarence W. Ba"on, editor of THE WALL STREET JOURNAL. Co-editor with Samuel Taylor Moore. Harper & Brothers. MOUNTAIN MORNING Argus, Albany, 1932 AROUND THE CORNER Sears, 1933 MEDAL BY NORMAN BEL GEDDES. commemorating the twenty-fifth anniversary of General Motors THE TURNING WHEEL THE STORY OF GENERAL MOTORS THROUGH TWENTY-FIVE YEARS 1908-1933 By ARTHUR POUND Drawings by WILLIAM HEYER MCMXXXIV DOUBLEDAY, DORAN & COMPANY, INC. Gard~n City, NlW York PRINTED AT THE Country Lire~, Prus, GARDEN CITY , N ••Y , U. S. A. '19 G31 C:OPYaJGRT. 1914 BY DOUBLEDAY, DOllAR • COMPANY, INC. ALL "'GHTS RESERVED FIR8T EDITIOR Publisher's Note I T IS probable that no invention of such far-reaching im portance was ever diffused with such rapidity or so quickly exerted influences that ramified through the national culture, transforming even habits of thought and language." This quotation from the report of the Hoover Research Com mittee on Social Trends refers to the motor vehicle. -
Debate Overnight Radio Play for Sale to Labels
$6.99 (U.S.), S8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) w Hot.' á 3 -DIGIT 908 z ILI..i6..J..IiIII...L..LoIEIO I IIL.I[I BL240f04 APR06 A04 B0105 ¡aient MONTY GREENLY 3740 ELM AVE # A LONG EEACH CA 93807 -3402 J31i1 Begins On Page 15 www.billboard.com THE INTERN TIONAL AUTHORITY ON MUSIC, VIDE AND DIGITAL ENTERTAINMENT 110TH YEAR JUNE 19, 2004 HOT SPOTS Spin Buys Spark New Debate Overnight Radio Play For Sale To Labels Latin S BY BRIAN GARRITY 11 Bank On Lt ar Anthony 50 Cent protégé Lloyd Banks Offers ans His First Controversy surrounding burns up the charts with "On overnight airplay at radio is Fire, "the lead single from his Spanis Pop Album nothing new for the G- Unit /Interscope solo set. recording industry. But the BY LEILA COB' current flap over tracks played late at night in label -sponsored fí It is tim of c-ìange for Marc "spin programs" presents a new Anthony. twist on past grievances. Just a few years ago, labels were Last year h: changed management complaining bitterly that radio by signing wi Tommy Mottola after programmers were relegating l6 a longstandi g association with new singles to the overnight Bigram Zayas Anthony's brother. hours. Now many labels are Last -nont , he changed his tour shelling out thousands of dollars dates. Origin Hy slated to kick off in per week to have songs played between midnight and 6 a.m. June, the o ing has been resched- 32 Waylon Gains As first tipped on billboard.biz uled for Nov: mbeG Waylon Payne promotes his and in Billboard sister publica- Last week, e reportedly married Jen- tion Airplay Monitor's June 11 upcoming album, "The Drifter," nifer Lopez. -
Rca Records to Release American Idol: Greatest Moments on October 1
THE RCA RECORDS LABEL ___________________________________________ RCA RECORDS TO RELEASE AMERICAN IDOL: GREATEST MOMENTS ON OCTOBER 1 On the heels of crowning Kelly Clarkson as America's newest pop superstar, RCA Records is proud to announce the release of American Idol: Greatest Moments on Oct. 1. The first full-length album of material from Fox's smash summer television hit, "American Idol," will include four songs by Clarkson, two by runner-up Justin Guarini, a song each by the remaining eight finalists, and “California Dreamin’” performed by all ten. All 14 tracks on American Idol: Greatest Moments, produced by Steve Lipson (Backstreet Boys, Annie Lennox), were performed on "American Idol" during the final weeks of the reality-based television barnburner. In addition to Kelly and Justin, the show's remaining eight finalists featured on the album include Nikki McKibbon, Tamyra Gray, EJay Day, RJ Helton, AJ Gil, Ryan Starr, Christina Christian, and Jim Verraros. Producer Steve Lipson, who put the compilation together in an unprecedented two-weeks time, finds a range of pop gems on the album. "I think Kelly's version of ‘Natural Woman' is really strong. Her vocals are brilliant. She sold me on the song completely. I like Christina's 'Ain't No Sunshine.' I think she got the emotion of it across well. Nikki is very good as well -- very underestimated. And Tamyra is brilliant too so there's not much more to say about her." RCA Records will follow American Idol: Greatest Moments with the debut album from “American Idol” champion Kelly Clarkson in the first quarter of 2003. -
Poreionymic Backronyms
© 2020 Lege artis. Language yesterday, today, tomorrow Research article LEGE ARTIS Language yesterday, today, tomorrow Vol. V. No 2 2020 POREIONYMIC BACKRONYMS: AMBIT, FORMATION, AND DIVERSITY1 Dmytro Borys* Kyiv National Linguistic University, Kyiv, Ukraine Olena Materynska Taras Shevchenko National University of Kyiv, Kyiv, Ukraine *Corresponding author Bibliographic description: Borys, D. & Materynska, O. (2020). Poreionymic backronyms: Ambit, formation, and diversity. In Lege artis. Language yesterday, today, tomorrow. The journal of University of SS Cyril and Methodius in Trnava. Trnava: University of SS Cyril and Methodius in Trnava, 2020, V (2), December 2020, p. 2-52. ISSN 2453-8035 Abstract: The present paper examines the nature, formation patterns, types, and correlations of poreionymic backronyms, i.e. phrases serving as alternative interpretations of acronyms and non- acronyms designating transport brands, namely cars, both on theoretical and empirical planes. Since backronyms are likely to be confused with other linguistic phenomena, such as acrostics, apronyms, disabbreviations, and recursive acronyms, the differences between these notions are also analysed in the article. Key words: backronym, poreionym (transport brand name), acronym, non-acronym, acrostic, apronym, disabbreviation, recursive acronym, language game. 1. Introduction The postmodernism era is often said to be "marked by a shift from truth to fiction and narrative, by a change from the world of experience to that of language, and by the 1 This publication is also part of a sociolinguistic diversity investigation within Project № 2020.02/0241 (Ecolinguistic Modes of Ukrainian Discursive Space in the European Multicultural Continuum) supported by the National Research Foundation of Ukraine as "Leading and young scientists research support". 2 ISSN 2453-8035 demise of the three great metanarratives of science, religion and politics with their replacement by local language-games" (Lecercle 1990: 76). -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
General Motors Increases Its Production Throughput
informs ® Vol. 36, No. 1, January–February 2006, pp. 6–25 doi 10.1287/inte.1050.0181 issn 0092-2102 eissn 1526-551X 06 3601 0006 ©2006 INFORMS General Motors Increases Its Production Throughput Jeffrey M. Alden General Motors Corporation, Mail Code 480-106-359, 30500 Mound Road, Warren, Michigan 48090, [email protected] Lawrence D. Burns General Motors Corporation, Mail Code 480-106-EX2, 30500 Mound Road, Warren, Michigan 48090, [email protected] Theodore Costy General Motors Corporation, Mail Code 480-206-325, 30009 Van Dyke Avenue, Warren, Michigan 48090, [email protected] Richard D. Hutton General Motors Europe, International Technical Development Center, IPC 30-06, D-65423 Rüsselsheim, Germany, [email protected] Craig A. Jackson General Motors Corporation, Mail Code 480-106-359, 30500 Mound Road, Warren, Michigan 48090, [email protected] David S. Kim Department of Industrial and Manufacturing Engineering, Oregon State University, 121 Covell Hall, Corvallis, Oregon 97331, [email protected] Kevin A. Kohls Soar Technology, Inc., 3600 Green Court, Suite 600, Ann Arbor, Michigan 48105, [email protected] Jonathan H. Owen General Motors Corporation, Mail Code 480-106-359, 30500 Mound Road, Warren, Michigan 48090, [email protected] Mark A. Turnquist School of Civil and Environmental Engineering, Cornell University, 309 Hollister Hall, Ithaca, New York 14853, [email protected] David J. Vander Veen General Motors Corporation, Mail Code 480-734-214, 30003 Van Dyke Road, Warren, Michigan 48093, [email protected] In the late 1980s, General Motors Corporation (GM) initiated a long-term project to predict and improve the throughput performance of its production lines to increase productivity throughout its manufacturing oper- ations and provide GM with a strategic competitive advantage. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, January 10, 2019 NEWS CHART ACTION Dierks Bentley Teases Winter Leg Of New On The Chart —Debuting This Week song/artist/label—Chart Position Burning Man Tour ‘On Ice’ Some Of It/Eric Church/EMI Records Nashville — 66 What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 67 Good As You/Kane Brown/RCA Nashville — 71 Kiss That Girl Goodbye/Aaron Watson/BIG Label Records — 76 One Less Girl/JD Shelburne/JD Shelburne Music LLC — 77 Get Away/Ryan Sims/High 4 Recordings/Hive Records — 79 Where I Come From/Ddendyl Hoyt/Arrow Music Agency — 80 Greatest Spin Increase song/artist/label—Spin Increase Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 520 What Makes You Country/Luke Bryan/Capitol — 349 Here Tonight/Brett Young/BMLG — 340 Some Of It/Eric Church/EMI Records Nashville — 335 This Is It/Scotty McCreery/Triple Tigers Records — 332 What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 330 Good As You/Kane Brown/RCA Nashville — 309 Dierks Bentley will launch the winter leg of his 2019 Burning Man Tour next week in Canada. Ahead of the run, he and tourmates Jon Pardi and Most Added Tenille Townes had some fun and converged at the ice skating rink to prepare some “choreography” for the tour in a wonderful parody of sorts. song/artist/label—No. of Adds What Happens In A Small Town/Brantley Gilbert & Lindsay Ell/Valory — 28 Some Of It/Eric Church/EMI Records Nashville — 27 On The Row: The Band Steele Good As You/Kane Brown/RCA Nashville — 22 Kiss That Girl Goodbye/Aaron Watson/BIG Label Records — 17 Beautiful Crazy/Luke Combs/Columbia Nashville/River House Artists — 15 Love Someone/Brett Eldredge/Atlantic Records/Warner Music Nashville — 12 Eyes On You/Chase Rice/Broken Bow — 11 Closer To You/Carly Pearce/Big Machine — 11 On Deck—Soon To Be Charting song/artist/label—No. -
2017-03-06-PSA-OPEL.Pdf
PSA & Opel / Vauxhall Alliance: Driving Towards A Better Future A Game-Changing Alliance for PSA & Opel / Vauxhall • Leading European OEM: #1 / #2 Positions Across Key Markets • Complementary Brands • Drive Efficiency on a Higher Scale • Stronger Homebase to Address International Growth Opportunities • Step-Change in Innovation Capability 4.3 MM €55 Bn €4.8 Bn +50% Vehicles Auto Revenue(1) Auto EBITDA(2) R&D Spend Notes 1. 2016A metrics 2. 2016E metrics. Defined as recurring operating income + D&A, assuming 40% of Opel / Vauxhall Auto R&D capitalized 2 Opel / Vauxhall Teams to Drive Turnaround with Full PSA Support 3 Alliance Will Enhance Push-to-Pass and Raise Opel / Vauxhall to Industry Benchmark Current Perimeter Growth(1) by 2018 vs 2015 Group Revenue 10% Additional 15%(1) by 2021E Automotive Average (4) (4) Recurring Operating >4.5% over >6% by 2021E(3) 2% by 2020E 6% by 2026E Margin 2016A-18E Operational Free Positive by 2020E Cash Flow(2) Notes 1. At constant (2015) exchange rate 2. Defined as ROI + D&A – restructuring – capex – Capitalized R&D – Change in NWC 3. vs. initial guidance of 6% by 2021 4 4. Subject to full review of IFRS – US GAAP differences Existing PSA – Opel / Vauxhall OEM Partnership Already Delivering Significant Results Proven Cooperation Model Impact of 3 Joint Vehicle Programs from c.€1.1 Bn Savings Already Based on Three Key Pillars 2017E Onwards Generated With Add. €0.3 Bn p.a. Joint Purchasing Organization Crossland X C3 Aircross PSA Share - In € Bn 220k units (2018E)(1) – Alignment of pricing to benchmark on joint procurement BVH1 platform R&D/ Capex, Joint +0.3 p.a. -
Karl E. Ludvigsen Papers, 1905-2011. Archival Collection 26
Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Miles Collier Collections Page 1 of 203 Karl E. Ludvigsen papers, 1905-2011. Archival Collection 26 Title: Karl E. Ludvigsen papers, 1905-2011. Creator: Ludvigsen, Karl E. Call Number: Archival Collection 26 Quantity: 931 cubic feet (514 flat archival boxes, 98 clamshell boxes, 29 filing cabinets, 18 record center cartons, 15 glass plate boxes, 8 oversize boxes). Abstract: The Karl E. Ludvigsen papers 1905-2011 contain his extensive research files, photographs, and prints on a wide variety of automotive topics. The papers reflect the complexity and breadth of Ludvigsen’s work as an author, researcher, and consultant. Approximately 70,000 of his photographic negatives have been digitized and are available on the Revs Digital Library. Thousands of undigitized prints in several series are also available but the copyright of the prints is unclear for many of the images. Ludvigsen’s research files are divided into two series: Subjects and Marques, each focusing on technical aspects, and were clipped or copied from newspapers, trade publications, and manufacturer’s literature, but there are occasional blueprints and photographs. Some of the files include Ludvigsen’s consulting research and the records of his Ludvigsen Library. Scope and Content Note: The Karl E. Ludvigsen papers are organized into eight series. The series largely reflects Ludvigsen’s original filing structure for paper and photographic materials. Series 1. Subject Files [11 filing cabinets and 18 record center cartons] The Subject Files contain documents compiled by Ludvigsen on a wide variety of automotive topics, and are in general alphabetical order. -
Jordin Sparks Battlefield Mp3, Flac, Wma
Jordin Sparks Battlefield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Rock / Pop Album: Battlefield Country: Japan Released: 2009 Style: Pop Rock, Vocal, Ballad, RnB/Swing MP3 version RAR size: 1190 mb FLAC version RAR size: 1959 mb WMA version RAR size: 1529 mb Rating: 4.5 Votes: 511 Other Formats: MP1 AIFF WMA DTS AA WAV AC3 Tracklist Hide Credits Walking On Snow Bass [Additional] – Don E*Edited By [Pro Tools] – Dave Lopez, Pete Hofman*Mixed By – Lucas , Pete Hofman*Mixed By [Assistant] – Mark 1 AllowayPerformer [All Instruments] – Jeremy Shaw , Lucas Producer, 3:28 Programmed By, Arranged By – Lucas Recorded By – Dave Lopez, Lucas , Pete Hofman*Recorded By [Assistant] – Ghazi HouraniWritten-By – Frankie Storm, Jeremy Shaw , Lucas Secon*, Olivia Waithe Battlefield Backing Vocals – Dameon Aranda, Jordin Sparks, Louis Biancaniello, Ryan TedderBass – Ryan TedderGuitar – Michael Biancaniello, Ryan TedderKeyboards, Programmed By – Louis Biancaniello, Ryan Tedder, Wayne 2 WilkinsMixed By – Louis Biancaniello, Sam WattersProducer – Louis 4:01 Biancaniello, Ryan Tedder, Sam Watters, Wayne WilkinsRecorded By – Noel Zancanella, The Runaways Recorded By [Vocals] – Louis Biancaniello, Sam WattersWritten-By – Louis Biancaniello, Ryan Tedder, Sam Watters, Wayne Wilkins Don't Let It Go To Your Head Guitar – Andrew HeyMusic By, Producer, Mixed By – Harvey Mason, 3 Jr.*Recorded By – Andrew Hey, Dabling HarwardRecorded By [Assistant], 4:10 Mixed By [Assistant] – David Boyd , Michael DaleyWritten-By – Billy Steinberg, Fefe Dobson, Josh Alexander -
Deadline.Com Phillip Phillips ("Petitioner") Alleges As Follows: 21 1
1 KING, HOLMES, PATERNO & BERLINER LLP HOWARD E. KING, ESQ., STATE BAR No. 077012 2 STEPHEN D. ROTHSCHILD, ESQ., STATEBARN0.132514 ROTHSCHILD@KHPBLA W.COM 3 1900 A VENUE OF THE STARS, 25TH FLOOR LOS ANGELES, CALIFORNIA 90067-4506 4 TELEPHONE: (31 0) 282-8989 FACSIMILE: (31 0) 282-8903 5 Attorneys for Petitioner 6 PHILLIP PHILLIPS 7 8 DIVISION OF LABOR STANDARDS ENFORCEMENT 9 DEPARTMENT OF INDUSTRIAL RELAftciC E I v ED 10 STATE OF CALIFORNIA 11 State of California 12 PHILLIP PHILLIPS, an individual, CASE NO. Labor commissioner an Francisco 13 Petitioner, PETITION 'l<i>t Sl]:ty~ is t ration CONTROVlttti 14 vs. (Labor Code§ 1700.44) 15 19 ENTERTAINMENT, INC., a California [Notice to Answer and Request for Hearing in corporation; 19 RECORDINGS, INC., a Los Angeles, California filed concurrently 16 California corporation; and 19 PUBLISHING, herewith] INC., a California corporation, 17 Respondents. 18 19 20 PetitionerDeadline.com Phillip Phillips ("Petitioner") alleges as follows: 21 1. Petitioner, singer-songwriter and winner of Season 11 of the iconic singing 22 competition television series American Idol, remains grateful for the opportunity American Idol 23 provided him to demonstrate to the world and capitalize upon his talent, creativity and diligence. 24 The appreciation does not extend to the oppressive, fatally conflicted 19 Entertainment, Inc. 25 ("19"), co-producer of American Idol, which has been structured to assure strict control of its 26 winners to their detriment and for 19's benefit. 27 2. Through a complex series of related companies and contracts, 19, developer and 28 co-producer of American Idol, and various affiliated entities, have acted as Petitioner's personal 4000.012/847906.1 PETITION TO DETERMINE CONTROVERSY 1 manager, music publisher, merchandise company and record label. -
DIAMONDS & MUSIC I
$6.99 (U.S.), $3.39 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw N W Z : -DIGIT 908 Illllllllllll llllllllllllllll lllllllllllllllllll I B1240804 APROE A04 E0101 MONTY GREENLY 3740 ELM AVE N A LONG BEACH CA 90807 -3402 THE INTERNAT ON4L AUTHORITY ON ML SIC, VIDEO AND DIGITAL ENTERTAINMENT AUGUST 21, 20C4 LUXU Q\Y" E É DIAMONDS & MUSIC i SPE(IAL REPORT INSIDE i www.americanradiohistory.com HOW ABOUT YOU BLINDING THE PAPARAZZI FOR A CHANGE A DIAMOND IS FOREVER ¡ THE FOREVERMPRK IS USED UNDER LICENSE. WWW.P DIA MIONDIS FOREVER.COM www.americanradiohistory.com $6.99 (U.S.), $8.99 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) aw a `) zW Iong Specia eport Begins On Page 19 www.billboard.com THE INTERNATIONAL AUTHORITY ON MUSIC, VIDEO AND DIGITAL ENTERTAINMENT 110TH YEARra AUGUST 21, 2004 HOT SPOTS Battling To Save Archives At Risk BY BILL HOLLAND When it comes to recorded music archives, there ain't nothing like the real thing. As technology evolves, it is essential, archivists say, that re- issues on new audio platforms be based on original masters. Unfortunately, in an unexpected by- product of digital - era recording, many original masters are in danger of dete- riorating or becoming obsolete. 13 A Bright Remedy That's because the material was This is a first in a Meredith Brooks' 2002 single recorded on early digital equipment two -part series on the challenges `Shine' re- emerges as the that is no longer manufactured. In U.S. record new song `The Dr.