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Spielzeit 2021/2022

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Spielzeit 2021/2022 Season 2021 | 2022 September February Su 5 18.00 Sylvia • Revival Tu 1 19.30 Death in Venice We 8 19.30 Sylvia Th 3 19.30 Beethoven Project II Sa 11 19.30 Sylvia Sa 5 19.30 Beethoven Project II Fr 17 19.00 Sylvia Su 6 11.00 Workshop Th 23 19.30 Hamlet 21 19.00 Beethoven Project II Fr 24 19.00 Hamlet 21 Tu 8 19.30 Beethoven Project II Su 26 12.00 Workshop Th 10 19.30 Beethoven Project II 19.00 Hamlet 21 Su 20 18.00 Liliom • revival October Tu 22 19.30 Liliom Fr 15 19.30 Hamlet 21 Th 24 19.30 Liliom Sa 16 19.30 Hamlet 21 Fr 25 19.30 Liliom We 20 19.30 Bernstein Dances Su 27 16.00 Liliom Fr 22 19.30 Bernstein Dances April Th 28 20.00 Bernstein Dances Th 14 18.30 Saint Matthew Passion Fr 29 19.00 Bernstein Dances Fr 15 18.00 Saint Matthew Passion November Su 17 15.00 Saint Matthew Passion We 3 19.30 The Glass Menagerie We 20 19.30 Ghost Light Sa 6 19.30 The Glass Menagerie Sa 23 19.30 Ghost Light We 10 19.30 The Glass Menagerie We 27 19.30 Ghost Light Th 11 19.30 The Glass Menagerie Th 28 19.30 Ghost Light Su 14 11.00 Workshop • Benefit workshop Sa 30 19.00 First Steps • Ballet School 19.00 The Glass Menagerie May Sa 20 19.00 The Glass Menagerie Tu 3 19.30 Ghost Light Fr 26 15.00 The Nutcracker • Closed performance Fr 6 19.30 Anna Karenina 19.30 The Nutcracker Sa 7 19.30 Anna Karenina Sa 27 19.30 The Nutcracker Fr 13 19.30 Anna Karenina Mo 29 19.30 The Nutcracker Su 15 11.00 Workshop Tu 30 19.00 The Nutcracker 19.00 Anna Karenina December Fr 20 19.30 Sylvia Fr 3 19.00 The Nutcracker Sa 21 19.30 Sylvia Sa 4 19.00 The Nutcracker Fr 27 19.30 Lady of the Camellias Su 19 18.00 The Sleeping Beauty • Premiere Sa 28 19.30 Lady of the Camellias Tu 21 19.00 The Sleeping Beauty Tu 31 19.30 Lady of the Camellias Th 23 19.00 Christmas Oratorio I-VI June Sa 25 18.00 Christmas Oratorio I-VI Th 2 19.30 Lady of the Camellias Mo 27 19.00 Christmas Oratorio I-VI Fr 3 19.30 Lady of the Camellias We 29 19.00 The Sleeping Beauty 47th Hamburg Ballet Days Th 30 19.00 The Sleeping Beauty Su 19 18.00 The Winter‘s Tale1 • Premiere January Mo 20 19.00 First Steps • Ballet School Sa 1 18.00 Christmas Oratorio I-VI Tu 21 19.30 The Winter‘s Tale Th 6 19.00 The Sleeping Beauty We 22 19.30 The Glass Menagerie Fr 7 19.00 The Sleeping Beauty Th 23 19.30 Sylvia Su 9 18.00 The Sleeping Beauty Fr 24 19.00 The Sleeping Beauty Mo 10 19.00 The Sleeping Beauty Sa 25 19.30 Hamlet 21 Th 13 19.00 The Sleeping Beauty Su 26 18.00 Beethoven Project II Sa 15 19.00 The Sleeping Beauty Tu 28 19.30 The Tempest – Polish National Ballet Tu 18 19.30 Death in Venice We 29 19.30 The Tempest – Polish National Ballet We 19 19.30 Death in Venice Th 30 19.30 Liliom Fr 21 19.30 Death in Venice July Sa 22 19.30 National Youth Ballet Fr 1 19.30 The Winter‘s Tale Th 27 19.30 Death in Venice Sa 2 20.00 Ghost Light Su 3 18.00 Nijinsky Gala XLVII 1Choreography: Christopher Wheeldon / as at August 2021 / Subject to alteration Tours Vienna, Theater an der Wien: August 28 and 29, 2021 • Beethoven Project II Baden-Baden, Festspielhaus: October 1 • Workshop; October 2 and 3 • Death in Venice; October 8, 9 and 10, 2021 • A Midsummer Night‘s Dream Los Angeles, Dorothy Chandler Pavilion: March 12, 17, 20, 23, 26 and 27, 2022 • Saint Matthew Passion (Further performances in planning) Tarbes, Halle Marcadieu: July 8 and 9, 2022 • Ghost Light Box Office Tel. +49 (0)40 35 68 68 | Monday-Saturday 10 am to 6.30 pm • [email protected] | www.hamburgballet.de.
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    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.
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    Subscribe! Save up to 50% off regular ticket prices • Get the best seats at the best price ALWAYS • Secure your seat before they go on sale to the public • Enjoy FREE and Exciting • convenient exchanges Get advance tickets to The Nutcracker at the best price • Premiere! Receive great discounts at local Anna Karenina • restaurants and businesses Heather Ogden. Photo by Karolina Kuras. Piotr Stanczyk. Fall Season presents North American Premiere Anna Karenina November 10 – 18, 2018 Tolstoy’s great prose masterwork towers over the western literary canon as one of the most fully imagined and riveting works of fiction ever written. It is no A Ballet by John Neumeier wonder that John Neumeier, one of the most frequent and fearless adapters of literary works into modern choreographic form, should have eventually taken on Inspired by Leo Tolstoy the challenge of the great Russian novel. Using the book more as an inspiration than as a strict narrative template, Neumeier chooses to adapt the work freely. He sets the story, for instance, in the present day, rather than the 19th century, and structures his ballet in two acts with numerous scene changes, condensing the material and focusing on its key themes, which he allows to merge through an intuitive and poetic rather than a literal process. Music by Tchaikovsky provides a link with the Tolstoyan world of the novel, but Neumeier also incorporates modern work by Alfred Schnittke and Cat Stevens/ Yusuf Islam to further underscore the central characters’ conflicts and emotional lives. The work of a great literary artist meeting the imagination of a great interpretive choreographer, Anna Karenina is an unforgettable ballet experience.
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