Pamela Piffard's Life and Career in Photography K
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Soundtrack Walt Disney
TOP BILLBOARD CHARTS200 TOP billboard 2011 ALB no.1 FROZEN Soundtrack Walt Disney POS / TITLE / ARTIST / LABEL 2 BEYONCEBeyonce Parkwood/Columbia 3 1989 TaylorSwilt Big Machine/BMW 4 MIDNIGHT MEMORIES OneOgrecuon SYCO/Columbia THE MARSHALL MAINERS LP 2 Emlnem Web/Shady/Aftermath/ Interscope/IGA 6 PURE HEROINE Lade Lava/Republic 7 CRASH MY PARTY Luke Bryan Capitol Nashville/UMGN 8 PRISM KutyPenyCapitol BLAME IT ALL ON MY ROOTS: FIVE DECADES OF INFLUENCES 9 Garth Brooks Pearl 10 HERE'S TOTHE GOODDMES RaidaGeogiaLine Republic Nastwille/BMLG 11 IN THE LONELY HOUR Sam Smith Capitol 12 NIGHT VISIONS imaginegragons KIDinaKORNER/interscope/IGA 13 THE OUTSIDERS Eric Church EMI Nashville/UPAGN 14 GHOST STORIES ColciplayParlophone/Atlantic/AG 15 NOW 50 Various Artists Sony Music/Universal/UMe 16 JUST AS I AM BrantleyGilben Valory/BMLG 17 WItAPPED IN RED KellyClarkson 19/RCA 18 DUCK THE HALLS:A ROBERTSON FAMILY CHRISIMAS TheRobertsons 4 Beards/EMI Nashville/UMGN GUARDIANS OF THE GALAXY: AWESOME MIX VOL.1 19 Soundtrack Marvel/Hollywood 20 PARTNERS Barbra Streisand Columbia 21 X EdSheeran Atlantic/AG 22 NATIVE OneRepublic Mosley/Interscope/IGA 23 BANGERZ MileyCyrus RCA 24 NOW 48Various Artists Sony Music/Universal/UMe 25 NOTHING WAS THE SAME Drake Young money/cash Money/Republic 26 GIRL Pharr,. amother/Columbia 27 5 SECONDS OF SUMMER 5Seconds MummerHey Or Hi/Capitol 28 OLD BOOTS, NEW DIRT lasonAldean Broken Bow/BBMG 29 UNORTHODOX JUKEBOX Bruno Mars Atlantic/AG 30 PLATINUM Miranda Lambert RCA Nashville/SMN 31 NOW 49 VariousArtists Sony Music/Universal/UMe SAM SMITH 32 THE 20/20 EXPERIENa (2 OF 2) Justin Timberlake RCA The singer's debut album, 33 LOVE IN THE FUTURE lohnLegend G.O.O.D./Columbia In the Lonely Hour, is the 34 ARTPOPLadyGaga Streamline/Interscope/IGA highest-ranking rookie release 35 V Maroon5222/Interscope/IGA (No. -
The Real Estate Marketplace Glossary: How to Talk the Talk
Federal Trade Commission ftc.gov The Real Estate Marketplace Glossary: How to Talk the Talk Buying a home can be exciting. It also can be somewhat daunting, even if you’ve done it before. You will deal with mortgage options, credit reports, loan applications, contracts, points, appraisals, change orders, inspections, warranties, walk-throughs, settlement sheets, escrow accounts, recording fees, insurance, taxes...the list goes on. No doubt you will hear and see words and terms you’ve never heard before. Just what do they all mean? The Federal Trade Commission, the agency that promotes competition and protects consumers, has prepared this glossary to help you better understand the terms commonly used in the real estate and mortgage marketplace. A Annual Percentage Rate (APR): The cost of Appraisal: A professional analysis used a loan or other financing as an annual rate. to estimate the value of the property. This The APR includes the interest rate, points, includes examples of sales of similar prop- broker fees and certain other credit charges erties. a borrower is required to pay. Appraiser: A professional who conducts an Annuity: An amount paid yearly or at other analysis of the property, including examples regular intervals, often at a guaranteed of sales of similar properties in order to de- minimum amount. Also, a type of insurance velop an estimate of the value of the prop- policy in which the policy holder makes erty. The analysis is called an “appraisal.” payments for a fixed period or until a stated age, and then receives annuity payments Appreciation: An increase in the market from the insurance company. -
183 Anti-Valentine's Day Songs (2015)
183 Anti-Valentine's Day Songs (2015) 4:24 Time Artist Album Theme Knowing Me Knowing You 4:02 Abba Gold Break up Lay All Your Love On Me 5:00 Abba Gold cautionary tale S.O.S. 3:23 Abba Gold heartbreak Winner Takes it All 4:55 Abba Gold Break up Someone Like You 4:45 Adele 21 Lost Love Turning Tables 4:08 Adele 21 broken heart Rolling in the Deep 3:54 Adlele 21 broken heart All Out Of Love 4:01 Air Supply Ulitimate Air Supply Lonely You Oughta Know 4:09 Alanis Morissette Jagged Little Pill broken heart Another heart calls 4:07 All American Rejects When the World Comes Down jerk Fallin' Apart 3:26 All American Rejects When the World Comes Down broken heart Gives You Hell 3:33 All American Rejects When the World Comes Down moving on Toxic Valentine 2:52 All Time Low Jennifer's Body broken heart I'm Outta Love 4:02 Anastacia Single giving up Complicated 4:05 Avril Lavigne Let Go heartbreak Good Lovin' Gone Bad 3:36 Bad Company Straight Shooter cautionary tale Able to Love (Sfaction Mix) 3:27 Benny Benassi & The Biz No Matter What You Do / Able to Love moving on Single Ladies (Put a Ring On It) 3:13 Beyonce I Am Sasha Fierce empowered The Best Thing I Never Had 4:14 Beyonce 4 moving on Love Burns 2:25 Black Rebel Motorcycle Club B.R.M.C. cautionary tale I'm Sorry, Baby But You Can't Stand In My Light Anymore 3:11 Bob Mould Life & Times moving on I Don't Wish You Were Dead Anymore 2:45 Bowling for Soup Sorry for Partyin' broken heart Love Drunk 3:47 Boys Like Girls Love Drunk cautionary tale Stronger 3:24 Britney Spears Opps!.. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Wall" COUNTRY Jessica Breaks Top 20
FEBRUARY 25, 2000 ISSUE 2293 THE MOST TRUSTED NAME IN RADIO $PCAIN$1ill "Deliriously wonderful! Twangy Can Country Slow Dance? guitars, rhythmic thump, vocal personality, and a classic of a MUSIC country song. This just might be my favorite single released so far in TOP 40 2000. A star is born!" Faith Causes - /2a6 7C CUen«m Heavy Breathing RHYTHM CROSSOVER Thong Song Exthplodes "flowersi on the wall" COUNTRY Jessica Breaks Top 20 NEWS Tony, Elton "Stunning" In SF Sirius, XM In Joint Venture from the Gets Of '99 Ad $$$ Radio 8.2% forthcoming Mercury Records CO Er Cassette Home of thee Seminar in Radio 44>NASHVILLE swimming in champagne c 2000 Mercury Records From the Publishers of Music Week, MBI and fono visit www.mercurynashville.coin A Miller Freeman Publication praRisaed ericheatherly.com . Fslairayea'drj !da eddy TCoderfss Co,:aae, www.americanradiohistory.com ark. -.ills Kathy .attea Neffi Coty Jafflie I'Neal Eric Heatherly LkA T Terri Clark M Ei,3CLIAY 1-) i ill you experence the future 111. YYlI<COMar 03000 MaRury Records, a Universal Musk Colnpar y www.americanradiohistory.com Tony, Elton Kick Off "Super Thursday" "That was one super Thursdar, That's how one radio programming vi- üesuiueu mu /C13 ,11 ill n lull Llay I GAVIN Seminar 2000, which led off with Tony Bennett delivering a stellar SRO performance at noon at the Hyatt Regency, and Elton John cappine ! -L-ow th' unt"l Riveting with a phennrrrr. just up the h I! -et Fáirmort "Congratulations on yet another successful GAVIN seminar. The panels were riveting, the Internet day was cutting edge, the acts were solid and Bennett Stuns Sir Elton Delivers wonderful. -
Treatment Strategies and Communication Techniques 183 ACTION STEPS: Finding the Right Therapist 189 ACTION STEPS: General Approaches to Communication 197
i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page vi i-x.kreisman..fm 12/26/03 4:22 PM Page i Sometimes I Act Crazy Living with Borderline Personality Disorder Jerold J. Kreisman, M.D. Hal Straus John Wiley & Sons, Inc. i-x.kreisman..fm 12/26/03 4:22 PM Page ii In memory of my father, Erwin Kreisman, and for my mother, Frieda Kreisman, who taught us that—with unconditional love—all things are possible. —JEROLD J. KREISMAN, M.D. For Lil and Lou —HAL S TRAUS Copyright © 2004 by Jerold J. Kreisman, M.D., and Hal Straus. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hobo- ken, NJ 07030, (201) 748-6011, fax (201) 748-6008. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Claude Simon: the Artist As Orion
Claude Simon: The Artist as Orion 1blind Orion hungry for the morn1 S.W. Sykes Thesis submitted for the Degree of Doctor of Philosophy University of Glasgow 1973 ProQuest Number: 11017972 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11017972 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ACKNOWLEDGEMENTS My thanks are due to Dr Stanley Jones, of the French Department in the University of Glasgow, for the interest shown and advice given during the supervision of this thesis; to the Staff of Glasgow University Library; and to / A M. Jerome Lindon, who allowed me to study material kept in the offices of Editions de Minuit. TABLE OF CONTENTS SUMMARY INTRODUCTION CHAPTER I Prolegomena to Le Vent Early Writings 19^5-5^ CHAPTER II Chaos and the Semblance of Order Le Vent 1957 CHAPTER III The Presence of the Past: L 'Herbe 1958 CHAPTER IV The Assassination of Time: La Route des Flandres i960 CHAPTER V A Dream of Revolution:. Le Palace 1962 CHAPTER VI •A pattern of timeless moments': Histoire 1967 -
Sujm 2016 Final Proof[1]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Sydney Undergraduate Journal of Musicology Vol. 6, December 2016 “I Remember You Was Conflicted”: Reinterpreting Kendrick Lamar’s To Pimp a Butterfly JOHN LAWRIE You can take the boy out the hood, but you can’t take the hood out the homie – The Comrads, 19971 The individual cannot be removed from their cultural context, nor can these contexts exist without the individual. This we consider self-evident. Yet in discussing art of subjugated cultures, specifically African American music, these two spheres are often wrongly separated. This has cultivated a divide in which personal exploration through music has been decoupled from the artist’s greater comments on their cultural struggle. These works are necessarily grounded in the context to which they speak, however this greater context must acknowledge the experience of the individual. This essay aims to pursue a methodology centred on the relationship between the personal and the cultural, with a case study of Kendrick Lamar’s 2015 album To Pimp a Butterfly.2 Lamar straddles this divide. His personal difficulty with removal from the Compton community is inextricably linked with the struggle of African Americans in the wake of the Ferguson unrest. Lamar is in the optimal position to comment on this cultural struggle, however his fame and celebrity has partially removed him from the issues he attempts to articulate. As Lamar examines the relationship between himself and his community and context throughout To Pimp a Butterfly, he gives authenticity to his voice despite its fallibility. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Avid Congratulates Its Many Customers Nominated for the 57Th Annual GRAMMY(R) Awards
December 10, 2014 Avid Congratulates Its Many Customers Nominated for the 57th Annual GRAMMY(R) Awards Award Nominees Created With the Company's Industry-Leading Music Solutions Include Beyonce's Beyonce, Ed Sheeran's X, and Pharrell Williams' Girl BURLINGTON, Mass., Dec. 10, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulated its many customers recognized as award nominees for the 57th Annual GRAMMY® Awards for their outstanding achievements in the recording arts. The world's most prestigious ceremony for music excellence will honor numerous artists, producers and engineers who have embraced Avid EverywhereTM, using the Avid MediaCentral Platform and Avid Artist Suite creative tools for music production. The ceremony will take place on February 8, 2015 at the Staples Center in Los Angeles, California. Avid audio professionals created Record of the Year and Song of the Year nominees Stay With Me (Darkchild Version) by Sam Smith, Shake It Off by Taylor Swift, and All About That Bass by Meghan Trainor; and Album of the Year nominees Morning Phase by Beck, Beyoncé by Beyoncé, X by Ed Sheeran, In The Lonely Hour by Sam Smith, and Girl by Pharrell Williams. Producer Noah "40" Shebib scored three nominations: Album of the Year and Best Urban Contemporary Album for Beyoncé by Beyoncé, and Best Rap Song for 0 To 100 / The Catch Up by Drake. "This is my first nod for Album Of The Year, and I'm really proud to be among such elite company," he said. "I collaborated with Beyoncé at Jungle City Studios where we created her track Mine using their S5 Fusion.