Not for Immediate Release
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Universal Pictures Media Dossier
Universal Pictures Media Dossier For: Dr. Gregory Levey Strategic Media Relations PC8107 By: Nikolai Pajkovic 500581586 [email protected] EXECUTIVE SUMMARY The aim of this public relations campaign is to first and foremost announce and promote the release of The Hunt directed Craig Zobel and produced by Blumhouse Productions. The film will be released in theatres across North America on June 12th, 2020. Universal Pictures cancelled the film’s initial release date of September 27th, 2019 following the Dayton, El Paso, and Gilroy shootings. Therefore, a secondary objective of this campaign is to offer the public clarification for the film’s initial cancellation, as well as provide an explanation as to why this summer presents us with a more suitable release date. In doing so, our talking points, backgrounder, media release and Q&A aim to help Universal Pictures deter any unnecessary and unwarranted criticism of the film leading up to its release. I do not think that Universal Pictures should shy away from the media or from discussing the film’s potentially provocative subject matter, but when doing so should stick to our talking points. From a marketing/promotions perspective, encouraging this kind of conversation around the film will likely draw major media attention, which would possibly lead to increased box office numbers. In this dossier, a fact sheet is offered as a quick way for journalists to acquire information about the film and its release. Our talking points are intended to be used by Universal Pictures employees when dealing with the media. They aim to diminish any instances of inflammatory questioning and also look to gently reverse the narrative that The Hunt could promote violence. -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen
Mattel Films and Blumhouse Productions Partner to Bring ‘Magic 8 Ball®’ to the Big Screen June 3, 2019 First collaboration between Mattel Films and Blumhouse Productions, the producer of Get Out, Ma, Halloween Film director Jeff Wadlow, whose work includes Kick-Ass 2, Truth or Dare and the upcomingFantasy Island, has signed on to direct the production Sixth live-action film project Mattel Films has in development since its creation nine months ago, including Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® EL SEGUNDO, Calif.--(BUSINESS WIRE)--Jun. 3, 2019-- Mattel, Inc. (NASDAQ: MAT) today announced a partnership with Academy Award®- nominated production company Blumhouse Productions to create a live-action feature film based on the iconic, fortune-telling Magic 8 Ball®, selected by Time magazineas one of the100 greatest toys of all time. The film will be directed by critically-acclaimed director Jeff Wadlow, whose previous work includes notable films such as Kick-Ass 2 and Truth or Dare. Wadlow is writing the script with his collaborators, Jillian Jacobs and Chris Roach. This marks Mattel Film’s first partnership with independent powerhouse Blumhouse Productions, whose films have grossed more than $3 billion at the worldwide box office. The suspense-filled Magic 8 Ball movie will be adapted for audiences worldwide. It also marks the sixth project Mattel Films has in development, including plans to create feature films based on Mattel’s Barbie®, Hot Wheels®, Masters of the Universe®, American Girl® and View Master® brands. “Since the 1950s, Magic 8 Ball has inspired imagination, suspense and intrigue across generations. -
Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
Bike Sharing Pedals Into Jacksonville
Jacksonville, AL JSU’s Student-Published Newspaper Since 1934 January 24, 2019 in ARTS & ENTERTAINMENT 2019 Oscar Nominations released Page 5 in NEWS Daniel Mayes/The Chanticleer VeoRide Fleet Coordinator Trent Dickeson, a graduate of JSU, shows off the new bikes that Jacksonville residents and JSU students will be able to use. COMMUNITY Shutdown enters fifth week Bike sharing pedals Page 2 into Jacksonville VeoRide, which is the first company of its Daniel Mayes in SPORTS Editor-in-Chief kind to come to Alabama, allows users to use a bike by downloading an app, scanning Have you ever faced the dreaded walk to a QR code on the bike, and then taking off. or from Stone Center and wished there was a Users are charged 50 cents per 15 minutes on way to move more quickly? Wanted to finally the bike, and monthly and yearly packages get out and explore more of the Ladiga Trail? are also available for repeat users. Wanted to bring your bike to campus, but The company launched their program, don’t want to deal with storage, upkeep, or which will start in Anniston, Oxford and the risk of getting it stolen? Jacksonville, with an event at the Jacksonville A new bike-sharing company coming to Train Depot on Friday, where the public and Gamecocks duo receives town might just be for you. OVC, national honors see BIKE page 2 Page 8 COMMUNITY on CAMPUS Local man campaigns to bring TV series to Jacksonville International JP Wood House Staff Reporter Presentation: It could be out with the Benin construction equipment and Thursday, in with the camera equipment January 24, soon in Jacksonville. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
PDF of Credits
ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER MOTION PICTURES EUROVISION (Music Producer, Vocal Arranger) David Dobkin, dir. Netflix THE ADDAMS FAMILY (Music Producer) Greg Tiernan, Conrad Vernon, dirs. MGM GOOD BOYS (Executive Music Producer) Gene Stupnitsky, dir. Universal Pictures PITCH PERFECT 3 (Executive Music Producer) Trish Sie, dir. Universal Pictures POMS (Executive Music Producer) Zara Hayes, dir. STX ISN’T IT ROMANTIC (Music Producer) Todd Strauss-Schulson, dir. Warner Bros. THE SECRET LIFE OF PETS (Producer “We Go Together”) Chris Renaud, dir. Universal Pictures PITCH PERFECT 2 (Arranger/Vocal Arranger) Elizabeth Banks, dir. Universal Pictures ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Executive Music Producer) Walt Becker, dir. Fox 2000 PITCH PERFECT (Additional Vocal Arranger) Jason Moore, dir. Universal Pictures HANNAH MONTANA: THE MOVIE (Producer “Let’s Do This”) Peter Chelsom dir. Walt Disney Studios 3349 Cahuenga Blvd. West Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALANA DA FONSECA EXECUTIVE MUSIC PRODUCER – SONGWRITER TELEVISION JULIE AND THE PHANTOMS (Vocal Arranger/Vocal Producer, Songwriter) Kenny Ortega, dir. Netflix TROLLS: THE BEAT GOES ON (Executive Music Producer, Songwriter) Hannah Friedman, creator Netflix DWA UNNANOUNCED SHOW (Executive Music Producer, Songwriter) DreamWorks Animation ALVINNN!!! AND THE CHIPMUNKS (Executive Music Producer, Songwriter) Janice Karman, creator Nickelodeon LIVE SHOW TROLLS LIVE TOURING SHOW (Music Producer) SONGWRITER NAKED (Writer “Nobody But You”) Michael Tiddes, dir. Netflix STAR (TV) (Writer “Honeysuckle”) Lee Daniels, Tom Donaghy, creators Fox ALVIN AND THE CHIPMUNKS: THE ROAD CHIP (Writer “Home”) Walt Becker, dir. Fox 2000 POWER (TV) (Writer “Old Flame”) Courtney A. Kemp, creator Starz FIFTY SHADES OF GREY (Writer “Awakening”) Sam Taylor-Johnson, dir. -
DGA's 2014-2015 Episodic Television Diversity Report Reveals
FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period). -
Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland. -
Spring 2021 Spring 2021
SPRING 2021 SPRING 2021 INSIDE 42 Unscripted: How filmmakers Peter Berg ’80 and Jason Blum ’87 evolved during a year of COVID-19 By Neil Vigdor ’95 c 56 Confronting the Pandemic Dr. Paul Ehrlich ’62 and his work as a New York City allergist-immunologist By Bonnie Blackburn-Penhollow ’84 b OTHER DEPARTMENTS 3 On Main Hall 5 Social Scene 6 Belonging 24/7 Elena Echavarria ’21 8 Alumni Spotlight works on a project in 20 In Print Advanced Ceramics 26 Around the Pond class, where students 62 do hands-on learning Class Notes in the ceramics studio 103 Milestones with teacher Claudia 108 Looking Back Black. ROBERT FALCETTI 8 On MAIN HALL A WORD FROM HEAD Managing Stress in Trying Times OF SCHOOL WILLY MACMULLEN ’78 This is a column about a talk I gave and a talk I heard—and about how SPRING 2021 ON THE COVER schools need to help students in managing stress. Needless to say, this Volume 91, Number 2 Students enjoyed the warm spring year has provided ample reason for this to be a singularly important weather and the beautiful flowering EDITOR trees on the Jig Patio following focus for schools. Linda Hedman Beyus Community Time. ROBERT FALCETTI In September 2018, during my opening remarks to the faculty, I spoke about student stress, and how I thought we needed to think about DIRECTOR OF MARKETING AND COMMUNICATIONS Kaitlin Thomas Orfitelli it in new ways. I gave that talk because it was clear to me that adolescents today were ASSISTANT DIRECTOR OF MARKETING AND COMMUNICATIONS experiencing stress and managing stress in different ways than when I Debra Meyers began teaching and even when I began as head of school just 20 years PHOTOGRAPHY ago. -
Progress-Ish
Paige Dahlke 3/5/15 Media 160 Progress-ish Primetime television has always been a place where white America could feel safe and comfortable. The wholesome families on TV served as an affirmation that the American dream was an achievable reality, but as Marlon Riggs would agree, this “reality” was actually a myth. Even though African Americans were eventually allowed to be included in the mythical family, the odds of them being portrayed realistically was little to none. Race issues were whitewashed from the realm of primetime TV, even during the Civil Rights Movement -- a realistic depiction of which could only be found on the news. Few had the guts to present audiences with so much as a semi realistic version of society, and those that did never found the funding to last longer than a season or two. Reality has proved unable to entertain the masses in the past, but does that still hold true today? Not completely, but after examining the contemporary African American family sitcom, Black-ish, it is evident that television is making its way in that direction. While its portrayal of the mythical American family is reminiscent of The Cosby Show, it also confronts race issues head-on. Created by Kenya Barris, Black-ish stars Anthony Anderson as Andre Johnson: a successful African American man who questions whether the wealth and success of him and his wife has caused their family to forget their race. The comedy fulfills the historically necessary qualifications for its ratings to do well; it represents the American dream and embraces the middle-class value that if you want to succeed and be happy, you have to work hard.