A Modern Build of a Medieval Spring Pole Lathe by Badger on October 6, 2006

Total Page:16

File Type:pdf, Size:1020Kb

A Modern Build of a Medieval Spring Pole Lathe by Badger on October 6, 2006 Home Sign Up! Explore Community Submit A modern build of a medieval spring pole lathe by badger on October 6, 2006 Table of Contents intro: A modern build of a medieval spring pole lathe . 2 step 1: Beginning the project . 4 step 2: Lathe details - Uprights . 5 step 3: Lathe details - Head and Tail Stock . 6 step 4: Lathe details - building the spring pole . 7 Related Instructables . 8 Advertisements . 8 Customized Instructable T-shirts . 8 Comments . 9 http://www.instructables.com/id/A-modern-build-of-a-medieval-spring-pole-lathe/ intro: A modern build of a medieval spring pole lathe I study medieval woodworking a lot, and I've always wanted to try out the medieval style lathe. The major difference between this type, and the modern lathe is that the motion is reciprocal, rather than continuous circular motion. That, and the fact that it is totally human powered. The back and forth motion of a "spring pole" type lathe has been used well past the 1600's era that I study, and in many places is still in use today. The whole idea behind a Spring Pole lathe is that you would pinch a piece of wood between two points, wrap a cord around the wood, and pump down on a treadle while putting your cutting tool to the wood. On release, the springy pole attached to the top of the rope would pull up, spinning the wood backwards, and making it ready to be pushed down again and cut. Here is my build process as posted in my woodworking blog: http://wood.box23.net -- Badger http://www.instructables.com/id/A-modern-build-of-a-medieval-spring-pole-lathe/ http://www.instructables.com/id/A-modern-build-of-a-medieval-spring-pole-lathe/ step 1: Beginning the project It’s begun! Something I’ve been wanting to work on for a while now. I want to build a spring pole lathe, modelled after the medieval reciprocating lathe design that was used for hundreds of years to do lathe turning. The pictured chunks of wood are the two uprights, that will hold two lengths of 2×4 Pine (might updgrade that later, but I have some in the shop right now) I’ve had these 4×4 posts sitting around for a long time, always waiting for a project. I finally decided to get started. At first I had visions of making a flywheel lathe, but it’s a lot more complicated, so I decided to start out with a more period design anyway. I’m hoping to make it portable enough to take to events and do demos with. We shall see. I cut the notched by hand, instead of using a bunch of power tools. Somehow it just seems fitting. Steps so far: 1. Cut the posts to 44? lengths. This should give me 38?-39? of leg room underneath to power the lathe. 2. Marked the depth of the cuts with my Rosewood Cutting Gauge that I got at Woodcraft a while back. It’s a thing of beauty. I measured it so that I would be able to fit a width of 2×4 down between the two cross bars. I’ll be using 2×4 to construct the “poppets”, sort of a free floating head and tail stock. 3. Marked the width, and clamped it in my vise. (I want a bench vise. Reallllly badly.) 4. Using my Japanese pull saw, I cut the notch sides, and the two more paralell cuts down to the marked lines. This makes chiselling out the waste easier. 5. Using a 1? bench chisel I cut out the waste with taps of a hammer 6. Cleaned up a little it with a wood rasp, but for the most part the chisel did the heavy lifting. Notes: Easier than I thought it would be. I thought it’d be lots of work, but it was pretty easy. I got the technique from watching the Woodwrights Shop. Best show on TV for woodworking. Bar none. I did crimp and break my japanese pull saw blade though, this makes me sad. I went in a little crooked, and it bent. Ugh. I love this saw, it’s probably been the best tool in my shop for a while. It makes nice thin cuts, easier and cleaner than a standard american style “push” saw. Fortunatly, I can buy replacement blades. It’s the one marked B in the photo below. I think that saw has partially changed the way I do wood working, I kid you not. Time to get my butt down to Woodcraft to get a couple more blades. Going to buy a backup, just in case. Next step, the cross bars, drilling holes and mounting lag bolts, and building the head/tail stock “poppets”. Then all it needs is tool rest, and some kind of “spring pole” to power it. I’m thinking bungie cord. Not very period, but it allows me to adjust it to find the right amount of “spring” and find a springy pole these days is a bit harder than wandering out in the back woods and cutting one. Not so much on the back woods these days…. Pity. http://www.instructables.com/id/A-modern-build-of-a-medieval-spring-pole-lathe/ step 2: Lathe details - Uprights Over the next few steps, I’ll be detailing the rest of the build out of the “spring pole” lathe I built last weekend. I was able to complete it fairly quickly, and I snapped some cell phone pictures along the way. This step will feature th buid out of the uprights, and attaching the crossbeams. As you can see in the above picture, the uprights are attached to a sort of “A” frame to hold them up. This design came about for two reasons. One, it’s based on a period (1583) drawing of a lathe I found. Two, it’s a practical and easy to build method of holding the beam up. I grabbed some 2×4, and just started cutting what felt right in terms of lengths based on what I had on hand. I want to be able to break it down and travel with it, so each upright needed to be able to stand up independently and be self contained. The angled pieces are cut with a 45 degree angle on the table saw, and screwed into place with long wood screws. The beam upright rests on the horizontal 2×4 which extends a little bit out from the base for stability, but not getting in the way. The cross beams are Douglas Fir 2×4. I took a standard 8? one, and cut it in half to create a 4? bed for the lathe. Subtract a little bit for the head and tail stock, and you have about 3.5? feet of workable area. To attach them to the uprights I fit the 2×4 into the notches, and clamped it down. I then drilled a couple of holes through the 2×4 and upright for the bolts I was going to use. I drilled it pretty close to the size of the bolts for a tight fit, which turned out to be too tight. So I had to drill it out a bit bigger to allow a little wiggle room to get the bolts throught. Once the crossbeams are bolted on, the whole frame is quite rigid, and very sturdy. That’s it for this step, next step will cover the head/tail stock, making the centers, and more. http://www.instructables.com/id/A-modern-build-of-a-medieval-spring-pole-lathe/ step 3: Lathe details - Head and Tail Stock This step will cover the creation of the head and tail stock for the “spring pole” lathe project. To make the stocks themselves, I just bolted together chunks of 2×4 to create a solid head stock. To make access to the piece of turning easier I cut the two side pieces with a 45 degree cut to give it a diagonal access to the area. The length of the middle piece was determined by measuring above the crossbeams about 8? (the height of what I thought might make a good turning area. (close to 16? diameter turning area seemed more than enough.) The bottom part I picked a sizable tail to it, so I could cut a mortise into it for clamping to the cross bars, and left some below that to give it some strength (I will draw up plans later with exact measurments.) The size and depth of the notches in the uprights gives me a gap between the crossbars that a 2×4 fits into. The two short pieces (8?) screwed to the side of the middle, longer piece rest on the crossbars. when I fit a wedge into the mortice in the tail of the headstock, it locks the stock to the crossbars and is quite immobile. To put the mortice hole in I used Fornster bits a bit wider than the width of the wedge I am using. I used a piece of Maple I had sitting around because I figured it would hold up better being pounded in and out all the time. I made the hole go above the bottom of the crossbars so that the wedge would lock against the underside, and not top out against the stock. I also angled the bottom of the mortise with a chisel to approximatly fit the angle of the wedge. My wedges ended up being different sizes but they both work quite well.
Recommended publications
  • Bodging Scotland CWA-1
    CWA SKILLS DEVELOPMENT SCHEME Green woodworking and pole lathe turning for beginners Hosted by: Dunnottar Bodgers Group & Dunnottar Woodland Park Association Stonehaven Saturday 3rd and Sunday 4th April 2010 INVITATION Dunnottar Bodgers Group and the Dunnottar Woodland Park Association, in conjunction with the Community Woodlands Association, are pleased to extend a warm invitation to you to join them at the Green woodworking and pole lathe turning for beginners course held near the quarry area of Dunnottar woods, Stonehaven, Aberdeenshire. This event will offer another great opportunity to network, highlight and discuss common issues and concerns, share your skills and experiences, and learn from the inspirational work of others. This learning and networking opportunity is aimed at members of community woodland groups and members of the general public that would wish to learn more about the traditional craft of bodging and green wood turning. The objectives of the course are: • To provide an opportunity for participants to take part in a variety of green wood working processes. • Use bodging processes to make a simple wooden stool from locally sourced timber and/or contribute to the manufacture of shaving horses for use by the host group. The course will consist of an informal meeting and meal in a local hotel on the Friday evening prior event where participants can meet and have a general discussion. Kenny Grieve is the trainer for this course and will be on hand to answer any questions before starting the course proper the following day. On the Saturday morning the participants will embark on the two day practical course based in Dunnottar woods, where the Dunnottar Bodgers Group have established a base.
    [Show full text]
  • The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
    Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2013 Shadow of the Turning: The Art of Binh Pho, The Center for Art in Wood, October 25, 2013 – January 18, 2014. Organized by Binh Pho & Kevin Wallace Shadow of the Turning is a traveling exhibition focuses on art, philosophy and storytelling of artist Binh Pho. Blending the mythic worlds of fairy tale, fantasy, adventure and science fiction, this exhibit creates a bridge between literature, art world approaches to concept and narrative, craft traditions and mixed media approaches. The story is “illustrated” using an exciting new body of work by Binh Pho, which combines woodturning, sculpture, painting and art glass. Exhibited Artist: Binh Pho 2013 Hogbin on Woodturning: Pattern from Process, The Center for Art in Wood Museum Store, September 19 – October 21, 2013 The exhibition Pattern from Process presents objects created for the instructional publication titled Hogbin on Woodturning. The 14 objects by Stephen Hogbin in the publication are represented in the exhibition with related material. Reading about the projects included in the publication and seeing the object will help students, educators, and woodworkers develop a clearer understanding of the construction and final quality of their work. Exhibited Artist: Stephen Hogbin 2013 allTURNatives: Form + Spirit 2013, The Center for Art in Wood, August 2 – October 12, 2013 Celebrating the 18th year of the International Turning Exchange Residency (ITE) program, the Center is proud to host the international artists, photojournalist and scholar who worked together for 2 months at the UArts in Philadelphia and explored new directions in their work.
    [Show full text]
  • The Turner Issue 39 May 2014 Full
    TH ETURNER THE WORSHIPFUL COMPANY OF TURNERS OF LONDON June 2014 On 29 th May 2014, Ascension Day, I became the 344 th Master of the Worshipful Company of Turners. Only 344 Masters in the 410 years since our Royal Charter in 1604 because for most of our first 160 years it was usual for Masters to serve for two-year terms. For many years before 1604 we believe that two Wardens governed the Guild of Turners and in the earliest times we know that in 1179 “the gild of strangers of which Warner le Turner is elderman” owed 40 shillings for not being properly licensed by the King. What an honour and a privilege to continue in a succession spanning at least 835 years. I am hugely indebted to the long line of distinguished Masters who have preceded me leaving the Company in such good health, and to our capable Clerk, Wardens, Master’s Steward, Committee Chairmen and Members, Beadle, Almoner, Archivist and Chaplain with whom to share the responsibilities of office. And I owe special thanks to Rhidian Jones who has proved to be yet another outstanding Master of the Company and whose wise counsel will be available to me as Deputy Master. My first experience of turning came in the 1960s when, as a young engineer in a modern aluminium rolling mill, I learned about lathe production of the micron finishes and cambers of mill rolls that are needed to produce sheet to the necessary gauge, flatness, surface finish and temper. One of my very first assignments involved production of high-strength, heat-treated aircraft sheet for the supersonic Concorde.
    [Show full text]
  • The Sawdust Sentinel
    The Sawdust Sentinel Monthly newsletter of Woodworkers Club of Houston Volume 38 Issue 3 March 2021 Inside this Issue MESSAGE FROM THE PRESIDENT WWCH Calendar ............................... p. 1 St. Patrick’s Day themed woodworking may be a little some- President’s Message .......................... p. 1 thing to try out this month. After all, we could all use the Luck of Splinter group Info .............................. p. 2 the Irish, right? Toy of the Month ................................ p. 2 Newsletter Name ................................ p. 2 And with Spring soon to arrive, and with this an expectation Show and Tell ................................. p. 2-4 among many with non-climate controlled shops, an anticipation Vendor Ad .......................................... p. 5 of comfortably long days making sawdust. But whether your shop is climate controlled or not, these months of beautiful weather, and days getting longer, encourage us to continue to WWCH Calendar do our best at woodworking. Monthly Meeting (via Zoom) .......... 13 Mar Have fun making sawdust! Cheers! Furniture Meeting (via Zoom)......... 04 Mar Scroll saw Meeting (via Zoom) ....... 10 Mar Hand tool Meeting (via Zoom)........ 28 Mar Chris Schwartz WWCH President 2021 Dues Waived Due to the COVID crisis’s impact to club March Splinter Group activities and the lack thereof, the WWCH Board has decided that all members in The Scroll Saw Splinter Group will have a monthly Zoom meet- good standing for 2020 will have their ing Norm Nichols will send out invite a week before the meeting dues waived for 2021. That’s right, if you date. If you wish to join the scroll saw splinter group please con- were a paid member for 2020 you will tact Norm Nichols ([email protected]) continue to be a member through this The Furniture and Finishing Splinter will meet Thursday, March year at no additional cost.
    [Show full text]
  • Green Woodworking Spring Greens Dorset Make Beautiful Objects from Freshly Felled Wood
    11 | EXPERIENCE | GREAT DAYS OUT Visit www.bbccountryfilemagazine.com/daysout LearN greeN WoodWorKING Spring greens Dorset Make beautiful objects from freshly felled wood, using time-honoured methods and tools As featured on ABOVE Creating a spurtle is hard, but Words: Tor McIntosh Pictures: Jeff Gilbert Mastercrafts, satisfying, work BELOW LEFT Guy the see page 55 woodworker BELOW RIGHT Tools of the trade Guy polishes a partly USEFUL INFO finished ‘spurtle’ with © 2010 Google - Map data © 2010 Tele Atlas wood shavings Course reen woodworkers aim to expend as little energy felled timber – green wood still contains sap, meaning HIghER HOLDItch FARM Gas possible,” explains Guy Mallinson, my tutor, it’s soft and easy to work with. However, since green Holditch TA20 4NL as I pound the wooden club onto the froe tool for the wood is cut along the grain, it remains strong and can 01460 221102 umpteenth time, attempting to cleave a sycamore log be used to produce long-lasting objects. www.mallinson.co.uk into quarters. “With no machinery to do the hard work The two-day Pole Lathe and Green for you, it’s vital to pace yourself during the tree-to- FINDING THE RHytHM Woodworking course costs £287.50 product process,” he continues. Finally the stubborn The next stage in the spurtle-making process and includes lunch, tea and snacks. chunk of wood divides. Wiping the sweat from my is shaping the billet using a pole lathe, a simple brow, it’s clear that I have a lot to learn about the age- woodturning apparatus dating back to the Viking era.
    [Show full text]
  • Greenwood Working Weekend Dunnet Forestry Trust 14Th & 15Th
    Greenwood Working Weekend Dunnet Forestry Trust 14th & 15th July 2012 This event is part of the CWA Knowledge and Skill Development Training Programme, funded by the Scottish Government Skills Development Scheme and the Robertson Trust. Greenwood Working Weekend Dunnet Forestry Trust 14th & 15th July 2012 This report summarises and gives feedback from the two day Greenwood Working event delivered as part of the CWA Knowledge and Skills Development Scheme 2011/12. This event took place on Saturday and Sunday 14th & 15th July 2012, with a total of 17 delegates learning new skills and gaining more experience with greenwood work. Why did we do this? Set up a green wood working group – a new skill in the locality Broaden the skill base of our current volunteers and attract new ones Create equipment which can be used by forest ranger to diversify activities offered to community groups Find a means of making replacement xylophone beaters on site! Weekend overview: Places were available to those wishing to learn some green wood skills over a weekend in Dunnet. The event was advertised locally and through the CWA network. Under the supervision and guidance of skilled craft makers from Wooplaw Community Woodland – in the Scottish Borders, delegates were put to work developing and constructing shave horses and pole lathes. This new equipment was constructed for Dunnet Forestry Trust using timber from site, and was the first event to take place in the newly built log cabin. Over the weekend delegates enjoyed good conversation and renewed community empowerment - with discussions leading towards the establishment of a greenwood group).
    [Show full text]
  • Vegetable Lathe Theo Tan Store Store
    BIO OF THE DESIGNER MAKERS MANUAL #3 Theo Tan is a London-based designer working in a range of materials from calico, Theo Tan leatherwork, precious metals and more. Much of his working process involves a deep under- standing of existing craft skills to the point that he is able to misuse and re-appropriate old techniques. FURTHER READING → Woodturning: A Foundation Course (New Edition) By Keith Riley → Woodturning Instructions: www.youtube.com/watch?v=JaXPlKBwzM- w&t=162s VEGETABLE → Instructions for Making PSI's Chessmen Chess Piece Set https://www.pennstateind. com/library/CHESSTMP_ins.pdf LATHE → The Development of the Lathe 200 - 1850 Copyright Peter H. Kunz. CH-8200 Schaff- LIST OF THINGS hausen http://www.feuerwaffen.ch/index_htm_files/ MATERIAL Craft_08_Lathe.pdf → Carrot → Parsnips → Potatoes → Beetroot TOOLS → Large Chopping Board INTRODUCTION → 2 Tins of Food (preferably without pull tabs This manual is an introduction to using the lathe – a machine and preferably beans) →2 Belts that spins a piece of wood around an axis at high speed. The user →2 Chopsticks can then make cuts and incisions to create cylindrical, spherical →String →A Few Rubber Bands and ellipsoid forms. The design of this machine is a reimagining →Clingfilm/Greaseproof/Tin Foil Box of a medieval piece of technology - the pole lathe. In this manual →Bread Knife the lathe will be constructed from items you can find around your →Hammer →Large Nail/Screwdriver Makers Manual is a collaborative This project is supported by Coal kitchen and tools found in the cutlery draw. Rather than turning project between exciting makers Drops Yard.
    [Show full text]
  • From the President Symposium All the Demos, Meet with Friends, Shop at to Contribute to Help at the Symposium, Suggestions/ the Tradeshow, and Fit in Other Activities
    A ASSOCIATIONNEWS NNEWS Editor’s Note You may have heard American Woodturner referred to as a • It is my privilege to feature Andi Sullivan on page 6 and tell the story of her remarkable journal rather than as a magazine. What’s the difference? journey. Andi is a consummate teacher, craftsperson, problem-solver, and ambassador Well, AW is primarily the publication of a non-profit associa- for woodturning—who happens to be blind. She will be at the symposium hosting a tion (the AAW), as opposed to one serving a subscribership. panel discussion, “Woodturning with Disabilities,” among other activities. As such, its contents reflect the activities and mission of the • Did you know there is a virtual AAW chapter called Women in Turning? Members of this organization and are not as driven by advertising dollars. chapter will host a panel discussion, “Women’s Perspectives,” at the symposium. See This issue’s contents stand as a perfect example: Many of the page 11 for a preview of a collaborative work by these women that will be auctioned articles and featured work could stand on their own, as in a during the symposium. magazine, but also serve as a preview of what you can expect to see at the AAW international symposium in Pittsburgh this June. • Have you ever seen one of Tim Yoder’s entertaining woodturning shows on television or on the Internet? David Heim’s profile of Tim on page 38 highlights this notable Here are a few examples: personality who will also be a demonstrator at the symposium. • Jacques Vesery, whose work is featured on the front cover and whose remarkable story is revealed in a profile on page 42 by Michael C.
    [Show full text]
  • Green Woodworking
    green woodworking what is it? • most green woodworking products are made from coppiced hardwood; coppicing is the 'Green' in this context refers to the working of wet practise of cutting back trees before they reach or unseasoned wood that has recently been maturity, after which they re-grow - a bit like a felled. Freshly cut wood contains a lot of water haircut. Trees managed in this way have been which will eventually evaporate, causing know to survive many times their normal life shrinkage. This 'wetness' can be of benefit in span. Humans have been coppicing for so long some green woodworking joints which rely on that some insects and plants have evolved to shrinkage to produce a tight fit. Wood can still be prefer this type of habitat; coppicing is a considered green for up to a year if left in a round sustainable system of woodland management log before being worked. Techniques for shaping • most general building timber now is imported green coppice wood follow the grain, producing softwood; green woodworking has developed softer flowing surfaces - but increased strength, around using local wood which means lower as the wood's linear fibres remain intact. Green embodied energy - in other words, the amount woodworking requires a different set of skills and of energy used in its harvesting, transportation tools to modern carpentry, as well as a closer and processing. For example, sawn timber has understanding of the nature of wood and the an embodied energy value of around 580kW character of different trees. Originally, all per tonne, and if it is imported it may be 3 woodworking would have been green.
    [Show full text]
  • DBG) on a Site in Dunnottar Woodland Park Which Lies Just to the South of Stonehaven
    CWA SKILLS DEVELOPMENT SCHEME Green woodworking and pole lathe turning for beginners Hosted by: Dunnottar Bodgers Group & Dunnottar Woodland Park Association Stonehaven FINAL REPORT Introduction This is the final report produced by the Dunnottar Bodgers Group, Stonehaven, for the course held in Dunnottar woods on the 2 nd , 3 rd and 4 th of April 2010 entitled “Green wood woodworking and pole lathe turning for beginners”. The course was hosted by the Dunnottar Bodgers Group (DBG) on a site in Dunnottar woodland park which lies just to the south of Stonehaven. The woodland is owned by Forestry Commission Scotland(FCS) and the Dunnottar Woodland Park Association(DWPA) act in a local stewardship role. The DBG worked closely with both FCS and the DWPA whilst setting up this course. The course was delivered by Kenny Grieve, the very experienced green wood turning based in Fife. Thirteen people attended the course and the evaluations confirm that the course was very well received by all. Key learning points • To provide an opportunity for participants to take part in a variety of green wood working processes. • Use bodging processes to make a simple wooden stool from locally sourced timber and/or contribute to the manufacture of shaving horses for use by the host group. Event programme (quoted from advertising flyer) “The course will consist of an informal meeting and meal in a local hotel on the Friday evening prior event where participants can meet and have a general discussion. Kenny Grieve is the trainer for this course and will be on hand to answer any questions before starting the course proper the following day.
    [Show full text]
  • Turnstyles the History and Art of Wood Turning
    Teacher’s Manual TURNstyles The History and Art of Wood Turning ARTMOBILE Traveling throughout Bucks County September 1997 - June 1998 Artmobile is the outreach museum of the Division of the Arts at Bucks County Commnuity College. A portion of Artmobile's general operating funds for this fiscal year has been provided through a grant from the Institute of Museum Services, a Federal agency that offers general operating support to the nation's museums. TURNstyles: The History and Art of Wood Turning is supported in part by a grant from the Pennsylvania Council on the Arts. This manual was devised to help teachers incorporate the Artmobile experience into their curricula by providing background information and classroom activities related to the exhibition. It is intended to serve as a resource both in conjunction with and apart from the exhibition. Artmobile is celebrating its twenty-first year of bringing the arts to the school children and adults of Bucks County through its visits to schools and public sites. For more information about Artmobile and its programs, please call 215/968-8432. TABLE OF CONTENTS Acknowledgments........................................................2 Wood Turning: An Overview....................................4 About the Exhibition....................................................7 Classroom Activities About the Educational Activities....................9 Pre-Visit Activities..........................................10 Post-Visit Activities.........................................13 Diagram of Electric Lathe...........................................16
    [Show full text]
  • The Barn Blacksmith Shop and Wood Shop
    The Barn Blacksmith Shop and Wood Shop Self-Guided Tour The Barn This self-guided tour is designed to give you a more detailed look at the displays here in this part of the museum. You’ll notice that the page numbers in this pamphlet match the numbers on signs posted throughout the museum. As you take a look at the objects in our collection, also take a moment to read and learn even more about Lisle’s past. Want to know what we have going on? Find us online! www.lisleparkdistrict.org/museumsatlislestationpark MuseumsatLisleStationPark @LisleMuseum FREE ADMISSION Suggested Donation $5 The Barn In 2001, the Lisle Park District obtained a grant and other fi- nancial aid which helped us to create a barn workshop at the museum. It is made mostly from the structure of a 19th century barn originally located 200 miles north in Wisconsin. Volun- teer master blacksmith, Bob Goodwin, worked with a few other volunteers to design the structure. The Park District hired an architectural restoration company to disassemble the old barn and rebuild it here. The Barn is made of timber frame construction with mortises and tenons, which means some pieces have pegs and some pieces have holes to all fit together. One side of the building is a working smithy, or blacksmith shop, and the other portion is working wood turning shop. This craftworker combination was common in the 1800s. The center display area contains various tools and finished pieces, with double barn doors on each end that swing open to accommodate large items and let in more sunlight.
    [Show full text]