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Superman's Girl Friend, Lois Lane and the Represe
Research Space Journal article ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women Goodrum, M. Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Goodrum, M. (2018) ‘Superman believes that a wife’s place is in the home’: Superman’s girl friend, Lois Lane and the representation of women. Gender & History, 30 (2). ISSN 1468-0424. Link to official URL (if available): https://doi.org/10.1111/1468-0424.12361 This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] ‘Superman believes that a wife’s place is in the home’: Superman’s Girl Friend, Lois Lane and the representation of women Michael Goodrum Superman’s Girl Friend, Lois Lane ran from 1958-1974 and stands as a microcosm of contemporary debates about women and their place in American society. The title itself suggests many of the topics about which women were concerned, or at least were supposed to concern them: the mediation of identity through heterosexual partnership, the pressure to marry and the simultaneous emphasis placed on individual achievement. Concerns about marriage and Lois’ ability to enter into it routinely provide the sole narrative dynamic for stories and Superman engages in different methods of avoiding the matrimonial schemes devised by Lois or her main romantic rival, Lana Lang. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
AKA Clark Kent) Middle Name Is Joseph
Superman’s (AKA Clark Kent) Middle Name Is Joseph. What’s that?! There in the sky? Is it a bird? Is it a plane? No! It’s the Man of Tomorrow! Superman has gone by many names over the years, but one thing has remained the same. He has always stood for what’s best about humanity, all of our potential for terrible destructive acts, but also our choice to not act on the level of destruction we could wreak. Superman was first created in 1933 by Joe Shuster and Jerry Siegel, the writer and artist respectively. His first appearance was in Action Comics #1, and that was the beginning of a long and illustrious career for the Man of Steel. In his unmistakable blue suit with red cape, and the stylized red S on his chest, the figure of Superman has become one of the most recognizable in the world. The original Superman character was a bald telepathic villain that was focused on world domination. It was like a mix of Lex Luthor and Professor X. Superman’s powers include incredible strength, the ability to fly. X-ray vision, super speed, invulnerability to most attacks, super hearing, and super breath. He is nearly unstoppable. However, Superman does have one weakness, Kryptonite. When exposed to this radioactive element from his home planet, he becomes weak and helpless. Superman’s alter ego is mild-mannered reporter Clark Kent. He lives in the city of Metropolis and works for the newspaper the Daily Planet. Clark is in love with fellow reporter Lois Lane. -
2019 ECT MOVIES Kopie
Zutphen,23.11.2017 Based on a true story? ECT in international movies andTV programs pascal sienaert AcCENTAcademic Centrum voor ECT en neuromodulatie upc ku leuven,campus kortenberg [email protected] Methods . • • allmovie.com • subzin.com,phrases in movies & series • PubMed • (inter)national ECT-practitioners Results 60 MOVIES 85 25 SERIES 8 2 52 MOVIES 75 23 SERIES 57 SCENES 25 SCENES +3 82 SCENES +4 89 About to have ECT? Fine,but don't watch it in the movies... Walter and McDonald.PsychiatricTimes 2004,21(7) The problem is that ECT lends itself beautifully to cinematic dramatization. Shorter & Healy,2007 ShockTherapy:A history of ElectroconvulsiveTreatment in Mental Illness. Rutgers University Press,New Brunswick,New Jersey,London. a promising (?) start... The Snake Pit Anatole Litvak 1934 1938 1948 ‘Why are you electrocuting me?’ Virginia Cunningham writer psychotic episode written consent by proxy The Snake Pit Anatole Litvak 1948 Template • frantic music • unmodified • violent motor seizure > Olivia de Havilland inThe Snake Pit Anatole Litvak,1948 The Caretakers - Hall Bartlett - 1963 ECT as a metaphor for the repressive disciplinary approach in psychiatry anti-psychiatry La Meglio Gioventu,MarcoTullio Giordana,2003 ’the biggest beast in the celluloid ECT jungle’ McDonald &Walter,2009 One Flew Over the Cuckoo’s Nest - Milos Forman - USA,1975 The Caretakers 1963 Anna, child… 1976 1972 Ciao! Manha; an Shock Treatment T 1964 he FiHh Floor 1978 1974 Caged Heat Shock Corridor …. 1964 Frances 1982 1975 One flew Family Life -
Download Ebook Smallville: the Official Companion: Season 4 # GM2RWK5QFL2L
MAQZ3DIF8SGZ « PDF « Smallville: The Official Companion: Season 4 Smallville: Th e Official Companion: Season 4 Filesize: 5.69 MB Reviews Very beneficial for all type of individuals. I have got study and so i am certain that i am going to going to read through once again once again later on. I am just happy to let you know that this is basically the greatest publication i have study during my own daily life and could be he finest pdf for ever. (Prof. Nelson Farrell MD) DISCLAIMER | DMCA QW0PRYKTN2TG > PDF // Smallville: The Official Companion: Season 4 SMALLVILLE: THE OFFICIAL COMPANION: SEASON 4 To save Smallville: The Official Companion: Season 4 eBook, make sure you access the link beneath and download the ebook or have access to other information which are have conjunction with SMALLVILLE: THE OFFICIAL COMPANION: SEASON 4 ebook. Titan Books Ltd. Paperback. Book Condition: new. BRAND NEW, Smallville: The Official Companion: Season 4, Craig Byrne, "Smallville", the hit series which follows the adventures of a teenage Clark Kent and his friends - including Lana Lang, Lois Lane and a certain Lex Luthor - is one of the hottest shows on TV. This volume tells you everything you need to know about the fourth season, and is filled with exclusive interviews, unseen photos, behind-the-scenes secrets and, of course, a complete episode guide, including an in-depth look at one key episode. Plus, there's a deeper insight into the world of Smallville, with more excerpts from "The Smallville Ledger" and the high school newspaper, "The Torch". Get the exclusive inside story of this Kryptonite red-hot show!. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Lois Lane Would Identify Clark Kent As Superman by His Body Language 1 November 2016
Lois Lane would identify Clark Kent as Superman by his body language 1 November 2016 understand that we're using information other than faces so we can get an insight into how we achieve this unique skill. "Our results show that we are able to use body motion when other cues are ambiguous or unavailable—so we basically assume that we can use body motion as a reliable cue to identity when other information is less available or reliable such as when a person is far away or when they're in bad lighting conditions. "I've always questioned why Lois Lane doesn't recognise Clark Kent or why Bruce Wayne has never been identified as Batman—now we know that they should be recognised based on their body motion!" Credit: University of Aberdeen More information: Karin S. Pilz et al. Idiosyncratic body motion influences person recognition, Visual Cognition (2016). DOI: Researchers from the University of Aberdeen have 10.1080/13506285.2016.1232327 found evidence that suggests that superheroes would be identifiable as their alter-ego personalities due to their unique body movements. Provided by University of Aberdeen The study published in the journal Visual Cognition, investigated how we are able to identify our peers, and found that when facial information is not available we can use body motion instead. The study was the first of its kind to use life-like avatars to get to the bottom of how we are so good at recognising each other. Dr Karin Pilz, from the School of Psychology at the University of Aberdeen said: "The current perception is that identity recognition is usually done on faces alone but obviously body motion is also important because we usually see people as whole bodies! "Even in difficult conditions, we are really good at person recognition and so, I think it's important to 1 / 2 APA citation: Lois Lane would identify Clark Kent as Superman by his body language (2016, November 1) retrieved 24 September 2021 from https://medicalxpress.com/news/2016-11-lois-lane-clark-kent- superman.html This document is subject to copyright. -
Superman Ebook, Epub
SUPERMAN PDF, EPUB, EBOOK Jerry Siegel | 144 pages | 30 Jun 2009 | DC Comics | 9781401222581 | English | New York, NY, United States Superman PDF Book The next event occurs when Superman travels to Mars to help a group of astronauts battle Metalek, an alien machine bent on recreating its home world. He was voiced in all the incarnations of the Super Friends by Danny Dark. He is happily married with kids and good relations with everyone but his father, Jor-EL. American photographer Richard Avedon was best known for his work in the fashion world and for his minimalist, large-scale character-revealing portraits. As an adult, he moves to the bustling City of Tomorrow, Metropolis, becoming a field reporter for the Daily Planet newspaper, and donning the identity of Superman. Superwoman Earth 11 Justice Guild. James Denton All-Star Superman Superman then became accepted as a hero in both Metropolis and the world over. Raised by kindly farmers Jonathan and Martha Kent, young Clark discovers the source of his superhuman powers and moves to Metropolis to fight evil. Superman Earth -1 The Devastator. The next few days are not easy for Clark, as he is fired from the Daily Planet by an angry Perry, who felt betrayed that Clark kept such an important secret from him. Golden Age Superman is designated as an Earth-2 inhabitant. You must be a registered user to use the IMDb rating plugin. Filming on the series began in the fall. He tells Atom he is welcome to stay while Atom searches for the people he loves. -
Read Book Smallville: Season 5 : the Official Companion
SMALLVILLE: SEASON 5 : THE OFFICIAL COMPANION PDF, EPUB, EBOOK Craig Byrne | 160 pages | 25 Jan 2008 | Titan Books Ltd | 9781845765422 | English | London, United Kingdom Smallville: Season 5 : The Official Companion PDF Book Cassandra rated it it was amazing Jul 05, Every episode is well examined, and some episodes, like the popular "Memoria," were treated with extended sections. According to writers Kelly Souders and Brian Peterson, "Reckoning" had been chosen as the episode's title before the script had been finalized. Karen A. One faction of fans was unhappy with the choice of Jonathan, however, as they would have preferred Lana dying instead. Volume 5 - 1st printing. Alongside E4 broadcasting the new series of the show, Sci-Fi were also broadcasting all the older episodes, which ran all the way up to the end of Season 7. However, the show was not able to afford the special effects to pull the scene off, and so, the sequence was re-written to feature a bus crash. Leslie rated it it was amazing Jun 26, This authorized companion with a stunning page full-color section takes you through Season Four, which achieved the highest ratings of any season! Since then, she has headlined shows like Bitten and the reboot of V. The final version was finished "two-and-a-half [to] three weeks" before production began. It should come as no surprise, then, that Durance was a hit with the viewers and fans and she remains one of the, if not the best incarnation of Lois Lane there ever has been highly contentious though that sentence is. -
The History of Gender Representations in Teen Television
The History of Gender Representations in Teen Television Author: Nicole Sandonato Persistent link: http://hdl.handle.net/2345/3869 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. The History of Gender Representations in Teen Television By Nicole Sandonato A Senior Honors Thesis Submitted to the Department of Communication Boston College May 2014 The History of Gender Representations in Teen Television Sandonato i Acknowledgements First, I wish to thank Professor William Stanwood for his endless help on this thesis. This paper would not have been possible without his guidance and editing skills. Thank you for calming my nerves and making me believe in myself and my ability to write this paper. I am a more confident writer, student and person because of your help. Thank you! I wish to thank my roommate Megan Cannavina for her constant support during this whole process. Through every stress, deadline, and revision, she was there to hold me together and reminded me that “I got this”. You help me to stop doubting myself and to reach for the stars! I would also like to thank my family for their love, support and encouragement in all my academic endeavors. I am so blessed to have you all behind me for every step in my journey. I love and thank you! The History of Gender Representations in Teen Television Sandonato ii Table of Contents Acknowledgments ---------------------------------------------------------------------------------- -
Thinking About Journalism with Superman 132
Thinking about Journalism with Superman 132 Thinking about Journalism with Superman Matthew C. Ehrlich Professor Department of Journalism University of Illinois at Urbana-Champaign Urbana, IL [email protected] Superman is an icon of American popular culture—variously described as being “better known than the president of the United States [and] more familiar to school children than Abraham Lincoln,” a “triumphant mixture of marketing and imagination, familiar all around the world and re-created for generation after generation,” an “ideal, a hope and a dream, the fantasy of millions,” and a symbol of “our universal longing for perfection, for wisdom and power used in service of the human race.”1 As such, the character offers “clues to hopes and tensions within the current American consciousness,” including the “tensions between our mythic values and the requirements of a democratic society.”2 This paper uses Superman as a way of thinking about journalism, following the tradition of cultural and critical studies that uses media artifacts as tools “to size up the shape, character, and direction of society itself.”3 Superman’s alter ego Clark Kent is of course a reporter for a daily newspaper (and at times for TV news as well), and many of his closest friends and colleagues are also journalists. However, although many scholars have analyzed the Superman mythology, not so many have systematically analyzed what it might say about the real-world press. The paper draws upon Superman’s multiple incarnations over the years in comics, radio, movies, and television in the context of past research and criticism regarding the popular culture phenomenon. -
4. the Superman/Kent Hypothesis: on the Epistemological Limit Between Human and Superhuman
Page no.57 4. The Superman/Kent hypothesis: On the epistemological limit between human and superhuman. Alexandros Schismenos PhD Scholar Philosophy of Science University of Ioannina Greece ORCID iD: http://orcid.org/0000-0001-8490-4223 E-Mail: [email protected] Abstract Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. Keywords Epistemology; Superman; Nostalgia; Ubermensch; Cognition Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) The Superman/Kent hypothesis by Alexandros Schismenos Page No. 57-65 Page no.58 The Superman/Kent hypothesis: On the epistemological limit between human and superhuman Everybody knows that Superman is Clark Kent.