Quidditas Volume 26 Volume 26-27, 2005-2006 Article 8 2005 Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England Christine Sustek Williams Charleston Southern University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Williams, Christine Sustek (2005) "Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England," Quidditas: Vol. 26 , Article 8. Available at: https://scholarsarchive.byu.edu/rmmra/vol26/iss1/8 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact
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[email protected]. Quidditas 26 & 27 (2005-2006) 51 Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England Christine Sustek Williams Charleston Southern University The elaborate cycle plays produced in the larger, wealthy municipalities of York, Chester, Wakefield and Coventry receive the lion’s share of attention among scholars of medieval theatre. Until recently, performance activities in smaller communities have received little or no attention, except perhaps as something of antiquarian interest. And one area of theatre history that has been largely overlooked is the involvement of monasteries in local performance activities. Yet the precious few, fragmentary, monastic records that survived the dissolutions of the monasteries under Henry VIII and Edward VI, suggest that several monasteries gave active financial support to local theatre in England before and during the early Tudor period.