Sackville Street Salisbury Avenue Sherbourne

Total Page:16

File Type:pdf, Size:1020Kb

Sackville Street Salisbury Avenue Sherbourne Aberdeen Avenue 375 Gordon Sinclair. 1900 - 1984 Ontario Street a nighttime training exercise near Kandahar, A Giant in Canadian Broadcast Journalism. Afghanistan. He is described by his colleagues Ernest Thompson Seton. 1860 - 1946 Plaque located on the fence of Spruce Court 262 Frederick Hagan. 1918 – 2003 as a thoughtful leader who had a strength of Self-trained Biologist, Scientific Illustrator and Public School (formerly 375 Carlton). One of Canada’s Greatest Artists and heart that was unparalleled. Naturalist. Plaque located at #6 (formerly #4 Gordon Sinclair began Teachers. which no longer exists.) working as a reporter for Born in Toronto, Frederick Sackville Street Ernest Thompson Seton was the Toronto Daily Star in Hagan took up studies at one of the founders of the 1922 and travelled around what is now known as the 395A Jack Nichols. 1921 – 2009 Boy Scouts and Girl Guides of the world four times as Ontario College of Art and Canada’s Pre-eminent World War II Artist. America in addition to being a wandering reporter. Design. In 1946 Mr. Hagan Born in Montreal, and like one of the most important Following WWII he became was hired to teach drawing, many artists, Jack Nichols 19th century Canadian a prominent radio and television personality. painting and printmaking at was largely self-taught. The novelists. In 1979 he was appointed an Officer of the O.C.A. where he stayed for 37 years. His works Royal Canadian Reserve Order of Canada. At his request, his place are held by the National Gallery of Canada and appointed him “official war Amelia Street of burial has no marker or other form of the Art Gallery of Ontario among others. artist”. His depictions of identification. Canadian bravery in battle 43 Walter Seymour Allward. 1876 – 1955. 550 Hugh Garner. 1913 – 1979 did not go unnoticed. His work appears in Renowned Canadian Sculptor. Lieutenant Francis Gwillim Simcoe. Author and Witness to Depression Era prestigious museums across Canada and in many Following early training at 1791 - 1812 Cabbagetown. Plaque located at the Hugh private collections. Central Technical School in First Private Owner of These Lands. Plaque Garner Housing Co-operative. Toronto, Mr. Allward studied located at SW corner of Riverdale Park at Born in Yorkshire, England, 435 Al Purdy. 1918 - 2000 in London and Paris. He is best Carlton and Sumach Streets. Hugh Garner grew up in “The Most Canadian Poet”. known for his monument at Francis Simcoe was the Cabbagetown and worked at Al Purdy has been called Vimy Ridge in France which eldest son of John Graves the Toronto Star newspaper as the best English-language took 14 years to complete. Simcoe, the first Lieutenant a copy boy. He fought in the Canadian poet of the twentieth Lieutenant Francis Gwillem Simcoe Governor of Upper Canada. Spanish Civil War and WWII. Al Purdy century. Although he lacked 137 Betty Oliphant. 1918 – 2004 He was the first owner of As a Canadian writer, Garner’s formal education, he wrote 33 Renowned Innovator of Ballet Education. the lands now known as focus was on working class Ontario and the best books of verse, and twice won Betty Oliphant came to Canada Cabbagetown. Francis known of his realistic novels is Cabbagetown (1950). Canada’s Governor General’s in 1947 as a war bride and returned to England where he attended In 1963 Hugh Garner won Canada’s Governor Literary Award as well as being awarded the Order opened her own ballet school, Eton and at 16 was an Ensign in the 27th General’s Literary Award for Hugh Garner’s Best of Canada. then served as ballet mistress for Inniskilling Regiment. He was killed at the Stories, a collection of his short stories. the National Ballet of Canada. age of 21 in Spain while leading a storming 436 Arthur Schawlow PhD. 1921 - 1999 In 1959 she co-founded the party under the command of the Duke of 675 Luigi von Kunitz. 1870 – 1931 Nobel Prize Winner Who Co-developed the National Ballet School, serving Wellington. Founder of the Toronto Symphony Orchestra. Laser. A plaque is also located at Winchester as Artistic Director and later, Principal. Plaque located at SW corner of Rose Avenue Public School, Heritage Building. Cabbagetown’s First People. Public School. Arthur ‘Bud’ Schawlow 139 J.L. (Allen) Yen PhD. 1925 – 1993 Plaque located inside the SW entrance to Born and trained as a attended Winchester Public Prominent Figure in Canadian Radio Astronomy. Riverdale Park. musician in Vienna, he came School. Earning a scholarship, Born in Canton, China, Allen Centuries before there to Toronto in 1912 to teach. he enrolled in the University Yen was first appointed to the was a Cabbagetown He was very popular, and of Toronto and began his Faculty of Applied Sciences and community and long inspired many musicians. In studies in physics. In 1981 Engineering at the University Cabbagetown's before French fur traders the 1920s he founded the Dr. Schawlow won the Nobel of Toronto in 1952. A Fellow of First People or the British settlement Toronto Symphony Orchestra Prize for physics for his contribution to the the Royal Society of Canada, called York, many different and became its first conductor. development of laser spectroscopy. he will be remembered not Aboriginal cultures such only for his contribution to science but also for his as the Anishnabai (Ojibwa), Haudenosaune Parliament Street Salisbury Avenue endless wisdom and love of sailing. (Iroquois), Huron, Eries, Petuns and Neutrals came together to trade, hold councils and 424 Ben Wicks. 1926 – 2000 34 Eden Smith, Architect. 1858 - 1949 160 Mary O’Riordan D.V.M. 1925 – 1993 seasonal ceremonies in this region of Ontario. Political Cartoonist, Global Literacy Advocate, Prolific Early Toronto Designer and Architect. Pioneering Veterinarian. The confluence of these many cultures gave Humanitarian. Plaque located at “The Ben Eden Smith and his wife Annie moved Born in Ennis, County birth to a great circle of Aboriginal civilization Wicks Pub”. from England to Toronto Clare, Ireland, “Dr. Mary” with a rich ceremonial, ritual, artistic and Ben Wicks’ cartoons provide in 1888 where he began moved to Toronto in 1963 political legacy. important insights on 20th his architectural practice. where she opened her century events and Canadian As well as designing many own animal hospital and was purported to be the Charles Sauriol. 1904 – 1995 culture. He wrote and illustrated prominent churches, first veterinarian to make Pioneer Ecologist. Plaque located in Riverdale books and established the “I he designed houses in house calls. She was one Park West at the end of Carlton Street. Can Foundation” which provides Wychwood Park, Rosedale, of the founders of Cabbagetown’s annual In his dedication to the education and literacy programs The Annex and Forest Hill. Another Forsythia Festival. preservation of Toronto’s for children. In 1986, he became a Member of the outstanding achievement was the design green spaces, Charles Sauriol Order of Canada. of the Co-op housing complex at the Carlton Street led fundraising campaigns Corner of Spruce and Sumach Streets that generated more than Rose Avenue in Cabbagetown. It was begun in 1913 Oronhyatekha M.D. 1841 - 1907 200 million dollars. In 1949, and flourishes to this day as a model of Mohawk Physician, Victorian Businessman and he co-founded the Don 5 Flos Jewell Williams. successful cooperative housing. Philanthropist. Plaque located at #211 Carlton Valley Conservation Association, and in 1989 he Writer with a Passion for Western Canada. Street (he had lived at #209) received the Order of Canada. Flos Williams was born in Sherbourne Street In 1860, under the patronage Toronto and attended Jarvis of the Prince of Wales, Dr. Lancaster Avenue Collegiate and Toronto 495 The Adaskin Family. Oronhyatekha (“Burning Normal School. She became One of Canada’s greatest Musical Families of Sky”) became the first North 2 Albert (Frenchy) Bellanger. one of the best known the 20th Century. American aboriginal to attend 1906 – 1969. women writers of Western Harry. 1901 – 1994. Oxford University. In 1866 he Flyweight Boxing World Champion. Canada, wrote short stories Murray. 1906 – 2002. graduated from the University Plaque located at The Cabbagetown and published three novels. John. 1908 – 1964. of Toronto’s medical school and was likely the Youth Centre. Plaque located in what is now the Wellesley first native medical doctor in Canada. He was Canada’s first World Boxing 27 Reverend Samuel Rose D.D. 1806 - 1890 Community Centre - Lobby. also known by his baptized Christian name of Champion in 1927, “Frenchy” A Pioneer of Methodism in Ontario. Pictured, Murray Adaskin Peter Martin. became a sports icon and Samuel Rose was born near The Adaskin brothers retired after 61 bouts, later Picton, Ontario. In 1831 he began represent one of the greatest 226 Rowena Grace Douglas Hume M.D. opening a boxing club to help his ministry as a missionary to stories in Canadian music 1877 – 1966 the youth of Toronto. the Indians in the town of what history. They were all brilliant A Founder of Women’s College Hospital. is now Orillia. Known as a man musicians performing, Born in Galt, Ontario, Dr. of noble and generous impulses, teaching and conducting Hume was a graduate of the Metcalfe Street he was later pastor of churches in across the country. In University of Trinity College many southern Ontario communities. addition, John played cello with the Toronto and became Women’s College 20 Arthur Goss. 1881 – 1940 Symphony Orchestra from 1926 to 1938 and Hospital’s Chief of Obstetrics Left a Photographic Legacy of over 35,000 Sackville Green worked on many projects for the Canadian and Gynecology. Images of Toronto. Broadcasting Corporation. Arthur Goss began his 203 Morley Callaghan.
Recommended publications
  • The Benefits of Trade
    THE BENEFITS OF TRADE ATLANTIC INSTITUTE FOR MARKET STUDIES Policy Paper The Benefits of Trade By Pierre Lemieux Halifax, Nova Scotia June 2017 ©2017 ATLANTIC INSTITUTE FOR MARKET STUDIES 1 THE BENEFITS OF TRADE The Atlantic Institute for Market Studies (AIMS) AIMS is a Canadian non-profit, non-partisan think tank that provides a distinctive Atlantic Canadian perspective on economic, political, and social issues. The Institute sets the benchmark on public policy by drawing together the most innovative thinking available from some of the world’s foremost experts and applying that thinking to the challenges facing Canadians. AIMS was incorporated as a non-profit corporation under Part II of the Canada Corporations Act and was granted charitable registration by Revenue Canada as of 3 October 1994. It received US charitable recognition under 501(c)(3), effective the same date. 287 Lacewood Drive, Suite 204, Halifax, Nova Scotia, Canada B3M 3Y7 Telephone: (902) 429-1143 [email protected] facebook.com/AtlanticInstituteCA @aims_ca www.AIMS.ca /company/atlantic-institute-for-market-studies Board of Directors Chairman: John Risley Former Chairman: John F. Irving President and CEO: Marco Navarro-Génie Vice-Chair: Scott McCain (New Brunswick), Vice-Chair: Don Mills (Nova Scotia) Vice-Chair: Leo Power (Newfoundland and Labrador) Secretary: Fae Shaw Treasurer: Doug Reid, FCA Directors: Paul Antle, Laura Araneda, Lee Bragg, Dr. Robert Campbell, Stephen Emmerson, Dr. Richard Florizone, Nelson Hagerman, Doug Hall, Dennice Leahey, Todd McDonald, Jonathan Meretsky, Andrew Oland, Bob Owens, Peter Woodward. Advisory Council George Bishop, George Cooper, Ivan Duvar, Peter Godsoe, James Gogan, Frederick Hyndman, Bernard Imbeault, Phillip Knoll, Colin Latham, Norman Miller, James Moir, Jr., Gerald L.
    [Show full text]
  • Lakeview: Journey from Yesterday Kathleen A
    Lakeview: Journey From Yesterday Kathleen A. Hicks LAKEVIEW: JOURNEY FROM YESTERDAY is published by The Friends of the Mississauga Library System 301 Burnhamthorpe Road, West, Mississauga, Ontario, L5B 3Y3 Copyright © 2005 by the Mississauga Library System All rights reserved Lakeview: Journey From Yesterday ISBN 0-9697873-6-7 II Written by Kathleen A. Hicks Cover design by Stephen Wahl Graphic layout by Joe and Joyce Melito Lakeview Sign by Stephen Wahl Back Cover photo by Stephen Wahl No part of this publication may be produced in any form without the written permission of the Mississauga Library System. Brief passages may be quoted for books, newspaper or magazine articles, crediting the author and title. For photographs contact the source. Extreme care has been taken where copyright of pictures is concerned and if any errors have occurred, the author extends her utmost apology. Care also has been taken with research material. If anyone encounters any discrepancy with the facts contained herein, (Region of Peel Archives) please send your written information to the author in care of the Mississauga Library System. Lakeview: Journey From Yesterday Other Books By Kathleen A. Hicks (Stephen Wahl) III The Silverthorns: Ten Generations in America Kathleen Hicks’ V.I.P.s of Mississauga The Life & Times of the Silverthorns of Cherry Hill Clarkson and its Many Corners Meadowvale: Mills to Millennium VIDEO Riverwood: The Estate Dreams are Made of IV Dedication dedicate this book to my family, the Groveses of Lakeview, where I was born. My grandfather, Thomas Jordan, and my father, Thomas Henry, were instrumental in building many houses and office buildings across southern Ontario.
    [Show full text]
  • Charles William Jefferys & Robert Stacey
    Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Charles William Jefferys & Robert Stacey Fonds CA OTAG SC038 Prepared by Rodney Carter, 2004 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library C.W. Jefferys & Robert Stacey fonds C.W. Jefferys & Robert Stacey fonds Dates of creation: [1839 – 1987] Extent: 5 m of textual and graphic records Scope and content: Fonds consists of records relating to the life and work of the artist and author Charles William Jefferys. It includes the artist’s correspondence, notebooks, research materials and manuscripts of his written work. Also included in this fonds are the research materials compiled by Robert Stacey, the artist’s grandson, about all aspects of the life and work of Jefferys, including information on all Jefferys’ writings and art, articles and reviews published by and about Jefferys, as well as information about the artist’s personal life, professional activities and travels. Stacey also conducted research on the Jefferys family history. Contains series: 1. Jefferys family genealogy compiled by Stacey 2. Jefferys’ accounts and business records 3. Jefferys’ associations and clubs records 4. Jefferys’ personal records 5. Jefferys’ correspondence 6. Stacey’s research files on places and people associated with Jefferys 7. Writings by Jefferys 8. Writings on Jefferys 9. Stacey’s research files on Jefferys’ illustrations 10. “The Moon” files 11. Stacey’s research files on Jefferys’ art 12. Stacey’s notes on locations associated with Jefferys 13. Stacey’s research files on owners of Jefferys’ art 14.
    [Show full text]
  • History of Art Libraries in Canada (2006, Rev. 2012)
    History of Art Libraries in Canada Histoire des bibliothèques d’art au Canada www.arliscanada.ca/hal Sponsored by / Commandité par: ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA National Gallery of Canada Library and Archives Musée des beaux-arts du Canada Bibliothèque et Archives ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA ARLIS/NA ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA Table of Contents Table des matières Introduction Reflections Through the Looking Glass: Murray Waddington The Story of the Fine Arts Library at the Uni- versity of British Columbia Introduction Diana Cooper, Peggy McBride Murray Waddington Traduit par Denise Loiselle A Library for Artists: The Early Years of The Banff Centre Library ARLIS/Canada: James Rout The First Ten Years Jonathan Franklin The Whyte Museum of the Canadian Rockies Bob Foley ARLIS/Canada : les dix premières années The Alberta College of Art + Design: Jonathan Franklin Luke Lindoe Library Traduit par Denise Loiselle Christine Sammon A History of the Canadian Art Libraries Section The Architecture/Fine Arts Library, Fort Garry (CARLIS) Campus, University of Manitoba Melva J. Dwyer Liv Valmestad Hidden Collections: Held in Trust: The Invisible World of English Canadian Book The National Gallery of Canada Library Illustration and Design and Archives Randall Speller Jo Nordley Beglo L’histoire du livre d’artiste au Québec Pour le compte des Canadiens : Sylvie Alix La Bibliothèque et les Archives du Musée des beaux-arts du Canada A History of the Artist's Book in Québec Jo Nordley Beglo Sylvie Alix Traduit par Denise Loiselle Translated by Mark Dobbie “So Hopefully and Imaginatively Founded”: The Vancouver Art Gallery and the Machinery The CCA Library to 1998 of Happiness Rosemary Haddad Cheryl Siegel Le Centre d’information Artexte : Who Was Who: un mandat, et un parcours, atypiques Biographies of Canadian Art Librarians Danielle Léger Steven C.
    [Show full text]
  • HUDSON's BAY COMPANY CALENDAR IMAGES and Thelr DOCUMENTARY LEGACY, 1913-1970
    PICTURE THIS: HUDSON'S BAY COMPANY CALENDAR IMAGES AND THElR DOCUMENTARY LEGACY, 1913-1970 BY ANDREA M, PACl A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Degree Requirements for the Degree of MASTER OF ARTS Department of History (Archival Studies) University of Manitoba 1 University of Winnipeg Winnipeg, Manitoba O December 2000 National Library Bibliothèque nationale 1+1 of.,da du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON K1A ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, dismbute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othenirise de celle-ci ne doivent être imprUnés reproduced without the author's ou autrement reproduits sans son permission. autorisation. FACULTY OF GRADUATE STUDIES f **** COPYRIGHT PERMISSION PAGE Picture This: Hudson's Bay Company Calendar Images and their Documentary Legacy, 1913-1970 BY Andrea M. Paci A Thesiflracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of Master of Arts ANDREA M.
    [Show full text]
  • Hmlibrarybooks.Pdf
    Year of Title Author 1 Author 2 Author 3 Publisher or Journal Place of Publication Language Pages Publication Simcoe (Ont.: County) - The Visible Past Leitch, Adelaide Toronto, Ontario 1967 English 305 History Indian Art and Culture of the Northwest Coast Kew, Della Goddard, P.E. Hancock House Publishers Saanichton, BC 1974 English 93 United States Department of The Man and Art in the Arctic Carpenter, Edmund Browning, Montana 1964 English 18 the Interior The Technique of Porcupine Quill Decoration Among the Museum of the American Orchard, Willam C New York, New York 1971 English 84 Indians of North America indian Heye Foundation The Way it Was - An Ojibwe - Odawa Legend Fox, Mary Lou Ojibwe Cultural Foundation Serpent River 1979 English 21 The Flint River Webb, Wm S University Alabama 1948 English 87 Little Bear Creek Site Ct*8 Webb, Wm S University 1948 English 64 The Perry Site Lu*25 Webb, Wm S University 1948 English 69 The Conflict of European and Eastern Algonkian Cultures Bailey, Alfred Goldsworthy The Tribune Press Sackville, N.B 1937 English 206 Villages of the Algonquian, Siouan and Caddoan Tribes Bushnell, Jr, David I Govt. Print off Washington 1922 English 211 West of the Mississippi The Alway Indian Relic Collection Jury, Wilfrid University of Western Ontario London, Ontario 1946 English 11 American Antiquity Chronology of Sites at Killarney Society for American Greenman, Emerson F Menasha, Wis 1935 English 616 Canada Archaeology Research Records of the Rochester Museum of Arts and Rochester Museum of Arts Ritc hie, William Rochester 1936 English 51 Sciences A Stratified Prehistoric Site at Brewerton and Sciences Research Records of the Rochester Museum of Arts and Rochester Museum of Arts Ritc hie, William Rochester 1936 English 51 Sciences An Archaeological Survey of the Trent Severn and Sciences Prehistoric research in the context of contemporary Montanari, Giovanna Bermond Narayan, Sachindra A.B.A.C.O.
    [Show full text]
  • History Canada Art Libraries 0.Pdf
    History of Art Libraries in Canada Histoire des bibliothèques d’art au Canada www.arliscanada.ca/hal Sponsored by / Commandité par: ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA National Gallery of Canada Library and Archives Musée des beaux-arts du Canada Bibliothèque et Archives ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA ARLIS/NA ESSAYS IN THE HISTORY OF ART LIBRARIANSHIP IN CANADA ESSAIS SUR L’HISTOIRE DE LA BIBLIOTHÉCONOMIE D’ART AU CANADA Table of Contents Table des matières Introduction Reflections Through the Looking Glass: Murray Waddington The Story of the Fine Arts Library at the University of British Columbia Introduction Diana Cooper, Peggy McBride Murray Waddington Traduit par Denise Loiselle A Library for Artists: The Early Years of The Banff Centre Library ARLIS/Canada: James Rout The First Ten Years Jonathan Franklin The Whyte Museum of the Canadian Rockies Bob Foley ARLIS/Canada : les dix premières années The Alberta College of Art + Design: Jonathan Franklin Luke Lindoe Library Traduit par Denise Loiselle Christine Sammon A History of the Canadian Art Libraries Section The Architecture/Fine Arts Library, Fort Garry (CARLIS) Campus, University of Manitoba Melva J. Dwyer Liv Valmestad Hidden Collections: Held in Trust: The Invisible World of English Canadian Book The National Gallery of Canada Library Illustration and Design and Archives Randall Speller Jo Nordley Beglo L’histoire du livre d’artiste au Québec Pour le compte des Canadiens : Sylvie Alix La Bibliothèque et les Archives du Musée des beaux-arts du Canada A History of the Artist's Book in Québec Jo Nordley Beglo Sylvie Alix Traduit par Denise Loiselle Translated by Mark Dobbie “So Hopefully and Imaginatively Founded”: The Vancouver Art Gallery and the Machinery The CCA Library to 1998 of Happiness Rosemary Haddad Cheryl Siegel Le Centre d’information Artexte : Qui était qui : un mandat, et un parcours, atypiques Biographies de bibliothécaires canadiens Danielle Léger et canadiennes Steven C.
    [Show full text]
  • Sumach Street Wellesley Street Winchester Street
    Since the mid-1800s the Cabbagetown-Regent Park area has been the place where many of Europe’s immigrants began their life in Toronto. Through the years most have led simple lives steeped in a difficult environment. But the people of Cabbagetown were resilient and resourceful, and many have thrived to attain greatness. History comes alive in Cabbagetown. Not only a Victorian inner-city enclave where you’ll find a large number of beautiful heritage homes, indeed many fascinating and remarkable people have called it home. Read their stories here. Or better, use this brochure as your personal guide through the quaint streets of Cabbagetown. You will find blue oval plaques at the addresses indicated here. To further explore Cabbagetown People, to read about “More Remarkable Lives”, to discover more fascinating history, and to book a guided walking tour for a group, visit cabbagetownpeople.ca Welcome to Cabbagetown! More to be discovered at: cabbagetownpeople.ca Rosedale Valley Rd Sumach Street 390 Charles William Jefferys. 1869 – 1951 History Painter and Bayview Alpha 368 Darrell Kent. 1942 – 1989 Illustrator. W. Cottages W. Laurier Parkview Wellesley Ave Wellesley St. James Real Estate Agent and Born in Britain, C. W. Jefferys Wellesley Philanthropist Born arrived in Toronto around and raised on a farm in 1880. He is remembered Amelia Hillcrest Saskatchewan, Darrell Kent primarily for his bold Rose Prospect came to live in Toronto illustrations of Canadian Hillcrest Park Salisbury in the late 1960s and is history and military subjects. His sketches and Rawlings considered the driving force paintings of bygone events will continue to bring Metcalfe Lancaster Winchester behind the renovation of many of the area’s Canadian history to life for many generations.
    [Show full text]
  • Photographs of Canadian Art Collection CA OTAG SC039
    E.P. Taylor Research Library & Archives Description & Finding Aid: Photographs of Canadian Art Collection CA OTAG SC039 Prepared by Gary Fitzgibbon, 2013 Revised by Gary Fitzgibbon, 2016 317 Dundas Street West, Toronto, Ontario M5T 1G4, Canada Reference Desk: 416-979-6642 www.ago.net/research-library-archives Photographs of Canadian Art collection Photographs of Canadian Art collection Dates of creation: [189-?]–1985, predominant 1920–1965 Extent: 4,125 photographs 227 pictures Custodial history: Materials now constituting the Photographs of Canadian Art collection were obtained by curators at the Art Gallery of Toronto, now the Art Gallery of Ontario, between the 1920s and 1985 in the course of acquiring works of art and arranging exhibitions for the gallery. The photographs were assembled during this period by staff in the library and archives of the gallery as a curatorial resource. Scope and content: Collection consists of a single series of copy prints (of paintings, drawings and prints), and photos of sculptures and other works of art and architecture, chiefly by 19 th - and 20 th -century Canadian artists and architects, arranged in alphabetical order by surname, with photos of works by unknown artists at the end of the series. The collection comprises 646 artists and architects, and includes some reproductions of works of art, chiefly clippings. Many of the works of art reproduced in the photographs are in the permanent collection of the Art Gallery of Ontario. Notes: Source of title proper: Title of the collection is based on its contents. Titles of files and items (at the item level of description) are from envelopes in which the photos were originally contained.
    [Show full text]
  • Season's Greetings in Canada Gender and Nationalism in Rous and Mann, Limited's Canadian Artists Series Christmas Cards
    Season’s Greetings in Canada Gender and Nationalism in Rous and Mann, Limited’s Canadian Artists Series Christmas Cards, 1923-1929. by Catherine Sinclair, B. Hum. (High Honours) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Canadian Art History Carleton University Ottawa, Ontario January, 2006 © 2006, Catherine Elizabeth Sinclair Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-23309-2 Our file Notre reference ISBN: 978-0-494-23309-2 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these.
    [Show full text]
  • Review Articles
    Review Articles Visual Archives and the Writing of Canadian History: A Personal Review JIM BURANT RÉSUMÉ En fondant ses arguments sur plus de vingt-cinq ans d’expérience avec les archives visuelles, l’auteur analyse la question des liens entre les archives visuelles et l’écriture de l’histoire canadienne dans les trois dernières décennies. Il passe en revue l’usage fait par les chercheurs universitaires, dans les publications du dernier quart de siècle, des images tirées des archives et principalement des fonds d’art et de photogra- phies des Archives nationales du Canada. L’article démontre comment certains spécia- listes actuels dans les domaines de l’histoire de l’art, de la géographie et des sciences sociales ou de l’environnement, entre autres, utilisent une telle imagerie visuelle dans leur recherche et leur analyse. Un relevé de la littérature disponible relative aux archives visuelles suit. L’auteur poursuit avec un examen du dialogue qui devrait se développer entre les archivistes et les autres professionnels afin que les archives visuelles, et particulièrement les photographies, deviennent une partie intégrante de la création d’interprétations significatives de notre histoire et de notre mémoire collec- tive. ABSTRACT Basing his arguments on more than twenty-five years of experience with visual archives, the author focuses on issues relating to visual archives and the writing of Canadian history over the past three decades. A review is undertaken of the use made by academic researchers of images from visual archives – primarily from the art and photography holdings of the National Archives of Canada – in historical publica- tions over the past quarter century; and of how some current practitioners in such fields as art history, geography, and the social and environmental sciences, among others, are using such visual imagery as part of their research and analysis.
    [Show full text]
  • MS Stacey (Robert) Papers Coll 00127H
    MS Stacey (Robert) Papers Coll 00127H Title: Robert Stacey Papers Dates: 1950-1991, 1966-1990 predominant Physical Description: 33 boxes, ca. 3.8 metres of textual records; 17 photographs; 7 negatives. Biographical Sketch: Robert Stacey was born on July 2nd, 1949 in Toronto, Ontario. He was the son of Harold Stacey, a silversmith, and Margaret Stacey, an elementary school teacher. He attended Northview Heights Secondary School where he was recognized by many of his teachers for his precocious writing talent and where he wrote his earliest essays, short stories, plays, and poems. Stacey went on to study at the University of Toronto where as an undergraduate he became involved with Dora Mavor Moore’s New Play Society and Douglass Chambers’ PAN Gallery. Stacey travelled to England in the early 1970’s, where he lived briefly in London working for the renowned art bookseller Anton Zwemmer. At about this time Stacey’s career as an art critic began to grow, cemented in part by his exhaustive researching of his maternal grandfather, the highly regarded Canadian painter C.W. Jefferys. This culminated in the exhibition “Charles William Jefferys, 1869-1951” (Agnes Etherington Art Centre,1976) and the later publication of the biography, C.W Jefferys (National Gallery of Canada, 1985). For the rest of his life Stacey was deeply involved in the world of Canadian Art, working as a freelance writer, editor, and curator. In 1991-1992 Stacey won the first Fellowship in Canadian Art at the National Gallery of Canada. He was writer-in-residence at the Winnipeg Art Gallery in 1997.
    [Show full text]