PRESS RELEASE for Immediate Publication

Total Page：16

File Type：pdf, Size：1020Kb

PRESS RELEASE For Immediate Publication December 2015 New York, New York, USA "TV Outside the Box boldly takes us inside the rapidly evolving TV business; it's an engrossing, provocative, groundbreaking read." —Lisa Kudrow: Emmy Award winning actor/writer/producer: Friends, Web Therapy, The Comeback "TV Outside the Box blew my mind — and not just because I'm one of the fascinating interviews in the book. Check it out and expand your consciousness beyond the zeitgeist." —Dan Harmon: Emmy winning writer/producer/ showrunner: Community, Rick and Morty "By way of candid, fascinating conversations and sharp insights, Landau is a wonderful guide through the creative revolution that's re- defining television." —Beau Willimon: Academy Award and Emmy nominated writer/producer/ showrunner: House of Cards, The Ides of March The landscape of television has changed forever. And Hollywood insider Neil Landau is just the person to take you on a tour. TV Outside the Box: Trailblazing in the Digital Television Revolution explores the new and exploding universe of on-demand, OTT (Over the Top) networks: Netflix, Amazon, Hulu, Crackle, CW Seed, Vimeo, AwesomenessTV, and many more. Featuring in-depth conversations with game-changing content creators, industry mavericks, and leading cultural-influencers,TV Outside the Box explores the TV business from the inside out. You’ll learn how and why the best and the brightest TV content creators and filmmakers are defining the new digital entertainment age – and how you can, too. Author Bio: Neil Landau is a bestselling author, producer, award-winning screenwriter and professor who currently runs the Writing for Television Program in the UCLA Department of Film, Television and Digital Media (his alma mater). Credits include Don't Tell Mom the Babysitter's Dead; Melrose Place, The Magnificent Seven, Doogie Howser, M.D., The Secret World of Alex Mack, Twice in a Lifetime, MTV's Undressed, and one-hour drama pilots for CBS, ABC, ABC Family, Warner Bros., Disney, Lifetime, and Fremantle. Neil has also served as Executive Script Consultant for Sony Pictures Television and Columbia Pictures. He’s the author of the bestselling 101 Things I Learned in Film School; The Screenwriter’s Roadmap, and The TV Showrunner’s Roadmap. Visit the book page at: https://www.routledge.com/products/9781138905269 9781138905269 | $34.95 in paperback | December 2015 For more information and to request a review copy please contact: Christine Kanownik, Marketing Manager, Focal Press Tel: (917) 351-7110 | Email: [email protected] About Focal Press Focal Press has been a leading publisher of Media Technology books for 75 years. We provide essential resources for professionals and students in many areas including: film and digital video production, photography, digital imaging, graphics, animation and new media, broadcast and media distribution technologies, music recording and production, mass communications, and theatre technology. For information about Focal Press visit www.focalpress.com. .

Copy Link

Recommended publications

The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends
The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends Sidneyeve Matrix Jeunesse: Young People, Texts, Cultures, Volume 6, Issue 1, Summer 2014, pp. 119-138 (Article) Published by The Centre for Research in Young People's Texts and Cultures, University of Winnipeg DOI: https://doi.org/10.1353/jeu.2014.0002 For additional information about this article https://muse.jhu.edu/article/553418 Access provided at 9 Jul 2019 13:25 GMT from University of Pittsburgh The Netflix Effect: Teens, Binge Watching, and On-Demand Digital Media Trends —Sidneyeve Matrix Introduction first time Netflix had released an entire season of an original program simultaneously and caused a Entertainment is fast becoming an all-you-can-eat nationwide video-on-demand stampede. When House buffet. Call it the Netflix effect. of Cards and Orange Is the New Black premiered in –Raju Mudhar, Toronto Star 2013, huge percentages of Netflix subscribers watched back-to-back episodes, devouring a season of content Whatever our televisual drug of choice—Battlestar in just days. Although these three shows belong to Galactica, The Wire, Homeland—we’ve all put different genres—one a sitcom and the others adult- off errands and bedtime to watch just one more, a themed melodramas—what they share is an enormous thrilling, draining, dream -influencing immersion popularity among the millennial cohort that makes up experience that has become the standard way to the majority of the subscriber base of Netflix. When consume certain TV programs. all episodes of a season
[Show full text]
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.
[Show full text]
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
[Show full text]
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
[Show full text]
For Immediate Release 22Nd Annual Nantucket Film
FOR IMMEDIATE RELEASE ND 22 ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES THE BIG SICK AS OPENING NIGHT FILM AN INCONVENIENT SEQUEL: TRUTH TO POWER TO CLOSE FESTIVAL WHITNEY: CAN I BE ME SCREENS AS CENTERPIECE DISNEY•PIXAR’S CARS 3 PRESENTED AS OPENING FAMILY FILM SPOTLIGHT FILMS INCLUDE COUP D’ETAT, DOG YEARS, FUN MOM DINNER, PATTI CAKE$, TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON New York, NY (April 25, 2017) – The Nantucket Film Festival proudly announced today the opening night selection for its 2017 festival, Lionsgate/Amazon Studios’ THE BIG SICK, directed by Michael Showalter and written by Emily V. Gordon and Kumail Nanjiani. Based on the screenwriters’ real-life courtship, the romantic comedy follows the relationship between comedian Kumail (Nanjiani) and grad student Emily (Zoe Kazan) as they struggle with cultural differences and the unexpected impact of a mysterious illness. The film also stars Holly Hunter and Ray Romano. Paramount Pictures & Participant Media’s AN INCONVENIENT SEQUEL: TRUTH TO POWER, directed by Bonni Cohen and Jon Shenk will close the festival. As a follow-up to the Oscar®-winning AN INCONVENIENT TRUTH, the film charts Vice President Al Gore's continuing mission to solve our climate crisis before it's too late. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. Nick Broomfield (2017 NFF Honoree) and Rudi Dolezal’s WHITNEY: CAN I BE ME will screen as the festival’s centerpiece film. The documentary offers a candid look at the life, career, and untimely death of Whitney Houston.
[Show full text]
Sundance Institute Selects 12 First-Time Feature Filmmakers for Screenwriters Intensive
FOR IMMEDIATE RELEASE Media Contact: March 3, 2020 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Selects 12 First-Time Feature Filmmakers for Screenwriters Intensive Writers and Advisors from a Broad Array of Backgrounds Come Together to Advance Distinctive Screenplays LOS ANGELES — Twelve screenwriters have been selected to participate in Sundance Institute’s eighth annual Screenwriters Intensive in Los Angeles, to take place March 4-5, 2020. The Intensive, a two-day workshop for select emerging writers and writer/directors from underrepresented communities, focuses on the development of first fiction features. Fellows at the Intensive will advance the art and craft of their work under the guidance of experienced filmmakers and the Institute's Feature Film Program, led by that Program’s Founding Director Michelle Satter and Deputy Director Ilyse McKimmie. Advisors for the 2020 Intensive include Gregg Araki, Lee Isaac Chung, Shana Feste and Susanna Fogel. Previous alumni of the Intensive include Andrew Ahn, Natalia Almada, Reinaldo Marcus Green, Tina Mabry, and Roger Ross Williams. “We’re thrilled to be supporting a remarkable group of writers at a crucial stage in the development of their work,” said McKimmie. “By providing dynamic dialogues with advisors and a rigorous creative process, we hope the Intensive will have significant impact on the advancement of these projects, and will offer the fellows an inspiring expanded artistic community.” The Sundance Institute Screenwriters Intensive is made possible with leadership support from the Will & Jada Smith Family Foundation. The 2020 Sundance Institute Screenwriters Intensive Fellows, and their projects, are: Rosa Tran writer/director, Bardo Bardo is an animated story about the Vietnam War through the eyes of a civilian.
[Show full text]
Atx Television Festival 2016 Coverage
ATX TELEVISION FESTIVAL 2016 COVERAGE General ATX Coverage • NEW YORK TIMES | Norman Lear and Aaron Sorkin Help ATX Festival Reach New Heights | June 13 • FAST COMPANY | The Most Creative People in Business 2016: Emily Gipson | June 6 • FAST COMPANY | The Most Creative People in Business 2016: Caitlin McFarland | June 6 th • ENTERTAINMENT WEEKLY | EW & ATX Celebrate TV | June 24 Issue • EW.COM | ATX Festival 2016: See the Exclusive Portrait Photos | June 12 • EW.COM | When Is ATX Festival? And Other Burning Questions Answered! | June 9 • EW.COM | VIDEO: Actors and Creators Mourn the Loss of Their Shows Gone Too Soon |June 20 • VARIETY | Winners of Inaugural ATX-Black List Script Competition Announced (EXCLUSIVE) | June 9 • ACCESS HOLLYWOOD.COM | 10 Things You Need to Know From 100 Hours at the ATX TV Festival | June 13 • AUSTIN CHRONICLE | ATX Panel and Event Picks | June 10 • AUSTIN CHRONICLE | ATX Television Festival: Season 5 | June 10 • GOOD DAY AUSTIN | ATX Television Festival 2016 Gets Underway | June 9 • TELL-TALE TV | Interview with ATX TV Festival Co-Founders Emily Gipson and Caitlin McFarland | June 13 • TELL-TALE TV | Nick Wechsler Says the ATX Television Festival is a ‘Beautiful Family’ | June 14 • GLIDE MAGAZINE | Four Days at the Weird and Wonderful ATX TV Fest | June 16 • REALLY LATE REVIEWS | ATX Television Festival Recap: A First Timer’s Experience | June 22 • CW ATLANTA | 5th Annual ATX Television Festival Announces Its Lineup | May 10 • CW ATLANTA | ATX Television Festival 2016 - Day 1-2 | June 11 • CW ATLANTA | ATX
[Show full text]
House of Cards" Lindsey E
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2015 The orW ld According to Frank Underwood: Politics and Power in "House of Cards" Lindsey E. Davidson Claremont McKenna College Recommended Citation Davidson, Lindsey E., "The orldW According to Frank Underwood: Politics and Power in "House of Cards"" (2015). CMC Senior Theses. Paper 1052. http://scholarship.claremont.edu/cmc_theses/1052 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT MCKENNA COLLEGE The World According to Frank Underwood: Politics and Power in House of Cards SUBMITTED TO PROFESSOR JOHN J. PITNEY JR. AND DEAN NICHOLAS WARNER BY Lindsey E. Davidson for SENIOR THESIS Fall 2014 December 1st, 2014 ACKNOWLEDGMENTS House of Cards as a dramatized portrayal of the American legislative process was a fascinating study for my senior thesis. As a dual major of Government and Film Studies, it was a perfect blend of content, subject matter, and Hollywood mixed together. I would like to thank Professor John Pitney for suggesting this research topic and turning me onto what is now one of my favorite shows. This thesis would not have become a reality without your advice and guidance. I would also like to thank Executive Story Editor Melissa James Gibson and Co- Executive Producer John Mankiewicz of House of Cards for agreeing to be interviewed for this thesis. What a rare opportunity for me it was to gain insight and vision into this show and its portrayal of politics in Washington.
[Show full text]
CATF-Program 2015.Pdf
2015 World Builders by Johnna Adams • Everything You Touch by Sheila Callaghan • On Clover Road by Steven Dietz • WE ARE PUSSY RIOT by Barbara Hammond • The Full Catastrophe by Michael Weller 2014 The Ashes Under Gait City by Christina Anderson • One Night by Charles Fuller • Uncanny Valley by Thomas Gibbons • North of the Boulevard by Bruce Graham • Dead and Breathing by Chisa Hutchinson 2013 A Discourse on the Wonders of the Invisbile World by Liz Duffy Adams • Modern Terrorism, or They Who Want to Kill Us and How We Learn to Love Them by Jon Kern • H2O by Jane Martin • Heartless by Sam Shepard • Scott and Hem in the Garden of Allah by Mark St. Germain 2012 Gidion’s Knot by Johnna Adams • The Exceptionals by Bob Clyman • In a Forest, Dark and Deep by Neil LaBute • Captors by Evan M. Wiener • Barcelona by Bess Wohl 2011 From Prague by Kyle Bradstreet • Race by David Mamet • Ages of the Moon by Sam Shepard • We Are Here by Tracy Thorne • The Insurgents by Lucy Thurber 2010 The Eelwax Jesus 3-D Pop Music Show by Max Baker & Lee Sellars • Lidless by Frances Ya-Chu Cowhig • Breadcrumbs by Jennifer Haley • Inana by Michele Lowe • White People by J.T. Rogers 2009 The History of Light by Eisa Davis • Yankee Tavern by Steven Dietz • Dear Sara Jane by Victor Lodato • Fifty Words by Michael Weller • Farragut North by Beau Willimon 2008 Stick Fly by Lydia R. Diamond • A View of the Harbor by Richard Dresser • Pig Farm by Greg Kotis • WRECKS by Neil LaBute • The Overwhelming by J.T.
[Show full text]
The City of Conversation
The Wallis Presents the West Coast Premiere of Anthony Giardina’s Timely Political Play The City of Conversation Starring Christine Lahti, Jason Ritter, Steven Culp, Michael Learned, Deborah Offner, Nicholas Oteri, Johnny Ramey, David Selby and Georgia King New Production Directed by Michael Wilson May 17-June 4; Opening Set for Fri, May 20 (Beverly Hills, CA April 8) The divisive world of Washington D.C. politics moves to center stage of the Bram Goldsmith Theater at the Wallis Annenberg Center for the Performing Arts when Anthony Giardina’s searing political comic drama The City of Conversation opens for a limited run in May. Starring Christine Lahti, Jason Ritter and Georgia King in a new production directed by Michael Wilson, The City of Conversation is an inside-the-Beltway play about politics in family—and families in politics— as it delves into the ever-changing tapestry of U.S. Government and the people who shape it off the senate floor. Previews begin Tuesday, May 17, and the Opening Night is Friday, May 20, through June 4. “Presenting the West Coast Premiere of The City of Conversation is both exciting for The Wallis and quite timely,” said Paul Crewes, The Wallis’ new Artistic Director. “Tony’s play brilliantly expresses both sides of political discourse in a way that reflects the current heated presidential election cycle. Michael Wilson’s vision coupled with his incredible cast will elevate this political drama to a new level surely to resonate with our audiences and throughout our community.” When the play opened at Arena Stage in Washington D.C.
[Show full text]
PBC19 Sponsor Deck
June 8-9, 2019 at Warner Bros. Studios Presented By Informational Overview WHAT IS PRODUCED BY: LOS ANGELES? On Saturday & Sunday, June 8th & 9th, 2019, the Producers Guild of America will present the 11th annual PRODUCED BY: LOS ANGELES conference, a signature event where the most influential decision makers in the entertainment industry – Producers – gather together in one place. Reaching across the film, television, and new media industries, PRODUCED BY: LOS ANGELES is a two day educational forum that involves numerous Academy Award-winning filmmakers, Emmy Award-winning showrunners, new media innovators, and the next generation of creative entrepreneurs. PRODUCED BY: LOS ANGELES is a unique opportunity to be part of a large- scale, entertainment industry-only conference that includes extraordinary panels, innovative workshops, mentoring roundtables, digital exhibits, information sharing, and networking breakfasts, lunches & an evening reception. Each year PRODUCED BY: LOS ANGELES is hosted by a major Studio and this year is no exception; the conference will take place at Warner Bros. Studios. Over 1,200 people are expected to be in attendance. Dozens of national and entertainment media outlets cover the conference and millions of impressions are generated each year. On the following pages is information for your review and consideration to be a key participant in this premier entertainment industry event. WHERE DOES IT TAKE PLACE? Each year the conference is hosted by a major Studio. The 2019 conference will be on the Warner Bros. studio lot. Below are photos of past Produced By conferences and here is a link to last year’s conference site: https://pbc.producedbyconference.com/, which includes a video overview.
[Show full text]
Reshape Our Future
Header here Reconnect With Your Past. Reshape Our Future. October 3-5, 2018 baltimorehomecoming.com #bmorehome#baltimorehome 1 Header here PHOTO BY ISAAC GUERRERO @S_ISAAC_GUERRERO #baltimorehome 2 #baltimorehome 3 WELCOME DEAR FRIENDS, Welcome home! We are so excited to have you back in Charm City for the first annual Baltimore Homecoming. We are grateful to the hundreds of leaders from across Baltimore – reverends and educators, artists and business executives, activists and philanthropists – who joined together to organize this event. We each have our own memories of Baltimore – a humid summer afternoon or spring ballgame, a favorite teacher or a first job. We hope that you take time while you’re home to reconnect with your past and savor the city – catch up with friends and family, drop by a favorite restaurant, or visit an old neighborhood. Reconnecting is the first step. But our deeper hope is that you begin to forge a new relationship to the city. Whether you left five years ago or fifty, Baltimore has evolved. The Baltimore of today has a dynamic real estate market and budding technology sector. Our artists are leading the national conversation on race and politics. Our nonprofit entrepreneurs are on the cutting-edge of social change. The Port of Baltimore is one of the fastest growing in the U.S. The city’s growth has emerged from and complemented our historic pillars of strength – a rich cultural heritage, world-class research institutions, strategic geographic location, and beautiful waterfront. Baltimore faces significant challenges that we cannot ignore: segregation, entrenched poverty, crime and violence.
[Show full text]