Frank Lloyd Wright Frank Lloyd Wright (1867-1959)

Total Page:16

File Type:pdf, Size:1020Kb

Frank Lloyd Wright Frank Lloyd Wright (1867-1959) Frank Lloyd Wright Frank Lloyd Wright (1867-1959) Louis Sullivan e Dankmar Adler, Auditorium, Chicago 1886-89 Louis Sullivan (1856-1924) Sullivan, Adler Wainwright Building, Saint Louis 1890-91 Padiglione Ho-o-den/Ho-o-den Pavilion, Fiera colombiana/Colombian Fair, Chicago 1893 Padiglione Ho-o-den/Ho-o-den Pavilion, Fiera colombiana/Colombian Fair, Chicago 1893 Padiglione Ho-o-den/Ho-o-den Pavilion, Fiera colombiana/Colombian Fair, Chicago 1893 Frank Lloyd Wright, William Winslow House, River Forest, Illinois 1893-94 1) Ingresso/entrance hall 2) Camino/fireplace 3) Biblioteca/library room 4) Soggiorno/living room 5) Sala da pranzo/dining room 6) Cucina/kitchen Frank Lloyd Wright, William Winslow House, River Forest, Illinois 1893-94 F.L.Wright, "A Home in a Prairie Town” In Ladies Home Journal, 1901. F.L.Wright, "A Home in a Prairie Town” In Ladies Home Journal, 1901. F.L.Wright, "A Home in a Prairie Town” In Ladies Home Journal, 1901. F.L.Wright, "A Home in a Prairie Town” In Ladies Home Journal, 1901. G.E. Woodward, Suburban House, 1873 «Il progetto di questa casa fu fatto allo scopo di dare ad ogni stanza un'esposizione soleggiata a sud; e su dieci stanze nove godono almeno una vista a sud-est. Il piano principale è disposto in modo che l'atrio spazioso, con la scala in curva, presenta dall'ingresso una visuale attraente. Il camino è il centro della casa e aperture con porte scorrevoli mettono a ciascuna delle stanze principali; cosicchè all'occasione atrio, salotto, biblioteca e sala da pranzo possono essere riunite; mentre la forma ottagona di queste stanze aggiunge molto alla loro bellezza». ! ! The design of this house was done in order to give each room a sunny south, and nine out of ten rooms have at least one view to the south-east. The main floor is arranged so that the spacious foyer with curved staircase, entrance presents a visual appealing. The fireplace is the center of the house with sliding doors and openings bring to each of the main rooms, so that on occasion entrance hall, lounge, library and dining room can be combined, while the octagonal shape of these rooms adds much to their beauty [George E. Woodward, Suburban and Country Houses, New York, 1873] G.E. Woodward, Suburban House, 1873 G.E. Woodward, Suburban House, 1873 F.L.Wright, Ward Willits House, Highland Park, Illinois 1902-03 F.L.Wright, Ward Willits House, Highland Park, Illinois 1902-03 F.L.Wright, Isabel Roberts House, River Forest, Illinois 1907-08 F.L.Wright, Isabel Roberts House, River Forest, Illinois 1907-08 Frank Lloyd Wright, William Winslow House, River Forest, Illinois 1893-94 F.L.Wright, Robie House, Chicago, Illinois 1908 F.L.Wright, Robie House, Chicago, Illinois 1908 F.L.Wright, Robie House, Chicago, Illinois 1908 F.L. Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L. Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, Larkin Building, Buffalo, N.Y. 1902-06 F.L.Wright, F.L.Wright, Unity Temple, Unity Temple, Oak Park, Chicago, 1905-08 Oak Park, Chicago, 1905-08 F.L.Wright, Unity Temple, Oak Park, Chicago, 1905-08 F.L.Wright, Unity Temple, Oak Park, Chicago, 1905-08 F.L.Wright, Unity Temple, Oak Park, Chicago, 1905-08 Ausgefurte Bauten und Entwurfe von Frank Lloyd Wright, Berlin Ernst Wasmut 1910 F.L.Wright, Taliesin, Spring Green, Wisconsin dal 1911 F.L.Wright, Taliesin II, Spring Green, Wisconsin 1914 F.L.Wright, Taliesin III, Spring Green, Wisconsin 1925 F.L.Wright, Taliesin II, Spring Green, Wisconsin 1914 The Imperial Hotel team, Tokyo 1920 ca. F.L.Wright, Imperial Hotel, Tokyo 1913-23 F.L.Wright, Imperial Hotel, Tokyo 1913-23 F.L.Wright, Imperial Hotel, Tokyo 1913-23 F.L.Wright, Imperial Hotel, Tokyo 1913-23, La passeggiata F.L.Wright, Imperial Hotel, Tokyo 1913-23, La passeggiata F.L.Wright, Imperial Hotel, Tokyo 1913-21, La hall F.L.Wright, Imperial Hotel, Tokyo 1913-23, La hall F.L.Wright, Hollyhock House, Hollywood, California 1916-21 F.L.Wright, Hollyhock House, Hollywood, California 1916-21 F.L.Wright, Hollyhock House, Hollywood, California 1916-21 F.L.Wright, Hollyhock House, Hollywood, California 1916-21 F.L.Wright, Textile Block Construction F.L.Wright, Millard House, detta “La Miniatura”, Pasadena, California 1923 F.L.Wright, Millard House, detta “La Miniatura”, Pasadena, California 1923 F.L.Wright, Millard House, detta “La Miniatura”, Pasadena, California 1923 F.L.Wright, Millard House, detta “La Miniatura”, Pasadena, California 1923 F.L.Wright, Freeman House, Los Angeles, California 1924 F.L.Wright, Freeman House, Los Angeles, California 1924 F.L.Wright, Broadacre City, 1931-35 F.L.Wright, Jacobs First Residence, Madison, Wisconsin, 1936-37 F.L.Wright, Jacobs First Residence, Madison, Wisconsin, 1936-37 F.L.Wright, Jacobs First Residence, Madison, Wisconsin, 1936-37 F.L.Wright, Jacobs First Residence, Madison, Wisconsin, 1936-37 F.L.Wright, Jacobs First Residence, Madison, Wisconsin, 1936-37 F.L.Wright, Weltzheimer-Johnson House Oberlin, Ohio 1948 “Le case dell’uomo non dovrebbero assomigliare a The houses of man should not look like scatole che splendono al sole e noi non dovremmo boxes that shine in the sun and we recare oltraggio alla Macchina cercando di rendere should not bear the insult machine trying le abitazioni luoghi troppo complementari ai to make housing places too macchinari. Qualsiasi edificio destinato a essere complementary machinery. Any building usato dall’uomo dovrebbe essere un tratto del intended to be used by man should be a terreno primordiale, solidale, complementare al part of the primordial ground, suo ambiente naturale … supportive, complementary to its natural Ma la maggior parte delle case “modernistiche” environment ... riescono a sembrare ritagliate con le forbici da un But most of the houses "modernistic" pezzo di cartone, incollate a forma di scatola – in can look cut with scissors a piece of un infantile tentativo di costruire edifici che cardboard, glue-shaped box - in a assomigliano a navi a vapore, macchine volanti o childish attempt to build buildings that locomotive. Fino ad ora, nella maggior parte delle look like steam ships, flying cars or case di cartone del movimento “modernistico” ho locomotives. Until now, in most of the trovato pochi elementi che testimoniano il cardboard houses of the movement successo dei progettisti nel padroneggiare le "modernistic" I found a few items that macchine o i processi meccanici con cui si testify to the success of the designers in costruiscono le case. Ultimamente esse mastering the machinery or mechanical rappresentano la superficiale Nuova Estetica. ” processes used to construct the houses. ! Lately they represent the superficial New [F.L. Wright, The Cardboard House, 1931] Aesthetic. F.L.Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania 1934-37 F.L.Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania 1934-37 F.L.Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania 1934-37 F.L.Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania 1934-37 F.L.Wright, Kaufmann House (Fallingwater), Bear Run, Pennsylvania 1934-37 F.L.Wright, Johnson Wax Building, Racine, Wisconsin 1936-39 F.L.Wright, Johnson Wax Building, Racine, Wisconsin 1936-39 F.L.Wright, Johnson Wax Building, Racine, Wisconsin 1936-39 F.L.Wright, Johnson Wax Building, Racine, Wisconsin 1936-39 F.L.Wright, Johnson Wax Building, Racine, Wisconsin 1936-39 F.L.Wright, Torre per l’elio-laboratorio del Johnson Wax Building, Racine, Wisconsin 1944-50 F.L.Wright, Torre per l’elio-laboratorio del Johnson Wax Building, Racine, Wisconsin 1944-50 F.L.Wright, Torre per l’elio-laboratorio Racine, Wisconsin 1944-50 F.L.Wright, Museo Solomon Guggenheim, New York 1959 .
Recommended publications
  • VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final
    VILLAGE WIDE ARCHITECTURAL + HISTORICAL SURVEY Final Survey Report August 9, 2013 Village of River Forest Historic Preservation Commission CONTENTS INTRODUCTION P. 6 Survey Mission p. 6 Historic Preservation in River Forest p. 8 Survey Process p. 10 Evaluation Methodology p. 13 RIVER FOREST ARCHITECTURE P. 18 Architectural Styles p. 19 Vernacular Building Forms p. 34 HISTORIC CONTEXT P. 40 Nineteenth Century Residential Development p. 40 Twentieth Century Development: 1900 to 1940 p. 44 Twentieth Century Development: 1940 to 2000 p. 51 River Forest Commercial Development p. 52 Religious and Educational Buildings p. 57 Public Schools and Library p. 60 Campuses of Higher Education p. 61 Recreational Buildings and Parks p. 62 Significant Architects and Builders p. 64 Other Architects and Builders of Note p. 72 Buildings by Significant Architect and Builders p. 73 SURVEY FINDINGS P. 78 Significant Properties p. 79 Contributing Properties to the National Register District p. 81 Non-Contributing Properties to the National Register District p. 81 Potentially Contributing Properties to a National Register District p. 81 Potentially Non-Contributing Properties to a National Register District p. 81 Noteworthy Buildings Less than 50 Years Old p. 82 Districts p. 82 Recommendations p. 83 INVENTORY P. 94 Significant Properties p. 94 Contributing Properties to the National Register District p. 97 Non-Contributing Properties to the National Register District p. 103 Potentially Contributing Properties to a National Register District p. 104 Potentially Non-Contributing Properties to a National Register District p. 121 Notable Buildings Less than 50 Years Old p. 125 BIBLIOGRAPHY P. 128 ACKNOWLEDGEMENTS RIVER FOREST HISTORIC PRESERVATION COMMISSION David Franek, Chair Laurel McMahon Paul Harding, FAIA Cindy Mastbrook Judy Deogracias David Raino-Ogden Tom Zurowski, AIA PROJECT COMMITTEE Laurel McMahon Tom Zurowski, AIA Michael Braiman, Assistant Village Administrator SURVEY TEAM Nicholas P.
    [Show full text]
  • Informe Frank Lloyd Wright
    Nombre :Daniel Oswaldo Rodriguez Catedratico: Arq. A.Vaquero Clase: Historia Arq. 4 Cuenta: 1101097 Fecha: Junio/11/12 Frank Lloyd Wright Frank Lloyd Wright (Richland Center, Wisconsin, 8 de junio de 1867 - Phoenix, Arizona, 9 de abril de 1959), arquitecto estadounidense, fue uno de los principales maestros de la arquitectura del siglo XX conocido por la arquitectura orgánica y funcional de sus diseños. • Biografía Tras abandonar su carrera de ingeniería en Wisconsin al fallecer su padre, Wright se va a Chicago, donde la oficina de los arquitectos Adler y Sullivan le contrataron para trabajar con Sullivan durante 6 años como delineante jefe, hasta que en 1893, abandona por un altercado que tuvo con él y abrió su propio estudio de arquitectura. En estos años diseñó la Casa Winslow, en River Forest, Illinois, la primera de la famosa serie de viviendas de pradera. Se trata de casas unifamiliares, fuertemente integradas en su entorno. Las cubiertas sobresalen considerablemente de las fachadas y las ventanas forman una secuencia continua horizontal . El núcleo central de las viviendas lo constituye una gran chimenea, alrededor de la cual se disponen las estancias. Otras casas diseñadas en este estilo fueron, por ejemplo, la de Willitts, en Highland Park, Illinois, y la D. Martin, en Buffalo, Nueva York. Wright creó un nuevo concepto respecto a los espacios interiores de los edificios, que aplicó en sus casas de pradera, pero también en sus demás obras. Wright rechaza el criterio existente hasta entonces de los espacios interiores como estancias cerradas y aisladas de las demás, y diseña espacios en los que cada habitación o sala se abre a las demás, con lo que consigue una gran transparencia visual, una profusión de luz y una sensación de amplitud y abertura.
    [Show full text]
  • Looking for Usonia : Preserving Frank Lloyd Wright's Post-1935 Residential Designs As Generators of Cultural Landscapes William Randall Brown Iowa State University
    Masthead Logo Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes William Randall Brown Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Brown, William Randall, "Looking for Usonia : preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes" (2006). Retrospective Theses and Dissertations. 18982. https://lib.dr.iastate.edu/rtd/18982 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Looking for Usonia: Preserving Frank Lloyd Wright's post-1935 residential designs as generators of cultural landscapes by William Randall Brown A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Architectural Studies Program of Study Committee: Arvid Osterberg, Major Professor Daniel Naegele Karen Quance Jeske Iowa State University Ames, Iowa 2006 Copyright ©William Randall Brown, 2006. All rights reserved. 11 Graduate C of I ege Iowa State University This i s to certify that the master' s thesis of V~illiam Randall Brown has met the thesis requirements of Iowa State University :atures have been redact` 111 LIST OF TABLES iv ABSTRACT v INTRODUCTION 1 LITERATURE REVIEW 5 CONCEPTUAL FRAMEWORK The state of Usonia 8 A brief history of Usonia 9 The evolution of Usonian design 13 Preserving Usonia 19 Toward a cultural landscape 21 METHODOLOGY 26 CASE STUDIES: HOUSE MUSEUMS ON PRIVATE LAND No.
    [Show full text]
  • John G. Thorpe Young Professionals and Students Fellowship
    JOHN G. THORPE YOUNG PROFESSIONALS AND STUDENTS FELLOWSHIP Program Overview The Thorpe Fellowship provides an opportunity for young professionals and graduate students to attend the annual Frank Lloyd Wright Building Conservancy conference by covering the registration fee for the event. The conference provides edu- cational panels, presentations and commentary about various aspects of Wright’s work by scholars, practitioners, building owners and other experts. The conference also enables attendees to experience the architecture directly through tours to Wright sites in the vicinity of the conference, including private residences that are rarely open to the public, and to buildings by other architects of interest. The program was established in 2016 to honor John Garrett Thorpe, restoration architect and longtime Conservancy board member. Program Award Fellowship recipients receive one regular general conference registration to attend the Conservancy’s annual conference, including all education sessions and regular tours (optional add-on events may be added at the fellowship recipient’s ex- pense based on availability). For the 2016 Conservancy conference in San Francisco, Nov. 2-5, the program award is valued at $645. Two awards will be made in 2016, the first year of the program. Recipients are responsible for their own transporta- tion to the conference and all lodging expenses. Eligibility Young professionals in the first five years of their careers in architecture or historic preservation and graduate students in architecture or historic preservation (full-time or part-time) currently enrolled at the time of application are eligible to apply for a fellowship. Students may have completed their degree by the time of the conference.
    [Show full text]
  • John G. Thorpe Young Professionals and Students Fellowship
    JOHN G. THORPE YOUNG PROFESSIONALS AND STUDENTS FELLOWSHIP Program Overview The Thorpe Fellowship provides an opportunity for young professionals and graduate students to attend the annual Frank Lloyd Wright Building Conservancy conference by covering the registration fee for the event. The conference provides edu- cational panels, presentations and commentary about various aspects of Wright’s work by scholars, practitioners, building owners and other experts. The conference also enables attendees to experience the architecture directly through tours to Wright sites in the vicinity of the conference, including private residences that are rarely open to the public, and to buildings by other architects of interest. The program was established in 2016 to honor John Garrett Thorpe, restoration architect and longtime Conservancy board member. Program Award Fellowship recipients receive one regular general conference registration to attend the Conservancy’s annual conference, including all education sessions, regular tours (optional add-on events may be added at the fellowship recipient’s expense based on availability), and the Wright Spirit Awards gala dinner. For the 2018 Conservancy conference in Madison, Oct. 10- 14, the program award is valued at $675. Two or more awards will be made in 2018. Recipients are responsible for their own transportation to the conference and all lodging expenses. Eligibility Young professionals in the first five years of their careers in architecture or historic preservation and graduate students in architecture or historic preservation (full-time or part-time) currently enrolled at the time of application are eligible to apply for a fellowship. Students may have completed their degree by the time of the conference.
    [Show full text]
  • 2771 X Crawford Avenue Evanston Illinois 60201 Illinois R2 John S
    CITY OF EVANSTON PRESERVATION COMMISSION 2100 Ridge Avenue, Evanston, IL 60201 (847) 866-2928; Fax: (847) 448-8120 2-8-5 APPLICATION FOR NOMINATION OF AN AREA, PROPERTY, STRUCTURE, SITE OR OBJECT FOR DESIGNATION BY ORDINANCE AS A LANDMARK OR HISTORIC DISTRICT (Please Print or Type and check applicable boxes. Attach additional 8-1/2 x 11" sheets as necessary) Historic District Nomination (for a historic district nomination submit a list for each property, structure, site or object within the proposed historic district with the information below): x Landmark Nomination (for individual nomination of a property, structure, site or object submit the information below: 1. a) Street address of area, property, structure, site or object being nominated: Street # : ______________2771 Street Name: __________________________________________Crawford Avenue City: ___________________Evanston State: ___________Illinois Zip Code: __________________________60201 b) Real Estate Index Number: __________________________________Illinois Zoning: ____________R2 c) Original Architect/Contractor (if known): ____________________________________________John S. Van Bergen, Architect Year Built (if known): ___________1928 Architectural Style: ______________________________Prairie School d) Contributing significance (for historic district nomination only): Architectural Historical Archaeological Cultural e) Is it within an existing historic district? (Landmark nomination only) Yes x No If yes: Lakeshore Ridge Northeast Evanston: NOTE: If the nomination is for an area, property, structure, site or object with no official street address, please indicate its location on the attached city map (for a district show the proposed boundaries). 2. a) Provide Legal Description of Nominated Property (for Individual landmark nomination only) or; b) Describe proposed boundaries (for historic district nomination only): LOT 2 IN THE ESTATE OF CAROLINE GERSTENBRAND SUBDIVISION IN THE WEST HALF OF SECTION 33, TOWNSHIP 42 NORTH, RANGE 13, EAST OF THE THIRD PRINCIPAL MERIDIAN, IN COOK COUNTY, ILLINOIS.
    [Show full text]
  • F.L. Wright: Precedent, Analysis & Transformation BROADACRE
    F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 BROADACRE & SQUARE USONIANS Jacobs 1936 Broadacre City, 1935 Pope-Leihey, 1939 Typical Usonian Wall Section Rosenbaum, 1939 F.L. Wright: Precedent, Analysis & Transformation Prof. Kai Gutschow CMU, Arch 48-441 (Project Course) Spring 2005, M/W/F 11:30-12:20, CFA 211 4/15/05 USONIAN ANALYSIS Sergeant, John. FLW’s Usonian Houses McCarter, Robert. FLW. Ch. 9 Jacobs, Herbert. Building with FLW MacKenzie, Archie. “Rewriting the Natural House,” in Morton, Terry. The Pope-Keihey House McCarter, A Primer on Arch’l Principles P. & S. Hanna. FLW’s Hanna House Burns, John. “Usonian Houses,” in Yesterday’s Houses... De Long, David. Auldbrass. Handlin, David. The Modern Home Reisely, Roland Usonia, New York Wright, Gwendolyn. Building the Dream Rosenbaum, Alvin. Usonia. FLW’s Designs... FLW CHRONOLOGY 1932-1959 1932 FLW Autobiography published, 1st ed. (also 1943, 1977) FLW The Disappearing City published (decentralization advocated) May-Oct. "Modern Architecture" exhibit at MoMA, NY (H.R. Hitchcock & P. Johnson, Int’l Style) Malcolm Wiley Hse., Proj. #1, Minneapolis, MN (revised and built 1934) Oct. Taliesin Fellowship formed, 32 apprentices, additions to Taliesin Bldgs. 1933 Jan. Hitler comes to power in Germany, diaspora to America: Gropius (Harvard, 1937), Mies v.d. Rohe (IIT, 1939), Mendelsohn (Berkeley, 1941), A. Aalto (MIT, 1942) Mar. F.D. Roosevelt inaugurated, New Deal (1933-40) “One hundred days.” 25% unemployment. A.A.A., C.C.C. P.W.A., N.R.A., T.V.A., F.D.I.C.
    [Show full text]
  • Frank Lloyd Wright - Wikipedia, the Free Encyclopedia
    Frank Lloyd Wright - Wikipedia, the free encyclopedia http://en.wikipedia.org/w/index.php?title=Frank_... Frank Lloyd Wright From Wikipedia, the free encyclopedia Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, Frank Lloyd Wright 1959) was an American architect, interior designer, writer and educator, who designed more than 1000 structures and completed 532 works. Wright believed in designing structures which were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by his design for Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His work includes original and innovative examples of many different building types, including offices, churches, schools, Born Frank Lincoln Wright skyscrapers, hotels, and museums. Wright June 8, 1867 also designed many of the interior Richland Center, Wisconsin elements of his buildings, such as the furniture and stained glass. Wright Died April 9, 1959 (aged 91) authored 20 books and many articles and Phoenix, Arizona was a popular lecturer in the United Nationality American States and in Europe. His colorful Alma mater University of Wisconsin- personal life often made headlines, most Madison notably for the 1914 fire and murders at his Taliesin studio. Already well known Buildings Fallingwater during his lifetime, Wright was recognized Solomon R. Guggenheim in 1991 by the American Institute of Museum Architects as "the greatest American Johnson Wax Headquarters [1] architect of all time." Taliesin Taliesin West Robie House Contents Imperial Hotel, Tokyo Darwin D.
    [Show full text]
  • O Representation in Existing
    Form No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC Rock Crest /Rock Glen AND/OR COMMON LOCATION STREET & NUMBER _NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT ____Mason City VICINITY OF Third ____ STATE CODE COUNTY CODE Iowa Cerro Gordo CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE .XD i STRICT —PUBLIC XOCCUPIED —AGRICULTURE —MUSEUM _BUILDING(S) X-PRIVATE —UNOCCUPIED —COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL X-PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _IN PROCESS X.YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER: OWNER OF PROPERTY NAME multiple ownership; see continuation sheet STREETS. NUMBER CITY. TOWN STATE __ VICINITY OF | LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Cerro Gordo County Courthouse STREET & NUMBER CITY. TOWN STATE Mason City Iowa O REPRESENTATION IN EXISTING SURVEYS TiYLE Mas in Citv, lov/a: A Historic Heritage DATE January 1977 -FEDERAL _STATE —COUNTY X.LOCAL DEPOSITORY FOR SURVEY RECORDS Dept . Community Development, Mason City Iowa CITY. TOWN STATE DESCRIPTION CONDITION CHECK ONE CHECK ONE X_EXCELLENT _DETERIORATED —UNALTERED X—ORIGINAL SITE —GOOD _RUINS X.ALTERED _MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Rock Crest/Rock Glen historic district, located on the southeast side of Mason City, includes eight Prairie School houses and the ruins of a mill. The properties are bounded on the north by State Street, on the west by Rock Glen Street, and along the southeast by the crest delineated by S.
    [Show full text]
  • Film and Architecture: Discovering the Self-Reflection of Frank Capra And
    UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Communities by Design in THIS ISSUE
    EDUCATION | ADVOCACY | PRESERVATION THE MAGAZINE OF THE FRANK LLOYD WRIGHT BUILDING CONSERVANCY THE MAGAZINE OF FRANK LLOYD WRIGHT BUILDING CONSERVANCY FALL 2016 / VOLUME 7 ISSUE 2 FALL IN THIS ISSUE Communities by Design Guest Editor: Jane King Hession editor’s MESSAGE communities by design Communities can take many forms and mean different things to different people. Vary though they may, all communities are fundamentally alike in that they are all composed of individuals who, col- lectively, share common interests, characteristics or geography. The whole of a community comprises its parts. Frank Lloyd Wright was no stranger to this concept: for decades he lived and worked at the center of the Taliesin Fellowship, a community of his own creation. However, as the essays in this issue make clear, Wright also explored the idea of community—at multiple scales—in his architecture and planning. In his article on the politics of community, Robert Wojtowicz considers the philosophical divide between Wright and his longtime friend (and sometime foe), cultural critic Lewis Mumford, on the subject. As Wojtowicz describes, the two men often argued their polar positions on the pages of the country’s leading publications. The roots of one of Wright’s best known communities, Usonia in Pleasantville, New York, are revisited by an original owner in the community, Roland Reisley. In ad- ABOUT THE EDITOR dition to taking a backward glance at its origins, Reisley also reveals the impact of Wright’s vision on successive generations of residents. Neil Levine describes Wright’s application of “the power of ge- ometry” to create community at the scale of the individual house and the residential block.
    [Show full text]
  • Donald Langmead
    FRANK LLOYD WRIGHT: A Bio-Bibliography Donald Langmead PRAEGER FRANK LLOYD WRIGHT Recent Titles in Bio-Bibliographies in Art and Architecture Paul Gauguin: A Bio-Bibliography Russell T. Clement Henri Matisse: A Bio-Bibliography Russell T. Clement Georges Braque: A Bio-Bibliography Russell T. Clement Willem Marinus Dudok, A Dutch Modernist: A Bio-Bibliography Donald Langmead J.J.P Oud and the International Style: A Bio-Bibliography Donald Langmead FRANK LLOYD WRIGHT A Bio-Bibliography Donald Langmead Bio-Bibliographies in Art and Architecture, Number 6 Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Langmead, Donald. Frank Lloyd Wright : a bio-bibliography / Donald Langmead. p. cm.—(Bio-bibliographies in art and architecture, ISSN 1055-6826 ; no. 6) Includes bibliographical references and indexes. ISBN 0–313–31993–6 (alk. paper) 1. Wright, Frank Lloyd, 1867–1959—Bibliography. I. Title. II. Series. Z8986.3.L36 2003 [NA737.W7] 016.72'092—dc21 2003052890 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Donald Langmead All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003052890 ISBN: 0–313–31993–6 ISSN: 1055–6826 First published in 2003 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the
    [Show full text]