March 2019 Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Neues Textdokument (2).Txt
Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
DAN HILAND Re-Recording Mixer
DAN HILAND Re-Recording Mixer RE-RECORDING MIXER | SELECT TELEVISION CREDITS & AWARDS CATCH-22 David Michod Paramount Television INSATIABLE Lauren Gussis CBS Television Studios BATWOMAN Caroline Dries WBTV Gary Dauberman/Mark SWAMP THING Verheiden DC Universe THE RED LINE Cairlin Parrish WBTV ALL AMERICAN April Blair WBTV LOVE IS Mara Brock Akil OWN SABRINA THE TEENAGE WITCH Jonathan Schmock Viacom Productions TITANS Greg Berlanti DC Entertainment THE LEFTOVERS Damon Lindelof HBO THE FLASH Greg Berlanti WBTV EMPIRE Lee Daniels Imagine Television CINNAMON GIRL (TV Movie) Gavin O'Connor Fox 21 WITCHES OF EAST END Maggie Friedman Lifetime ARROW Greg Berlanti WBTV RAY DONOVAN (Pilot) Ann Biderman Showtime Networks MOB CITY Frank Darabont TNT Originals POLITICAL ANIMALS Greg Berlanti WBTV HOUSE OF LIES Matthew Carnahan Showtime Networks HART OF DIXIE Leila Gerstein WBTV THE WALKING DEAD Frank Darabont (2010) (2012/2014/2015/2016) AMC DARK BLUE Danny Cannon/Doug Jung TNT Originals IN PLAIN SIGHT David Maples USA Network CHASE Jennifer Johnson WBTV NO ORDINARY FAMILY (Pilot) Greg Berlanti ABC Studios THE WHOLE TRUTH Tom Donaghy WBTV J.J. Abrams FRINGE (Pilot) (2009) WBTV Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.7825 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS LIMELIGHT (Pilot) David Semel, WBTV HUMAN TARGET Jonathan E. Steinberg WBTV EASTWICK Maggie Friedman WBTV V (Pilot) Kenneth Johnson WBTV TERMINATOR: THE SARAH CONNER Josh Friedman CHRONICLES WBTV CAPTAIN -
The Rise of a Confident Hollywood: Risk and the Capitalization of Cinema’, Review of Capital As Power, Vol
THE RISE OF A CONFIDENT HOLLYWOOD Suggested citation: James McMahon (2013), ‘The Rise of a Confident Hollywood: Risk and the Capitalization of Cinema’, Review of Capital as Power, Vol. 1, No. 1, pp. 23-40. The Rise of a Confident Hollywood: Risk and the Capitalization of Cinema1 JAMES MCMAHON Nature ceased to be inscrutable, subject to demonic incursions from another world: the very essence of Nature, as freshly conceived by the new scientists, was that its sequences were orderly and therefore predictable: even the path of a comet could be charted through the sky. It was on the model of this external physical order that men began systematically to reorganize their minds and their practical activities: this carried further, and into every department, the precepts and practices empirically fostered by bourgeois finance. Like Emerson, men felt that the universe itself was fulfilled and justified, when ships came and went with the regularity of heavenly bodies. - Lewis Mumford, Technics and Civilization he Hollywood film business, like any other business enterprise, operates according to the logic of capitalization. Capitalization in an instrumental logic T that is forward-looking in its orientation. Capitalization expresses the present value of an expected stream of future earnings. And since the earnings of the Hollywood film business depend on cinema and mass culture in general, we can say that the current fortunes of the Hollywood film business hinge on the future of cinema and mass culture. The ways in which pleasure is sublimated through mass culture, and how these ways may evolve in the future, have a bearing on the valuation of Hollywood’s control of filmmaking. -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
HIGHLANDS NEWS-SUN Monday, June 17, 2019
HIGHLANDS NEWS-SUN Monday, June 17, 2019 VOL. 100 | NO. 168 | $1.00 YOUR HOMETOWN NEWSPAPER SINCE 1919 An Edition Of The Sun Road names to change at HRMC Changes to come with roundabout By PHIL ATTINGER “Sebring Parkway,” since have what other parts — to “Highlands Avenue,” STAFF WRITER the road is contiguous of the Parkway will soon since that name will be with the existing Parkway have: A roundabout. available. SEBRING — Motorists north of Youth Care Lane. The roundabout is Under Highlands heading south on Sebring Once work is complet- planned for the northern County road-naming Parkway toward U.S. 27 ed on that section of the entrance of the HRMC standards, any roads that at Highlands Regional Parkway — Phase 2 — campus, better known as are directly connected Medical Center may sometime in the next two Medical Center Drive. throughout their length notice some changes years, it will be identical A section of Medical need to have the same soon on road signs. to the existing Parkway. Center Drive will get name, to make them eas- COURTESY PHOTO/HIGHLANDS COUNTY BOARD OF COUNTY COMMISSIONERS County commissioners Not only will it have a renamed as it reaches ier to navigate for law en- have approved changes to divided four-lane road into the property — a forcement, fire and emer- Sebring Parkway Phase 2A will install four lanes from Youth road signs on that stretch with a grass median and change approved by the gency medical personnel. Care Lane to DeSoto Road, improving the intersection there of road, to change “South extended turn lanes at Highlands County Board with extra stacking room for right and left turn lanes both on Highlands Avenue” to intersections, it will also of County Commission ROAD | 2A the Parkway and on the cross-streets. -
Inside: Will Eisner! J. Michael Straczynski!
IINNSSIIDDEE:: WWIILLLL EEIISSNNEERR!! JJ.. MMIICCHHAAEELL SSTTRRAACCZZYYNNSSKKII!! $ 95 MAGAAZZIINEE August 5 2003 In the USA JJEEPPHH BBOOBB LLOOEEBB && SSCCHHRREECCKK JJIIMM LLEEEE DIANA SCHUTZ DDEENNNNYY OO’’NNEEIILL FFAABBIIAANN NNIICCIIEEZZAA GGEETTTTIINNGG AA NNOOVVEELL PPAAUULL PPUUBBLLIISSHHEEDD DDIINNII Batman, Bruce Wayne TM & ©2003 DC Comics MAGAZINE Issue #5 August 2003 Read Now! Message from the Editor . page 2 The Spirit of Comics Interview with Will Eisner . page 3 He Came From Hollywood Interview with J. Michael Straczynski . page 11 Keeper of the Bat-Mythos Interview with Bob Schreck . page 20 Platinum Reflections Interview with Scott Mitchell Rosenberg . page 30 Ride a Dark Horse Interview with Diana Schutz . page 38 All He Wants To Do Is Change The World Interview with Fabian Nicieza part 2 . page 47 A Man for All Media Interview with Paul Dini part 2 . page 63 Feedback . page 76 Books On Writing Nat Gertler’s Panel Two reviewed . page 77 Conceived by Nuts & Bolts Department DANNY FINGEROTH Script to Pencils to Finished Art: BATMAN #616 Editor in Chief Pages from “Hush,” Chapter 9 by Jeph Loeb, Jim Lee & Scott Williams . page 16 Script to Finished Art: GREEN LANTERN #167 Designer Pages from “The Blind, Part Two” by Benjamin Raab, Rich Burchett and Rodney Ramos . page 26 CHRISTOPHER DAY Script to Thumbnails to Printed Comic: Transcriber SUPERMAN ADVENTURES #40 STEVEN TICE Pages from “Old Wounds,” by Dan Slott, Ty Templeton, Michael Avon Oeming, Neil Vokes, and Terry Austin . page 36 Publisher JOHN MORROW Script to Finished Art: AMERICAN SPLENDOR Pages from “Payback” by Harvey Pekar and Dean Hapiel. page 40 COVER Script to Printed Comic 2: GRENDEL: DEVIL CHILD #1 Penciled by TOMMY CASTILLO Pages from “Full of Sound and Fury” by Diana Schutz, Tim Sale Inked by RODNEY RAMOS and Teddy Kristiansen . -
Sandman, Aesthetics and Canonisation Today I Want To
Sandman, Aesthetics and Canonisation Today I want to examine the ways in which Neil Gaiman’s Sandman has used narrative, format and aesthetic to move ever closer to the notion of the literary text. Particularly going to consider how it exploits the author function and enacts the struggle for cultural worth that comics seem consistently engaged in. Sandman is an epic series rewriting a golden-age superhero into an immortal deity. It is best remembered for its mythological content and literary references, and these elements have allowed it to claim its place as a canonised graphic novel (despite not actually being a singular GN but a maxi-series across multiple trade paperbacks!). Neil Gaiman’s authorship and authority dominate the text and epitomise Michel Foucault’s author function. But Sandman also draws heavily on mixed media and artistic variation and these aspects are less often discussed. Far from supporting a singular author function, Sandman’s visual style is multiple and varied. But despite this, in paratexts the artistic contributions are frequently subsumed into Gaiman’s authorship. However, a closer reading demonstrates that in fact this artistic variety destabilises clear-cut authorship and enacts the particular status struggles of comics as a collaborative medium struggling against the graphic novel branding. SLIDE: literary pix Sandman was launched in 1989 and became the flagship title for DC’s new Vertigo imprint. Vertigo’s publications contributed heavily to the mainstream cultural revaluation of comics as graphic novels, and critics such as Candace West have argued that Sandman in particular was instrumental here due to the attention the series received from mainstream media such as Rolling Stone magazine. -
2012 Conference Program
WEDNESDAY 1 IMAGINATION IS THE 21ST CENTURY TECHNOLOGY AUGUST 8-11, 2012 WELCOME Welcome to Columbia College Chicago and the 2012 University Film and Video Association Conference. We are very excited to have Peter Sims, author of Little Bets: How Breakthrough Ideas Emerge From Small Discoveries, as our keynote speaker. Peter’s presentation on the morning of Wednesday August 8 will set the context for the overall conference focus on creativity and imagination in film and video education. The numerous panel discussions and presentations of work to follow will summarize the current state of our field and offer opportunities to explore future directions. This year we have a high level of participation from vendors servicing our field who will present the latest technologies, products, and services that are central to how we teach everything from theory and critical studies to hands-on screen production. Of course, Chicago is one of the world’s greatest modern cities, and the Columbia College campus is ideally placed in the South Loop for access to Lake Michigan and Grant Park with easy connections to the music and theater venues for which the city is so well known. We hope you have a stimulating and enjoyable time at the 2012 Conference. Bruce Sheridan Professor & Chair, Film & Video Department Columbia College Chicago 2 WEDNESDAY WEDNESDAY 3 WE WOULD LIKE TO THANK OUR GENEROUS COFFEE BREAKS FOR THE CONFERENCE WILL BE SPONSORS FOR THEIR SUPPORT OF UFVA 2012. HELD ON THE 8TH FLOOR AMONG THE EXHIBIT PLEASE BE SURE TO VISIT THEIR BOOTHS. BOOTHS AND HAVE BEEN GENEROUSLY SPONSORED BY ENTERTAINMENT PARTNERS. -
PDF Download Uncanny X-Men: Superior Vol. 2: Apocalypse Wars
UNCANNY X-MEN: SUPERIOR VOL. 2: APOCALYPSE WARS PDF, EPUB, EBOOK Cullen Bunn | 120 pages | 29 Nov 2016 | Marvel Comics | 9780785196082 | English | New York, United States Uncanny X-men: Superior Vol. 2: Apocalypse Wars PDF Book Asgardians of the Galaxy Vol. Under siege, the mutants fight to protect the last refuge of humanity in Queens! Get A Copy. Later a mysterious island known as Arak Coral appeared off the southern coast of Krakoa and eventually both landmasses merged into one. But what, exactly, are they being trained for? The all-new, all-revolutionary Uncanny X-Men have barely had time to find their footing as a team before they must face the evil Dormammu! The Phoenix Five set out to exterminate Sinister, but even the Phoenix Force's power can't prevent them from walking into a trap. Read It. The four remaining Horsemen would rule North America alongside him. Who are the Discordians, and what will they blow up next? Apocalypse then pitted Wolverine against Sabretooth. With a wealth of ideas, Claremont wasn't contained to the main title alone, and he joined forces with industry giant Brent Anderson for a graphic novel titled God Loves, Man Kills. Average rating 2. Apocalypse retreats with his remaining Horsemen and the newly recruited Caliban. Weekly Auction ends Monday January 25! Reprints: "Divided we Fall! Art by Ken Lashley and Paco Medina. Available Stock Add to want list This item is not in stock. Setting a new standard for Marvel super heroes wasn't enough for mssrs. With mutantkind in extinction's crosshairs once more, Magneto leads a group of the deadliest that Homo superior has to offer to fight for the fate of their species! The secondary story involving Monet, Sabertooth, and the Morlocks was pretty good, though, and I'm digging the partnership that's forming between M and Sabertooth. -
Spie a Fumetti Tra Vecchio E Nuovo Millennio
FUMETTO Spie a fumetti tra vecchio e nuovo millennio GIUSEPPE POLLICELLI A sinistra, primo numero della miniserie The Men in Black (1990); locandina del film Men in Black , diretto nel 1997 da Barry Sonnenfeld. Sotto, edizione italiana di Insiders pubblicato nel 2018 da Editoriale Aurea. bbiamo già incontrato gli Uomini in Nero – immaginari agenti del governo ame - Negli Stati Uniti d’America, dagli anni Novanta, ricano con il compito di occultare con qualsiasi mezzo, compreso l’omicidio, tutti si accresce notevolmente il numero delle case editrici i casi di avvistamenti alieni o di contatti con extraterrestri da parte di esseri indipendenti (alternative alle major DC Comics A umani – sul secondo numero del 2016 di « GNOSIS », occupandoci di Martin Mystère , il De - e Marvel) e questo fa sì che aumenti l’offerta di fumetti nel suo complesso. tective dell’Impossibile edito dalla Bonelli. Ebbene, nel 1990 lo sceneggiatore statunitense Ad ampliarsi sarà anche la quantità di opere Lowell Cunningham e il disegnatore canadese Sandy Carruthers hanno pubblicato per di genere spionistico, la più nota delle quali l’etichetta Aircel Comics di Ottawa (in seguito rilevata dalla Malibu Comics, a sua volta è The Men in Black , miniserie creata nel 1990 assorbita dalla Marvel) i tre numeri della miniserie The Men in Black , alla quale seguirà da Lowell Cunningham e Sandy Carruthers l’anno successivo una seconda, sempre di tre numeri, ottenendo un successo tanto inat - per una piccola etichetta canadese poi rilevata teso quanto vasto. Successo destinato a divenire planetario quando, nel 1997, il regista dalla Marvel. Da questa saga saranno tratti Barry Sonnenfeld ha tratto dal fumetto un film che si rivelerà campione d’incassi ai bot - tre film, interpretati dalla coppia Tommy Lee Jones teghini di tutto il mondo.