Fontwerk Case™ Type Specimen · © 2020 Fontwerk · fontwerk.com · 1/21

Case Fontwerk Case™ Credits & Details · fontwerk.com · 2/21

Case™

Please move along! There isn’t another to see here. A Neo-Grotesque made for the new Twenties.

Design Design Contributions Trademarks Licensing, Pricing Modifications, Extensions Erik Spiekermann Andreas Frohloff Case™ is a trademark of TrialFree Test license Available on request Anja Meiners Fontwerk GmbH Standard Combined Print, Web, Ralph du Carrois Mastering, Production App and eBook license, Recommended Use Andreas Frohloff Design Period; Release starting at €50 Advertising & Packaging Christoph Koeberlin 2016–2020; October 12, 2020 ExtendedLarger license volume Editorial & Publishing and additional Broadcasting, Film & TV Marketing Latest Update starting at €500 Logo, Branding & CI Ivo Gabrowitsch(Naming, Version 1.001; October 26, 2020 Further types of license Poster & Billboards Conceptual Contribution, available on request Responsive Designs Copywriting, Imagery, Languages Specimen) 94 Latin (see page 8) Formats Contact Lucy Beckley(English otf, woff, woff2; Further Fontwerk GmbH Translation) Glyphs Per Font formats available on request Prenzlauer Allee 186 Loris Olivier() 791 (see page 9) 10405 , Variable Fonts [email protected] Styles Included in the Superfamily 16: eight upright weights and package at no extra cost. Available exclusively from corresponding italics Axis: weight, optical size fontwerk.com/fonts/case (see page 5) File sizes(woff/woff2): 170/ Bold 50 pt, Medium 16 pt, Regular 16 pt, Medium 9.5 pt, Regular 9.5 pt 136kb Upright; 172/136kb Italic Fontwerk Case™ Samples · fontwerk.com · 3/21 Railways Real Columbian Superstore the northeast faces European Apparel Blausonic Intelligence Nowhere Georgio-Atlantic Fontwerk Case™ Text SamplesCase™ Non-Latin Samples · fontwerk.com · 4/21 Huskvarna Local Car and Truck Rental Create&Build Yottasoft forest products Bank of Antarctica Indianapolis Olympians Fontwerk Case™ Styles · fontwerk.com · 5/21

Case Hairline ·small caps ·Hairline Italic ·small caps Case Thin ·small caps ·Thin Italic ·small caps Case ExtraLight ·small caps · ExtraLight Italic ·small caps Case Light ·small caps ·Light Italic ·small caps Case Regular ·small caps ·Italic ·small caps Case Medium ·small caps ·Medium Italic ·small caps Case Bold ·small caps ·Bold Italic ·small caps Case Heavy ·small caps ·Heavy Italic ·small caps

Available in 16 styles. Fontwerk Case™ Samples Logos and Wordmarks · fontwerk.com · 6/21 2 GoVote! Make Democracy Great Again macey® Bold 70 pt

Bold Italic Small Caps 70 pt, Italic 27 pt ExtraLight 45 pt, Regular 45 pt

ExtraLight Small Caps 60 pt, Thin 160 pt queer1models Studio Medium 45 pt, Tracking −80% Belgrad/ HansaCargo Team 13 Fontwerk Case™ Samples Logos and Wordmarks · fontwerk.com · 7/21 yutani

officesHairline 250 pt Fontwerk Case™ Samples Body Text · fontwerk.com · 8/21

20 Mil Léguas Submarinas Bold 54 pt, Português the year 1866 was signalized by a begegnet, einem langen, spindelförmigen Gegenstand, remarkable incident, a mysterious and der bisweilen phosphoreszierte und weitaus größer und schneller war als ein Wal. Regular 14 pt, Italic 14 pt, Deutsch inexplicable phenomenon, which doubt‐ less no one has yet forgotten. Not to men‐ Los hechos relativos a estas apariciones, consignados en losdi‐ ferentes libros de a bordo, coincidían con bastante exactitud en lo tion rumors which agitated the maritime referente a la estructura del objeto o del ser en cuestión, a la ex‐ population, and excited the public mind, cepcional velocidad de sus movimientos, a la sorprendente po‐ tencia de su locomoción y a la particular vitalidad de que parecía even in the interior of continents, seafaring dotado. De tratarse de un cetáceo, superaba en volumen a todos men were particularly excited. Medium 18.5 pt, English cuantos especímenes de este género había clasificado la ciencia hasta entonces. Ni Cuvier, ni Lacepède, ni Dumeril ni Quatrefages hubieran admitido la existencia de tal monstruo, a menos de ha‐ Kaufleute, Reeder, Schiffskapitäne, Skipperund Master in berlo visto por sus propios ojos de sabios. Regular 12 pt, Español Europa und Amerika, Offiziere der Kriegsmarine aller Län‐ À prendre la moyenne des observations faites à diverses reprises, — en rejetant les évaluations der und schließlich die Regierungen der verschiedenen timides qui assignaient à cet objet une longueur de deux cents pieds, et en repoussant les opinions exagérées qui le disaient large d’un mille et long de trois, — on pouvait affirmer, cependant, que cet Staaten beider Kontinente nahmen die Vorfälle außeror‐ être phénoménal dépassait de beaucoup toutes les dimensions admises jusqu’à ce jour par les ichthyologistes, — s’il existait toutefois. Or, il existait, le fait en lui-même n’était plus niable, et, avec dentlich ernst. Seit einiger Zeit schon waren mehrere ce penchant qui pousse au merveilleux la cervelle humaine, on comprendra l’émotion produite dans le monde entier par cette surnaturelle apparition. Quant à la rejeter au rang des fables, il fallait y Schiffe auf hoher See„einem gigantischen Etwas“ renoncer. Regular 8 pt, Français Fontwerk Case™ Languages · fontwerk.com · 9/21

All of Fontwerk’s support at least 94 Latin-based European languages such as English, German, French, Spanish, Czech, Polish, Supported and Turkish. Some families also support Greek and Cyrillic (e.g. Russian, Bulgarian). If you need further languages or script systems (anything from Cyrillic and Greek to Hebrew, Arabic, Thai and even Languages Chinese, Japanese, Korean(cjk), and Devanagari), we can make custom fonts for you.

▾ Latin French Luxembourgish Rundi Volapük Friulian Luyia Rwa Vunjo Afrikaans Galician Machame Samburu Walser Albanian Ganda Makhuwa-Meetto Sango Welsh Asu German Makonde Sangu Basque Gusii Malagasy Sena Bemba Hungarian Maltese Serbian Bena Icelandic Manx Shambala Breton Inari Sami Meru Shona Catalan Indonesian Morisyen Slovak Cornish Irish North Ndebele Slovenian Croatian Italian Northern Sami Soga Czech Jola-Fonyi Norwegian Bokmål Somali Danish Kabuverdianu Norwegian Nynorsk Spanish Dutch Kalenjin Nyankole Swahili Embu Kamba Oromo Swedish English Kikuyu Polish Swiss German Esperanto Kinyarwanda Portuguese Taita Estonian Latvian Quechua Teso Faroese Lithuanian Romanian Turkish

Filipino Lower Sorbian Romansh Upper Sorbian Bold 40 pt, Regular 10 pt, Finnish Luo Rombo Uzbek Bold 10 pt Fontwerk Case™ Glyphs Regular · fontwerk.com · 10/21

Latin Uppercase & Lowercase

Accented Latin Uppercase

Accented Latin Lowercase

Small Caps

Numerals & Currency Symbols

Punctuation, Mathematical Signs & Symbols

Arrows & Shapes

Ligatures Fontwerk Case™ OpenType Features · fontwerk.com · 11/21

Stylistic Set 1#ss01 — Alternative one Small Capitals#smcp No. 1 No. 1 Chill Chill

All alternative glyphs are also available via the Access Small Capitals From Capitals#c2sc All Alternates#aalt and Stylistic Alternates#salt features. Qmax qmax Contextual Alternates#calt : FJ fj PJ pj and gender star (German: Gendersternchen) Variation:#smcp + #c2sc included 5:4 5:4 Bling bling Case-Sensitive Forms#case Standard (#liga)and Discretionary Ligatures#dlig ¡¿·•/\(){}[]- –—‒‐‑«»‹›⟨⟩@included ffi ff fi ffjfjft included Luft Luft (H-o) (H-O) Fontwerk Case™ OpenType Features · fontwerk.com · 12/21

Lining Figures (default)#lnum, Oldstyle Figures Scientific Inferiors#sinf #onum 169 169 CO2 CO₂ Superscript#sups, Subscript #subs Proportional Figures (default) #pnum, Tabular Figures #tnum m3 M6 m³ M₆ 317 317 Slashed Zero#zero

Fractions#frac, Numerators#numr, Denominators #dnom 7380 7380

Localized Forms#locl 4/852 4⁄852 L· Ll·l → Ŀ Lŀl (Catalan) and Ş ţ ş ţ → ȘȚș ț (Romanian) included Ordinals#ordn 6a 2o 6ª 2º BraşovBra șov Fontwerk Case™ Story · fontwerk.com · 13/21

“The Curious Case of Erik Spiekermann”, “For lowercase, uppercase, for every case” … There are

puns aplenty for a with this particular CASE name. But we’ll spare you any more and concentrate HAIRLINE EXTRALIGHT THIN LIGHT REGULAR MEDIUM BOLD HEAVY on the facts. CASE

Corporate type designers know this situation of the best bits, they added new ideas and all too well: Your client wants something new, conceptual solutions for a modern static aCASE MICRO something to call their own, something that grotesque. The result is the missing element stands out from the competition. However, in in an otherwise strained and bloated genre: CASE reality, they often end up wanting the same A typeface whose clear basic personality thing: their own version of a Neo-Grotesque looks familiar and creates trust, but at the in the style ofHelvetica®, Akzidenz Grotesk® same time is novel and individual and is orUnivers®. therefore perfect for strong brand building. aCASE TEXT Anja Meiners and Ralph du Carrois and An ideal font for complex branding projects even Erik Spiekermann have sat in client born out of years of working on such Textaaaaa and Micro have higher x-heights and more open shapes.. aa briefings like these. As a trio they have been complex branding projects. responsible for numerous highly respected Case is currently available in three optical An important distinguishing criterion of custom-type projects, but often they too have sizes: the core family is suitable for the vast the family members is their respective found themselves depending upon such a majority of applications, especially larger spacing. In comparison to the two versions variant or adaptation. applications such as logos, wordmarks and for text applications, the main family’s Case is the essence of these experiences. headlines, the Text family for longer reads and spacing is narrow, whereas it is wider on the They left out everything that they felt was the Micro version for – surprise, surprise – Text and widest on the Micro. For better read‐ unnecessary in the world’s most popular small text. Depending on the area of use, it ability, both Case Text and Case Micro have a typeface genre but they made sure to keep can guarantee readability of 5pt, in some all the best bits. Building on the concentrate cases, even less. Bold 20 pt, Regular 11 pt, Italic 11 pt Fontwerk Case™ Story · fontwerk.com · 14/21

higher x-height, an l monospaced version and drumroll please … a We believe “in any case” that Case has the with a ‘foot’ and slightly UniCase. A little wordplay is allowed after all. potential to become a classic of tomorrow. BOLD more open shapes than Finally, to come back to the name: one of More than 30 years after Erik Spiekermann’s its bigger sister. The the characteristics of all Case styles is that in most important classicff Meta® was t Micro has more distin‐ order to optimize some of the letters for the released, its designer, together with Anja t guishable character design of logos and wordmarks, the terminals Meiners and Ralph du Carrois, have their forms (r, i, j) or wider of letters such as c, a, s and e all have the sights set on the twenties. CASE MICRO CASE TEXT tCASE glyphs (f, t) as well as significant contrast at MEDIUM the the joints of the stems and bows. r A unique selling r point are the real italics, since they are a rarity in CASE MICRO CASE TEXT rCASE case esa cses the genre. Type design‐ ers are often satisfied REGULAR with obliques here. Even rarer are Variable i Fonts, but fear not, sa CSGJCSGJ i these are already

CASE MICRO CASE TEXT iCASE included in the super‐ family package. At no The terminals of letters such as c, a, s and e – hence the name – all have the same horizontal endings. LIGHT extra cost. The planned exten‐ sions, some of which same horizontal endings, including uppercase l are already underway, and small caps. And since the name of the l relate to language typeface should look good when set in the

CASE MICRO CASE TEXT lCASE support, the widths (at font itself and all Spiekermann fonts after least a Condensed and itc Officina® only have four letters, the name

an Extended version), a came about almost automatically. Regular 11 pt, Italic 11 pt Fontwerk Case™ Designer · fontwerk.com · 15/21

designer Erik Spiekermann

What else can one write about the man legendary letterpress workshop, and the whose Wikipedia entry has been most important independent font distribu‐ translated into 13 different languages? tor and the largest library of contemporary The man, whose shelves are deco‐ typefaces. rated with multiple awards for his life’s So, there is not much left to write work from the most renowned associa‐ about this man. Apart from the fact that tions and a beautifully framed honorary Fontwerk would probably not exist doctorate certificate. The man, whose without the latter two achievements, our reference books and biography‘Hello, I roots lie in the ideals and friendships of Am Erik’became international bestsellers. the first25 years ofFontShop. The fact The man, who has designed more that Erik sees his future as a type successful typefaces than most foundries designer for our label after his enormously have to offer. The man, who is an enter‐ successful time atitc andFontFont is © Dennis Letbetter taining guest in audio, film andtv highly appreciated but at the same time a productions (e.g. the legendarybbc hugely motivating obligation for us. video). He is at home in three time zones � Berlin, Germany and owns more bicycles in each place than a large sporty family. He is the man � p98a.com who was heavily involved building two of Light 20 pt Small Caps, Bold 50 pt, � instagram.com/espiekermann the most relevant creative agencies, a Medium 12 pt, Regular 12 pt, Italic 12 pt � twitter.com/espiekermann Fontwerk Case™ Designer · fontwerk.com · 16/21

designer Anja Meiners

Surrounded by the crystal-clear, ice-age loves to write passionately. Her passion lakes at the gates of Berlin, Anja Meiners for writing is also reflected in her subject‐ finds inspiration for distinct, contempor‐ ive observations on how children learn. ary custom fonts. Anja is very good at listening, but also She lives in the tranquil surroundings at ignoring if it serves progress. She likes of Brandenburg with family (but without a to think and to think outside the box. She dog), while she realizes her ideas together is not yet satisfied with the quality of her with Ralph du Carrois in the hectic and feminist side, but it’s on her agenda for frenetic Friedrichshain area of Berlin. The her thirties. duo, known asbBox Type, are a sought- after partner for international brands such aszdf, Cisco,tern orAutodesk for their design of exclusive custom fonts. They © Norman Posselt are also responsible for the popularFira Sans forMozilla in cooperation with Erik Spiekermann and Team. As well as a flair for corporate fonts, � Groß Köris, Germany the communication designer has a talent for organising, for example at the monthly � bboxtype.com Light 20 pt Small Caps, Bold 50 pt, Typostammtisch Berlin, for which she also � f-learns.de Medium 12 pt, Regular 12 pt, Italic 12 pt Fontwerk Case™ Designer · fontwerk.com · 17/21

designer Ralph du Carrois

The graphic design studio founded by abstract and experimental time display. Ralph and Jennifer du Carrois soon However, he doesn’t have that much developed into a type design studio after spare time, as the Carrois family are an extensive corporate type assignment escaping the hustle and bustle of Berlin to for Suzuki. build an eco house in Brandenburg. Ralph made a name for himself with international clients such asde Gruyter, zdf, Cisco, Bosch,tern, Autodesk and Monotype by extending and designing fonts. His most famous project is perhaps Sans forMozilla, which he developed together with Erik Spiekermann and his team. In2017 , Ralph and his long-time © Norman Posselt colleague Anja Meiners set upbBox Type, a joint type foundry. Born in Allgäu, Germany, the graduate � Potsdam, Germany Product Designer now devotes more and more of his spare time to both his actual � carrois.com field of study and to his art. An example of � instagram.com/carroiscarrois Light 20 pt Small Caps, Bold 50 pt, his artwork isTime Is A Square, an � twitter.com/carroiscarrois Medium 12 pt, Regular 12 pt, Italic 12 pt Fontwerk Formats and Licensing · fontwerk.com · 18/21

File Formats and Licensing

All our typefaces are provided inotf (OpenType fonts with Post‐ use during the test phase. Both desktop and webfonts are Script outlines; usually used for desktop, apps, ebooks, and trial included so that you can design mockups, websites, apps and hardware) andwoff as well aswoff2 (Web Open Font Format; 1 Usertesting purposes only eBooks etc. and then present to the client without having to OpenType fonts for the use on the web) formats. Most other for‐ commit to the purchase. Only when it is clear that the font fits mats such aseot, svg, orttf are not necessary anymore today. and the actual projects go live or are produced, will you need to However, we can generate those files in case they are really CLICK HERE TO DOWNLOAD purchase the Standard version. needed. FOR FREE NOW! STANDARDOur most popular license that includes use in Print We believe we have one of the simplest licensing models in the (desktop) for one user and one project for use on the Web industry. If we were sitting in the pub, we could draw it out on a standard (100,000 pageviews per month), in an App (1,000 downloads) beermat. It’s hard enough to find the right font, so we want to and eBooks (10,000 downloads). If more users, projects, Print: 1 User make the licensing as simple as possible. What does this mean? Web: 100,000 Pageviews/mo. pageviews or downloads are required, either several Standard No drop-down-menus, just alicense in one click. You pay just App: 1,000 Downloads licenses or an Extended license must be purchased. once and that’s that as long as you keep within the boundaries eBook: 10,000 Downloads of use as stated in the License. EXTENDED This is comparable to amul, a multi-user-license. Extended covers use in Print for 15 users and up to 15 projects Please checkfontwerk.com/licensing for further information. with total use on the Web (1.5 million pageviews per month), in Apps (15,000 downloads) and eBooks (150,000 downloads). It is TRIAL The ‘Trial Fonts’ contain around ¾ of the actual charac‐ extended also the right license for use in Broadcasting (1.5 million view‐ ters and usually no OpenType features. The license allows free Print: 15 Users ers). Web: 1,500,000 Pageviews/mo. App: 15,000 Downloads eBook: 150,000 Downloads ENTERPRISEFor all other situations that are not covered by one Bold 40 pt, Regular 9.5 pt, Bold 9.5 pt, Bold Small Caps 14 pt, Broadcasting: 1.5 Mio Viewers of these licenses, an individual agreement is necessary. We Bold 8.5 pt, Regular 8.5 pt, Medium 8.5 pt All Caps strive to deliver them as quickly and easily as possible. Fontwerk Contact; About Fontwerk · fontwerk.com · 19/21

Address We craft modern typefaces and Fontwerk GmbH Prenzlauer Allee 186 provide innovative font engineering 10405 Berlin, Germany and type design services.

Website fontwerk.com We believe that convincing perfectly fitting custom type Email communication is only possible with solution in addition to font [email protected] We work on Central the most aesthetically pleasing and engineering services. European time, and most technically sound fonts. will respond as soon We hope tocontribute to as we can. Ourvision is to provide easy access something bigger by promoting Social Media to such fonts through free trial talented designers from around Instagram, Twitter, LinkedIn:@fontwerk versions, a simple licensing model the world with whom we work and one of the fastest ordering under the fairest conditions. processes around. Ourmotivation is simply the Our long-lasting designs add value love of good design. Outstanding above and beyond the actual cost. type is our contribution to that. These fonts can be downloaded Bold 9 pt, Regular 9 pt, Medium 18.5 pt, Light 18.5 pt, directly by discerning agencies, Regular Small Caps 18.5 pt designers and brands or ordered as a Fontwerk Case™ Related Typefaces and Pairing Suggestions · fontwerk.com · 20/21

Related Typefaces Case Text Case Micro

Pairing Suggestions Rag Raggg

Nikolai Supermarker FranziskaWeitgruber UlrikeRausch

© 2020 Fontwerk, all rights reserved. Text on page 7 taken from Jules Verne “Twenty Thousand Leagues Under the Sea”. Copyright of images: Unless otherwise stated, the images used are subject to Shutterstock.com licenses. Helvetica, Univers,itc Officina andff Meta are trademarks of Monotype registered in theu.s. Patent and Trademark Office and may be registered in certain other jurisdictions. Akzidenz-Grotesk is a trademark of Berthold Types Limited.) Fontwerk Case™ Type Specimen End ·· fontwerk.comfontwerk.com · 21/21

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