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THE GARDENS REACH of the BRISBANE RIVER Kangaroo Point — Past and Present [By NORMAN S
600 THE GARDENS REACH OF THE BRISBANE RIVER Kangaroo Point — Past and Present [By NORMAN S. PIXLEY, M.B.E., V.R.D., Kt. O.N., F.R.Hist.S.Q.] (Read at the Society's meeting on 24 June 1965.) INTRODUCTION [This paper, entitied the "Gardens Reach of the Brisbane River," describes the growth of shipping from the inception of Brisbane's first port terminal at South Brisbane, which spread and developed in the Gardens Reach. In dealing briefly wkh a period from 1842 to 1927, it men tions some of the vessels which came here and a number of people who travelled in them. In this year of 1965, we take for granted communications in terms of the Telestar which televises in London an inter view as it takes place in New York. News from the world comes to us several times a day from newspapers, television and radio. A letter posted to London brings a reply in less than a week: we can cable or telephone to London or New York. Now let us return to the many years from 1842 onward before the days of the submarine cable and subsequent inven tion of wireless telegraphy by Signor Marconi, when Bris bane's sole means of communication with the outside world was by way of the sea. Ships under sail carried the mails on the long journeys, often prolonged by bad weather; at best, it was many months before replies to letters or despatches could be expected, or news of the safe arrival of travellers receivd. Ships vanished without trace; news of others which were lost came from survivors. -
In the Supreme Court of the United States
NO. In the Supreme Court of the United States LISA R. KIRBY, NEAL L. KIRBY, SUSAN N. KIRBY, BARBARA J. KIRBY, Petitioners, v. MARVEL CHARACTERS, INCORPORATED, MARVEL WORLDWIDE, INCORPORATED, MVL RIGHTS, LLC, WALT DISNEY COMPANY, MARVEL ENTERTAINMENT, INCORPORATED, Respondents. On Petition for Writ of Certiorari to the United States Court of Appeals for the Second Circuit PETITION FOR WRIT OF CERTIORARI MARC TOBEROFF Counsel of Record TOBEROFF & ASSOCIATES, P.C. 22337 Pacific Coast Hwy, Suite 348 Malibu, CA 90265 (310) 246-3333 [email protected] Counsel for Petitioners Becker Gallagher · Cincinnati, OH · Washington, D.C. · 800.890.5001 i QUESTIONS PRESENTED The Copyright Act grants the children of a deceased author the right to recover the author’s copyrights by statutorily terminating prior copyright transfers. 17 U.S.C. §§ 304(c), (d). “Works for hire” are the sole exclusion. Id. Petitioners, the children of the acclaimed comic-book artist/creator Jack Kirby (The Fantastic Four, X-Men, The Mighty Thor, The Incredible Hulk, etc.), served statutory notices of termination on the Marvel respondents regarding the key works Kirby authored as an independent contractor in 1958-63. Section 26, the “work for hire” provision of the 1909 Copyright Act, applicable to pre-1978 works, states simply: “The word author shall include an employer in the case of works made for hire.” For six decades, including in 1958-63, “employer” was duly given its common law meaning, and “work for hire” applied solely to conventional employment, not to independent contractors like Kirby. It follows then, in 1958-63 Kirby was the original owner of the copyrights to the works he authored and subsequently assigned to Marvel, and his children have the right to recapture his copyrights by termination of such assignments under 17 U.S.C.§304(c). -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Alter Ego #78 Trial Cover
Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T. -
Gunning Fog Author Title 3.2 Adler, David A. Young Cam Jansen and the Circus Mystery 3.2 Adler, David A
Gunning Fog Author Title 3.2 Adler, David A. Young Cam Jansen and the Circus Mystery 3.2 Adler, David A. Young Cam Jansen and the Pizza Shop Mystery 3.2 Adler, David A. Young Cam Jansen and the Speedy Car Mystery 3.2 Allard, Harry Bumps in the Night 3.2 Banks, Kate Monkeys and Dog Days 3.2 Banks, Kate Monkeys and the Universe 3.2 Berenstain, Stan The Berenstain Bears and the Wishing Star 3.2 Blackaby, Susan Carnival Committee 3.2 Blackaby, Susan Groceries for Grandpa 3.2 Blackaby, Susan The Steadfast Tin Soldier 3.2 Blackaby, Susan Thumbelina 3.2 Blackwood, Gary L. The Just-So Woman 3.2 Bond, Michael Paddington: Meet Paddington 3.2 Bond, Michael Paddington's Adventures 3.2 Bond, Michael Paddington's Prize Picture 3.2 Brown, Marc Tolon Arthur's Fire Drill 3.2 Brown, Marc Tolon Arthur's Science Fair Trouble 3.2 Butler, Andrea Mr. Sun and Mr. Sea: An African Legend 3.2 Cowley, Joy Agapanthus Hum and the Angel Hoot 3.2 Daynes, Katie Hansel & Gretel 3.2 Dodd, Lynley Hairy Maclary and Zachary Quack 3.2 Durant, Alan Little Bo-Peep's Missing Sheep 3.2 Durant, Alan Little Miss Muffet's Big Scare 3.2 Ford, Juwanda G. Sunday Best 3.2 Gantos, Jack Rotten Ralph's Rotten Family 3.2 Gantos, Jack Rotten Ralph Feels Rotten 3.2 Guest, Elissa Haden Iris and Walter: The School Play 3.2 Gutman, Dan Babe Ruth and the Ice Cream Mess 3.2 Hayes, Geoffrey A Poor Excuse for a Dragon 3.2 Howe, James Pinky and Rex and the School Play 3.2 Howe, James Pinky and Rex and the Spelling Bee 3.2 Impey, Rose Wanda Witch and the Bullies 3.2 Impey, Rose Wanda Witch and the Stray Dragon 3.2 Jacobson, Jennifer Andy Shane and the Pumpkin Trick 3.2 Jacobson, Jennifer Andy Shane and the Queen of Egypt 3.2 Jenck, Heidi Shelton Pets on Vacation 3.2 Johnson, Crockett Race Car 3.2 Jones, Christianne C. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Justice League Superman Action Figure Free
FREE JUSTICE LEAGUE SUPERMAN ACTION FIGURE PDF Jack Mathews | none | 12 Dec 2012 | Diamond Comic Distributors | 9781605843308 | English | none Superman Figure Justice League 10 Inch Character Justice League Superman Action Figure. Justice League - 10" Figures Released in by Mattel Born in the underwater world of Atlantis, Arthur Curry leads a dual life as Aquaman, protector of the world's oceans. He is able to "breathe" water, swim at speeds up to miles per hour. As a detective, martial arts master, and so much more, Batman earns his status as the World's Gr. Green Lantern. Justice League - 10" Figures Released in by Mattel A mysterious woman with angelic wings, Shayera Hol claims to be an undercover detective from the planet Thanagar—a war-like world located in an unknown sector of the universe—who found her. Martian Manhunter. Justice League - 10" Figures Released in by Mattel As is common among telepaths, the Martian Manhunter is an intensely silent figure. Even in his darkest moments, his mood is often reflected only the expression in his eyes. When he speaks, others li. Justice League - 10" Figures Released in by Mattel Though genetically an alien conceived on the planet Krypton, Superman is an American by birth, born in a Kansas cornfield. Through his deeds, Superman has become earth's preeminent super hero. The Flash. He has few friends who don't move in superhuman circles. Wally West has a reputation among his peers as. Wonder Woman. The amazing Justice League Superman Action Figure princess can soar on the air currents, and can move at superhuman spee. -
Blackadder Goes Forth Audition Pack
Blackadder Goes Forth Audition Pack Key Dates Audition Dates: • Tuesday 8 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 12 th May – 10.30am – 5.00pm • Sunday 13 th May – 10:00am – 3.00pm Recalls (if required): • Friday 18 th May – 6:00 – 10:00pm (Everyman Clubroom) • Saturday 19 th May – 10:00am – 1:00pm (Everyman Clubroom) Actors who are successfully cast need to understand that they MUST be available for all the following key dates • Technical Rehearsal: Sunday 11 th November (cast need to be available all day) • Dress Rehearsal: Monday 12 th November (evening) • Performance Dates: Tuesday 13 th – Saturday 17 th November; Evening Performances at 7.30pm, Saturday matinee at 2.30pm Rehearsal Nights Rehearsals will begin w/c Monday 3 rd September. Exact rehearsal nights will be confirmed nearer the time but are quite likely to be Tuesdays, Thursdays and Sundays. Not all cast will be required for every rehearsal. Plot Blackadder Goes Forth is set in 1917 on the Western Front in the trenches of World War I. Captain Edmund Blackadder is a professional soldier in the British Army who, until the outbreak of the Great War, has enjoyed a relatively danger-free existence fighting natives who were usually "two feet tall and armed with dried grass". Finding himself trapped in the trenches with another "big push" planned, his concern is to avoid being sent over the top to certain death. The show thus chronicles Blackadder's attempts to escape the trenches through various schemes, most of which fail due to bad fortune, misunderstandings and the general incompetence of his comrades. -
University Microfilms, Inc.. Ann Arbor, Michigan the UNIVERSITY of OKLAHOMA
This dissertation has been microfilmed exactly as received 68-17,491 TYLER, Jack DeWayne, 1940- DISTRIBUTION AND VERTEBRATE ASSOCIATES OF THE BLACK-TAILED PRAIRIE DOG IN OKLAHOMA. The University of Oklahoma, Ph,D., 1968 Zoology University Microfilms, Inc.. Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE DISTRIBUTION AND VERTEBRATE ASSOCIATES OF THE BLACK-TAILED PRAIRIE DOG IN OKLAHOMA. A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY JACK D. TYLER Norman, Oklahoma 1968 DISTRIBUTION AND VERTEBRATE ASSOCIATES OF THE BLACK-TAILED PRAIRIE DOG IN OKLAHOMA APPROVED BY wmw- DISSERTATION COMMITTEE ACKNOWLEDGEMENTS Research reported herein was conducted for the degree, Doctor of Philosophy at the University of Oklahoma. I would like to thank Dr. Charles C. Carpenter for valuable sugges tions and guidance as my major advisor, and the other members of my advisory committee, Drs. Carl D. Riggs, George J. Goodman, and Howard B. Haines for their critical examination of the manuscript. I am especially indebted to Mr. John Pickens, of Thomas, Oklahoma, without whose help in locating prairie dog towns this study would not have been possible; he has worked as a predator and rodent control agent in Oklahoma for )0 years. Other control agents to whom I am grateful are Mr. Bob McVicar of Buffalo, and Mr. Monte Dodson, head of the Oklahoma Division of Wildlife Services. Mr. Newell McNaughton, formerly of Duncan, was especially helpful in locating dogtowns in Stephens County. Many other government trappers, county agents, and farmers and ranchers rendered useful assistance. -
Dec. 2012 $10.95
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
No.61 2 1 0 2
D e c . 2 0 1 2 No.61 $10.95 Legion of Super-Heroes TM & © DC Comics. All Rights Reserved. Rights All Comics. DC © & TM Super-Heroes of Legion Volume 1, Number 61 December 2012 EDITOR-IN- CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER FLASHBACK: The Perils of the DC/Marvel Tabloid Era . .1 Rob Smentek Pitfalls of the super-size format, plus tantalizing tabloid trivia SPECIAL THANKS BEYOND CAPES: You Know Dasher and Dancer: Rudolph the Red-Nosed Rein- Jack Abramowitz Dan Jurgens deer . .7 Neal Adams Rob Kelly and The comics comeback of Santa and the most famous reindeer of all Erin Andrews TreasuryComics.com FLASHBACK: The Amazing World of Superman Tabloids . .11 Mark Arnold Joe Kubert A planned amusement park, two movie specials, and your key to the Fortress Terry Austin Paul Levitz Jerry Boyd Andy Mangels BEYOND CAPES: DC Comics’ The Bible . .17 Rich Bryant Jon Mankuta Kubert and Infantino recall DC’s adaptation of the most spectacular tales ever told Glen Cadigan Chris Marshall FLASHBACK: The Kids in the Hall (of Justice): Super Friends . .24 Leslie Carbaga Steven Morger A whirlwind tour of the Super Friends tabloid, with Alex Toth art Comic Book Artist John Morrow Gerry Conway Thomas Powers BEYOND CAPES: The Secrets of Oz Revealed . .29 DC Comics Alex Ross The first Marvel/DC co-publishing project and its magical Marvel follow-up Paul Dini Bob Rozakis FLASHBACK: Tabloid Team-Ups . .33 Mark Evanier Zack Smith The giant-size DC/Marvel crossovers and their legacy Jim Ford Bob Soron Chris Franklin Roy Thomas INDEX: Bronze Age Tabloids Checklist . -
The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article.