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David Hare's the Blue Room and Stanley
Schnitzler as a Space of Central European Cultural Identity: David Hare’s The Blue Room and Stanley Kubrick’s Eyes Wide Shut SUSAN INGRAM e status of Arthur Schnitzler’s works as representative of fin de siècle Vien- nese culture was already firmly established in the author’s own lifetime, as the tributes written in on the occasion of his sixtieth birthday demonstrate. Addressing Schnitzler directly, Hermann Bahr wrote: “As no other among us, your graceful touch captured the last fascination of the waning of Vi- enna, you were the doctor at its deathbed, you loved it more than anyone else among us because you already knew there was no more hope” (); Egon Friedell opined that Schnitzler had “created a kind of topography of the constitution of the Viennese soul around , on which one will later be able to more reliably, more precisely and more richly orient oneself than on the most obese cultural historian” (); and Stefan Zweig noted that: [T]he unforgettable characters, whom he created and whom one still could see daily on the streets, in the theaters, and in the salons of Vienna on the occasion of his fiftieth birthday, even yesterday… have suddenly disappeared, have changed. … Everything that once was this turn-of-the-century Vienna, this Austria before its collapse, will at one point… only be properly seen through Arthur Schnitzler, will only be called by their proper name by drawing on his works. () With the passing of time, the scope of Schnitzler’s representativeness has broadened. In his introduction to the new English translation of Schnitzler’s Dream Story (), Frederic Raphael sees Schnitzler not only as a Viennese writer; rather “Schnitzler belongs inextricably to mittel-Europa” (xii). -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
The Judas Kiss Directed by Michael Michetti
Contact: Niki Blumberg, Tim Choy 323-954-7510 [email protected], [email protected] Boston Court Pasadena presents David Hare’s The Judas Kiss Directed by Michael Michetti February 15 – March 24 Press Opening: February 23 2019 Theatre Season Sponsored by the S. Mark Taper Foundation PASADENA, CA (January 17, 2019) — Boston Court Pasadena commences the 2019 theatre season with a rare production of David Hare’s The Judas Kiss (February 15 – March 24), which tells the story of Oscar Wilde’s love for Lord Alfred “Bosie” Douglas – and tracking his downfall as he endures a brutal trial and life in exile. Helmed by Artistic Director Michael Michetti, the play examines a literary icon who continues to hold onto his passionate ideals of love and beauty as his life crumbles around him. Sir David Hare, the British playwright behind Plenty, Skylight, and Stuff Happens creates “an emotionally rich drama illuminated by Hare’s customary insight and humanity.” (The Globe and MaiI). The Judas Kiss features Rob Nagle (Oscar Wilde), Colin Bates (Lord Alfred “Bosie” Douglas), Darius De La Cruz (Robert Ross), Will Dixon (Sandy Moffatt), Matthew Campbell Dowling (Arthur Wellesley), Mara Klein (Phoebe Cane) and Kurt Kanazawa (Galileo Masconi). In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas. -
The Wild Boys Works by William S
THE WILD BOYS WORKS BY WILLIAM S. BURROUGHS PUBLISHED BY GROVE PRESS Naked Lunch The Ticket That Exploded The Soft Machine Nova Express The Wild Boys Word Virus: The William S. Burroughs Reader Last Words THE WILD BOYS A BOOK OF THE DEAD William S. Burroughs Copyright © 1969, 1970, 1971 by William S. Burroughs All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, or the facilitation thereof, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003. Acknowledgment is due to Alfred A. Knopf, Inc., for permission to quote from The Trial by Franz Kafka, translated by Willa and Edwin Muir, copyright © 1937, copyright © 1956 by Alfred A. Knopf, Inc. “Mother and I Would Like to Know” was first published in Evergreen Review No. 67; an earlier version appeared in Mayfair and was reprinted in The Job. The Wild Boys appeared in the collection The Soft Machine, Nova Express, and The Wild Boys: Three Novels, published as a Black Cat Book in 1980 and an Evergreen Book in 1988. Published simultaneously in Canada Printed in the United States of America Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914-1997. -
The Judas Kiss
2016 BAM Winter/Spring #TheJudasKiss Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer The Judas Kiss BAM Harvey Theater May 11—14, 17—21, 24—28 & 31, Jun 1—4, 7—11 at 7:30pm; May 14, 21, 28, Jun 4 & 11 at 2pm; May 15, 22, 29, Jun 5 & 12 at 3pm Running time: approx. two hours & 20 mins. including intermission Written by David Hare Directed by Neil Armfield Chichester Festival Theatre in association with Robert Fox, Theatre Royal Bath Productions, and Hampstead Theatre Productions Season Sponsor: Set design by Dale Ferguson Costume design by Sue Blane Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation Lighting design by Rick Fisher The Francena T. Harrison Foundation Trust Sound design by Paul Groothuis Donald R. Mullen Jr. Original Casting Director Cara Beckinsale CDG The Fan Fox & Leslie R. Samuels Foundation, Inc. The Morris and Alma Schapiro Fund Composed by Alan John The SHS Foundation The Shubert Foundation, Inc. Additional support provided by Broadway Stages. The Judas Kiss FOR THE JUDAS KISS General manager Kathy Bourne Associate director Jonathan O’Boyle Costume supervisor Allan Watkins Co-Costume supervisor/Wardrobe mistress Josie Thomas Wigs supervisor Helen Keelan Associate lighting Andrew Murrell Associate sound David Gregory Production manager Simon Marlow Production carpenter Micky Murray Company stage manager Ba Penney Deputy stage manager Sophia Dalton Canadian assistant stage manager Kathleen Harrison Rehearsal assistant stage manager Paul Puttock American stage manager R. -
The Breath of Life Opening
PRESS CONTACT: Kate Kerns 503.445.3715 [email protected] MEDIA RELEASE PORTLAND FAVORITES GRETCHEN CORBETT AND SHARONLEE MCLEAN STAR IN DAVID HARE’S SARDONIC DRAMA, THE BREATH OF LIFE “One of Hare’s finest ... bitingly funny … deeply affecting.” -The Daily Telegraph Previews Begin May 4 | Opening Night is May 10 | Closes June 16 Tickets start at $25 April 5, 2019 — PORTLAND, OR. Portland favorites Gretchen Corbett and Sharonlee McLean take the stage beginning May 4 to star in David Hare’s The Breath of Life , a two-woman play The Daily Telegraph called “bitingly funny.” When Francis Beale (McLean) decides she wants one last word with her ex- husband’s ex-lover (Corbett), both women are forced to confront their past, their failed relationships, dashed ideals and the lens through which they choose to view their futures. Ken Rus Schmoll (readings in six of the last ten JAW Festivals at The Armory, productions at Playwrights Horizons and New York Theatre Workshop) will direct. Corbett (One Flew Over the Cuckoo’s Nest , 2018 JAW Festival at The Armory) initially proposed this nuanced, character-driven play to Portland Center Stage at The Armory and did an early reading of the script with McLean ( The Receptionist and 25 others at The Armory). “It’s like doing Shakespeare, or Checkhov,” Corbett said of Hare’s script in a recent Artslandia interview. “He’s a spectacular writer, and that you get that opportunity to work with a really accomplished writer — as an actor — it’s such a privilege … He’s a funny, smart playwright.” “It’s hard,” McLean said of tackling this script. -
Skylight by David Hare Skylight
Read Ebook {PDF EPUB} Skylight by David Hare Skylight. Kyra is a young teacher working and living in one of London's less attractive districts. Tom's wife has recently died of cancer: he is a wealthy entrepreneur and Kyra's former lover. On a cold winter night Tom's teenage son, Edward, calls on the young teacher to beg her to be reconciled with his father. Tom himself arrives, wishing to expiate his guilt and renew his lust. Kyra complies, sort of, until the debate soars and the insults fly in a way that makes you wish your own kitchen-table tiffs were half as brutal, half as civilised. David Hare's passionate play is sharp and satisfying, an impassioned head-on collision of values and confused desires. Author David Hare. Sir David Hare (b 1947) Hare was born in Bexhill, East Sussex into a family with no tradition in theatre but which was keen for him to better himself through education, with the goal of becoming a chartered accountant. He has written little of his family and childhood except to record that Bexhill in the Fifties was "incredibly dull". In 1970 his first play 'Slag' was performed at the Hampstead Theatre Club and a year later he first worked at the National Theatre, beginning one of the longest relationships of any playwright with a contemporary theatre. Through the 1970s he also ran a touring theatre company working with a number of other writers and then in 1978 wrote 'Plenty', his most ambitious play to date which was almost universally panned by the London critics. -
GCE AS / a LEVEL the ABSENCE of WAR by DAVID HARE
GCE AS / A LEVEL THE ABSENCE OF WAR By DAVID HARE THE ABSENCE OF WAR DAVID HARE GCE AS \ A LEVEL \\ © WJEC CBAC Ltd 2016 THE ABSENCE OF WAR By DAVID HARE THE ABSENCE OF WAR – DAVID HARE ‘Britain’s leading contemporary playwright’ - The Times ‘The Absence of War’ is the final play in a trilogy looking at the state of Britain in the early 1990s. The three plays examine institutions within Britain and the effects of a Conservative Government on these institutions. The first play ‘Racing Demon’ (1990) examined the Church of England The second play ‘Murmuring Judge’ (1991) examined the judicial system. The third play ‘The Absence of War’ (1993) examined the world of politics. DAVID HARE Hare has been a prolific playwright since the 1960s. He was born in 1947 and grew up in the fervent atmosphere of the 1960s. He has a great interest in films and this has influenced his writing technique. He co-founded Portable Theatre Company, acting, directing and writing plays. Slag was first produced in London in 1970 at the Hampstead Theatre Club. He was Resident Dramatist at the Royal Court Theatre in London in 1970-1 and Resident Dramatist at the Nottingham Playhouse in 1973. He co-founded Joint Stock Theatre Group with David Aukin and Max Stafford-Clark in 1975, and held a US/UK Bicentennial Fellowship in 1977. GCE AS \ A LEVEL \\ © WJEC CBAC Ltd 2016 THE ABSENCE OF WAR By DAVID HARE His plays include: Knuckle (1974), winner of the Mail on Sunday John Llewellyn Rhys Prize Fanshen (1975), based on the book by William Hinton Plenty (1978), a portrait of -
James Mcneill Whistler in Context
AMES MCN FT I LT WHISTLER NTEXT ESSAYS FROM THE WHISTLER CENTENARY SYMPOSIUM UNIVERSITY OF GLASGOW, 2003 Edited hj Lee Gbzer, Margaret F, MacDoriald, Linda Merrill, and Nigel Thorp FREER GALLERY OF ART OCCASIONAL PAPERS NEW SERSES, VOL. 2 S M I T H S O N 1 A N I N S T 3 T U T I O N WASHINGTON, DrC,.y::M^ FREER GALLERY OF ART OCCASIONAL PAPERS NEW SERIES, VOL. 2 Freer Gallery of Art FREER GALLERY OF ART OCCASIONAL PAPERS ORIGINAL SERIES, 1947-1971 A. G. Wenley, llic Grand Empress Dowager Wen Ming and the Northern Wei Necropolis at Fang Shan, Vol I, no. I, 1947 Burns A. Stubbs, Paintings. Pastels, Drawings, Prints, and Copper Plates by and Attrihnted to Aitieriean and European Artists. Together with a List of Original Whistlenanti in the Freer Gallery of Art, Vol. 1, no. 2, 1948 Richard Ettinghausen, Studies in Muslim konograph]' I: Ihe Unicorn, Vol. 1, no. 3, 1950 Burns A. Stubbs, James McNeUl Whistler: A Biographical Outline, Illustrated from the Collections of the Freer Gallery of Art, Vol. 1 , no. 4, 1950 Georg Steindortf, A Royal Head from Ancient Egypt, Vol. 1, no. 5. 1951 lohn Alexander Pope, Fourteenth-Century Blue-and-Wliitc: A Group oj Chinese Porcelains in the Topkapi Sarayi Miizesi, Istanbul. Vol. 2, no. 1, 1952 Ruthertord f. Gettens and Bertha M. Usilton, Abstracts of Technical Studies in Art and Archaeology I94i-I952, Vol. 2, no. 2, 1955 Wen Fong, Vie Lohans and a Bridge to Heaven, Vol. 3, no. 1, 1958 Calligrapliers ami Painters: A Treatise by Qddi Ahmad. -
Mark Strong and Hope Davis Lead the Cast of 'The Red
18 July 2016 MARK STRONG AND HOPE DAVIS LEAD THE CAST OF ‘THE RED BARN’, A NEW PLAY BY DAVID HARE The Red Barn a new play by David Hare, based on the novel, La Main, by Georges Simenon opens in the Lyttelton Theatre on 6 October (press night 17 October). The great detective writer Georges Simenon escaped France at the end of World War Two, and arrived in the USA to start again. With his American wife, he settled at Shadow Rock Farm in Lakeville, Connecticut. Years later, he wrote La Main, a psychological thriller set in a New England farmhouse. David Hare has taken this novel and forged from it a startling new play that unfolds in Connecticut in 1969. On their way back from a party, two couples struggle home through the snow. Not everyone arrives safely. The cast includes Mark Strong who returns to the stage following his highly acclaimed performance as Eddie Carbone in A View from the Bridge for which he won the Olivier Award for Best Actor, and on transferring to Broadway was nominated for Tony and Drama Desk Awards for his performance. Mark’s television appearances include Our Friends in the North, Prime Suspect and Low Winter Sun and films such as Stardust, Body of Lies, Sherlock Holmes, The Young Victoria, Kick-Ass, Zero Dark Thirty, Tinker Tailor Soldier Spy, The Imitation Game and Kingsman: The Secret Service. Mark last appeared at the National Theatre as Dan in the 1997 production of Patrick Marber’s Closer. Hope Davis makes her UK stage debut in The Red Barn. -
The Memphis and Shelby County Room Music Listening Station Guide
The Memphis and Shelby County Room Music Listening Station Guide 1 The Memphis and Shelby County Room Music Listening Station Guide Instructions for Use Sign in at the Reference Desk for a pair of headphones Use this Guide to determine which album(s) you would like to listen to Power on the Receiver and the CD Changer Use the scroll wheel to select you album Push “Play” If others are waiting to listen, please limit your time to 2 hours After listening, turn off the Changer/ Receiver and return headphones to the Reference Desk Please do not open the Disc Changer or change any settings on the Changer or Receiver 2 CD Genre Artist Album Title Track Listing # Memphis blues / W. C. Handy - Tiger rag / D. J. LaRocca - Good news / Traditional spiritual, arr. Allen Todd II - A mess of blues / D. Pomus and M. Shuman - Let's stay together / Willie Mitchell, Al Green, Al Jackson - Fight song / Tom Ferguson - String quartet no.3, DRequiem : Oro Supplex/Lacrimosa ; Dies irae / John Baur - Ol' man The University 90 Years of making music river / Jerome Kern, arr. by James Richens - Allie call the beasts : Allie ; To be called Classical of Memphis in Memphis The 1 a bear / John David Peterson - Tender land : Stomp your foot upon the floor / Aaron Band University of Memphis Copland - I'm in trouble / Joe Hicks - MKG variations / Kamran Ince - Pockets : Three solos for double bass : number 1 / John Elmquist - Scherzo no.3 in c-sharp minor, op.39 / Frederic Chopin - Brass quintet : Intrada ; Finale / James Richens - Lucia di Lamermoor / Chi me frena in tal momento / Gaetano Donizetti. -
THE GIFT by Billy Bob Thornton & Tom Epperson Revised September
THE GIFT by Billy Bob Thornton & Tom Epperson Revised September 7. 1999 FADE IN: EXT. PRATT ELEMENTARY SCHOOL - AFTERNOON It's a one-story structure of yellow brick. School has let out, and kids are heading home, on foot, on bikes, in yellow buses, and in the cars of their moms. The CAMERA MOVES IN ON two brothers, MIKE, 11, and MILLER, seven. With them are a PUDGY BOY and a BIG-FOR-HIS-AGE BOY of Mike's age, and a BESPECTACLED LITTLE BOY of Miller's age. As they approach the street, a student crossing guard or "PATROL BOY" lowers a cane pole with a red flag attached to stop a car or two. BESPECTACLED LITTLE BOY (as they walk across the street) When I get in sixth grade, I'm gonna be a patrol boy. MILLER Me too. BIG-FOR-HIS-AGE-BOY I could be one if I wanted to, but I don't want to. PUDGY BOY You don't make good enough grades to be one... BIG-FOR-HIS-AGE-BOY Shit on you, Tommy, you don't know shit. MIKE (ending the matter) Patrol boys are all queers. EXT. A STREET - A LITTLE LATER - AFTERNOON The boys are walking down a quiet residential street. It's spring in the little Arkansas town of Parker (Pop. 9,567). The trees are full of tender green leaves, bushes blossom and flower beds are crowded with bright flowers. The big-for-his-age boy gives Tommy the pudgy boy a "watch this" nudge in the ribs.