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ARRILASER 2 the Next Generation Film Recorder ARRILASER 2 – the Next Generation Film Recorder

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ARRILASER 2 the Next Generation Film Recorder ARRILASER 2 – the Next Generation Film Recorder ARRILASER 2 The Next Generation Film Recorder ARRILASER 2 – The Next Generation Film Recorder The ARRILASER is the only film recorder to use laser technology. With this technology it has set industry standards in image quality, productivity and reliability, and has signi- ficantly reduced the cost of recording digital images onto film. It has even been reco- gnized and honored by the Academy of Motion Picture Arts and Sciences (A.M.P.A.S) with a Technical Achievement Award in 2002. To integrate the latest developments in electronics and software, and to incorporate the feature requests that have been raised over the years by ARRILASER customers, ARRI has implemented substantial changes in the imaging hardware, optics, electronics and host operating system. The ARRILASER 2 now supports a 16 bit image path, utilizes a Linux-based host featuring a completely overhauled GUI which offers unprecedented flexibility of operation and speeds up daily operations significantly. Over time five different models have derived from the Standard ARRILASER to meet the requirements of various postproduction business models. The ARRILASER 2 HD/DI represents an entry level system for emerging markets and start-up companies, while the ARRILASER 2 Speed Performance and Speed twoK are mid-range options. At the top of the range are the ARRILASER 2 HighSpeed twoK and HighSpeed Performance models - the ultimate choice for clients who cannot compro- mise on speed of operation or image resolution. 2002 STANDARD INDUSTRY THE RECORDING FILM IN Scientific and Engineering Award (Academy of Motion Picture Arts and Sciences) for the design and development of the ARRILASER Film Recorder. © A.M.P.A.S. ® 2 ARRI DIGITAL INTERMEDIATE SYSTEMS | | ARRILASER 2 ARRILASER 2 Models Speed Speed HighSpeed HighSpeed HD/DI twoK Performance twoK Performance Speed specification Sec/frame Sec/frame Sec/frame Sec/frame Sec/frame HD 3.4 1,9 1,9 0,9 0,9 2K 1:1.85 3.2 1,7 1,7 0,8 0,8 2K Fullap 4.1 2,2 2,2 1,1 1,1 4K 1:1.85 – – 2,9 – 1,3 4K fullap – – 3,8 – 1,9 Intermediate film stock • • • • • Camera negative stock Optional Optional Optional Optional Optional Resolution 2K • • • • • Resolution 4K – – • – • On-the-fly image processing • • • • • ARRICUBE color management Optional Optional Optional Optional Optional Optional module HD, Native Academy, 3-Perforation The ARRILASER is designed as a modular system, so each model is fully upgradeable. Please refer to the upgrade matrix at the end of this brochure. 3 Laser Light Source Three solid state lasers are used in the ARRILASER, producing monochro- matic light beams in the colors red, green and blue. With a perfect Gaussian shape, very long life expectancy and minimal size as well as power consump- tion, they are the key to the ARRILASER’s unrivalled image quality. The data for each color channel and pixel is fed to an Acousto-optical Modulator (AOM) as a light intensity value, according to which the beam intensity is controlled. The AOM translates the digital data of each pixel into beam intensity in less than 17 nanoseconds. Deflection System Moving parts on the ARRILASER are designed to sustain a minimum of wear. A new aerostatic bearing motor, which encounters no mechanical friction during operation, is used to achieve the speed required for the deflection of the beam. Line by line is written on film in an ultra precision linear stage. A linear induction motor moves the stage through direct magnetic induction without any additional moving parts such as gears. STATE OF THE ART TECHNOLOGY ART THE OF STATE 4 ARRI DIGITAL INTERMEDIATE SYSTEMS | | ARRILASER 2 Camera and Film Transport The increased CPU capacity of the new ARRILASER camera electronics enables more sophisticated control of motors in the camera and magazines. In addition, the display and the camera buttons now offer expanded and improved features. Control of the ARRILASER using the display and the camera buttons has been simplified to allow more intuitive camera operation and film loading. The two camera buttons now function as soft keys and can be used to make all necessary setup entries. At every stage the display indicates exactly what will be achieved by pressing either of the buttons. The operator can now specify what film type/emulsion has been loaded into the feed magazine. With these parameters in place, the ARRILASER is able to calculate the amount of remaining negative in the magazines and display these quantities in either feet or meters. This gives the operator an accurate idea of the remaining film stock in the feed maga- zine and therefore minimizes film wastage. 5 6 ARRI DIGITAL INTERMEDIATE SYSTEMS | | ARRILASER 2 Internal Electronics and Processing Newly designed electronics now allow the bit depth of the internal processing to be raised from 10-bit to 16-bit, thereby rendering addi- tional bit depth conversion unnecessary. This enables the processing of all 16-bit image data without any compression, from the file loader all the way down the data path to the D/A converter (digital-to-analog converter). The implementation of commonly-used FPGAs (field-program- mable gate arrays) on the electronics board results in improved data handling and eliminates image transfer errors. In combination with the CAN bus protocol, this speeds up both internal communication and processing, while also making the system safer. TOP LEVEL DESIGN HIGH PERFORMANCE HIGH DESIGN LEVEL TOP 7 ARRILASER Software The new ARRILASER Trillian interface offers unprecedented flexibility of operation and is itself capable of speeding up daily operations. Trillian’s main advantage is its ability to control and operate multiple lasers with the ease of just one application. Job Editor A single, centralized job database allows multiple reel recording with just one click and greatly simplifies both job and calibration management. The new job editor allows easier access to recording jobs and also permits greater control of all image processing options. Image Courtesy of EFilm Hollywood 8 ARRI DIGITAL INTERMEDIATE SYSTEMS | | ARRILASER 2 ImageBooster Real-Time Image Viewer The existing ARRILASER Image Process- A new image viewer with A/B comparison fully visual- ing Engine is being replaced by the new izes the image manipulation to avoid any unpleasant ARRILASER ImageBooster software that surprises after a recording has finished. With the new is also used in the ARRISCAN film scan- GPU-based rendering, all image manipulations made ner and ARRIFLEX D-21 camera. The by the ARRILASER ImageBooster can be played back ImageBooster utilizes not only the Host in real-time. PC’s CPU (Computer Processing Unit), but also – in line with the latest develop- ments – permits rendering to be carried Status Monitor out entirely with the GPU (Graphics Processing Unit). New software modules such as the Status Monitor allow everyone involved to have a constant overview of the progress of each individual recorder. There is no need to install any software to access the Status Moni- tor as it is simply an HTML broadcast and therefore runs on any internet browser that has access to the company’s network. 9 Additional Options ARRICUBE CREATOR Software – Color Management Solution Camera Negative Module – Recording onto Camera Negative Material This stand-alone software enables the user to create custo- The camera negative option enables the ARRILASER to shoot onto mized 3D LUTs for video-to-film work, which can be used on camera negative film stock. Please see the ARRILASER technical the ARRILASER with the Trillian 3D LUT Node. The ARRICUBE specification sheet for details of supported film stocks. Creator generates also any kind of preview, Out-of-Gamut and XYZ conversion 3D LUTs for the DI workflow based on a digital HD Module – Recording of 1920 Pixel per Line display measurement and on a film profiling. This software plug-in allows recording of native 1920 pixel per line (HD Format) across the full aperture or academy area of the film without any TRILLIAN 3D Lut Node – ARRILASER 3D Lut Loader rescaling. This enables the ARRILASER Trillian to load a 3D LUT and to utilize the ARRICUBE Creators video-to-film 3D LUTs during the Native Academy Module – Recording Of Full Apperture Images recording process. ARRICUBE Creator video-to-film 3D LUTs This software plug- in allows recording of native full aperture images offer the possibility to match all colors of the film projection (2048 or 4096 pixel per line) across the academy area of the film without perfectly with the colors of a video monitor. any rescaling 3-Perforation Module – Recording of 3-perf Material This allows the ARRILASER to generate a 3-perf negative with image frames that are three perforations high. Technical Data Dynamic range 2.046 status M density above Dmin on intermediate film stock MTF 40 % @ 40 lp / mm horizontal and vertical Film transport 2000’ magazines, supply and take-up separate Shuttle mode 10 frames per second Kodak Vision Color Intermediate Film 5242/2242; Fuji ETERNA-RDI 8511/4511; EASTMAN Fine Grain Duplicating Panchromatic Negative Film 5234/5366; Separation Material 2238 Supported filmstocks Optional with Camera Negative Module: Kodak Vision 2 100; Kodak Vision 2 50D 5201; Fuji 64D 8522; Fuji ETERNA Vivid 160 8543 Host computer Linux Redhat distribution with graphical user interface and machine and job database Network interface Gigabit Ethernet and Fibre Channel HBA Dual 4GB, others upon request ARRILASER 2 size 115 x 115 x 65 cm weight approx. 285 kg Physical dimensions ARRIAIR (Air compressor) size 62 x 42 x 67 cm weight 64 kg noise ≤ 45 db(A) operating voltage 100–120V 6A / 200–240V 3A Electrical requirements power consumption < 700 KW incl. host computer frequency 50Hz/60Hz room temperature 19 – 24° Celsius Operating environment rel.
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