DALLAS SYMPHONY ORCHESTRA Broadcast Schedule — Winter 2017

Total Page：16

File Type：pdf, Size：1020Kb

DALLAS SYMPHONY ORCHESTRA Broadcast Schedule — Winter 2017 PROGRAM #: DSO 17-01 RELEASE: December 27, 2016 CONDUCTOR: Jaap van Zweden BRAHMS Symphony No. 1 in C minor, Op. 68 MAHLER Symphony No. 1 in D major (including Blumine) PROGRAM #: DSO 17-02 RELEASE: January 3, 2017 CONDUCTOR: Yan Pascal Tortelier (Ravel, Rodrigo, and Franck) Nicholas Carter (Higdon, Brahms) SOLOIST: Pepe Romero, guitar (Rodrigo) RAVEL Rapsodie espagnole RODRIGO Concierto de Aranjuez FRANCK Symphony HIGDON blue cathedral BRAHMS Song of Destiny PROGRAM #: DSO 17-03 RELEASE: January 10, 2017 CONDUCTOR: Jun Märkl (Wagner, Stravinsky) Nicholas Carter (Orff) WAGNER Overture to The Flying Dutchman STRAVINSKY Petrushka ORFF Carmina Burana PROGRAM #: DSO 17-04 RELEASE: January 17, 2017 CONDUCTOR: Jaap van Zweden SOLOIST: Erin Hannigan, oboe (Gill) BORSTLAP Solemn Night Music (World Premiere) JEREMY GILL Serenada Concertante (World Premiere) BRUCKNER Symphony No. 5 PROGRAM #: DSO 17-05 RELEASE: January 24, 2017 CONDUCTOR: Simone Young SOLOIST: Karen Gomyo, violin PFITZNER Palestrina Prelude GLASS Violin Concerto HOLST The Planets PROGRAM #: DSO 17-06 RELEASE: January 31, 2017 CONDUCTOR: Andrew Grams TCHAIKOVSKY The Nutcracker PROGRAM #: DSO 17-07 RELEASE: February 7, 2017 CONDUCTOR: Donald Runnicles SOLOIST: Alexander Kerr, violin BRITTEN Four Sea Interludes from Peter Grimes, Op.33a WALTON Violin Concerto VAUGHAN WILLIAMS Fantasia on a Theme by Thomas Tallis ELGAR In the South, Op.50 PROGRAM #: DSO 17-08 RELEASE: February 14, 2017 CONDUCTOR: Jaap van Zweden SOLOIST: Leonidas Kavakos, violin BARTOK Violin Concerto No. 2 BEETHOVEN Symphony No. 5 PROGRAM #: DSO 17-09 RELEASE: February 21, 2017 CONDUCTOR: James Gaffigan SOLOIST: Behzod Abduraimov, piano ADAMS Tromba lontana COPLAND Quiet City TCHAIKOVSKY Piano Concerto No. 1 in B-flat minor, Op. 23 SCHUMANN Symphony No. 4 in D minor, Op. 120 PROGRAM #: DSO 17-10 RELEASE: February 28, 2017 CONDUCTOR: Ton Koopman SOLOISTS: Demarre McGill, flute TELEMANN Suite No. 3 (from Tafelmusik) C.P.E. BACH Flute Concerto in A Major HANDEL "Entrance of the Queen of Sheba" from Solomon J.S. BACH Suite No. 3 PROGRAM #: DSO 17-11 RELEASE: March 7, 2017 CONDUCTOR: Jun Märkl (Dvorak) Jaap van Zweden (Bach-Webern, Wagner) SOLOIST: Daniel Müller-Schott, cello DVORAK Cello Concerto in B minor, Op. 104, B. 191 BACH-WEBERN Ricercare WAGNER Die Walküre PROGRAM #: DSO 17-12 RELEASE: March 14, 2017 CONDUCTOR: Jaap van Zweden MAHLER Das Klagende Lied DVOŘÁK Symphony No. 7 PROGRAM #: DSO 17-13 RELEASE: March 21, 2017 CONDUCTOR: Jaap van Zweden SOLOIST: Katia & Marielle Labéque, pianos (Poulenc) Louis Lortie, piano (Saint-Saëns) POULENC Double Piano Concerto CONRAD TAO Alice (World Premiere) SAINT-SAËNS Piano Concerto No. 5 (Egyptian) SAINT-SAËNS Symphony No. 3 (Organ Symphony) .

Copy Link

Recommended publications

Phoenix Symphony Music Director Tito Muñoz to Conduct Berkeley Symphony Concert Thursday, February 4 at Zellerbach Hall
FOR IMMEDIATE RELEASE / February 1, 2016 Contact: Jean Shirk [email protected] / 510-332-4195 http://www.berkeleysymphony.org/about/press/ Phoenix Symphony Music Director Tito Muñoz to conduct Berkeley Symphony concert Thursday, February 4 at Zellerbach Hall Berkeley Symphony Music Director Joana Carneiro withdraws from concert for medical reasons l to r: Tito Muñoz, Conrad Tao. Photo credits: Muñoz: Dario Acosta. Tao: Brantley Gutierrez BERKELEY, CA (February 1, 2016) – Music Director Joana Carneiro has withdrawn from this week’s Berkeley Symphony concert with composer and pianist Conrad Tao for medical reasons. Phoenix Symphony Music Director Tito Muñoz will lead the Orchestra and Tao in a performance of Beethoven’s Piano Concerto No. 5, “Emperor,” on Thursday, February 4 at 8 pm at Zellerbach Hall in Berkeley. Muñoz also conducts the Orchestra in Lutosławski’s Concerto for Orchestra, an orchestral showpiece. Tickets are $15-$74 and are available at www.berkeleysymphony.org or by phone at (510) 841- 2800, ext. 1. Berkeley Symphony offers a $7 Student Rush ticket one hour prior to each performance for those with a valid student ID. Tito Muñoz is Music Director of the Phoenix Symphony, a post he began with the 2014-15 season. He has also held the posts of Music Director of the Opéra National de Lorraine and the Orchestre symphonique et lyrique de Nancy, Assistant Conductor of The Cleveland Orchestra, and Assistant Conductor of the Cincinnati Symphony Orchestra and the Cincinnati Chamber Orchestra. An alumnus of the National Conducting Institute, Muñoz made his professional conducting debut in 2006 with the National Symphony Orchestra.
[Show full text]
College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed.
[Show full text]
27.1. at 20:00 Helsinki Music Centre We Welcome Conrad Tao Sakari
27.1. at 20:00 Helsinki Music Centre We welcome Conrad Tao Sakari Oramo conductor Conrad Tao piano Lotta Emanuelsson presenter Andrew Norman: Suspend, a fantasy for piano and orchestra 1 Béla Bartók: Divertimento for String Orchestra 1. Allegro non troppo 2. Molto adagio 3. Allegro assai Conrad Tao – “shaping the future of classical music” “Excess. I find it to be for me like the four, and performed Mozart’s A-major pia- most vividly human aspect of musical no concerto at the age of eight. He was performance,” says pianist Conrad Tao (b. nine when the family moved to New York, 1994). And “excess” really is a good word where he nowadays lives. Beginning his to describe his superb technique, his pro- piano studies in Chicago, he continued at found interpretations and his emphasis on the Juilliard School, New York, and atten- the human aspect in general. ded Yale for composition. Tao has a wide repertoire ranging from Tao has had a manager ever since Bach to the music of today. He has also he was twelve. As a youngster, he also won recognition as a composer, and one learnt the violin, and several times in who, he says, views his keyboard perfor- 2008/2009 played both the E-minor vio- mances through the eyes of a composer. lin concerto and the first piano concerto His many talents and his ability to cross by Mendelssohn at one and the same con- traditional borders have indeed made him cert, but he soon gave up the violin. a notable influencer and a model for ot- Despite having all the hallmarks of a hers.
[Show full text]
Conrad Tao ($50,000 Scholarship Recipient)
Davidson Fellow Laureate Conrad Tao ($50,000 Scholarship Recipient) Personal Info Conrad Tao Age: 14 New York, New York School, College and Career Plans Conrad is entering his sixth year at The Juilliard Pre-College Division and is a rising sophomore in the independent study program through the Indiana University High School of Continuing Studies. He would like to be a concert pianist and professional composer. Davidson Fellows Submission (Music) In his project, “Bridging Classical Music from the Past to the Future as Pianist and Composer,” Conrad makes classical music relevant to younger generations through performances that display a vast knowledge, deep understanding and mature interpretation of the repertoire. A composer, pianist and violinist attending The Juilliard Pre-College Division, he has been featured on NPR’s “From the Top,” performed at Carnegie Hall and has received five consecutive American Society of Composers, Authors and Publishers (ASCAP) Morton Gould Young Composer Awards. Biography “We’re not in 1700 anymore…we have computers, we have cell phones…come on, we need some new music!” (“From the Top,” October 2004) This remark captures Conrad’s belief that in order to move music forward we must embrace the music of today. He feels that since he is a young musician himself, he is uniquely situated to appreciate the well-known works from the past while understanding the interest the current generation has in music created in their lifetime. Before moving to New York City from Urbana, Illinois, Conrad was a detractor of contemporary music, feeling it was atonal and incomprehensible. Inspired by his Juilliard teachers, he began to understand the importance of novelty in the world of classical music and now routinely incorporates a new or underappreciated work in all his recitals and programming.
[Show full text]
Production Database Updated As of 25Nov2020
American Composers Orchestra Works Performed Workshopped from 1977-2020 firstname middlename lastname Date eventype venue work title suffix premiere commission year written Michael Abene 4/25/04 Concert LGCH Improv ACO 2004 Muhal Richard Abrams 1/6/00 Concert JOESP Piano Improv Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Violin & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Double Bass & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/9/00 Concert CH Tomorrow's Song, as Yesterday Sings Today World 2000 Ricardo Lorenz Abreu 12/4/94 Concert CH Concierto para orquesta U.S. 1900 John Adams 4/25/83 Concert TULLY Shaker Loops World 1978 John Adams 1/11/87 Concert CH Chairman Dances, The New York ACO-Goelet 1985 John Adams 1/28/90 Concert CH Short Ride in a Fast Machine Albany Symphony 1986 John Adams 12/5/93 Concert CH El Dorado New York Fromm 1991 John Adams 5/17/94 Concert CH Tromba Lontana strings; 3 perc; hp; 2hn; 2tbn; saxophone1900 quartet John Adams 10/8/03 Concert CH Christian Zeal and Activity ACO 1973 John Adams 4/27/07 Concert CH The Wound-Dresser 1988 John Adams 4/27/07 Concert CH My Father Knew Charles Ives ACO 2003 John Adams 4/27/07 Concert CH Violin Concerto 1993 John Luther Adams 10/15/10 Concert ZANKL The Light Within World 2010 Victor Adan 10/16/11 Concert MILLR Tractus World 0 Judah Adashi 10/23/15 Concert ZANKL Sestina World 2015 Julia Adolphe 6/3/14 Reading FISHE Dark Sand, Sifting Light 2014 Kati Agocs 2/20/09 Concert ZANKL Pearls World 2008 Kati Agocs 2/22/09 Concert IHOUS
[Show full text]
Full Orchestra
John Adams City Noir 2009 34 min for orchestra picc.3(III=picc).3.corA.3(III=bcl).bcl.asax.dbn--6.4.3.1--timp.perc(5):vib/lg sus.cym/SD/bongos; tuned gongs/sus.cym/glsp/mar/tam-t/BD/chimes/vib/low tom-toms/tgl/castanets/cowbell/clave/temple bl; chimes/glsp/tamb/med tam-t/2 timbales/sus.cym/crotales/xyl; BD/tuned gongs/med tam-t/2 sus.cym/mar/crotales/castanet/tgl/glsp; 2 tam-t/BD/sus.cym/tgl/temple block/SD/2 tom-t/timbale/bongo/conga/tuned gongs.trap set--pft--cel--2harps--strings 9790051097791 Orchestra (full score) John Adams photo © Christine Alicino World Premiere: 08 Oct 2009 Walt Disney Concert Hall, Los Angeles, CA, United States Los Angeles Philharmonic FULL ORCHESTRA Conductor: Gustavo Dudamel Availability: This work is available from Boosey & Hawkes for the world Absolute Jest 2011 25 min Doctor Atomic Symphony 25 min for string quartet and orchestra 2007 2.picc.2.corA.2.bcl.2.dbn-4.2.2.0-timp.perc(2):cowbell/xyl/BD/chimes/glsp/vib-harp-pft.c for orchestra el-strings 2.picc.3(III=corA).3(II=Ebcl, III=bcl).3(III=dbn) -4.4(IV=picc.tpt).3.1-harp-cel-timp-perc(4):crotales/chimes/SD/thunder sheet/glsp/BD/2 This work requires additional technological components and/or amplification. tam-t/2 susp.cym/tuned gongs-strings 9790051097326 (Full score) <u>NOTE</u>: Due to certain balance issues in the orchestration, it is strongly recommended that very light amplification of the solo quartet be used with the sound controlled through a mixing board located at the rear, behind the audience.
[Show full text]
An HD Odyssey
The Earth - An HD Odysse y Grades 9-12 Young Peopl e's Concert Listening Guide PERFORMERS Nashville Sympho ny Giancarlo Guerrero, condu ctor PROGRAM John Adams – Short Ride in a Fast Machine R. Strauss – Also sprach Zarathustra The program will be accompanied by high-definition images taken from NASA missions to Earth’s orbit JOHN ADAMS Born on February 15, 1947, in Worcester, Massachusetts; currently lives in Berkeley, California John Adams, whose new opera Girls of the Golden West received its world premiere at the end of last year at San Francisco Opera, is equally at home on the stage and in the concert hall. In fact, Short Ride in a Fast Machine is a concert-opening fanfare that Adams wrote during the period, in the mid-1980s, when he was busy composing his first opera, Nixon in China. It also shows a kinship with the exultant passages of Harmonielehre, Adams’s breakthrough orchestral work that preceded Nixon. Adams had an opportunity around this time to experiment twice with the format of the stand-alone concert fanfare. Preceding Short Ride in a Fast Machine was Tromba Lontana (“Distant Trumpet”). The composer characterizes both pieces as “in extremis versions of the traditional fanfare.” As a pair, they form a kind of fanfarish yin-and-yang: Tromba being a reserved, ruminative “anti-fanfare,” while Short Ride is a boisterously in-your-face, virtuoso roller coaster ride of orchestral sonorities. Although both are sometimes presented as companion pieces, Adams points out that he never actually intended them to be played together. WHAT TO LISTEN FOR: Short Ride in a Fast Machine Composed: 1986 First performance: June 13, 1986, with Michael Tilson Thomas conducting the Pittsburgh Symphony Short Ride might almost be heard as a concise primer on how Adams forged a freshly powerful musical language all his own from the building blocks of Minimalism as well as from the vernacular idioms of his upbringing—all transmogrified by his buoyant imagination.
[Show full text]
FMSO COMMISSION Or COMMISSION PARTICIPANT
FMSO COMMISSION or COMMISSION PARTICIPANT MAJOR COLLABORATION WITH OTHER ORGANIZATION/COMMUNITY OUTREACH PROJECT HYBRID PROGRAMMING – POPS/THEMATIC/TRADITIONAL AUDIO-VISUAL ENHANCEMENT LOCAL/YOUTH EMPHASIS MASTERWORKS SERIES PROGRAMMING – 2005 – Present 2018-2019 – EXPERIENCE THE SYMPHONY CHEE-YUN & SERGEY Dvorak – Slavonic Dances No. 2 & 7 Popper – Hungarian Rhapsody – with cellist SERGEY ANTONOV Liszt – Mephisto Waltz No. 1 Saint-Saëns – Introduction & Rondo Capriccioso – with violinist CHEE-YUN Brahms – Double Concert – with CHEE-YUN & SERGEY HIGDON HARP CONCERTO – regional premiere Mozart – Concerto for Flute & Harp, mvt. 2 – with harpist YOLANDA KONDONASSIS & Deb Harris Higdon – Harp Concerto – with harpist YOLANDA KONDONASSIS Nielsen – Symphony No. 4 “The Inextinguishable” MYTHICAL HEROES & WOMEN WARRIORS - with projected images Djawadi/Peterson – Music from “Game of Thrones” Smetana – “Sarka” from Ma Vlast (My Homeland) Shore – Music from “Lord of the Rings” Sibelius – Four Legends from the “Kalevala” (Lemminkainen Suite) THE VIRTUOSO NEXT DOOR – featuring FMSO musicians as soloists Shostakovich – Festive Overture (side by side with FMAYS Sr. High Orchestra) Poulenc – Double Piano Concerto – with pianists Jay Hershberger & Tyler Wottrich Tower – Fanfares for the Uncommon Woman – featuring FMSO brass & percussion Adams – Tromba Lontana – featuring FMSO trumpets Corigliano – Chaconne from “The Red Violin” CLAUSEN WORLD PREMIERE – FMSO COMMISSION Wagner/Clausen – “Elsa’s Procession to the Cathedral” from Lohengrin Copland – Appalachian Spring Clausen – TITLE TBA – FMSO Commission 2017-2018 – JUMP IN ALTERED STATES Hermann – Music from “Psycho” Corigliano – “Three Hallucinations” from Altered States Berlioz – Symphonie Fantastique THE ILLUMINATED SOUL – A COLLABORATION WITH THE ST. JOHN’S BIBLE PROJECT Bruch – Ave Maria (with cellist Inbal Segev) Bloch – Schelomo (with cellist Inbal Segev) Strauss – Death and Transfiguration Theofanidis – Rainbow Body (with projected images from The St.
[Show full text]
Bravo! Vail 2020 / 1
Bravo! Vail 2020 / 1 FOR IMMEDIATE RELEASE February 26, 2020 NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 18th ANNUAL SUMMER RESIDENCY, JULY 22–29, 2020 MUSIC DIRECTOR JAAP VAN ZWEDEN To Conduct Music by MAHLER, TCHAIKOVSKY, MOZART, BEETHOVEN, STEVE REICH, and More BRAMWELL TOVEY To Conduct Evening of Stephen SONDHEIM AND BERNSTEIN Pianist BEATRICE RANA To Make New York Philharmonic Debut Other Soloists To Include Violinist GIL SHAHAM, Pianist CONRAD TAO, Vocalist KELLI O’HARA, Soprano JOÉLLE HARVEY, and Mezzo-Soprano SASHA COOKE The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 18th annual summer residency there, performing six orchestral concerts July 22–29, 2020. Jaap van Zweden will return to Vail as Philharmonic Music Director, conducting four concerts featuring works by Wagner, Barber, Tchaikovsky, Mozart, Mahler, Beethoven, and Steve Reich. Bramwell Tovey will return to Vail with the Philharmonic to lead two concerts: an evening of music by Stephen Sondheim and Bernstein, and a program of works by Tchaikovsky and Berlioz. The soloists include violinist Gil Shaham, pianists Beatrice Rana (in her Philharmonic and Bravo! Vail debuts) and Conrad Tao, vocalist Kelli O’Hara, soprano Joélle Harvey, and mezzo-soprano Sasha Cooke. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Wednesday, July 22: Jaap van Zweden will conduct the opening concert of the Philharmonic’s residency, which will be followed by the Bravo! Vail Gala. The concert will feature Barber’s Knoxville: Summer of 1915 and Broadway selections, with vocalist Kelli O’Hara; Wagner’s Prelude to Act I of Die Meistersinger; and Tchaikovsky’s Symphony No.
[Show full text]
Norton Reopens with New Performance and Lecture Series
Norton Reopens with New Performance and Lecture Series, and Revamped Art After Dark AMONG THOSE TO APPEAR: ARTISTS NICK CAVE, NINA CHANEL ABNEY, AND PAE WHITE, COMPOSER DAVID LANG, AND ART CRITIC HILTON ALS WEST PALM BEACH, FL (Oct. 22, 2018) – The February debut of the Norton Museum of Art’s much-anticipated expansion features more than new galleries, gardens, classrooms, auditorium, restaurant, and store. The Norton is also presenting an array of new programming. Among the new offerings are an Arts Leader Lecture Series, an Artist Talks series, a Sunday Speakers series, a Norton Cinema series, featuring independent and rarely screened films, and a Contemporary Dance series. A returning Live! At the Norton concert series will present musicians and composers on the leading edge of contemporary classical music. Artist Nick Cave’s Soundsuit-filled 2010 Norton exhibition, Meet Me at the Center of the Earth, was one of the Museum’s most popular in years. His return is highly anticipated. Composer David Lang, who is the recipient of both a Grammy Award (2010) and a Pulitzer Prize (2008), and was recently lauded in The New York Times for a creative work for 1,000 voices presented on Manhattan’s Highline, makes his first visit to the Museum for a performance of his work. Hilton Als, another Pulitzer Prize winner (for criticism in 2017), who is considered one of the freshest and most vibrant voices in arts writing today, also visits the Norton for the first time as part of the Arts Leader Lecture Series. And Chicago-born, New York-based artist Nina Chanel Abney is the subject of this year’s Recognition of Art by Women (RAW) exhibition, which annually showcases the work of an emerging, living women painter or sculptor.
[Show full text]
Tromba Lontana F *}Rra,&,Cll;Ricx,& S (Fo 1S4?I
Tromba lontana f *}rra,&,cll;ricx,& s (fo 1S4?i Trombq lontana is one of two pieces that Adams' publishers brought together under the title Two Fanfares. lts companion, however, couldn't be more different - Short Ride in a Fast Machine is loud, boisterous, full of kaleidoscopic colour and rhythmic drive. Adams insists that he never intended the two works to be paired, but recent history nevertheless brought them together. Short Ride in a Fast Machine had originally been programmed for the Last Night of the Proms on 1 5 September 200'l , just four days after the 9/1 1 terrorist attacks - wisely considered inappropriate at a time of such turmoil and grief, it was replaced with the consoli ng, contemplative Trom ba lonta n a. The music It's a relatively early work in Adams'output and comes from a time when it still felt appropriate to call his music'minimalist' - certainly in the gently rippling, pulsing orchestral backdrop to the trumpets' insistent calls. Adams' glittering texture US composerJohn Adams wrote the of glockenspiel, piano, harp, flutes and brief orchestral fanfare Tromba lontana piccolos almost sounds gamelan-like, * literally'distant trumpet'- in 1986 for an effect emphasised by the strangely the Houston Symphony, as part of a unresolved mode he uses. Further in celebration marking the 150th anniversary the background, the strings play almost of Texas' declaration of independence unheard, slow-moving chords, the double from Mexico. lt was part of a fanfare basses growling at the very bottom of their commissioning project instigated by fellow register. The trumpets'fanfare themes are US composer Tobias Picker, but what restricted to just a few pitches that return Adams came up with was a deliberately again and again - Adams describes them provocative'a nti-fa nfa re'.
[Show full text]
Conrad Tao, Piano Colloquially Known As the “Appassionata,” Has Back Into the Home Key of F Minor
Cal Performances Presents Program Notes Sunday, November 2, 2008, 3pm Ludwig van Beethoven (1770–1827) except for a few very brief breaks. The music re- Hertz Hall Piano Sonata No. 23 in F minor, Op. 57, mains at a low dynamic for an extended period “Appassionata” (1804–1806) of time, making the moments of fortissimo more intense and meaningful. A faster coda brings in a Beethoven’s Sonata No. 23 in F minor, Op. 57, new theme which leads into an extended cadence Conrad Tao, piano colloquially known as the “Appassionata,” has back into the home key of F minor. The finale of long been regarded as one of the great sonatas of the “Appassionata” was unusual for Beethoven be- Beethoven’s middle period. It was begun in 1804 cause it ends on a tragic note, which seemingly had PROGRAM and completed in 1806. The “Appassionata” had a never happened before in Beethoven’s works in so- feverishly intense storminess unseen in Beethoven’s nata form. The “Appassionata” lives up to its name earlier works. In fact, the sonata was considered (which, admittedly, was not Beethoven’s at all but Ludwig van Beethoven (1770–1827) Piano Sonata No. 23 in F minor, Op. 57, Beethoven’s most intense work until the massive that of a publisher), with fiery passion and anger “Appassionata” (1804–1806) “Hammerklavier” Sonata of 1817–1818. During present in equal measure. the composition of the “Appassionata,” Beethoven Allegro assai came to grips with his progressing deafness, and Andante con moto the music reflects on that. John Corigliano (b.
[Show full text]