DOCSLIB.ORG

Zsat 120712 126 Songs, 3:05:00 Total Time, 274 MB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zsat 120712 126 Songs, 3:05:00 Total Time, 274 MB zsat 120712 126 songs, 3:05:00 total time, 274 MB Name Time Album Artist To start press any key where is the any key? 0:04 Simpsons Homer Simpson Chromium Switch truncated 0:07 Firesign Theatre Station Identification 0:07 Station ID Cara Dell'Apa Rock At The Hop <Saturday Night> 2:33 Bobby Mansfield (& Dusters) Bush Jamie is boring 2 _bore to about 03_ 0:07 Mr. know it all unlimitedMisinformation 0:10 The City 2:31 Rock 'n' Roll Drum Beat Sandy Nelson fargo-newcar 0:04 Cadillac Man 2:36 Sun Records Collection (Disc 3) The Jesters You know who I am? 0:02 Mr. Rogers Neighborhood Fred Rogers I'm The Fat Man 2:29 Rhythm 'N' blues - Shouters CD3 Big John Greer Attention kmart shopper blue light 0:03 Soda Shoppe Rock 1:40 Rock the Joint! The Jimmy Cavallo Collection 195… Jimmy Cavallo That Old Time Rock & Roll 2:19 Kool Kat Doo Wops: Volume 2 Art Neville Rock & Rollin' & A-Strollin' <dance names> 2:51 Gone Rock & Roll Party Faye Simmons dancin 0:04 Simpsons Sloopytime <dance instruction> 2:24 The Jerk Boom! Bam! 2 Bobby & The Expressions busybodies 0:03 Bullwinkle and Rockie Boris Badenough The 81 <dance invitation names other dances> 2:35 Cameo Parkway (CamPark Records): On The North… Candy & The Kisses floatsting 0:03 Sting-A-Ree 2:46 The Bullet Records Story: The First Americana Label Max "Blues" Bailey My Aching Feet 2:58 I Love Rare Oldies : vol 3 Gassers holycow 0:02 Wooly Bully <woolly bully> 2:23 60's Dance Party Sam The Sham & The Pharaohs Sexual power of Oysters 0:06 Steven Seagal Mountain Oyster 2:40 Rhythm 'N' blues - Shouters CD3 Eddie "Lockjaw" Davis How many cows are required for a stampede_ 0:06 The Little Matador <bull fight sport funny> 2:15 va - Greaser Instrumentals Vol. 1 Champs Tipacow 0:09 Beavis and Butthead Miss Martha King 2:41 The Bullet Records Story: The First Americana Label B.B. King still walking the straight narrow minded 0:03 Take a Swing with Me 2:32 The Bullet Records Story: The First Americana Label B.B. King Wanna try it Pokey no I prefer grass 0:04 Gumby Anna Mae 2:34 The Bullet Records Story: The First Americana Label Cecil Gant No more shenaigans, tom foolery, etc 0:05 Nashville Jumps 2:55 The Bullet Records Story: The First Americana Label Cecil Gant Jefrey are you into marijuana 0:05 Mystery Men No Good Woman Blues 2:51 The Bullet Records Story: The First Americana Label Rudy Greene Trio live spell check on the air 0:02 Rag Mop 2:44 The Bullet Records Story: The First Americana Label Chuck Merrill Young Girl 2:37 The Complete Story Of Doo Wop Volume 2: 1950 The Flames go where the action is 0:03 Let's Go to the Liquor Store 2:43 The Bullet Records Story: The First Americana Label Tuf Green and His Orchestra where to, just drive baby 0:06 I'm Sorry I Went <cheat boyfriend at party with an… 2:05 Dream Boy Vol 1 Cannon Sisters Page 1 of 3 zsat 120712 Name Time Album Artist Where wings take dream 0:08 George Bush I'll Be Forever Loving You 2:19 Marcels mountain 0:05 One Flew Over the Cuckoo's Nest Jack Nicholson Of The Mountain 2:19 Vee Jay CD Sampler Magnificents Somebody has a case of the mondays 0:03 Ella Weaver <list week days> 2:40 Great Black Cooga-Mooga Fay Simmons Gala day I'll take a gal-a-day 0:05 Whim, Whap, Whop 2:34 Rare 78 RPM Rhythm & Blues Cut Fay Simmons Bookie's Blues <gamble sports numbers> 2:27 Ham Hocks & Cornbread Ferguson, H-Bomb Baby Please 2:25 Shuckin 'Stuf - Rare Blues from ACE records Ferguson, H-Bomb gwtw_frankly I don't give a damn <care gone with… 0:02 Baby, Don't You Leave Me 2:13 That'll Flat... Git It ! - Vol.2 Five Chavis Brothers Dig This Boogie 2:30 The Bullet Records Story: The First Americana Label Wynonie Harris Wild Ones On Wheels 0:16 Mme. Ritard's HORRORS of the WAX MUSEUM Radio Spot Wild Man Boogie 2:33 The Bullet Records Story: The First Americana Label Ray Batts curses double crossed by magnetic device 0:06 Double Cross 2:39 The Bullet Records Story: The First Americana Label Autry Inman Doop Doop A Walla Walla 2:18 R&B Humdingers 10: Twenty Greasy Groovers The El Torros Holy mashed potatoes 0:02 Batman and Robin Robin What's For Dessert <food sweet potato> 2:05 Girls Collection Vol 2 - Popcicles And Icicles Candy Cole My Natch'l Man 2:49 Girls Gone Rockin', Vol. 2 CD 1 Flufy Hunter Mojo Hanna 2:18 Afo Executives & Tammy Lynn Lynn, Tami no crying in baseball 0:03 A League of Their Own Tom Hanks Baseball boogie 2:36 Rhythm & Blues Collection Mabel Scott The Walkin' Blues 2:53 The R&B Hits of 1952 Disc 2 Flufy Hunter Everybody's Truckin' 2:30 Western Swing & Country Jazz (Disc 2) Modern Montaineers Truckin' Little Woman 2:34 Broonzy Collection Broonzy, Big Bill High School Afair 2:16 Southern Doo Wop-Vol 2-Krooning The Five Chums Last night you invaded my soul now I'm bitter 0:05 Five Crowns - Do You Remember - 56 Gee 1011 2:06 Car Hops & Doo Wops V1 Five Crowns grandmaSaid 0:08 My Mama Said 2:59 Relivin' These Doo Wop Years - Vol. 1 Five Dollars mama dont like tattletales 0:05 Rock A Little Baby 2:29 Real Black Rhythm Frank Floyd missed it by that much 0:02 Get Smart Don Adams 04 - Flip Flop & Bop 2:15 Great Instrumentals CD 1 Floyd Cramer What it is you're doing 0:02 Sherman and Peabody Do The Rock And Roll 2:38 Love Blood Hound Rhythm Fox Hall Im gonna have to get back to you 0:03 Tina Fey as Sarah Palin Get With It 1:57 Wild Streak Vol.1 Five Spots 8 boobs 0:02 The Insult Dog Mr. Freddie's Boogie (1953) 2:41 Rhythm 'N' Blues - Boogie Woogie Goodies - CD 2 Freddie Mitchell bar keep who's leg do you have to hump to get a… 0:03 Family Guy Brian the Dog Shake A Leg 2:22 Bufalo Bop - Candy Doll Magaret Lewis smell of napalm in the morning 0:06 rooster rock 2:05 Rock 'n' Roll Murder 2 "Madman" Jones Page 2 of 3 zsat 120712 Name Time Album Artist He dont talk american <foreign language mexican) 0:05 Rock 'n' Roll Espanole 2:19 That'll Flat Git It Vol 21 Mad Man Taylor Quick Sand Love 2:34 Raunchy Sugar: Memphis R&R Macy "Skip" Skipper Rumbling <fight announcer> 0:06 Futurama Bender Rumble Tumble 2:17 That'll Flat Git It Vol 21 Mad Man Taylor Blood Rare 2:05 The Mad Plaids Eloping 2:01 Nasty Rockabilly - Volume 12 Benny England Everybody's Talking 2:45 The Many Sides of Fred Neil Fred Neil You Don't Have To Be A Baby To Cry - Fred Neil 1:47 Teen Rockin' Party Vol. 3 - Classics Records 731 Various Artist My Three Sons 2:20 Time-Life AM Gold TV Themes of the '60s Frank DeVol <Happy Kime> These Bones 1:47 Shame, Shame, Shame (Disc 4 Of 4) Smiley Lewis Goin' Down The Road 2:08 Shame, Shame, Shame (Disc 4 Of 4) Smiley Lewis Real Gone Lover 1:47 Smiley Lewis Vol 2 Smiley Lewis Rootin' And Tootin' 2:16 Shame, Shame, Shame (Disc 3 Of 4) Smiley Lewis Pull a rabbit out of my hat 0:08 Bullwinkle and Rockie Rocket J. Squrrel Growing Old 2:25 Shame, Shame, Shame (Disc 1 of 4) Smiley Lewis Ooh Little Girl 2:14 Rare 78 RPM Rhythm & Blues Cut Floyd Dixon One Night 2:51 They Call Me The Fat Man: The Legendary Imperia… Fats Domino Do You Know What It Means To Miss New Orleans? 2:32 They Call Me The Fat Man: The Legendary Imperia… Fats Domino My Real Name 2:20 They Call Me The Fat Man: The Legendary Imperia… Fats Domino Evolution lecture clamasaurs and oysterettes 0:55 Firesign Theatre shuddup you mouth 0:01 Bullwinkle and Rockie Boris Badenough High 0:07 Don't Crush That Dwarf, Hand Me The Pliers Firesign Theater This is how you get places, socializing with the hi… 0:04 Honeymooners Ralph Kramdaen unhappy ending 0:03 Bullwinkle and Rockie Narrator ck-rosebud 0:03 readXMen 0:05 Ebbs - Cartoons - 59 Dore 521 2:01 Car Hops & Doo Wops V3 Ebbs Kissin' Twist 2:23 I Love Rare Oldies : vol 1 Jack Hammer Oomp Boomp 2:07 Doo Wop Cavalcade: Volume 1 The Rhythm Addicts Be My Pussy Cat 2:30 Kool Kat Doo Wops: Volume 1 The Boptones Zing Zing 2:01 Kool Kat Doo Wops: Volume 1 Art Neville You are crazy 0:01 Unknown Juice Bug Boogie 2:38 The Complete Recordings - Vol. Paul Williams Otis, Johnny - Long Tall Sally - 57 Dig LP 104 1:56 Car Hops & Doo Wops V3 Otis, Johnny Page 3 of 3.
Load more

Recommended publications
  • Various New Orleans Rhythm & Blues Vol. 1 Mp3
    Various New Orleans Rhythm & Blues Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: New Orleans Rhythm & Blues Vol. 1 Country: UK Released: 1974 Style: Rhythm & Blues MP3 version RAR size: 1783 mb FLAC version RAR size: 1202 mb WMA version RAR size: 1414 mb Rating: 4.3 Votes: 803 Other Formats: AC3 MP3 APE VQF AU MP2 MPC Tracklist Hide Credits You Made Me Cry –Huey "Piano" Baritone Saxophone – Clarence FordBass – Frank FieldsDrums – Earl A1 Smith PalmerGuitar – Bill Jones Tenor Saxophone – Lee AllenVocals, Piano – Huey "Piano" Smith Your'e Down With Me –Huey "Piano" Baritone Saxophone – Clarence FordBass – Frank FieldsDrums – Earl A2 Smith PalmerGuitar – Bill Jones Tenor Saxophone – Lee AllenVocals, Piano – Huey "Piano" Smith Have You Gone Crazy Baritone Saxophone – Clarence FordBass – Frank FieldsDrums – Earl A3 –Earl King PalmerGuitar – Bill Jones Piano – Huey Smith*Tenor Saxophone – Lee AllenVocals – Earl King Beggin' At Your Mercy Baritone Saxophone – Clarence FordBass – Frank FieldsDrums – Earl A4 –Earl King PalmerGuitar – Bill Jones Piano – Huey Smith*Tenor Saxophone – Lee AllenVocals – Earl King Just A Little Ol Wine A5 –Bobby Marchan Bass – Frank FieldsDrums – Earl PalmerTenor Saxophone, Piano, Guitar – Unknown ArtistVocals – Bobby Marchan I'm Wise Baritone Saxophone – Julius ShakesneiderBass – James PrevostDrums – Earl A6 –Eddie Bo PalmerGuitar – Irving BanisterTenor Saxophone – David LastieVocals, Piano – Eddie Bo The Bells Are Ringing A7 –Smiley Lewis Bass Guitar, Drums – Unknown ArtistPiano – Allen ToussaintVocals
    [Show full text]
  • Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
    PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection.
    [Show full text]
  • 50 Years in Rock History
    HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control.
    [Show full text]
  • Dave Bartholemew 1991.Pdf
    NON-PERFORMERS Dave Bartholomew BY JEFF TAMARKIN E NEVER MADE THE POP charts under his own name. Most rock encyclopedias afford him, at most, a paragraph or two. But as an artist, producer, songwriter, arranger, and bandleader, Dave Bartholomew of New Orleans was a key figure in the transition from the jivin’ jump and big-band sounds of the ’40s to the rhythm & blues and rock & roll of the ’50s. “If Dave Bartholomew were never to play another note,” Walkin’.” Nor was Bartholomew’s hot streak confined to his wrote New Orleans music historian Jeff Hannusch in I H ear work with a single artist or record label. Freelancing for such You K nockin’, “he could sit back and bask in the knowledge labels as Aladdin and Specialty, he produced Lloyd Price’s that he was very much responsible for shaping today’s mu­ “Lawdy Miss Clawdy” and Shirley & Lee’s “I’m Gone” in sic.” 1952. For Smiley Lewis, he co-wrote and produced “I Hear Dave Bartholomew’s name is permanently linked with You Knocking” and “One Night.” New Orleans artists Earl that of Hall of Fame charter inductee Fats Domino— he pro­ King, Roy Brown, Huey “Piano” Smith, Bobby Mitchell, Chris duced all of the Fat Man’s Imperial hits Kenner, Robert Parker, Frankie Ford, and co-wrote most of them. But Dave’s JU ST SOME Snooks Eaglin, and the Spiders all ben­ career was already in full swing when OF THE SONGS OF efited from Bartholomew’s hummable, he first spotted Domino at New Or­ DAVE BARTHOLOMEW good-time melodies and simple, sturdy leans’ Hideaway Club in December, rhythms 1949.
    [Show full text]
  • The Man Who Invented Jazz? C O on the Surface, It May Seem a Stretch; on Closer Inspection, It’S an Entirely Appropriate Honor
    EARLY NFL B B N C E JELLY ROLL MORTON IN THE ROCK AND ROLL HALL OF FAME? The man who invented jazz? C o On the surface, it may seem a stretch; on closer inspection, it’s an entirely appropriate honor. A music that has always borrowed liberally from other streams in its ongoing evolu­ tion would and should embrace as one of its own an artist imbued with the sensibility that bespeaks great art in general, rock & roll in specific: a zeal for adventure, disdain of the status quo, an innate drive to push the boundaries of convention until the artist breaks on through to the other side with something so new and brazen it’s virtually indefinable -I but talismanic to all the daring souls courageous enough to follow the same path. C o Remember that in the late 1920s, when Louis Armstrong was cutting his monumental sessions with his Hot Five and Hot Seven ensembles, Morton was charging ahead with his equally formidable Red Hot Peppers recordings. Ceding nothing to Satchmo, Morton made sure everyone knew of his achievements and even wrote a song about himself, called “Mr. Jelly Lord,” that pretty much said it all. He was styling at every turn, surrounding himself with Leader of the Band: beautiful women, dazzling the commonfolk with ° conducts his Red Hot his expensive, tailored suits and sporting a million- Peppers, circa 1928 dollar smile that revealed a diamond embedded in one tooth. C o But attitude will get you only so far. Jelly Roll backed up his braggadocio with a body of work that reveals him to be an extraordinary, even visionary, composer, bandleader, arranger and musician.
    [Show full text]
  • WDAM Radio Presents the Rest of the Story
    WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree"
    [Show full text]
  • An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
    San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style.
    [Show full text]
  • Cosimo Matassa 2012.Pdf
    AWARD FOR MUSICAL EXCELLENCE BEN SANDMEL NO AUDIO ENGINEER HAS THRILLED MORE LISTENERS udio engineers rarely get credit for their that lasted until the early sixties. This era came to he known crucial contributions to hits. But the sound of a as the Golden Age of New Orleans rhythm & blues. A recording—just as much as a song’s rendition— Born on April 13,1926, Matassa started out in music often provides the intangible element that puts it across. by selling used records from his father’s jukebox business. Listeners rarely identify this certain something as the hook Sales were brisk, so he expanded his stock to include new that grabs them. Without its imperceptible appeal, however, releases. Then he had an epiphany. “It seemed to me,” he they simply may not respond, and a hit will not ensue. said, with considerable understatement, “that a recording No audio engineer has thrilled more listeners by im­ outlet for a city with so much music in it was a good idea.” buing more hits with more sonic excitement than Cosimo And thus he came to create one. Matassa. Matassa worked on a shoestring budget. H isJ&M Matassa recorded a host of New Orleans R& B icons Studio in New Orleans occupied less than three hundred during the city’s glory years, including Fats Domino, square feet. He used extremely minimal equipment. But Lloyd Price, Irma Thomas, Frankie Ford, Lee Dorsey, Matassa had a keen ear and a knack for making technically Ernie K-Doe, Aaron Neville, Huey “Piano” Smith and the primitive recordings that burst with punch, presence, and Clowns, Smiley Lewis, Shirley and Lee, and the Meters, instant danceability.
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • WDAM Radio's History of Elvis Presley
    Listeners Guide To WDAM Radio’s History of Elvis Presley This is the most comprehensive collection ever assembled of Elvis Presley’s “charted” hit singles, including the original versions of songs he covered, as well as other artists’ hit covers of songs first recorded by Elvis plus songs parodying, saluting, or just mentioning Elvis! More than a decade in the making and an ongoing work-in-progress for the coming decades, this collection includes many WDAM Radio exclusives – songs you likely will not find anywhere else on this planet. Some of these, such as the original version of Muss I Denn (later recorded by Elvis as Wooden Heart) and Liebestraum No. 3 later recorded by Elvis as Today, Tomorrow And Forever) were provided by academicians, scholars, and collectors from cylinders or 78s known to be the only copies in the world. Once they heard about this WDAM Radio project, they graciously donated dubs for this archive – with the caveat that they would never be duplicated for commercial use and restricted only to musicologists and scholarly purposes. This collection is divided into four parts: (1) All of Elvis Presley’s charted U S singles hits in chronological order – (2) All of Elvis Presley’s charted U S and U K singles, the original versions of these songs by other artists, and hit versions by other artists of songs that Elvis Presley recorded first or had a cover hit – in chronological order, along with relevant parody/answer tunes – (3) Songs parodying, saluting, or just mentioning Elvis Presley – mostly, but not all in chronological order – and (4) X-rated or “adult-themed” songs parodying, saluting, or just mentioning Elvis Presley.
    [Show full text]
  • Programme Sunday 24Th August 2014 Lunchtime to Bedtime All Round Hertford Town
    HERTFORD MUSIC FESTIVAL IN ASSOCIATION WITH CASTLE HOUSE, WEDDINGS & EVENTS VENUE, BAR AND EATERY PRESENT THE PROGRAMME SUNDAY 24TH AUGUST 2014 LUNCHTIME TO BEDTIME ALL ROUND HERTFORD TOWN www.hertfordmusicfestival.co.uk /hertfordmusicfestival @HertfordMF 1. CASTLE HOUSE: 1pm - 1am 3. BLACK HORSE: 1.30pm - 6pm 13.00: NATASHA PAGE & AMY MA: Classical 13.30: MALCOLM OGDEN unamplified soprano duo 13.45: IAN MIDDLETON 13.35: TWIRLING CANES: Dark, passionate and 14.00: MIKE EXCELL powerful duo who’ll remind you of Nick Cave, 14.30: THAT BLUE PATCH Richard Hawley and The Doors 15.00: GEORGE PORNBY: Exactly what the name 14.15: TOM DIBB: Uplifting singer songwriter suggests! 14.50 : DR JOE: Acoustic jazz duo 15.20: THE BADMEN - set 1 15.25:JAKE & ARUP: Rock and pop covers 16.15: THE BAD MEN - set 2 16.00 : FRANKIE THE GAMBLER: Folk-nouveau with tongue in cheek 4. RIGSBY’S: 1pm - 7pm 16.40: LOU GUBRIOUS & THE ORGJAZZASMS - Jazz, 13.00: LOU GUBRIOUS & THE ORGJAZZSMS: Jazz/ funk fusion Funk/Fusion 17.20 : SCHRÖDINGER’S STRINGS: Two harpists and 14.15: MELODY CAUSTON: Singer/Songwriter. Best a guitarist, playing songs from Deep Purple to the Female Artist in Cambridge’s NMG Awards 2014. Verve like you’ve never heard them done before! 15.00: THE UKABILLY BIG BAND: Rock and Blues 18.00 : SUBURBAN DIRTS ACOUSTIC: Americana covers on Uke and Double Bass style country rock 16.00: THE GHOST OF SAMANTHA: Infectious pop 18.35 : WASTED RHYMES: Country-tinged rock songs reminiscent of Kate Nash 19.10 : ROB CLYDESDAL: Local legend singer 16.45: GRAHAM MOSS: Singer/Songwriter songwriter 17.00: DAISY LEWIS: Singer/Songwriter 19.40: LOS CHICOS MUERTOS: Country, blues, folk 17.45: LUCY BLACK: Classical soprano singing and chanson with a particular penchant for murder classical and show tunes ballads, caustic skiffle and barroom melancholy.
    [Show full text]
  • Songs by Artist
    Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun
    [Show full text]