The Drink Tank 101

Total Page:16

File Type:pdf, Size:1020Kb

The Drink Tank 101 The Drink Tank 101 ChrisforTaff.org [email protected] Issue 100 has sat long by having really great guests. Silicon It was a nice feel for a con. While cons enough on its own and had another approach. like CorFlu deliver on a community it’s time to get back Friday was the Relaxaday. There feeling, Silicon left me with a very dif- to what I do best: run- was no programming (other than the ferent feeling, more akin to the feeling ning pictures of large- Game Room being open) before the I had leaving WorldCon. There was a breasted women! No Meet The Guests at 7. That allowed for general fannish glow to things that you seriously, this issue folks to mill about, register, get some don’t find a lot of places, even BayCon is going to be about dinner, all without fear of missing any- this year didn’t have the warm glowing fandom and blogs. thing. It was during that period that warming glow. BayCon 2005 certainly Trust me, it’ll be OK. I started meeting folks. I ran into my did, though. buddy David who proofs the issues of The second day was much dif- Why fandom needs more cons like SF/SF, Kevin Roche (wearing a suit!), ferent. There was programming, the Silicon Andy Trembley, Leigh Ann Hildebrand, art show, the dealers room, all of it by Christopher J. Garcia Dave Gallaher and various others cel- running all day. if you only came for Another Silicon has come and ebrating the contract signing for Cos- Saturday, you might have thought you gone and left no trace upon the Earth tumeCon 2008 26 at the DoubleTree. were at a much larger con. There was a it touched so briefly. I really had a To me, this was a great idea, because lot of programming that went lightly at- wonderful time and was most pleased it allowed the folks who were throwing tended, but there was a good selection to see that there were a lot of new faces parties to do just that I don’t normally see around cons. that. It was a very Hell, my buddy Jordan was there and good idea. It also I’d never had pegged him for attend- allowed Silicon ing. It was at the DoubleTree, which is to be more about where I’ve been going for cons since the Night Program- beginning of time. The con had a lot ming. They had a going for it and I was glad that I made film festival on Fri- it. day night and the You see, there’s something about parties and Rocky small cons that I really enjoy. Relaxa- Horror. All these cons are one thing: I wouldn’t say I’m things were there a big fan because a lot of times it’s to be had in the like sitting around at a big party. I like evening. It felt like some programming, but not so much a small con, cer- that it feels regimented. CorFlu had tainly not as big as the right amount when I went in 2005. BayCon, but it was Conjecture had too much the years I delivering a lot of attended, though they made up for it bang for the buck. of stuff to be heard. a slave auction as always. There was Silicon sort of rode a strange a particularly fetching lass there, but line. There was a focus on Comics, alas, I did not get to speak with her. but only a few comic book vendors (in All this party atmosphere was fact, the entire dealers room was much great, making the con seem like a big- smaller than the one for BayCon as far ger deal. I learned from the newsletter as selection) and there was a large art- staff that there were probably eight ist’s alley that I thought was very nice. hundred people over the course of the It was also a general SF con. I found con, which is a very good number. It a lot of typical SFing going on, which felt like a real honest to gosh local con. is always nice. And there was a strong While BayCon is a regional drawing film presence, which I always appreci- folks from all over the West Coast, Sili- ate. Cons that ride lines like that stand con has carved itself a niche with BA- a good chance of drawing new folks rea fans and semi-fans. That’s a good from one into the other. There were way to build a local fandom that’s nice people who came strictly to see Mr. and strong. Lobo and his Lobotronic Film Festi- The last day was interesting. We val and there were folks there to see had the SF/SF panel where we took Mark Bode (Vaughn’s son) and some the Family Photo and talked about the were just there because they always go zine. The folks who do read us seem to BArea SF cons. It was an interest- very happy with us. There’s just not ing crowd. The mash-up of folks really enough people that do every week. made me smile. This’ll probably start the change. We One thing that I’ve always loved actually managed to draw more people about fandom is inclusiveness, and to the SF/SF panel than the GoH panel Silicon was probably the most inclu- did in the same slot! We rock. sive non-WorldCon I’ve ever been to. It Silicon was a fun time and I ran was a great time and I was so glad that around passing out TAFF ballots and Saturday was as good as Friday. gossiping and writing for the newsletter Saturday night was party night, and just plain having a good time. I’m including the Evil Geniuses party looking forward to next year already, which is always a crowd pleaser. It even though I’m not sure where it’s was one of the favourite parties at gonna be at (I understand that they’re WorldCon even, so you know it’s gotta talking with the DoubleTree, whihc is be good. They had a mess of folks and great) and I have no idea who the GoHs the BASFA party was low key and a will be, but if it’s like this year, I’m cer- place to go and chat if you wanted to. tain to go home happy. There was also Mara’s Bar which had nograph” from 1888-89. You can hear ing funds to support Fisk University it at http://www.gutenberg.org/files/ beginning in the 1860s. They were a 10311/10311-m/10311-m-001.mp3. long-running groups and they sold lots There were several pieces on these of sheet music and early recordings. cylinders and there’s no real clear copy One of them was Swing Low, Sweet of these since the technology wasn’t Chariot, which they made hugely pop- perfected, but it’s incredible to hear ular in the 1990s on their tours. It’s some of the earliest sound recordings. one of the first recordings, though the There’s not much to it, but I listened to ones you’ll find on the various Fisk Ju- the whole thing. bilee records are later. A Kinda Thorough Look at the Unit- 2) The Jesse Walter Fewkes field re- 5) Casey at the Bat recording from ed States National Recording Regis- cordings of the Passamaquoddy Indi- 1915 by De Wolf Hopper. Hopper is try ans from 1890. Talk about massively the one who made Casey at the Bat I’m a mark for registries. The important to the history of these Unit- a big deal. The poem appeared in National Film Registry announcement ed States. This was probably the first of new films being added is a big deal field recording (the device he used was in my eyes and I always look it up as less than two years old and still tightly soon as it’s announced. Usually I’m controlled) and the subject, the Pas- happy and surprised with the selec- samaquoddy Indians, were one of the tions, and those that I don’t agree with lesser studied tribes. We’ve got a good make for good arguments. snapshot of the time, the language A few years back, the Library of and their songs from these recordings. Congress launched the National Re- Sadly, I can’t find them on the web, cording Registry to do for audio record- but I heard them at a lecture once. ing what the NFR did for the moving image. I’m a lover of music and spoken 3) Stars & Stripes Forever’s first disc word and history, so this was an add- recording from 1897. This is another ed event every year for me. I’ve spent one of the major stepping stones as a fair amount of time looking at the this might have been the first disc sold. choices and here are my thoughts on There weren’t a lot of disc players until many, not nearly all 200, but the ones about 15 years after this came out, but that I think are very noteworthy. what are you gonna do. From the 2002 Innaugural List 4) Swing Low, Sweet Chariot by the 1) Edison’s Exhibition Recordings in- Fisk Jubilee Singers. This is a strange cluding “Around the World on the Pho- one. The Fisk Jubilee was a group rais- the San Francisco Examiner and I’ve last 70 years was a bit of an exaggera- never been quite sure how, some five tion.
Recommended publications
  • Country Music Special 1979
    COUNTRY MUSIC SPECIAL 1979 Songwriters: Unsung Heroes The Future Looks Bright For Are Enjoying New Popularity Country Music Labels, Artists (continued from nage C-22) (continued from page C-20) very little monetary reward for some time," Songwriters Hall of Fame. Founded in 1970, "Television seems to be the primary that area slowing down either. Cavender noted. "It takes tenacity, dedica- the list of Hall of Famers now boasts some market in any country in getting the big "I've always contended that if country tion, hard work and total concentration for a 74 names. Four more songwriters will be word out," Walker said. "Getting the music could be heard more, it would long, thankless period. But the writer does immortalized this week (Oct. 7) when the awards show on would allow us to expose become more popular," said Walker. "That receive something very important - self association announces this year's new country music to a large group of people was the theory behind trying to get more fulfillment. I don't think you can ask for members. who 'may have never heard country music radio stations to program country music. much more of a reward than fulfillment of A nomination list is comprised yearly by before." That was our first goal when the CMA was self." the NSAI board of directors, the past presi- Of the countries the CMA is hoping to organized. I think the figures speak for The NSAI was formed in 1967 to aid the dent of the association and a selected elec- develop, Walker said that Germany would themselves.
    [Show full text]
  • ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
    ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970.
    [Show full text]
  • With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
    “The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks.
    [Show full text]
  • Indexv2 Full Editable Chart List.Qxd
    COUNTRY MIX act naturally buck owens no expectations rolling stones angel from montgomery john prine/bonnie raitt anybody goin to san antone doug sahm oh lonesome me don gibson okie from muskogee merle haggard behind closed doors charlie rich old blue (traditional) big river johnny cash blue bayou roy orbison / rondstadt on and on bill monroe blue moon of kentucky bill monroe/patsy cline on the road again willie nelson cotton fields leadbelly poor pitiful me warren zevon/rondstadt crazy arms ray price/patsy cline crazy willie nelson/patsy cline rose of san antone bob wills/patsy cline route 66 nat king cole dark hollow bill browning dead flowers rolling stones settin the woods on fire hanks williams deep river blues doc watson seven lonley days patsy cline detroit city bobby bare she thinks I still care george jones dont it make my brown eyes blue crystal gayle dont let your deal go down doc watson silver threads and golden needles wanda jackson/rondstadt silver wings merle haggard end of the road jerry lee lewis sin city gram parsons everything is broken bob dylan sing me back home merle haggard singing the blues guy mitchell far away eyes rolling stones sittin on top of the world (traditional) folsom prison johnny cash six days on the road dave dudley four walls jim reeves stand by your man tammy wynette streets of baltimore gram parsons give it up bonnie raitt glendale train new riders take me back to tulsa bob wills goin down the road feeling bad (traditional) good hearted woman waylon jennings thats all right mama arthur cruddup
    [Show full text]
  • 9 X 60 Or 7 X 120 + 1 X
    9 x 60 or 7 x 120 + 1 x 150 Step back in time and journey through the compelling history of a musical art form with Country Music, a new eight-part film directed by Ken Burns, and produced by Burns and his long-time collaborators Dayton Duncan and Julie Dunfey. The series chronicles country music’s early days, from southern Appalachia’s songs of struggle, heartbreak and faith to the rollicking Western swing of Texas, California’s honky-tonks and Nashville’s “Grand Ole Opry.” The film follows the evolution of country music over the course of the 20th century. Country Music explores crucial questions—“What is country music?” 9 x 60 or 7 x 120 + 1 x 150 and “Where did it come from?”—while focusing on the biographies of the fascinating trailblazers who created and shaped it—from the Carter Family, contact Jimmie Rodgers, Bill Monroe and Bob Wills to Hank Williams, Patsy Cline, Tom Koch, Vice President Johnny Cash, Merle Haggard, Loretta Lynn, Charley Pride, Willie Nelson, Dolly PBS International Parton, Emmylou Harris, Garth Brooks and many more—as well as the times in 10 Guest Street which they lived. Much like the music itself, the film tells unforgettable stories Boston, MA 02135 USA of hardships and joys shared by everyday people. TEL: +1.617.208.0735 “At the heart of every great country music song is a story,” said Ken [email protected] pbsinternational.org Burns. “As the songwriter Harlan Howard said, ‘It’s three chords and the truth.’ The common experiences and human emotions speak to each of us about love and loss, about hard times and the chance of redemption.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Bob Wills Greatest Hits Download Torrent the Great Bob Wills/Remembering
    bob wills greatest hits download torrent The Great Bob Wills/Remembering. The Greatest Hits of Bob Wills. This two-fer from Collectables unites two Bob Wills records that were originally issued as compilations in the first place: The Great Bob Wills was issued in 1965 on the Harmony HL label and Remembering. The Greatest Hits of Bob Wills was issued three years after Wills' death in 1975 as a greatest-hits set by Columbia. What the two have in common are the earliest years and maturing years of the Texas Playboys' recordings; the Harmony HL collection dates almost exclusively from the 1940s, when the band was kicking between 1945-1947. The last cut is an instrumental by Wills called "Bob Wills Special" from 1940, and "Fat Boy Rag" dates from 1938. The Columbia album dates from Wills' first recording session in 1935 through a recording of Fred Rose's "Roly Poly" in 1945. The sound quality is more than acceptable, if not fantastic, and the performances on both albums included are nothing less than stellar. As is typical with Collectables' material, there are no musician credits, though certain tracks cite vocal credits. There is a neat little essay by Don Law -- the man who signed Wills to his first contract with Columbia -- in the booklet which details the 1935 session. For beginners, this is a pretty good place to start at a decent price; for collectors, there probably isn't anything here you haven't heard before. Greatest Hits. This is yet another of the hundred or so el-cheapo Bob Wills compilations.
    [Show full text]
  • BUCK FORD RED GILLEAN Inducted Oct
    Volume 37, Number 3 March 2019 Special Lunch Menu for March—5 Olen Dillingham on the Road—Page 9 BUCK FORD RED GILLEAN Inducted Oct. 7, 2018 Inducted March 7, 1982 Western Swing Society Hall of Fame Profile ~ Page 4 W H A T’ S I N S I D E Officials & Staff ............. 2 Meet the Board-Eddie Burr . 8 GUEST BAND March. 3, 2019 Editor’s Letter ................ 2 Olen on the Road .................. 9 Jam Room Jammers ......... 2 New and Old Friends! .......... 9 HOF Profiles .................. 3 The Bands ............................. 10 Shelley Elkan & HOF Nominations Open..... 4 Album Review .................... 11 Mailbag .......................... 5 Pictures Online ............. 11 Bite the Bullet RIP Glen Tarver ................ 5 Free Dance Lessons ............ 11 Special March Lunch Menu 5 Southwest HOF Info ........ 11 1:00 to 3:00 pm Upcoming Bands ............ 6 Mike Gross Top 10 ............. 12 Board Mtg Invitation .......... 6 Board Meeting Minutes ..... 12 Followed by Membership Report .............. 6 Jammin’ ....................... 13 The Dry Creek Band Food Available ................... 6 Other WSS Orgs .......... 14 3:00 to 5:00pm Membership Application. ... 6 Contributions Please ........... 14 Pot of Gold. ...................... 7 Monthly Music Sessions .. 14 Lost and Found. ................ 7 WESTERN SWING SOCIETY MUSIC NEWS March 2019 - Page 2 The Western Swing Society Letter from The Editor JAM ROOM JAMMERS PO Box 2474 Carmichael, CA 95609 I hope you guys had as good a time As always the westernswingsociety.net as I did at our February dance. jam room was Facebook: SacramentoWesternSwingSociety Thought that Super Bowl might packed and Founded in 1981 by Loyd and Perry Jones slow us down but we had a great swingin’! Par- to enable performance, preservation and crowd.
    [Show full text]
  • Groovin' -‐ Fort Worth's Thriving Music Scene Music Roots Run Deep In
    Groovin’ - Fort Worth’s Thriving Music Scene Music roots run deep in Fort Worth. Legendary artist Bob Wills and his Texas Playboys defined Western Swing, while visionary jazz saxophonist Ornette Coleman paved the way for new sounds. Singers of today, like Delbert McClinton, Pat Green and Jayme Ice continue to evolve the genres of country, rock and blues, keeping the local music scene alive and evolving. Plan your trip around a music festival or visit a famous venue – the Fort Worth music scene is here to stay. Music Festival Round Up • Fort Worth Music Festival: May 2015 • Concerts in the Garden: June – July 2015 • Fridays on the Green: April – November • Willie Nelson’s 4th of July Picnic: July 4, 2015 • Dia De Los Toadies: September 2014/15 • Fort Worth Opera Festival: April 24 – May 10, 2015 Top Spots to See a Show • Panther Island Pavilion: The only waterfront stage in Texas • Scat Jazz Lounge: A chill spot to hear the latest jazz styles and performers • Sundance Square Plaza: Live music year-round in the heart of downtown • Bass Performance Hall: Home to the Fort Worth Opera, Fort Worth Symphony Orchestra, Performing Arts Fort Worth and the Van Cliburn concerts • Live Oak Music Hall & Lounge: A former Lion’s Club showcasing emerging acts and major performances • Lola’s Saloon: A home away from home for great live music. • Capital Bar: Live music on the rooftop bar • Billy Bob’s Texas: The world’s largest honky-tonk .
    [Show full text]
  • Billy Parker a Country Music Mainstay with 20+ Charted Singles, but Most Influencial In His Roll As Radio Disc Jockey.
    Billy Parker A country music mainstay with 20+ charted singles, but most influencial in his roll as radio disc jockey. Chapter 01 – 1:40 Introduction Announcer: While Billy Parker was a mainstay on country radio, his claim to fame was as an influential disc jockey, not as a performer. Ionically, for all of the Top 40 Country Hits he spun over the course of his decades on the air, not one of them was his own. Born July 19, 1939, in Tuskegee, OK, he began playing guitar as a child and by the age of 14 had made his professional debut on the Tulsa radio program Big Red Jamboree. A few years later, he began performing in clubs and in 1959 landed his first DJ work. By 1963, Billy was the regular daytime disc jockey on KFDI in Wichita, Kansas and also hosted a Tulsa television program. In the same year, he cut his first single, and was named “Mr. DJ U.S.A.” in a nationwide poll, which helped land him at Nashville, Tennessee’s WSM. After his 1966 release “I’m Drinking All the Time”, Parker began playing with Ernest Tubb’s Troubadours in 1968, staying with the group for three years, when he joined Tulsa’s KVOO. Billy was named Disc Jockey of the Year by the Academy of Country & Western Music in 1975 and he won the award again in 1977, 1978, and 1984. In 1976, he scored his first chart hit with “It’s Bad When You’re Caught (With the Goods),” from the album Average Man.
    [Show full text]
  • Historic Preservation Commission Agenda
    Development and Resource Mana~ementDe~artment 2600 Fresno Street, Third Floor Historic Preservation Commission Agenda DON SIMMONS Ph.D. Chair CHARLOTTE KONCZAL ESQ., Vice Chair Comrnission Members MARK SCOTT PATRICK BOYD City Managerllnterim Planning Director JOE MOORE MOLLY LM SMITH KARANA HATTERSLEY-DRAYTON, M.A. LISA WOOLF Secretary VACANCY Historic Preservation Project Manager WILL TACKETT, Supervising Planner Any interested person may appear at the public hearing and present written testimony, or speak in favor or against the matters scheduled on the agenda. If you challenge these matters in court, you may be limited to raising only those issues you or someone else raised in oral or written testimony at or before the close of the hearing. The meeting room is accessible to the physically disabled, and the services of a translator can be made available. Requests for additional accommodations for the disabled, signers, assistive listening devices, or translators should be made one week prior to the meeting. Please call the Historic Preservation Project Manager at 621-8520. The Historic Preservation Commission welcomes you to this meeting. I March 25,201 3 MONDAY 5:30 p.m. City Hall, Second Floor, CONFERENCE ROOM A, 2600 FRESNO STREET I. CALL TO ORDER AND ROLL CALL II. APPROVE MEETING MINUTES A. Approve Minutes of February 25, 201 3. Ill. APPROVE AGENDA Historic Preservation Commission Agenda Page 2 March 25,201 3 IV. CONSENT CALENDAR None V. CONTINUED MAITERS None VI. COMMISSION ITEMS A. Review and Receive Status Reports for Propertres on the Historrc Preservation Watch L~st Pursuant to FMC 12-1626: I.
    [Show full text]
  • Roots and Branches Handout SESSIONS Revnov20
    THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]