DOCSLIB.ORG

Hobsons Choice Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hobsons Choice Free FREE HOBSONS CHOICE PDF Harold Brighouse | 143 pages | 30 Nov 2008 | BOOK JUNGLE | 9781438505190 | English | United States Hobson’s Choice | Summerseat Players In the late 16th and Hobsons Choice 17th centuries, Thomas Hobson worked as a Hobsons Choice carrier of passengers, letters, and parcels between Cambridge and Hobsons Choice, England. He kept horses for this purpose and rented them to university students when he wasn't using them. Of course, the students always wanted their favorite mounts, and consequently a few of Hobson's horses became overworked. To correct the situation, Hobson began a strict rotation system, giving each customer the choice of taking the horse nearest the stable door or none at all. Hobsons Choice rule became known as Hobson's choice, and soon people were using that term to mean "no choice at all" in all kinds of situations. Examples of Hobson's choice in a Sentence He jokingly referred to dinner as a Hobson's choice Hobsons Choice soup and salad or salad Hobsons Choice soup. Accessed 21 Oct. Keep scrolling for more More Definitions for Hobson's choice Hobson's choice. Please tell us where you read or Hobsons Choice it including the quote, if possible. Test Your Knowledge - and learn some interesting things along the way. Subscribe to America's largest dictionary and get thousands more definitions and advanced search—ad free! Whereas 'coronary' is no so much Put It in the 'Frunk' You can never have too much storage. What Does 'Eighty-Six' Mean? We're intent on clearing it up 'Nip it in the butt' or 'Nip it in the bud'? We're Hobsons Choice stop you right there Hobsons Choice How to use a word that literally drives Hobsons Choice pe Hobsons Choice Singular 'They' a Better Choice? Name that government! Or something like that. Can you spell these 10 commonly misspelled words? Do you know the person or title these quotes desc Login or Register. Hobson's choice noun. Save Word. Definition of Hobson's choice. Did You Know? Example Sentences Learn More about Hobson's choice. Keep scrolling for more. First Known Use of Hobson's choicein the meaning defined at sense 1. Learn More about Hobson's choice. Time Traveler for Hobson's choice The first known use of Hobson's choice was in See more words from the same year. Listen to Our Podcast about Hobson's choice. Get Word of the Day delivered to your inbox! Sign Up. From the Editors at Merriam-Webster. Statistics for Hobson's choice Look-up Popularity. Hobsons Choice Definitions for Hobson's choice. English Language Learners Definition of Hobson's choice. Comments on Hobson's choice What made you want to look up Hobson's choice? Get Word of the Day daily email! Test Your Vocabulary. Love words? Need even more definitions? The awkward case of 'his or her'. Take the quiz Forms of Government Quiz Name that government! Take the quiz Spell It Can you spell these 10 commonly misspelled words? Take the quiz Citation Do you know the person or title these quotes desc Play the game. Hobson's choice | Definition of Hobson's choice at Hobson's Choice is a British romantic comedy film directed by David Lean. The film also features Prunella Scales in one of her first cinema roles as Vicky. Willie Mossop John Mills is a gifted but unappreciated bootmaker employed by the tyrannical Henry Horatio Hobson Charles Laughton in Hobsons Choice moderately upmarket shop in Salford in Lancashire. Hard-drinking widower Hobson has three daughters. Maggie Brenda De Banzie and her younger sisters Alice Daphne Anderson and Vicky Prunella Scales have worked in their father's establishment without wages and are eager to be married and free of the shop. Alice has been seeing Albert Prosser Richard Wattisa young up-and-coming solicitor, while Vicky prefers Freddy Beenstock Derek Blomfieldthe son of a respectable corn merchant. Hobson does not object to losing Alice and Vicky, but Maggie is far too useful to part with. To his friends, he mocks the plain, severe Maggie as a spinster "a bit on the ripe side" at 30 years of age. Her pride injured, Maggie bullies the browbeaten, unambitious Willie into an engagement. They go to Peel Park to arrange it, and Willie says he is already engaged to the daughter of his landlady. Maggie goes to his house to embarrassingly resolve the issue. She walks him out telling him never Hobsons Choice return. She tells him to kiss her but he feels this is improper. She tells Mr Hobson of the plan and he strongly disapproves. He tells Willie that he will "beat Hobsons Choice love" out of him with his belt. Willie declares he has Hobsons Choice love but if he tries to belt him he will stick to Maggie like glue. He hits him and they leave to set up their own business. With money in hand, they are married, and between Maggie's business sense and Willie's shoemaking genius, the enterprise is successful. Within a year, they have not only paid off their business loan, but have also Hobsons Choice away nearly all of Hobson's clientele. Under Maggie's tutelage, the formerly meek and illiterate Willie has become an educated, self-confident man of business, and he and Maggie have fallen deeply in love. Back in the Moonraker Inn Hobson drinks too much and starts insulting all his drinking buddies. He walks home staring at the reflection of the moon in the puddles and in the windows. He is found sleeping there the next day. He is served with a notice for Hobsons Choice and damage. He fails to attend the wedding of Willie and Maggie. It is attended by the sisters and their fiancees. They have a wedding meal in the Hobsons Choice of Willie's new Hobsons Choice. Hobson appears just after the meal. He is told that Prosser, the solicitor suing him is there as is young Beenstock, the suer. Hobson then Hobsons Choice he has been tricked: the money is the wedding settlement for the two younger sisters. Willie dreads his wedding night but emerges a changed man. The next morning the shop makes Hobsons Choice first sale: a pair of shoelaces for one penny. They are ecstatic. On New Year's Day Hobson is hallucinating of giant mice. Hobsons Choice doctor is sent for. MacFarlane John Laurie examines Hobson and diagnoses "chronic alcoholism". He sends for Maggie. Maggie clears the house of alcohol. The bottles leave as the sisters arrive. They think there is shame in letting the neighbours see this but Maggie says that the whole Hobsons Choice knows anyway. Will arrives and checks the stock. He treats the sisters as equals for the first time and they are shocked by his loss of subservience. Hobsons Choice is offered his old job back but insists on a partnership with Hobson. Hobson becomes a silent partner. Willie offers to change Maggie's brass wedding ring for gold, but she wants to keep the ring she has. Robert Donat was originally cast in the role of Will Mossop but had to pull out due to his asthma. Malcolm Arnold took the comical main theme for Hobsons Choice film from his opera The Dancing Master. Throughout the Hobsons Choice, it is linked to Hobson so often that he even whistles it at one point. Arnold wrote the score for a small Hobsons Choice orchestra of 22 players, and he enlisted the help of a Belgian cafe owner to play the musical saw for one pivotal scene. After a night of drinking at The MoonrakerHobson is seeing double, and he fixates on the reflection of the moon in the puddles outside the pub. Arnold deploys the Hobsons Choice saw to represent the willowy allure of the moon, as the clumsy Hobson stomps from puddle to puddle, chasing its reflection. The film Hobsons Choice one of the most popular at the British box office Hobsons Choice A gem. From Hobsons Choice, the free encyclopedia. Theatrical release poster. Release date. Running time. The Sunday Herald. Retrieved Hobsons Choice July — via National Library of Australia. Salford Archive. University of Salford. Retrieved 1 May The life and music of Sir Malcolm Arnold: the brilliant and the darkpp. The New York Times. Retrieved 23 December TV Guide. Films directed by David Lean. Films by Alexander Korda. Awards for Hobson's Hobsons Choice. Golden Bear-winning films. Hidden categories: Articles with short description Short description matches Wikidata EngvarB from September Use dmy dates from September Template film date with 1 release date. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. David Lean Alexander Korda. Hobson's choice | meaning in the Cambridge English Dictionary A Hobson's choice Hobsons Choice a free choice in which only one thing is offered. Because a person may refuse to accept what is offered, the two options are taking it or taking nothing. In other words, one may "take it or Hobsons Choice it". The phrase is said to have originated with Thomas Hobson Hobsons Choicea livery stable owner in CambridgeEngland, who offered customers the choice of either taking the horse in his stall nearest to the door or taking none at Hobsons Choice. According to a plaque underneath a painting of Hobson donated to Cambridge GuildhallHobson had an extensive stable of some 40 horses. This gave the appearance to his customers that, upon entry, they would have their choice of mounts, when in fact there was only one: Hobson required his customers to choose the horse in the stall closest to the door.
Load more

Recommended publications
  • 0411 S10 Sx 11
    www.XtremePapers.com UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education DRAMA 0411/11/T/EX Paper 1 Set Text May/June 2010 2 hours 30 minutes * 07 READ THESE INSTRUCTIONS FIRST 1 The questions in Paper 1 will be based on the three stimuli and the extract from Harold Brighouse’s play 5096 Hobson’s Choice provided in this booklet. This clean copy of the material is for you to use in your responses. 1 9 1* This document consists of 26 printed pages and 2 blank pages. DC (CW) 25472 © UCLES 2010 [Turn over 2 STIMULI You are required to produce a short piece of drama on each stimulus in preparation for your written examination. Questions will be asked on each of the stimuli and will cover both practical and theoretical issues. 1 A wrongful imprisonment 2 A healthy mind in a healthy body? 3 Dancing in the street © UCLES 2010 0411/11/T/EX/M/J/10 3 EXTRACT Taken from Hobson’s Choice by Harold Brighouse These notes are intended to help you understand the context of the drama. Harold Brighouse’s play Hobson’s Choice was first performed in 1916, although the action is set in the period around 1880, and takes place in Salford, an industrial town close to Manchester, England. Some of the dialogue in the play is intended to represent the dialect of the area. The title of the play is proverbial: to have ‘Hobson’s choice’ is to have no choice at all. This is what happens to the central character in the play, Henry Horatio Hobson, a bootmaker in Salford.
    [Show full text]
  • ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 RESEARCH ARTICLE
    ISSN: 2320-5407 Int. J. Adv. Res. 7(8), 331-336 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/9509 DOI URL: http://dx.doi.org/10.21474/IJAR01/9509 RESEARCH ARTICLE PIONEERS OF REPERTORY THEATRES. Dr. Pradnya S. Yenkar. Associate Professor, Department of English,Vidyabharati Mahavidyalaya, AMRAVATI (MS)-444602.INDIA. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History The staging of Shakespeare‟s plays was revolutionized by Granville- Received: 06 June 2019 Barker‟s productions at the Savoy Theatre, which were admired for Final Accepted: 08 July 2019 their simplicity, fluidity, and speed. Equally significant for the British Published: August 2019 theatre was the founding of the first provincial repertory theatre in 1908 by Horniman at the Gaiety, Manchester. It not only provided opportunities for promising British playwrights but also presented works by important Continental dramatists. Mainstream British theatre paid very little attention to the antirealistic movements that characterized experimental theatre in the rest of Europe. The domination of the actor-manager was effectively challenged by Harley Granville-Barker and John E. Vedrenne at London‟s Royal Court Theatre; between 1904 and 1907 they staged numerous new plays by British and Continental writers. The major dramatist at the Royal Court, indeed the most important British dramatist of the century, was the Irish-born George Bernard Shaw. The Irish theatre movement and the repertory theatres
    [Show full text]
  • Harold Brighouse Born
    NORTHERN BROADSIDES Information and Education Pack 1 The educational content of this pack is intended for students at Key Stage 4 and upwards. CONTENTS… Page DRAMA The Play 3 The Players The Plot Our Production 7 Barrie Rutter Wendi Peters Guy Parry STUDY: An alternative ending… HISTORY The world of The Game 13 A brief history of Football STUDY: Jack Metherell, then and now LITERATURE Harold Brighouse 19 Biography and works STUDY: From Whitworth to Hobson Strong Northern Women Credits and Links 23 2 DRAMA… The Play: The Game by Harold Brighouse A Comedy in three Acts The action of the play takes place in a Lancashire town on the last Saturday in April between the hours of one and five in the afternoon, in the year 1913. The Players: Austin Whitworth Businessman and owner of Blackton Rovers Football Club Edmund Whitworth His brother (A London Solicitor) Leo Whitworth His son (An aspiring poet) Elsie Whitworth His daughter (A football fan) Florence Whitworth His daughter (A football fan) Jack Metherell A footballer (Centre forward) Mrs Metherell His mother Hugh Martin Blackton Rovers Club Secretary Dr Wells Team Physio Barnes The Whitworth’s butler. Mrs Wilmot A neighbour of Mrs Metherell 3 The Plot: ACT ONE Home of the Whitworth family Production model. Design by Laura Clarkson Edmund Whitworth is visiting his brother Austin, a wealthy businessman and owner of Blackton Rovers – a once thriving football club. It’s the last day of the season and Austin’s daughters, Florence and Elsie, eagerly await another caller – Rovers’ star player Jack Metherell – though their artistic brother Leo is less enthusiastic.
    [Show full text]
  • Twentieth Century British Drama
    CONTEXTS IN LITERATURE Twentieth Century British Drama John Smart Series Editor: Adrian Barlow PUBLISHED BY THE P RESS S YNDICATE OF THE U NIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE U NIVERSITY P RESS The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011–4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Cambridge University Press 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Reprinted 2004 Printed in the United Kingdom at the University Press, Cambridge Typefaces: Clearface and Mixage System: QuarkXPress® 4.1 A catalogue record for this book is available from the British Library ISBN 0 521 79563 X paperback Prepared for publication by Gill Stacey Designed by Tattersall Hammarling & Silk Cover photograph: Photostage/Donald Cooper. Still from Look Back in Anger, Lyttleton Theatre 15.7.99 (Jason Hughes, Michael Sheen, Emma Fielding) Contents Introduction 6 1 Approaching 20th-century British drama 8 The Edwardian age 8 The Edwardian theatre 10 The new theatre: the influence of Ibsen and Shaw 11 The growth of the new theatre 14 The Great War and after 16 Noel Coward 18 The 1930s 19 Workers’ theatre 20 The commercial theatre 21 W.H. Auden and the Group Theatre 21 T.S.
    [Show full text]
  • Hindle Wakes by Stanley Houghton
    Press Information The Finborough Theatre is fully air conditioned, and offers STAGETEXT captioned performances. July to September Season 2012 Jamil Jivanjee for Jackdaw Theatre in association with Neil McPherson for the Finborough Theatre presents The first London production in more than 30 years Hindle Wakes by Stanley Houghton. Directed by Bethan Dear. Designed by Holly Seager. Lighting Design by Chris Withers. Sound Design by Max Pappenheim. Original Composition by Craig Adams Cast: Anna Carteret. Harriet Creelman. Richard Durden. Peter Ellis. Sidney Livingstone. Graham O’Mara. Susan Penhaligon. Ellie Turner. Sarah Winter. The centenary production of Stanley Houghton's classic Hindle Wakes opens at the Finborough Theatre from Tuesday, 11 September 2012 (Press Night: Thursday, 13 September 2012 at 7.30pm) for a strictly limited three-week season. It's holiday week in the Lancashire town of Hindle, just before the First World War. Fanny Hawthorn, a spirited, determined mill girl, has just returned from a weekend in Blackpool with her friend Mary Hollins. At least that's what she tells her parents. In fact, she's been spending the weekend with Alan Jeffcote, a wealthy mill owner's son who is engaged to someone else. When Fanny's parents discover the truth, they set out to ensure that Alan will do the decent thing and marry her – only to discover that Fanny has her own ideas on the matter... One of the first plays to have a working class female protagonist. Hindle Wakes was hugely controversial at the time of its writing, and is now widely acknowledged as a feminist classic.
    [Show full text]
  • Download This PDF File
    Postcolonial Text, Vol 6, No 2 (2011) Glocal Routes in British Asian Drama: Between Adaptation and Tradaptation Giovanna Buonanno University of Modena and Reggio Emilia Victoria Sams Dickinson College, Carlisle Christiane Schlote University of Zurich In the context of British Asian theatre and the search for a diasporic theatre aesthetics, the practice of adaptation has emerged as a recurring feature.1 Over the last decades, British Asian theatre has sought to create a language of the theatre that can reflect the cultural heritage of Asians in Britain, while also responding to the need to challenge the conceptual binary of British and Asian. The plurality of voices that today make up British Asian theatre share a common, if implicit, aim of affirming South Asian culture on the stage as an integral part of British culture. As Dominic Hingorani has pointed out, “British Asian theatre has not only been concerned with the reproduction of culturally „traditional‟ forms from the South Asian subcontinent … but has also focused on the contemporary frame and the emergence of new and dynamic forms as a result of this hybrid cultural location” (7). As this article will argue, adaptations as cultural relocations can provide an effective strategy for mapping this hybrid cultural location. Through their revisionist approach to intertextuality, these adaptations also highlight the dialectic between the local and the global, whether in their recreation of regions, such as the northwest of Britain as South Asian British cultural spaces, or of the entangled histories of South Asian and European epic and theatrical traditions. The connotations of the terms “adaptation” and “routes” speak to this tension between the immediate environmental demands and the farther-reaching forces that shape the lives of migrants and where, as James Clifford has shown, the old adage of “roots always precede routes” (3) has been overturned.
    [Show full text]
  • Performing the Role of Maggie in the Play Hobson's
    PERFORMING THE ROLE OF MAGGIE IN THE PLAY HOBSON’S CHOICE BY HAROLD BRIGHOUSE By EMILY GREEN A PROJECT IN LIEU OF THESIS PRESENTED TO THE COLLEGE OF FINE ARTS OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF FLORIDA 2014 Copyright © 2014 Emily Green All rights reserved. ACKNOWLEDGEMENTS I would first like to thank Dr. Charlie Mitchell, without whose excellent direction, patience, and advice I could never have created this performance. I would like to thank Kathy Sarra for her support and guidance in helping me find greater ease in my work and in myself. I would also like to thank Kevin Marshall for introducing me to the Michael Chekhov Technique, which I found crucial to my process. My absolute love and gratitude to my family and friends for their support and the cast and crew of Hobson’s Choice for their hard work, affections, and talents. Finally, I would like to thank Tiza Garland and Dr. Ralf Remshardt for their invaluable guidance and mentorship throughout my time at the University of Florida. 4 TABLE OF CONTENTS Page AKNOWLEDGEMENTS............................................................................................................ 4 ABSTRACT.................................................................................................................................. 6 INTRODUCTION.........................................................................................................................7 TEXTUAL ANALYSIS…………………………………………………………………………
    [Show full text]
  • The Courant Sponsored by the Syracuse University Library Associates ISSN 1554-2688
    pecial Collectio n of the S ns Researc lleti h Cen A Bu ter number five fall 2006 THE COUraNT Sponsored by the Syracuse University Library Associates ISSN 1554-2688 Exhibition on the Painters and Poets of the New York School Will Travel to Lubin House The Special Collections Research Center is currently exhib- iting material from the recently processed Grace Hartigan Papers, as well as from the university art galleries, the Grove Press Archives, and our extensive holdings of art and liter- ary magazines from the 1950s. Entitled Imagine! Painters and Poets of the New York School, the exhibition is now open at E. S. Bird Library and will be available there until 15 December 2006. It will then travel to the Louise and Bernard Palitz Gallery at the Joseph I. Lubin House in New York City, with an opening reception there on 22 March 2007. Grace Hartigan (1922–) was a major participant in the explosion of creative energy that was the New York artis- tic and literary scene of the early 1950s. An important ab- stract expressionist painter, Hartigan was included in the famous show Twelve Americans at the Museum of Modern Art in 1956. Her friends and correspondents included Frank O’Hara, Larry Rivers, Barbara Guest, and Joan Mitchell. The exhibition will highlight Hartigan’s collaboration with poets, especially with Frank O’Hara and Barbara Guest. The Persian Jacket by Grace Hartigan. This silkscreen print on paper from 1953 is a variation on the artist’s oil painting of the same name that was purchased by the Museum of Modern Art.
    [Show full text]
  • 1 the Spirit of Theatre Project Report by Julie Wilkinson for the British Theatre Consortium November 2013
    The Spirit of Theatre Project Report by Julie Wilkinson for the British Theatre Consortium November 2013 1 Contents 1 Curtain Raiser. Before the Library Theatre: Intimate Theatre 3 2 The Spirit of Theatre Project 7 3 Theory and Method 18 4 Questionnaires 42 5 Interviews 89 6 Summary of findings 149 Appendix 1: Interview with Karl Barry, Actor Appendix 2: Interview with Chris Honer, Artistic Director, Library Theatre Company Appendix 3: Interview with Ernst Ter Horst, Architect Appendix 4: Questionnaire and interview scripts Illustration by Martin Chester 1 1 http://www.designjack.co.uk/ 2 1 Curtain Raiser Karl Barry, actor, teacher and once manager of Manchester's International Centre, first contacts the Spirit of Theatre project in April 2013. He is ringing after reading a letter in The Stage newspaper, from a second year student from the Department of English at Manchester Metropolitan University, Dean Ashton, himself an ex-Coronation Street actor, asking for readers to share their memories of Manchester's Library Theatre Company. On the phone, Karl tells me, “I was a member of Intimate Theatre; the pre-cursor to the Library Theatre Company.” The son of a Russian Jewish refugee, who gave up her own acting ambition to become a bespoke tailoress, Karl was in his late teens and working in his uncle's shop in Manchester at the outbreak of war in 1939. He volunteered to serve in the Merchant Navy and despite coming under attack on several occasions, he survived the war without injury. When he was de-mobbed in 1947, Karl joined Andre Van Gyseghem's company in the basement of Manchester's Central Library, as an unpaid member of the student company.
    [Show full text]