Universityof Notre Dame
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
CONGRESSIONAL RECORD— Extensions Of
January 7, 2011 CONGRESSIONAL RECORD — Extensions of Remarks E43 with international challenges. Our armed Arms Control and Non-Proliferation; David of the federation’s Executive Council from forces are a uniquely expensive asset and for Gold, Graduate Program in International Af- 1998 until 2005, vice president of the New some tasks no other instrument will do. For fairs, The New School; William Hartung, York State AFL–CIO and of the New York City many challenges, however, the military is Arms and Security Initiative, New America not the most cost-effective choice. We can Foundation. Central Labor Council. An honors graduate of achieve greater efficiency today without di- David Hendrickson, Colorado College; Mi- Brandeis University and Harvard Law School, minishing our security by better discrimi- chael Intriligator, UCLA and Milken Insti- he previously served as Chief House Counsel nating between vital, desirable, and unneces- tute; Robert Jervis, Columbia University; of the Democratic National Committee and as sary military missions and capabilities. Sean Kay, Ohio Wesleyan University; Eliza- Executive Assistant to the Secretary of the There is a variety of specific options that beth Kier, University of Washington; Charles State of Connecticut. would produce savings, some of which we de- Knight, Project on Defense Alternatives; A skilled and tireless political activist who scribe below. The important point, however, Lawrence Korb, Center for American has dedicated his life to progressive causes, is a firm commitment to seek savings Progress; Peter Krogh, Georgetown Univer- through a reassessment of our defense strat- sity; Richard Ned Lebow, Dartmouth Col- Stu Appelbaum was elected a Delegate to the egy, our global posture, and our means of lege; Walter LaFeber, Cornell University; 1996, 2000, 2004, and 2008 Democratic Na- producing and managing military power. -
Fine Arts Series Brochure (Pdf)
Fine Arts concerts are free and open to all. To learn more about Palms Presbyterian Church, Nursery provided. visit www.palmschurch.org or call (904) 246.6427. Stay connected! The Charlestones Organist Saturday Cathy Fortson Green November 4 Friday, February 23 7:30pm • Sanctuary 7:30pm • Sanctuary Singer David LaMotte Friday, September 15 The Charlestones, a professional male a cappella quartet Catherine Fortson Green is a native of Jacksonville and 7:30pm • Sanctuary based in Charleston, SC, make their Florida debut with has served as Organist at Palms Presbyterian Church for The Charlestones Sing Everything, a concert of a 11 years. She began music studies at the age of six and David is a singer/songwriter and guitarist, with 11 CDs cappella favorites spanning the genres of Renaissance, became organist at the Naval Air Station Hospital Chapel and 2,500 concerts on 4 continents to his credit. He has musical theatre, hymns, barbershop, jazz, country, and at the age of 16. Catherine also served churches in a long-running passion for peace and “worldchanging” pop. Formed in 2014, the Charlestones have delighted Texas and Georgia. She graduated from Jacksonville work, leading him to found and direct a non-profit that audiences throughout the Southeast with their flawless University with a Bachelor’s Degree and a Double Major supports education in Guatemala, chair the American intonation, tight blend, and rocksteady camaraderie. in Organ and Voice. She earned a Master’s Degree in Friends Service Committee Nobel Peace Prize Their new CD is titled Holy City Harmony. Organ Performance at Southwestern Seminary, Ft. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Sun Devil Tradition Ncaa Champions
Arizona State’s Collegiate Record Holders Men’s 4x800m Relay - 7:08.96 - 1984 Pete Richardson Eddie Davis Treg Scott Mike Stahr SUN DEVIL TRADITION NCAA CHAMPIONS Henry Carr Outdoor 220y Dash – 1963 Lynda Tolbert One of the fastest Outdoor 4x100m Relay – 1988 sprinters in school history, Outdoor 100m Hurdles – 1988 & 1990 Carr won the 220-yard Indoor 55m Hurdles – 1990 dash in 1963, taking the Prior to Maicel Malone’s winnings over the crown in 20.5, the school next three years, Tolbert’s four national record at the time. He titles was the most decorated Sun Devil currently stands second track & field athlete in program history. on the all-time list in Tolbert ranks second all-time in Sun Devil 200m/220y event at 20.31. history with four crowns as well as three individual titles. Coleen Rienstra Outdoor High Jump – 1980 & 1981 Indoor High Jump – 1981 The first multiple champion in women’s program history, Rienstra swept the high jump during the 1981 season after winning her first title outdoors in 1980. Her indoor win marked the first indoor title won in program history (men and women). Herman Frazier Outdoor 4x400m Relay – 1976 Outdoor 400m Dash – 1977 Frazier, a US Olympic Champion as well, anchored the 4x400m relay team to gold at the 1976 meet, marking the first relay title in program history. One year later, Frazier won the 400m dash in 45.51 to help the Sun Devils to the 1977 NCAA Team Championship. 80 WWW.THESUNDEVILS.COM Alex Henderson 2 Mile Run – 1959 Henderson was the first NCAA Champion in program history when he won the two mile race in 8:46.8 at the meet held in Berkeley, Calif. -
Umass Fine Arts Center Concert Hall
umassumass finefine artsarts center center CENTERCENTER SERIESSERIES 2008–20092008–2009 1 1 2 3 2 3 playbill playbill 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGA CLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. 2 We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 &ALLON¬#OMMUNITY¬(EALTH¬0LAN IS¬PROUD¬TO¬SPONSOR¬THE 5-ASS¬&RIENDS¬OF¬THE¬&INE¬!RTS¬#ENTER 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. -
Sun Devil Track and Field
SUN DEVIL TRACK AND FIELD MEN’S OUTDOOR RECORDS 100m Dash 1,500m RUN TRIPLE JUMP 1. Marcus Brunson 2001 10.10 1. William Paulson 2019 3:38.35 1. Chris Benard ‘12 16.74 54-11.25 2. Jamol James 2015 10.15 2. Chuck LaBenz 1970 3:40.70 2. Deon Mayfield ‘82 16.72 54-10.25 Ron Brown 1981 10.15 3. Brandon Strong 2002 3:41.42 3. Tim White ‘16 16.57 54-04.50 4. Ryan Milus 2013 10.19 4. Aaron Aguayo 2007 3:41.74 4. Dwight Phillips ‘99 16.41 53-10.25 5. Dwayne Evans 1981 10.20 5. Darius Terry 2013 3:42.34 5. Kenny Frzier ‘84 16.35 53-07.75 6. Kenny Robinson 1985 10.23 6. Nick Happe 2013 3:42.78 6. Chris DeFrance ‘78 16.27 53-04.50 7. Charlie Wells 1975 10.24 7. Fearghal Curtin 2019 3:42.80 7. Ryan Zimmerman ‘06 16.23 53-03.00 8. Walter Haywood 1983 10.26 8. Brandon Bethke 2009 3:42.82 8. Ken McClendon ‘79 16.16 53-00.25 9. Dwight Phillips 2000 10.28 9. Larry Lawson 1974 3:43.00 9. Brian Ellis ‘92 16.14 52-11.75 10. Seth Amoo 2004 10.30 10. Mike Stahr 1985 3:43.06 10. Josh Dixon ‘14 16.03 52-07.25 110m Hurdles MILE RUN HIGH JUMP 1. Andrew Parker 1987 13.51 1. Chuck LaBenz 1970 3:56.90 1. Bryan McBride ‘15 2.30 7-06.50 2. -
Remarks at a Reception for Black Music Month June 22, 2004
1132 June 22 / Administration of George W. Bush, 2004 South Korea’s Role in Iraq President Bush. Thank you, sir. Q. Mr. President, in the wake of the be- heading of the South Korean national, what NOTE: The President spoke at 1:54 p.m. in the Oval Office at the White House. In his remarks, are you doing to ensure South Korea sticks he referred to former President Saddam Hussein to its plan to send 3,000 troops to Iraq? of Iraq; Prime Minister Ayad al-Alawi of the Iraqi President Bush. I haven’t had a chance interim government; and President Roh Moo- to speak to President Roh yet, but I would hyun of South Korea. Prime Minister Medgyessy hope that President Roh would understand spoke in Hungarian, and his remarks were trans- that the free world cannot be intimidated by lated by an interpreter. the brutal action of these barbaric people. See, what they’re trying to do is they’re trying to shake our will and our confidence. Remarks at a Reception for They’re trying to get us to withdraw from Black Music Month the world so that they can impose their dark June 22, 2004 vision on people, and remember what their dark vision is like. Remember what it was Thanks for coming, and welcome to the like for a young girl to grow up with the White House. Laura and I really appreciate Taliban in Afghanistan. This was a society you coming to join us today to celebrate where young girls weren’t even allowed to Black Music Month, and we’re glad you’re go to school. -
Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz Ambassador
Journal of American Studies, (), , – © Cambridge University Press and British Association for American Studies doi:./S First published online February Dr. Billy Taylor, “America’s Classical Music,” and the Role of the Jazz Ambassador TOM ARNOLD-FORSTER The idea of jazz as “America’s classical music” has become a powerful way of defining the music, asserting its national and artistic value, and shaping its scholarly study. The present article pro- vides a history of this idea through a close analysis of its primary theorist and most visible spokes- person, Dr. Billy Taylor. It argues that the idea was not a neoclassical and conservative product of the s, but had important roots in the Black Arts imperatives of the later s and early s. It suggests that Taylor initially made the idea work inventively and productively in a variety of contexts, especially through his community arts project Jazzmobile, but that these con- texts diverged as his public profile was stretched thin across and beyond the United States. The idea’s disintegration into clichéd ubiquity in the mid-s then provides a critical perspective on the idea of the “jazz renaissance,” and an opportunity to consider the role of the jazz ambas- sador in the context of debates about African American intellectuals. “America’s classical music” has been a prominent answer to the persistent question of what jazz is. It challenges the drugs-and-brothels imagery that has long lingered around the music, and it rejects, perhaps too confidently, the notion that jazz is essentially enigmatic. In , the critic Grover Sales published Jazz: America’s Classical Music, which portrayed a grand artistic heritage. -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,.. -
Seat One 6.33M 60 Yd. High Kurd;
MEET R3SU January 9; 1931 Provo, UT Shot Put 60 Yd High Hurdle? - Final Stefan Fernholm - UNATT IS.' Bertil Johansson - UNATT 7.52 Tapio Kusela - UNATT 16.07 Dorr - Weber 7.54 Tito Steiner - UNATT Kevin Featherstone - UNATT 7.66 Russell ftfeldrem - UNATT 14.12 Gordon Rawlinson - UFi/ 7.68 Conklin - 7.75 Long Jump Matt Johanson - UNATT 7.82 Elbert Gra foer 7.03m 60 Yd Dash Steve Hubbard - UNATT 6.94m Asami - UNATT 6.91m Seat One Pat Cabulagen - UNATT 6.8 Jim Horner - ISU 6.58m Perry - Weber 6.22 Rolland Tolbert -- CEu 6.33m Brad Marshall •- ISU 6.49 Gary Lund - Weber 6.26m Tom Calvert - ISU 6.65 Kevin Featherstone •- UNATT 6.67 Pole Vault Heat Two Shepard - UNATT 14»6" Kama - ISU 14'0i: Gray - Weber 6.36 Barney - UNATT Uf0" Mark McGavish 6.48 Faber - UNATT 13'6!1 Otis Henson - UNATT 6.66 Steve Hubbard •- UNATT 6.89 60 Yd. High Kurd; Heat Three Heat One Arvella - Weber 6.32 Dorr - Weber 7.54 Tim Conklin - UNATT 6.64 Gordon Rawlinson - UNATT 7.68 Larry Porter - UNATT 6.69 Bartlett - Weber 9.25 John Bartlett - ISU 7.19 Heat Two Heat Four- Kevin Feathersone - UNATT 7.66 Sparks - Weber 7.96 Hall - UNATT 6.51 John Branchfield -- ISU 8.43 Eagles - UNATT 6.63 Anderson - UNATT 7.06 Heat Three Heat Five Bertil Johanasen -• UNATT 7.52 Matt Johanson - UNATT 7.82 Fugate - UNATT 6.63 Dick - Weber 7.80 Shephard - UNATT 7.01 Heat Four 60 Yd Dash - Finals Conklin - UNATT 7.75 Perry - Weber 6.22 Chris Edwards - UNATT 7.91 Arvella - Weber 6.32 Gray - Weber 6.36 Heat Five Mark McGavish - ISU 6.48 Brad Marshall - ISU 6.49 Ilkka Aura - UNATT 7.85 Hall - UNATT 6.51 Mark Strauss - UNATT 8.08 -?- 440 Yd Dash 880 Yd Run Heat Q Elton - V/eber 1:5- Carl Ericson - UNATT 1:51 Mark McGavish -• ISU 49.29 Bart Jor.es - UNATT 1:5" S orenson - V/eber 51.33 Hasapaj 00.73 Chris Edwrrds - UNATT 51.61 UNATT 2:01.84 John Bartlett - ISU 56.87 Huck - Weber 2:01.84 Heat Two 1000 Yd Run Brad 1 11 - ISU 49.84 Johr- rds •• UNATT 2:14.00 Gordon Ravlinson - 50. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965.